Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-04-09Bitstream added on 2014-06-13T20:15:55Z : No. of bitstreams: 1 silva_cvc_me_assis.pdf: 496538 bytes, checksum: cd4ebdbb976d13b836e7f71f068d3ceb (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O presente trabalho realiza uma análise comparativa entre a literatura brasileira moderna e a angolana contemporânea, mais especificamente, em dois autores ícones da literatura destes dois países, ou seja, João Antônio e João Melo. As obras que compõem o corpus da pesquisa são: Malhação do Judas Carioca (1975), coleção de 12 contos e um ensaio crítico, que exploram o cotidiano de personagens comuns, pertencentes a um universo noturno (boêmia) que se encontram às margens da sociedade e que lutam com dificuldades pela sua sobrevivência e Filhos da Pátria (2001), reunião de 10 contos que traçam um panorama histórico e social da cidade de Luanda (Angola), através de suas personagens que se encontram geralmente em uma situação de miséria e total privação de seus direitos civis, lutando por um espaço de referência na sociedade luandense, bem como por uma sobrevivência digna e honesta. O trabalho realizou a análise dos elementos estruturais e temáticos de quatro contos de cada obra, também do ensaio “Corpo-a-corpo com a vida” de João Antônio, observando a literatura como arma de defesa e denúncia das mazelas sofridas pelas camadas pobres da sociedade brasileira e angolana, em busca de uma arte nacional e de formação de identidades / The present study aimed to conduct a comparative analysis between the Brazilian modern literature and the contemporary Angolan literature, more specifically, two authors, icons of these two countries, namely: João Antônio e João Melo. The works that comprise the body of this research are: Malhação do Judas Carioca (1975), a collection of 12 short stories and one critical essay, exploring the daily life of commoners belonging to a nocturnal world (bohemian) that find themselves on the margins of society and struggling with difficulties for survival; and Filhos da Pátria (2001), a collection of 10 short stories which give a historical and social panorama of Luanda’s city (Angola), through its characters that are usually in a state of total poverty and deprivation of their civil rights, fighting for a space of reference in Luanda society, as well as by an honest and dignified survival. The work carried out involves the analysis of structural and thematic elements of four short stories of each work and the essay “Corpo-a-corpo com a vida”, of João Antônio, seeing the literature as a weapon of defense and denunciation of the ills suffered by the poor Brazilian and Angolan society, in search of a national art and identities formation

