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<p dir="ltr"><i>Conjure, Care, Calls, and Cauls</i> centers the histories of Black and southern conjuring midwives in life, lore, and literature. I argue that these conjuring midwives are practitioners of wholistic care who employ conjure work as a method to access wholeness. This avenue to access Black wholeness was intentionally disrupted by 20^th century physicians across the United States and the South. These physicians espoused <i>disabling racist rhetoric</i> to attack Black midwives’ bodies and beliefs as dangerous, casting them as unreliable and unsafe caregivers. Widely circulated in US medical journals, physicians articulated a national and regional “midwife problem” that led to the overwhelming removal of Black midwives from US medical care. This successful displacement of Black midwives by Western medicine and its physicians created and perpetuated what I name the <i>crazy conjure lady trope</i>, the disabling stereotype that considers the Black folk health practitioner or believer as crazy, insane, or otherwise unwell in Black women’s literature and lives. Using Black feminist literary criticism and a Black feminist disability framework, I consider Toni Cade Bambara’s <i>The Salt Eaters </i>(1981), Gloria Naylor’s <i>Mama Day </i>(1988), and Jesmyn Ward’s <i>Sing, Unburied, Sing </i>(2017) alongside Black midwives’ ethnographies and autobiographies to center and consider the Black southern conjuring midwife in Black women’s literature and US history.</p>

<p dir="ltr">Since the late 1980s, various authors from the US, UK, Australia, and elsewhere have contributed to a literary archive of climate change’s impacts, and charting these impacts has led to a proliferation of both realistic and speculative climate solutions. Because climate change cannot be “solved,” these climate solutions account for both pragmatic answers and considerations of both immediate and future problems. <i>Climate Solutions and Genre Politics in Contemporary Fiction</i> catalogues these climate solutions and their circulation in contemporary fiction. Literary representations of climate solutions enable ethical considerations of different climate solutions in different contexts while thinking through the unfolding impacts of climate change. Literary representations of climate solutions also prompt the formulation of genre politics as an analytical framework because they draw on conventions from climate fiction, science fiction, utopian fiction, and realism to engage readers. Conceiving of genre as a spectrum, <i>Climate Solutions and Genre Politics in Contemporary Fiction</i> identifies four categories (climate engineering, biodiversity work, care futures, and creative work) of climate solutions that speak to different elements of the climate, biodiversity, and care crises. Putting these crises into conversation through different climate solutions, the dissertation<i> </i>delineates new modes of engagement with literary representations of climate change, shifts conceptions of genre in literary studies, and provides insights into the future of climate justice efforts. The complexities of climate solutions, and the genre politics required to assess them, make them a compelling object of inquiry for literary studies, ecocriticism, and environmental humanities more broadly.</p>

Current pentecostal scholarship is attempting to articulate pentecostal theological distinctives. For hermeneutics, this involves both a descriptive and a prescriptive approach to the use of the Bible. The descriptive approach appraises the historical roots of pentecostalism, which include the Wesleyan I Holiness movement, the radical Reformation, Tertullian and Montanism, and earliest charismatic communities. These understood Christian Scripture as guidelines to a Way of behaviour and testimony, rather than a source-book of doctrine. This 'alternative history' experienced the Enlightenment on a different level to protestantism and fundamentalism. Many of the concerns of historical church theology and hermeneutics during the last centuries are thus not always shared by pentecostals. The choice is: articulate a distinctive pentecostal hermeneutic, or 'borrow' from non-pentecostal theology. The prescriptive approach first investigates some of the latter options: some identify closely with conservative evangelical hermeneutics. Others prefer the political hermeneutic of the socio-political contextual theologies. The burgeoning Faith Movement has influenced many pentecostals. Some pentecostal scholars show interest in 'post-modern' literary theory. A viable pentecostal hermeneutic might be prescribed as follows: It respects the demands of scientific method, not ignoring the concerns of contemporary hermeneutical philosophy and literary theory. It highlights specifically pentecostal concerns: the teleology of any encounter with the text; historical continuity with the early church groups; implementation, demonstration and realisation of the literal intent of the text; the role of biblical narrative in defining experience of God; and the authority granted ongoing revelation via the charismata in the light of the canon. Application of a pentecostal hermeneutic would emphasise an holistic understanding of Scripture, the crucial role of the charismatic community, awareness of issues in the ongoing hermeneutical debate, and the need for the interpreter's personal ongoing charismatic experience. In a distinctively pentecostal exegesis of 1 Corinthians 14 prophecy is discussed as normal liturgical activity, as a confrontation of outsiders and unbelievers, in terms of its regulation, and in the light of spiritual discernment / Biblical and Ancient Studies / Th. D. (New Testament)

