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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 4 of 4 (0.052 seconds)Spelling suggestions: "subject:"literary archive"" "subject:"literary orchive""
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[en] ARCHIVE, BODY AND READING: THE MOVEMENTS OF SAMUEL RAWET S WRITING / [pt] ARQUIVO, CORPO E LEITURA: MOVIMENTOS DA ESCRITA DE SAMUEL RAWETBIANCA IUNG BRUEL 22 May 2020 (has links)
[pt] Esta dissertação baseia-se no acervo do escritor Samuel Rawet, doado em 2018 ao Arquivo-Museu de Literatura Brasileira da Fundação Casa de Rui Barbosa. A proposta é investigar hipóteses para os procedimentos de escrita e percursos de criação do autor, analisando de que forma seu acervo pode ser
compreendido como parte integrante de sua obra literária. A partir do estudo de fontes documentais e de suas possíveis articulações, estabelecidas pelos cruzamentos e pelas conexões com textos publicados e com o próprio conjunto documental do acervo, busca-se refletir sobre novos caminhos de acesso ao
universo criativo do escritor, identificar movimentos de sua escrita e processos para composição de seus contos e ensaios. Neste sentido, compõem as bases para orientação e formação do corpus desta pesquisa a caderneta de anotações de Rawet e uma seleção de transcrições, notas e datiloscritos do autor. De maneira convergente, o trabalho dedica-se a pensar a formação do acervo de Samuel Rawet na contemporaneidade; as problemáticas acerca do conceito e modo de operação dos arquivos, em especial, sob as perspectivas de Michel Foucault e Jacques Derrida, bem como de Reinaldo Marques no âmbito dos arquivos literários. / [en] This dissertation is based on the personal collection of Brazilian writer Samuel Rawet, which was donated in 2018 to the Casa de Rui Barbosa Foundation s Archive Museum of Brazilian Literature. As we turn to Rawet s writing procedures and creative paths, we wish to discuss how his collection can be viewed as an integral part of his literary work. The work is grounded on an understanding that investigating the documentary sources which compose Rawet s collection and considering the possible articulations between them and the
author s published texts may open up new pathways into the writer s creative universe, especially by highlighting the movements and processes which characterize his writing — in particular, his production of stories and essays. Our research corpus is primarily based on Rawet s personal notebook and on a
selection of the author s transcripts, notes, and typewritten texts. The study, which is informed by Michel Foucault s and Jacques Derrida s contributions, as well as by Reinaldo Marques insights into the scope of literary archives, intertwines thoughts on the formation of Samuel Rawet s collection in the contemporary
world with broader reflections on the notion and operation of archives.
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Meaning in ApocalypseMetz, Alexander Johan 01 June 2020 (has links)
No description available.
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[en] THE MUSEUM THAT WAS NOT BORN: LYGIA FAGUNDES TELLES AND THE MUSEUM OF BRAZILIAN LITERATURA COLLECTION IN THE 1970 S / [pt] UM MUSEU QUE NÃO NASCEU: LYGIA FAGUNDES TELLES E A CRIAÇÃO DO MUSEU DA LITERATURA BRASILEIRA NA DÉCADA DE 1970ELIZAMA ALMEIDA DE OLIVEIRA CARVALHO 18 June 2021 (has links)
[pt] O Museu da Literatura Brasileira (MLB), idealizado por Lygia Fagundes Telles, reuniu número apreciável de documentos literários de diversos autores, mas não chegou a se concretizar como instituição e constitui uma lacuna tanto para a historiografia da literatura, quanto da museologia e da arquivologia – três áreas articuladas nesta dissertação. A massa, até agora pouco conhecida, de manuscritos, fotografias e cartas, sob a guarda do Instituto de Estudos Brasileiros (IEB) desde 1977, foi organizada em duas categorias: documento/ movimento. Na categoria documento estão os itens que comporiam a coleção do
Museu; enquanto na categoria movimento encontram-se aqueles com notícias dos bastidores de seu nascimento, a partir da articulação entre Olga Savary, José Geraldo Nogueira, Almeida Fischer, Plínio Doyle e Lygia Fagundes Telles, cujo perfil de escritora importará menos que o gestora pública. Para compreender