Made available in DSpace on 2015-08-20T17:10:16Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-05-14. Added 1 bitstream(s) on 2015-08-20T17:25:40Z : No. of bitstreams: 1 000841122.pdf: 768505 bytes, checksum: ea3dcf25ec3fb913467d9df7e46363cf (MD5) / O romance Os cus de Judas, publicado em 1979, integra o que o seu autor, António Lobo Antunes, chamou de ciclo de aprendizagem. Nesta fase inicial de sua vasta trajetória como romancista, em que se destaca a experiência vivida pelo autor em Angola, nos derradeiros anos da Guerra Colonial, já estão também presentes alguns elementos estéticos, temáticos e estruturais que serão desenvolvidos ao longo de sua produção romanesca, garantido assim sua singularidade no profícuo universo do romance português contemporâneo. Em sua construção ficcional, Lobo Antunes tem a memória como elemento primordial de seus romances e crônicas, configurando tempos e espaços específicos nos quais os mitos fundadores da identidade portuguesa são postos em cheque. Neste sentido, nosso objetivo é verificar como são articulados os conceitos de tempo, memória e identidade, a fim de compreender não só as estratégias narrativas e discursivas do autor, mas também sua relação com a contemporaneidade nos horizontes da pós-modernidade e do pós-modernismo na literatura portuguesa. Para tanto, adotamos como metodologia o estudo inicial da relação entre história, ficção e testemunho, seguido de uma reflexão sobre o tempo, a memória e a imaginação adotando como referência os estudos de Paul Ricoeur. Nossa pesquisa avança com a reflexão sobre identidade no contexto pós-colonial, compreendendo o romance como uma narrativa de regresso. Por fim, nossa pesquisa alia-se aos estudos que mostram o quanto o universo literário de António Lobo Antunes é paradigmático de um discurso marcado por um mal-estar característico da pós-modernidade, pela morte, por impossibilidades e incertezas, resultantes da uma experiência traumática, simultaneamente individual e coletiva que foi a Guerra Colonial / The novel Os cus de Judas, published in 1979, is part of what the author, António Lobo Antunes, called the learning cycle. At this early stage of his extensive career as a novelist, which highlights the experience by the author in Angola, in the latter years of the Colonial War, are already present some aesthetic, thematic and structural elements to be developed throughout his novelistic production, what ensures its uniqueness in the profitable world of contemporary Portuguese novel. In his fictional construction, Lobo Antunes has memory as a core component of his novels and essays, setting specific times and spaces in which the founding myths of Portuguese identity are put in check. In this sense, our goal is to see how are articulated the concepts of time, memory and identity in order to understand not only the narrative and discursive strategies of the author, but also its relationship to contemporary horizons in the post-modern and post- modernism in Portuguese literature. Therefore, we adopted as a methodology the initial study of the relationship between history, fiction and testimony, followed by a reflection on time, memory and imagination taking as the main reference the studies of Paul Ricoeur. Our research puts forward a reflection on identity in the postcolonial context, comprising the novel as a return of narrative. Finally, our research combines up to studies that show how the literary universe of António Lobo Antunes is paradigmatic of a speech marked by a malaise characteristic of postmodernity, by death, by impossibilities and uncertainties resulting from a traumatic experience, both individual and collective that was the Colonial War

Orientador: Ana Maria Domingues de Oliveira / Banca: Odil José de Oliveira Filho / Banca: Tania Celestino de Macêdo / Resumo: O presente trabalho realiza uma análise comparativa entre a literatura brasileira moderna e a angolana contemporânea, mais especificamente, em dois autores ícones da literatura destes dois países, ou seja, João Antônio e João Melo. As obras que compõem o corpus da pesquisa são: Malhação do Judas Carioca (1975), coleção de 12 contos e um ensaio crítico, que exploram o cotidiano de personagens comuns, pertencentes a um universo noturno (boêmia) que se encontram às margens da sociedade e que lutam com dificuldades pela sua sobrevivência e Filhos da Pátria (2001), reunião de 10 contos que traçam um panorama histórico e social da cidade de Luanda (Angola), através de suas personagens que se encontram geralmente em uma situação de miséria e total privação de seus direitos civis, lutando por um espaço de referência na sociedade luandense, bem como por uma sobrevivência digna e honesta. O trabalho realizou a análise dos elementos estruturais e temáticos de quatro contos de cada obra, também do ensaio "Corpo-a-corpo com a vida" de João Antônio, observando a literatura como arma de defesa e denúncia das mazelas sofridas pelas camadas pobres da sociedade brasileira e angolana, em busca de uma arte nacional e de formação de identidades / Abstract: The present study aimed to conduct a comparative analysis between the Brazilian modern literature and the contemporary Angolan literature, more specifically, two authors, icons of these two countries, namely: João Antônio e João Melo. The works that comprise the body of this research are: Malhação do Judas Carioca (1975), a collection of 12 short stories and one critical essay, exploring the daily life of commoners belonging to a nocturnal world (bohemian) that find themselves on the margins of society and struggling with difficulties for survival; and Filhos da Pátria (2001), a collection of 10 short stories which give a historical and social panorama of Luanda's city (Angola), through its characters that are usually in a state of total poverty and deprivation of their civil rights, fighting for a space of reference in Luanda society, as well as by an honest and dignified survival. The work carried out involves the analysis of structural and thematic elements of four short stories of each work and the essay "Corpo-a-corpo com a vida", of João Antônio, seeing the literature as a weapon of defense and denunciation of the ills suffered by the poor Brazilian and Angolan society, in search of a national art and identities formation / Mestre