Current pentecostal scholarship is attempting to articulate pentecostal theological distinctives. For hermeneutics, this involves both a descriptive and a prescriptive approach to the use of the Bible. The descriptive approach appraises the historical roots of pentecostalism, which include the Wesleyan I Holiness movement, the radical Reformation, Tertullian and Montanism, and earliest charismatic communities. These understood Christian Scripture as guidelines to a Way of behaviour and testimony, rather than a source-book of doctrine. This 'alternative history' experienced the Enlightenment on a different level to protestantism and fundamentalism. Many of the concerns of historical church theology and hermeneutics during the last centuries are thus not always shared by pentecostals. The choice is: articulate a distinctive pentecostal hermeneutic, or 'borrow' from non-pentecostal theology. The prescriptive approach first investigates some of the latter options: some identify closely with conservative evangelical hermeneutics. Others prefer the political hermeneutic of the socio-political contextual theologies. The burgeoning Faith Movement has influenced many pentecostals. Some pentecostal scholars show interest in 'post-modern' literary theory. A viable pentecostal hermeneutic might be prescribed as follows: It respects the demands of scientific method, not ignoring the concerns of contemporary hermeneutical philosophy and literary theory. It highlights specifically pentecostal concerns: the teleology of any encounter with the text; historical continuity with the early church groups; implementation, demonstration and realisation of the literal intent of the text; the role of biblical narrative in defining experience of God; and the authority granted ongoing revelation via the charismata in the light of the canon. Application of a pentecostal hermeneutic would emphasise an holistic understanding of Scripture, the crucial role of the charismatic community, awareness of issues in the ongoing hermeneutical debate, and the need for the interpreter's personal ongoing charismatic experience. In a distinctively pentecostal exegesis of 1 Corinthians 14 prophecy is discussed as normal liturgical activity, as a confrontation of outsiders and unbelievers, in terms of its regulation, and in the light of spiritual discernment / Biblical and Ancient Studies / Th. D. (New Testament)

