Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-09-04Bitstream added on 2014-06-13T20:20:13Z : No. of bitstreams: 1 laranja_mrr_me_sjrp.pdf: 422247 bytes, checksum: 96d0fe641a1daa13349ae3b1052ea68c (MD5) / Esta dissertação visa à análise e interpretação de quatro romances de Lygia Bojunga: A bolsa Amarela (1976), A casa da madrinha (1978), Seis vezes Lucas (1995) e Sapato de salto (2006). Os textos desta escritora são mundialmente conhecidos e amplamente premiados; todavia, ao serem classificados como Literatura para crianças e jovens, há uma tendência em considerá-los inferiores. Não se trata da denominação em si, mas do preconceito que ela pode acarretar, quando se pensa, por exemplo, que são textos de interesse exclusivo de crianças e adolescentes, ou que possuem uma utilidade prática (didática ou moralizante). Reconhecendo que Bojunga escreve para leitores de todas as idades, de forma artística e despretensiosa, várias abordagens diferentes podem ser utilizadas. Esta pesquisa – utilizando principalmente as teorias dos sociólogos Bauman (2001 e 2005) e Hall (2002) – destaca a possibilidade de trabalhar com o conceito de identidade marginal nas obras da referida escritora, revelando o caráter engajado dos textos. As crianças-protagonistas dos romances podem ser consideradas marginalizadas em detrimento dos personagens adultos com os quais se defrontam. As relações sociais são reconhecidas como responsáveis pela construção da identidade do sujeito, pois é no contato com o “outro” que ele olha para si, podendo assumir identidades diferentes, de acordo com as exigências da ocasião. Nesse contato, surgem várias situações de conflito, responsáveis por uma espécie de crise e, no caso de tais crianças-protagonistas, essa crise desencadeia uma busca pelo autoconhecimento, por aceitação e por liberdade. Nota-se que os textos de Bojunga apresentam uma revisão de conceitos e valores estereotipados, mas a ideologia trabalhada é sutil e lúdica, presente nas entrelinhas das histórias, as quais possuem um caráter altamente plurissignificativo... / The analysis and interpretation of four novels written by Lygia Bojunga: A bolsa Amarela (1976), A casa da madrinha (1978), Seis vezes Lucas (1995) e Sapato de salto (2006) are shown in this dissertation. Bojunga’s texts are known all over the word and she is an award-winning; however, when they are labeled children’s literature, they are considered less literary. The problem isn’t the denomination but the prejudice against those texts. In some cases, for example, people think that only children and teenagers can like this kind of reading or they think that these texts ‘for children’ have a practical utility (didactical or moral). If we consider that Bojunga writes for all readers, in an artistic way, many different approaches can be used. This research considers the possibility of working with marginal identity’s concept in this author’s texts. For this work, sociological theory wrote by Bauman (2001 e 2005) and Hall (2002) will be used to show aspects of real life in the corpus. Children-characters in the novels can be considered marginal if they are compared to adult-characters. Social relationships are recognized as responsible for personal identity constructions. This is due to contact between somebody and the ‘other’ or to the use of different identities, according to social demands. Many difficult situations can appear and those are responsible for a kind of crisis. This crisis makes the children-characters search for their self-knowledge, aware of themselves and ready for freedom. It can be noted that Bojunga’s texts make a review of stereotyped concepts and values, but ideology is shown in a subtle and playful way. Her stories - between the lines - are plural and require active reader participation in order to be understood.

This thesis is concerned with investigation adapted texts from literature for children and youth specifically adapted for deaf children. The aim of the work is to compare the final quality edited version of particular book for children and youth based on critical analysis, to assess whether the adapted texts respect the settled publishing rules and do not harm original version together with they are really more accessible for deaf children's readers. Adapted texts for deaf children are generally criticized and deemed unsuccessfull. This thesis seeks for an objective reflection of these books and their effectiveness and to submit possible proposals for their improvement. The first chapters are focused on editorial practice and the types of treatements that are performed in books for children and youth followed by a description of the arrangements for deaf children. Critical analysis is subjected to literary work Honzíkova cesta by Bohumil Říha adapted by Jana Purová. The critical analysis is founded on comparision between readability index of original version and adapted version, and analysis of the first chapter which is devided up two parts. The first part is dedicated the reveal of all modifications in the first chapter which are subsequently categorized. The second part is analysis of...

A proposta desta pesquisa é analisar qual o olhar a respeito da criança e da infância que está presente nas obras dos renomados escritores Lúcia Pimentel Góes e António Torrado. Na forma peculiar de revelar o Eu e o Mundo, cada um dos autores imprime sua percepção de vida e de mundo na tessitura de suas obras. Ludicidade, poeticidade, identidade são pontos que se destacam nos textos analisados. Da extensa publicação da escritora brasileira elegemos as seguintes obras literárias: Zé Diferente, Dráuzio, Trim, O dedal da vovó, Dudu, amigo do mar; O jardim de Lucita, A maior boca do mundo, Amanhã e Jajá, Bumba meu boi, mapinguari, curupira und... e Momotaro, o menino que nasceu do pêssego. Do escritor português foram contempladas as estórias: O veado florido, A cadeira que sabe música, A corneta faladora, O segredo dos búzios, Como se faz cor-de-laranja, A mania das pressas, O pajem não se cala e o Menino Grão de milho. A cultura, cultura da infância e a criança no Brasil e em Portugal também mereceram destaque como base teórica norteadora para a análise das obras. / The proposal of this research is to analyze the view related to children and childhood present in the works of renowned writers Lúcia Pimentel Góes and António Torrado. In a particular way of showing the Me and the World, each author gives their perception of life and the world throughout their writings. Ludicity, poetricity, identity are common issues in the analyzed texts. From the extensive works by the Brazilian author the following literary works were chosen: Zé Diferente, Dráuzio, Trim, O dedal da vovó, Dudu, amigo do mar; O jardim de Lucita, A maior boca do mundo, Amanhã e Jajá, Bumba meu boi, mapinguari, curupira und... and Momotaro, o menino que nasceu do pêssego. By the Portuguese author the following stories: O veado florido, A cadeira que sabe música, A corneta faladora, O segredo dos búzios, Como se faz cor-de-laranja, A mania das pressas, O pajem não se cala and Menino Grão de milho. Culture, childhood culture and childhood in Brazil and Portugal also deserve emphasis as theoretical basis so as to analyze the chosen works.