Made available in DSpace on 2016-08-10T10:50:11Z (GMT). No. of bitstreams: 1 CLEUTON CLENES DA SILVA.pdf: 1417621 bytes, checksum: 3f9b7f8cea0cb7097d1e697b0a56809b (MD5) Previous issue date: 2012-12-20 / This study evaluates the spontaneous Willingness to Pay (WTP) of a proportion of the Goiania II and Sao Judas Tadeu Goiânia residents in order to reduce or eliminate the air pollution, supposedly generated by Goiania II ETE (Sewage Treatment System) and Unilever, which could result in improved quality of life for those who live nearby. The goal of the research was to put a price on environmental pollution, so it was decided to use the Contingent Valuation Method (CVM), as this is most frequently recommended and used when analyzing individual consumer preference in relation to the environmental goods or services at their disposal. As a field research technique, questionnaires were given to a sample of this population, with the aim of evaluating the interviewees conceptions in relation to the environmental issues exacerbated by the Goiania II ETE and Unilever. In order to justify and tabulate the answers found in the questionnaires, the SPSS statistical program was used for regression analyses. Spontaneous WTP was considered the dependent variable while the independent variables included income, education level, occupation, etc.. By means of the field research, it could be affirmed from the majority of interviewees responses that the problem of air pollution, from their conception, is associated in particular with the industries of the region. They further highlight that Government at all levels (local, state and federal) is negligent in terms of the environmental issues which affect the residents. It was concluded that the vast majority of respondents is not willing to pay to reduce or eliminate the existing air pollution that they have to put up with, allegedly for economic reasons. Respondents warn that the Goiania II ETE and Unilever need to improve collective sewage treatment and put environmental policies in place. / Esta pesquisa avalia a Disposição a Pagar (DAP) espontânea de um percentual dos habitantes dos setores Goiânia II e São Judas Tadeu de Goiânia, para diminuir ou desaparecer com o problema da poluição do ar gerado supostamente pela ETE Goiânia II e Unilever, o que poderá resultar na melhoria da qualidade de vida dos habitantes que vivem nas proximidades dessas empresas. O objetivo da pesquisa é, valorar a poluição ambiental, por isso, decidiu-se pelo Método de Valoração Contingente (MVC), devido ser o mais recomendado e utilizado para analisar a preferência individual dos consumidores em relação aos bens ou serviços ambientais disponibilizados a eles. A técnica utilizada na pesquisa de campo foi o uso de questionários a uma amostra dessa população, tendo como intuito, avaliar a concepção dos entrevistados em relação à questão ambiental agravada pela ETE Goiânia II e Unilever. Para justificar e tabular as respostas encontradas nos questionários foi utilizado o programa estatístico SPSS fazendo a análise de regressão. Considerou-se como variável dependente a Disposição a Pagar (DAP), e como variáveis independentes, a renda, o nível de escolaridade, profissão, etc. Pela pesquisa de campo, pôde-se afirmar através da maioria dos pesquisados, que o problema do ar poluído, nas suas concepções, está associado em especial às indústrias da região. Destacam ainda que, o Poder Público em todas as esferas (municipal, estadual e federal), são omissos no que diz respeito aos problemas ambientais que os afetam. Conclui-se ainda que, a grande maioria dos pesquisados, não estão dispostos a pagar uma taxa para diminuir ou desaparecer com a poluição do ar existente e que os atingem, alegando sobretudo, fatores econômicos. Os pesquisados alertam que, a ETE Goiânia II e a Unilever precisam fazer um tratamento melhor do esgoto coletivo e apliquem em políticas ambientais.