Text in Afrikaans / Hoewel die retorika bykans 26 eeue oud is, word die relevansie daarvan vir ons eie tyd toenemend besef - as 'n sleutel tot die wyse waarop mense dinkargumenteer en oorreed. Hierdie studie ondersoek retoriese (oorredende) strategiee in Afrikaanse historiese romantekste, binne 'n historiese konteks en teen die agtergrond van eietydse historiografiese insigte. Die aspekte van die kommunikasiesituasie wat saamhang met die retorika, word verbind met die vernuwende denke daaroor binne die hedendaagse literatuurteorie en historiografie. Die konteks van die outeur en roman word telkens bestudeer, gevolg deur 'n retoriese analise. Aristoteles se idees oor die retorika kry hierby voorrang, vanwee sy nadruk op die inventio of vinding, maar die retorika word eerder geassosieer met 'n dinamiese metode as met rigiede kategorisering. Aandag word veral bestee aan retoriese strategies in S.J. du Toit se Di koningin fan Skeba (1898) en Andre P. Brink se Houd-den-bek (1982), maar ook aan resente historiese romans wat hedendaagse historiografiese en retoriese opvattinge en konvensies ontgin en problematiseer. Beide S.J. du Toit, wat kennelik 'n goeie kennis van die antieke retorika gehad het en Andre P. Brink, met sy romanonderwerp wat aansluit by die geregtelike rede, betree die retoriese terrain op sodanige wyse dat hul romans tipiese produkte van hul eie tyd genoem kan word. Beide die geskiedskrywing en die historiese roman is gemedieerde weergawes, gekenmerk deur 'n subjektiewe seleksie (inventio) van gegewens en die kombinasie daarvan binne eie verbale strukture (dispositio). Dit kan in verband gebring word met nie-tegniese oorredingsmiddele, waar die sender sy informasie van buite kry. Hy gebruik dan sogenaamde empiries-verifieerbare feite as retoriese strategie ten einde 'n waarheids- en I of werklikheidsillusie te skep wat bydra tot die roman se oorredingsskrag. Die keuse vir die skryf van 'n historiese roman, impliseer reeds ook 'n keuse vir die bakens van die geskiedskrywing, maar 'n skeppende skrywer is, anders as 'n historikus, eties vry om nie-tegniese bewysmiddele te transformeer tot tegniese bewysmiddele, in aanpassing by 'n nuutgeskepte argumentatio en 'n eie causa. Na aanleiding van die tekste kom die ontvanger op sy beurt tot 'n eie seleksie en skep sy eie kousale en argumentatiewe strukture / While rhetoric has been part of the history of mankind for nearly 26 centuries, it is increasingly regarded as extremely relevant for our time - as a key to the way in which people think, argue and persuade. This study investigates rhetorical (persuasive) strategies in Afrikaans historical novels. The novels and their authors are first situated in their historical contexts and against the background of contemporary historiographical inquiry, and then analyzed by means of rhetorical concepts. Aspects of communication, which coincide with rhetorical categories, are combined with recent developments in the field of literary theory and historiography. Aristotle's views on persuasion and rhetoric are used as point of departure, but rhetoric is regarded as a dynamic method rather than a rigid categorization. Attention is given to rhetorical strategies in the novel Di konlngin fan Skeba [The queen of Sheba] by S.J. du Toit (1898) and Andre P. Brink's Houd-denbek [translated into English by the author as A chain of voices], but also to recent Afrikaans historical novels which exploit contemporary historiographical and rhetorical conventions. In S.J. du Toit's novel (which illustrates his knowledge of ancient rhetoric) as well as Andre P. Brink's (where the topic can be linked to litigation) rhetorical strategies are employed in such a manner that their texts can be regarded as products of their historical contexts. Both historiography and historical novels are mediated representations, characterized by a subjective selection (inventio) of data and its combination in verbal structures (dispositio). This can be related to 'extrinsic' or 'inartificial' proofs, which are not contrived by the author. The author exploits the so-called empirically verifiable facts as rhetorical strategies to create an illusion of truth or verisimilitude, which greatly contributes to the persuasiveness of the novel. The decision to write a historical novel implies a choice to keep to the historical 'facts', but the writer, in contrast to the historiographer, is ethically free to transform the inartificial proofs into artificial proofs, in combination with his own invented argumentatio and causa. Prompted by these texts the reader, in his turn, makes his own selection and creates his own causal and argumentative structures / Afrikaans & Theory of Literature / D. Litt. et Phil. (Afrikaans)

This work is comprised of an Introduction and two Parts. Part One treats, by way of historical review and evaluation, the disestablishment of the Christian worldview in a postmodern age. Part Two proposes the means by whichthe Christian worldview might be reestablished. The reestablishment includes the use of some of the benefits of postmodernism by Christians as well as a return to the responsible reading of texts, especially the biblical text. Part One, The Disestablishment of the Christian Worldview, is composed ofthree chapters. Chapter 1chronicles the change that has occurred in Western culture because of the ascendency of postmodernism. It isbest described as a change in authorityfrom the logocentric metanarrative which has characterized Christianity to the deconstructionist rejection of worldviews by postmodern literary critics. Chapter 2 reviews the paradigm shifts that have occurred in belief systemsthat have occurred in the West as a result of this change,and Chapter 3 shows the effects of all this in the culture's principal institutions. Part Two, The Reestablishment of the Christian Worldview, is also composed of three chapters. Chapter 4 shows the impact that postmodernity has had on the efforts now being made on behalf of reestablishing the Christian worldview as a viable intellectual position in Western culture. Chapter 5 is occupied with the negative and positive responses of certain Christian scholars to the challenge of postmodernism, and Chapter 6 closes the study with an extended treatment of the factors that must be in play for a reestablishment of the Christian worldview to occur in Western civilization. / Philosophy, Practical & Systematic Theology / D. Th. (Theology)