a complexidade da iniciativa de criação do Museu, o recorte temporal oferece quatro abordagens: recrudescimento da ditadura militar, consolidação de políticas de preservação, desenvolvimento dos estudos da crítica genética, e revisão dos estudos museológicos. Fontes primárias de outras instituições foram usadas como pontes, o que indica a metodologia adotada por esta dissertação,
que, a partir do objeto MLB, busca repensar a noção de arquivo literário pelo tripé vínculo, comunidade e desejo, assim como a relação entre espaços da memória/pensamento. Como uma proposta de materialização do museu que não nasceu, foi criado o endereço museudaliteratura.com.br, onde estarão
disponibilizados todos os itens que originalmente fariam parte da instituição. / [en] The Museum of Brazilian Literatura Collection (MLB), conceived by the writer Lygia Fagundes Telles, holds an appreciable number of literary documents from different authors, but it was never finalized as a real institution. Therefore, it constitutes a gap both for the historiography of literature, museology, and archivology – three areas articulated in this dissertation. The unknown manuscripts, photographs and letters, under the custody of the Institute of Brazilian Studies (IEB) since 1977, were organized in two categories: document and movement. The researchable items in the document category are in the Museum s collection; while there are those with news behind the scenes in the movement category, revealing a fine articulation between Olga Savary, José Geraldo Nogueira, Almeida Fischer, Plínio Doyle and Lygia Fagundes
Telles. Telles will be the principal character whose profile as a writer will matter less than the public manager. To understand the complexity of the Museum s creation initiative, the time frame offers four approaches: hardening military dictatorship, consolidation of preservation policies, development
of studies on genetic criticism, and review of museum studies. Primary sources from other institutions were used as bridges, which indicates the methodology adopted by this dissertation, which based on the MLB as the main object, seeks to rethink the notion of literary archive by the volition, community, and desire, as well as the relationship between memory and thought spaces. To materialize the museum that was not born, museudaliteratura.com.br was created, where one can find all the items that originally would have been part of the institution.
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MaschinenphilologieHiller, Moritz 13 July 2021 (has links)
"Maschinenphilologie" – das heißt: Fahndung nach dem Subjekt der Philologie. Literaturarchive, Textkritiken und Digital Humanities sind heute Schauplätze digitaler Medien, die nicht nur den passiven Gegenstand, sondern das methodische Werkzeug von Philologie abgeben. Ihre Wirkmacht nötigt zur Frage, wie eine bestimmte Maschinengattung die Prämissen, Praktiken und Institutionen dieses seit 1800 humanistisch geprägten Wissenschaftsfeldes affiziert. Und damit auch seinen geschichtsträchtigen Subjektbegriff: Denn wo nicht mehr nur oder primär Menschen, sondern auch ihr maschinelles Andere schreibt, liest, archiviert und ediert, ist die Logosliebe, mit N. Katherine Hayles zu sprechen, längst posthumanistisch geworden. Grund genug, dieses Beziehungsgeflecht von Menschen und Medien noch einmal abseits von allen Humanexzeptionalismen zu denken: Philologie am heutigen Tag ist immer auch Maschinenphilologie. / This dissertation is in pursuit of the elusive agent of philology. Be it literary archives which curate digital remains, textual criticism which processes computer software, or the Digital Humanities as an alleged new paradigm of humanities, digital media poses particular challenges for philology today—not only as an object of study, but also as a methodological tool. "Machine Philology" confronts these challenges, asking more generally how a particular type of machinery affects the premises, practices, and institutions of a scientific field informed by traditional humanism. Central to the project is an inquiry into the notion of subjectivity. For, where not only human beings, but also their machinic Other, reads, writes, archives, and edits, it is to be argued that philology has—following N. Katherine Hayles—become posthumanistic. The dissertation uses this as an opportunity for a fundamental reconsideration of the entangled network of human beings and media that philology can be described as, evacuated of any human-exceptionalism: Philology today is machine philology.
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