The aim of this work is to research the relationships between abstract musical space and physical space, to explore the various possibilities of connecting sound, light and matter in space, their interaction and unfolding over time. The knowledge and outputs will later be applied in the design of a cultural object providing a visual and acoustic experience with an emphasis on human perception.

The aim of the diploma thesis was to design a new public library in Přerov. In the first part I was analyzing several possible localities, that were suitable for the library, and after that I chose the square of Prerovske povstani. Urban solution of my design is influenced by three main motives of the square: the Hvězda cinema, pedestrian paths and the green. The new library can be simply described as a two-storey rectangular box floating over an open parterre. There are two projections of the library and the ground, cylindrical entrance tube and rectangular solid with café, commercial space and underground parking entry. These two masses go through the whole volume of library and end on the roof terrace. The main rectangular box is covered by perforated textile facade with printing.

Transformation of a building from 1980's in a small town. Cultural centre in Koprivnice, urban masterplan of city centre.

The diploma thesis Contemporary Czech film trailer and its role in the promotion of the film in the context of foreign production deals with the film trailer. The first part deals with the development of the film trailer abroad, particularly in the United States of America. It describes every single time period up to the present day and outlines the future trends in its development. The second part comprehensively analyzes all components of cinematic trailer. It describes the process of making movie trailers, classifies it in the film marketing communication mix and examines its role in the film promotion. It refers to manipulative function of trailer and deals with its control. Finally, describes the process of distribution trailer and shows the various distribution channels. All of these issues compare the situation in the U.S. and the Czech Republic. The final section focuses on the Czech film trailer. First, it maps its history from the beginning to the present. Then it puts these findings into the context of the Czech film history and the history of the Czech movie promotion. Further thesis will focus on the current situation in the Czech trailer. Analyzes it from the perspective of film critics and trailer makers and presents all factors influencing the form of trailers. In conclusion, the...

The first part of the thesis is focused on the description of the specifics of business in culture, the division of types of innovation and the possibilities of financing cultural activities. In the second part of the thesis, the cultural object Kino Ševětín, its history, marketing communication, potential customers are introduced. Furthermore, there is described the situational analysis, which results in technical, strategic and product innovation. Subsequently, the possibilities of financing these innovations are described.

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Šio darbo tikslas – ištirti edukacinį filmo poveikį (per užslėptojo ugdymo/si bei savaiminio mokymo/si momentus). Tyrimo metu buvo analizuojamas Simpsonų filmas focus grupės metodu. Tyrimo duomenys nagrinėjami pagal autorės išskirtas kategorijas. Magistro darbe, remiantis lietuvių ir užsienio mokslinės literatūros analize, atskleistos edukacinės medijų plotmės: pristatyta neregimojo ugdymo/si bei savaiminio mokymo/si raiška animaciniuose filmuose; supažindinama su kino edukacija, kaip edukacinių plotmių sklaidos perspektyva animaciniuose filmuose. Tyrimas įrodo, kad animaciniai filmai (konkrečiai Simpsonų filmas) turi edukacinį poveikį paauglių atžvilgiu. / The aim of this work is to examine the effect of educational movie (through hidden curriculum and self-directed learning moments). During the research the Simpsons Movie was analysed by a focus group method. The research data is examined after authoress categories that she has excluded. This master‘s work is based on lithuanian and foreign nonfiction literature analysis, what is more the educational media planes are revealed: the hidden curriculum and informal learning expression in cartoon movies is introduced; the cinema education is introduced, like educational planes of scattered perspective in animated movies. The research proves that animated movies (The Simpsons Movie) have an educational impact on teenagers.

The study deals with the reconstruction and new functional use of the castle in Hrušovany nad Jevišovkou. He is currently unused and disillusioned. The owner of the castle is the town of Hrušovany nad Jevišovkou. City leadership takes steps to save the building. The proposal takes into account the city's wishes regarding the use of the building and the arrangement of dispositions is designed to meet today's operational requirements. The design tries to highlight the architectural values of the castle and offers a dignified use of this monument.

Film is cultural piece which has quickly become as phenomena of Twentieth Century. Film festivals are celebration of all spectrum of works and theirs authors. Festivals contributes to development of film industry and cinematography. Endeavor to improve organization's effectiveness of this social event can be done by establishing an information system which can help to reach higher attendance and satisfaction of visitors.

From the very beginning of cinema, music always played an important role in the history of filmmaking. Nonetheless, film music is judged by critics as a kind of low-grade art form. However, the majority of film score composers enjoyed a classical education and composed as well for the silver screen as for the concert hall. Film music also has its roots in the musical era of romanticism. Therefore, symphonic film scores can be regarded as program music in a broader sense. These scores were influenced by a motion picture instead of a poem, a landscape, or a painting. It is neither necessary nor supposed that film music must be subordinate to its belonging film. In fact, a well-written film score may enhance the impact of a film by using its own language—the language of music. Film music is still not truly recognized as an own style of music which is to be performed regularly in a concert hall. There are still strong prejudices about film music—too nice, too industrial, full of clichés, and unworthy to be performed live by an orchestra. This book wants to explore the nature of film music and its relation to classical music in this volume. How is film music perceived today? Does film music have its place on its own—uncoupled from its original film—in the concert hall? And how does film music relate to other musical genres in the 19th and 20th century? With contributions by Emilio Audissino, Marco Cosci, Kristjan Järvi, Irena Paulus, Gene Pritsker, Jaume Radigales, Lorenzo Sorbo, Sebastian Stoppe, and Pascal Vandelanoitte.:Sebastian Stoppe : Film Music in Concert: Introduction Sebastian Stoppe : Film Composing between Art and Business Emilio Audissino : Overruling a Romantic Prejudice: Film Music in Concert Programs Jaume Radigales : Wagner’s Heritage in Cinema: The Bernard Herrmann Case Irena Paulus : Williams versus Wagner — Or an Attempt at Linking Musical Epics Emilio Audissino : Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score Gene Pritsker: On Film Music in the 21st Century Kristjan Järvi : “A Soundtrack to Our Lives...” Gene Pritsker : Composing Cloud Atlas Symphony Lorenzo Sorbo : The Dramatic Functions of Italian Spaghetti Western Soundtracks: A Comparison between Ennio Morricone and Francesco De Masi Marco Cosci : Musical Labyrinths in Time: Alain Resnais’ L’Année dernière à Marienbad Pascal Vandelanoitte : Ludwig: Consonant Music in a Dissonant Life Contributors