Tato práce se soustřeďuje na výzkum různých numerických zařízení starověkého čínského číselného systému, jako je sekvence Wu Xing a související funkce, za účelem generování různých kompozičních materiálů pro hudební složení podle výsledku trigramu (Gua / 掛). Mým celkovým přístupem je vyvinout metody, které nám dávají svobodu volby různých kompozičních materiálů, protože můžeme generovat velmi odlišný kompozitní materiál, jako jsou váhy a akordy, výsledkem Bagua (八 掛) místo operace změny Johna Cagea, Který pouze splňuje určité výsledky, generalizuje celý kus automaticky. Proto můžeme vybrat nejvhodnější materiály pro hudební kompozici a lépe řídit kompoziční proces. Uvedené prvky jsou velmi jednoduché; Nicméně, numerické vztahy mezi nimi mohou být velmi složité. Přestože to nabízí atraktivní potenciál pro jejich použití při tvorbě nových kompozičních materiálů, musíme vyřešit komplikaci procesu a vyhnout se chybě výpočtů. S odkazem na tento problém můžeme použít několik způsobů, jak správně přispět k procesu generování: Aplikace počítače pro výpočet, zabránění použití složitých vzorců v systémech a křížová kontrola jinou osobou.

abstract: During the twelfth century, three new schools of Daoism were founded in North China: Quanzhen (Complete Perfection), Taiyi (Supreme Unity), and Dadao (Great Way). While Quanzhen has received much scholarly attention, the others have been largely ignored. By focusing on just one school--Dadao--as in depth as possible and within the historical context, I hope to elucidate the flourishing state of Daoism in North China during the twelfth through fourteenth centuries beyond just the activity of the Quanzhen school. To that end, I have amassed sixteen inscriptions and records, as well as reconstructed one inscription previously incomplete, and added them to the eleven inscriptions and records published in the Daojia jinshi lüe and the three pieces of Yuan-dynasty poetry and prose contained in the Nan Song chu Hebei xin Daojiao kao. This has doubled the available source material. Most of these have been previously published individually, but have never been studied in conjunction with the other known Dadao texts. The result is the most comprehensive study of the school in over seventy-five years, in which I also present a new understanding of the school’s founder, how the lineages developed, and the school’s ultimate fate. The portrait of the school which emerges from this dissertation challenges the notion that Dadao was nothing more than a minor variation of the Quanzhen school or is otherwise unworthy of scholarly attention. / Dissertation/Thesis / Doctoral Dissertation East Asian Languages and Civilizations 2017

Diplomová práce, Bc. Jan Komárek Abstract This thesis is a comparison of two literary works: on the one hand, nearly forgotten anonymous novel Jin, Yun Qiao Story (金雲翹傳), which was written in China at the turn of XVII and XVIII century, and, on the other hand, of a famous novel in verse called The Tale of Kiều (Truyện Kiều), composed a century later by a Vietnamese poet Nguyễn Du on the basis of the aforenamed work. The primary aim of this thesis is to point to the literary elements by means of which Nguyễn Du enriched his work in comparison to the original, and thus offer an explanation of why each of these works met such a different fate. For illustration, translations of the first chapter of the Chinese novel and of a corresponding part of the Vietnamese poem are presented. The two works are then set in the literary context of their time and Nguyễn Du's relationship to the Chinese novel is assessed on the basis of his other works and related contemporary sources. Subsequently, there is a brief outline of history of the comparison between the two works by Vietnamese and by some foreign scholars. Finally, both texts are subjected to a comparison by means of statistics, examples and references to the translated excerpts presented at the beginning of the thesis. The comparison respects the differences in the...

Origin of the survey: During the latter half of the year 1921, Professor Paul Monroe, of Teachers College, Columbia University, working under the auspices of the Chinese National Association for the Advancement of Education made an extensive tour in China for the purpose of lecturing on educational administration, and making a critical investigation of the schools and higher institutions. Professor Monroe discovered many serious defects in the system of education, and pointed out with particular emphasis the weakness and inadequacy of the science instruction, and the urgent need for improving it.