The video game industry has in three decades gone from a garage hobby to a global multi-billion euro media industry that challenges the significantly older and established cultural industries. After decades of explosive growth the industry surprisingly finds itself in a crisis – in terms of sales, future trajectories and creative paradigms. The global gaming culture receives substantial attention from society, media and academia – but the industry itself appears in comparison as an enigmatic terra incognita with astonishingly little dedicated research. This thesis aims to amend this situation by presenting a study at the cross-section of the video game industry, game studies, literary theory, cultural industries and business studies. It deals with the following question: how does the global game industry relate to its own product, in terms of communication and media dimensions, and what are the (business) consequences, in terms of production, strategy and commercial/creative innovation, of this relationship? This study’s departure point is constituted by a comprehensive description of the industry’s structure, dynamics and processes, based on extensive interviews with industry professionals. It is followed by an examination and comparison of the game industry with other media/cultural industries in relation to their economy and business dynamics. With inconclusive answers regarding the medium-industry relation, this study proceeds by exploring literary theories from the field of game studies, in order to gain insights into the dynamics of medium and industry. Literary theories from ludology and narratology provide rewarding perspectives on this inquiry, since it is found that the ontological dichotomy of simulation vs. respresentation present in the interpretational realm of the game medium is also reflected in the industry and its dynamics. This has pivotal consequences for the analysis of the game industry. This study concludes by positing the current critical condition of the industry as an extremely decisive moment in its history: will it become a truly universal mass-medium, or will it continue down its subcultural path? Subcultural “interactive cinema” meets mass-cultural media of simulation – how will the industry evolve? / QC20100708

In my earlier work, ‘First steps towards a rhetorical hermeneutics of literary interpretation’ (2006), I argued that academic reading takes the form of an argument between readers. Four serious weaknesses in that account are its elision of the distinction between reading and discourse on reading, its inattention to non-academic reading, its exclusive focus on ‘interpretation’ as if this constituted the whole of reading or of discourse on reading, and its failure to theorise the object of literary reading, ie. the work of literature. The current work aims to address all of these problems, together with those created by certain other approaches to literary reading, with the overall objective of clearing the ground for more empirical studies. It exemplifies its points with examples drawn primarily from non-academic public discourse on literature (newspapers, magazines, and the internet), though also from other sources (such as reading groups and undergraduate literature seminars). It takes a particular (though not an exclusive) interest in two specific instances of non-academic reception: the widespread reception of Salman Rushdie’s novel The Satanic Verses as an attack on Islam, and the minority reception of Peter Jackson’s film trilogy The Lord of the Rings as a narrative of homosexual desire. The first chapter of this dissertation critically surveys the fields of reception study and discourse analysis, and in particular the crossover between them. It finds more productive engagement with the textuality of response in media reception study than in literary reception study. It argues that the application of discourse analysis to reception data serves to problematise, rather than to facilitate, reception study, but it also emphasises the problematic nature of discourse analysis itself. Each of the three subsequent chapters considers a different complex of problems. The first is the literary work, and its relation to its producers and its consumers: Chapter 2 takes the form of a discourse upon the notions of ‘speech act’ and ‘authorial intention’ in relation to literature, carries out an analysis of early public responses to The Satanic Verses, and puts in a word for non-readers by way of a conclusion. The second is the private experience of reading, and its paradoxical status as an object of public representation: Chapter 3 analyses representations of private responses to The Lord of The Rings film trilogy, and concludes with the argument that, though these representations cannot be identical with private responses, they are cannot be extricated from them, either. The third is the impossibility of distinguishing rhetoric from cognition in the telling of stories about reading: Chapter 4 argues that, though anecdotal or autobiographical accounts of reading cannot be taken at face value, they can be taken both as attempts to persuade and as attempts to understand; it concludes with an analysis of a magazine article that tells a number of stories about reading The Satanic Verses – amongst other things. Each of these chapters focuses on non-academic reading as represented in written text, but broadens this focus through consideration of examples drawn from spoken discourse on reading (including in the liminal academic space of the undergraduate classroom). The last chapter mulls over the relationship between reading and discourse of reading, and hesitates over whether to wrap or tear this dissertation’s arguments up.

The work deals with Christian themes in the works Durych. Processing was done by theoretical research. Firstly, it deals with the life of the author, then historical and cultural context of that time. There are also included other representatives of Catholic literature after the first World War. Another part is devoted to analysis Durych´s works specifically Bloudění, Rekviem, Služebníci neužiteční, Masopust, Boží duha and Sedmikráska. It is also taken in to account to the artist's correspondence with Jakub Deml and theoretical works of Jaroslav Med and Martin C. Putna.