Uppsatsen syftar till att testa den kritiska teorins relevans och användbarhet vid analysen av en modern, politisk Hollywoodfilm som Judas and the Black Messiah (Shaka King, 2021). Utifrån narrativ, form och reception undersöks om filmen kan sägas förmedla subversivitet och samhällskritik. Resultatet visar att filmen följer en klassisk narrativ struktur som inte ger utrymme för samhällskritik. Dock finns vissa formmässiga brott som kan sägas göra det, inte minst i hur dåtid och nutid knyts ihop. I receptionsanalysen studeras amerikanska recensioner av filmen, och här återfinns flera exempel på hur recensenterna läser in ett tydligt antirasistiskt budskap i filmen och relaterar detta till den nutida Black Lives Matter-rörelsen. Å ena sidan går det att hävda att Judas and the Black Messiah därigenom förmedlar subversivitet och samhällskritik till åskådarna. Å andra sidan är frågan om antirasism idag verkligen kan ses som genuint subversivt, och huruvida detta vederlägger den kritiska teorin eller ej.

The thesis deals with the musical and stylistic analysis of the F. X. Brixi's oratorio Judas Iscariothes, that was preserved in the Osek Monastery under the name Oratorio pro die sacro parasceves. The first part of the thesis describes the musical history, preserved music sources and inventories of Osek. The next section deals with the oratorio in Osek. The main point of this chapter is to inventory oratorio productions performed in Osek during the 18th and early 19th century. The key part of the thesis is the musical and style analysis of the oratorio Judas Iscariothes. Appendix contains the edition of this oratorio.

The Gospel According to Thomas is found in the second manuscript of codex II of a set of texts found in Nag Hammadi, Egypt, collectively referred to today as the Coptic Gnostic Library. This gospel was readily identified as Thomas due to fragments of a Greek version of the text having already been discovered and identified in the 1890s at Oxyrhynchus, Egypt. However, the discovery near Nag Hammadi in 1945 C.E. was not of fragments, but it actually contained the entire text of Thomas. Thus, the finding of the entire text in Nag Hammadi brought about a set of questions that had not yet surfaced from the fragments of Thomas previously found at Oxyrhynchus, Egypt. For example, was Thomas actually written by Didymus Jude Thomas? If Thomas did not write it, then by whom was it written, and why did the actual author claim it to be written by Thomas?

The Gospel According to Thomas is found in the second manuscript of codex II of a set of texts found in Nag Hammadi, Egypt, collectively referred to today as the Coptic Gnostic Library. This gospel was readily identified as Thomas due to fragments of a Greek version of the text having already been discovered and identified in the 1890s at Oxyrhynchus, Egypt. However, the discovery near Nag Hammadi in 1945 C.E. was not of fragments, but it actually contained the entire text of Thomas. Thus, the finding of the entire text in Nag Hammadi brought about a set of questions that had not yet surfaced from the fragments of Thomas previously found at Oxyrhynchus, Egypt. For example, was Thomas actually written by Didymus Jude Thomas? If Thomas did not write it, then by whom was it written, and why did the actual author claim it to be written by Thomas?

This diploma thesis attempts to outline the image of Judas in a long-lasting tradition and follows the references of this character in canonical and non-canonical reports. It is an extension of the author's bachelor's thesis, which was dedicated to the analysis of biblical and Gnostic texts concerning the figure of Judas. For this reason, the author does not deal with a detailed analysis of these texts in this work and directly refers the reader to it (the work is available for inspection in the Repository of Final Theses of Charles University). The first chapters are devoted to reports from the Gospels and Paul's works, which the author serves primarily as a springboard for the introduction of various conceptions of the person of Judas, and which became the basis for the development of a tradition in the following centuries. In addition to canonical messages, the author encounters motives from non-canonical and apocryphal texts related to Judas, which have influenced the tradition of perception of one of Jesus' disciples to a similar extent. One of the subchapters is also devoted to the text of the Book of the Cock, which is not available in Czech, and to not very well-known topics that have not been very successful in the official church tradition. In the following chapters, the author identifies...

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