Increasingly, postcolonial scholars are recognising that the discipline must move beyond the mere critique of European imperialism, and that the future lies, in part, in seeking solutions to the conflicts and injustices that remain the persistent legacy of the colonial era. A concurrent trend in literature departments has been the push to incorporate and encourage comparative methodologies. This essay brings into conversation two works of Asian American fiction that address the problematics of transnational encounter in the age of globalisation. In both Ha Jin's "After Cowboy Chicken Came to Town" and Lawrence Chua's Gold by the Inch the authors explore familiar postcolonial themes: Western economic and cultural hegemony, cultural imperialism, the legacy of the Euro-American colonial era - yet they do so from a very particular (and increasingly common) perspective that as yet has not been sufficiently addressed by postcolonial scholars. Reading these texts through the lens of Roger Célestin's theorisation of the limits of traditional literary exoticism in From Cannibals to Radicals, this essay calls for a re-evaluation, not merely of our understanding of literary exoticism, nor merely of our understanding of the transpacific as a political imaginary, but also of our long-held conceptions of national literature and comparative scholarship.

Increasingly, postcolonial scholars are recognising that the discipline must move beyond the mere critique of European imperialism, and that the future lies, in part, in seeking solutions to the conflicts and injustices that remain the persistent legacy of the colonial era. A concurrent trend in literature departments has been the push to incorporate and encourage comparative methodologies. This essay brings into conversation two works of Asian American fiction that address the problematics of transnational encounter in the age of globalisation. In both Ha Jin's "After Cowboy Chicken Came to Town" and Lawrence Chua's Gold by the Inch the authors explore familiar postcolonial themes: Western economic and cultural hegemony, cultural imperialism, the legacy of the Euro-American colonial era - yet they do so from a very particular (and increasingly common) perspective that as yet has not been sufficiently addressed by postcolonial scholars. Reading these texts through the lens of Roger Célestin's theorisation of the limits of traditional literary exoticism in From Cannibals to Radicals, this essay calls for a re-evaluation, not merely of our understanding of literary exoticism, nor merely of our understanding of the transpacific as a political imaginary, but also of our long-held conceptions of national literature and comparative scholarship.

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吾國文學代興末替，考述其學術創作，各具偉業，而金代文學駸盛，不亞他代：惟前 此中國文學史專著，罕見綜論者，本文旨在紹述金代文學全貌，期能稍補文學史之闕 漏。 本文凡八章，約三十九萬餘字。 第一章：「緒論」，陳述本文研究之目的、方法、以及研究條件之囿限。 第二章：「金代文學之時代背景」，首節：「政經狀況」，分就國策、政教、經建、 考述其措施及良窳。次節：「社會環境」，針對社會結構、種族問題、漢人抗金行動 、社會習俗、新道教盛行等，分述其實況。三節：「學術背景」，從科學擢才之成果 ，儒士弘道之實踐，以及學術思潮之傳承等，推論學術發展之原委及影響。 第三章：「金代文學概況及其分期」，首節：「文學概況、類分詩、詞、文、戲曲等 概述之」；次節：「著作概況、以典籍之傳承、刊刻、現存典籍之評介為主」。三節 ：「金代文學之分期」，首言分期之意義及準繩，斷分為「肇始」、「經營」、「創 新」、「大成」四期，以見特色。 第四章至七章：「金代重要文學家之考述」，依前分四期，各列乙章，共擇代表性名 家三十二人以及女真君王之創作，依序考述其平生志業，評騭其作品之內容、風格、 技巧、文學理論等，以彰顯金代文學之實況。 第八章：「結論」，歸納為五項：金代文學成就斐然可觀，金代文學與時代關係密切 ，金代文士全力持護文化，金代文學啟導元代文學，以及揭示後續研究之課題等，並 教於碩學先進。

習近平出身紅二代，不同於前幾代中國大陸領導人以傳統意識形態路線為施政主軸，習近平卻提出了訴諸情感的「中國夢」。 既稱之為夢，即有無限想像空間，難加以具體化。而「中國夢」的戰略觀構想，不僅為主導與型塑著習近平時代中共的對外政策、戰略規劃與全球佈局。當前，「中國夢」的內涵伴隨著情勢發展和現實需要不斷的擴充，不僅積極應處周邊關係，穩定亞太地區、妥善處理海權爭議、牽制美國亞太「再平衡」戰略，並向西推進「一帶一路」戰略。 「一帶一路」不僅是彰顯習近平中國特色的大國外交理念，也創新發展中國外交思想和國際戰略，使對外工作具有鮮明的中國特色、中國風格、中國氣派，更推進中國新一輪對外開放並與沿線國家合作共贏的外交方略。 因此，從習近平擘劃的「中國夢」藍圖下，透由「一帶一路」戰略構想，開創對外政經合作的新格局，將成為習近平「中國夢」的歷史定位。