Esta tese apresenta um estudo sobre a criação literária de Daniel Defoe, Robinson Crusoé, escrita em 1719. Seu estatuto de obra clássica com inúmeras adaptações inserea numa cadeia discursiva de porte extraordinário, na qual o personagem revela-se um mito. O presente estudo, alicerçado no conceito de compreensão criadora de Mikhail Bakhtin, buscou uma ampliação de sentidos na análise do objeto empírico, com os seguintes objetivos: questionar um possível uso de obras clássicas como fetiches, o esvaziamento de seus sentidos e averiguar a hipótese de Robinson Crusoé ser um protótipo do homem como ser de linguagem, metalinguístico. O levantamento de tal hipótese foi possível pela concepção da dialogia da linguagem, entendida no conceito do Círculo de Bakhtin. A metodologia utilizada constou de sucessivas leituras da obra em questão, seleção de atos de linguagem expressos pelo personagem e sua categorização. A partir daí foram buscadas as representações do Outro nos enunciados de Robinson durante o período de seu total isolamento na ilha em que naufragou; a procura foi norteada pelo conceito da constituição dialógica da palavra, dado que no contexto de enunciação não havia presença real de interlocutores. Como forma de enfatizar o caráter dialógico da linguagem, realizou-se, também, uma seleção de marcas do Outro no relato autobiográfico do personagem (a obra em seu todo), algumas delas explicitamente visualizadas. As reflexões de diferentes autores acham-se presentes neste estudo: Roland Barthes, Michel de Certeau, Jeanne Marie Gagnebin, Ivonne Bordelois, Zygmunt Bauman, Dominique Maingueneau, Fernando Savater, David Olson, George Steiner. Os resultados do trabalho atestam a propriedade da hipótese formulada e demonstram a força da linguagem na vida humana, confirmando a necessidade de valorização da palavra em meio à crise cultural presente na modernidade líquida. / The following thesis presents a study on Daniel Defoes literary creation Robinson Crusoe, written in 1719. Its status as a literary classic that has been the subject of endless adaptations gives Robinson Crusoe an extraordinary position in the discursive chain, revealing the character as a myth. The present study, based on Mikhail Bakhtins concept of creative understanding, sought to amplify the meanings in the analysis of its empirical object, with the following aims: to question the possible use of classic works as fetishes, to empty its meanings and to investigate the hypothesis of Robinson Crusoe being a prototype of man as a being of language, a metalinguistic being. This hypothesis was enabled by the concept of the dialogism of language, understood within the concept of Bakhtins Circle. The methodology employed consisted of successive readings of the work, the selection of acts of language expressed by the character, and their classification into categories. From this basis, the representations of the Other in Robinsons enunciations during his period of total isolation on the island where he was shipwrecked were sought; the search was guided by the concept of the dialogic constitution of speech, since within the context of the enunciation there were no actual conversational partners present. To stress the dialogic character of language, a selection was also made of the signs of the Other in the characters autobiographical account (the work as a whole), some of which were explicitly visualized. The reflections of different authors are present in this study: Roland Barthes, Michel de Certeau, Jeanne Marie Gagnebin, Ivonne Bordelois, Zygmunt Bauman, Dominique Maingueneau, Fernando Savater, David Olson, and George Steiner. The results of this study confirm the correctness of the hypothesis proposed and demonstrate the strength of language in human life, supporting the need to value speech in the midst of the cultural crisis of liquid modernity.

Esta dissertação, sob os princípios renovados da Literatura Comparada, estuda Abrindo caminho, de Ana Maria Machado, e A maior flor do mundo, de José Saramago, visando discorrer sobre os desafios do leitor contemporâneo que navega pelas vias da rede textual, uma vez que as obras contemporâneas de literatura para infância e juventude supracitadas configuram-se como hipertextos em língua portuguesa, em virtude de suas arquiteturas labirínticas. / This dissertation, under the renewed principles of Comparative Literature, studies Abrindo caminho, by Ana Maria Machado, and A maior flor do mundo, by José Saramago, aiming to discuss the challenges of the contemporary reader that navigates through textual network, since the contemporary works of literature for children and youth people shall become as hypertext in portuguese language, in virtue of his labyrinthine architectures.

Esta tese apresenta um estudo sobre a criação literária de Daniel Defoe, Robinson Crusoé, escrita em 1719. Seu estatuto de obra clássica com inúmeras adaptações inserea numa cadeia discursiva de porte extraordinário, na qual o personagem revela-se um mito. O presente estudo, alicerçado no conceito de compreensão criadora de Mikhail Bakhtin, buscou uma ampliação de sentidos na análise do objeto empírico, com os seguintes objetivos: questionar um possível uso de obras clássicas como fetiches, o esvaziamento de seus sentidos e averiguar a hipótese de Robinson Crusoé ser um protótipo do homem como ser de linguagem, metalinguístico. O levantamento de tal hipótese foi possível pela concepção da dialogia da linguagem, entendida no conceito do Círculo de Bakhtin. A metodologia utilizada constou de sucessivas leituras da obra em questão, seleção de atos de linguagem expressos pelo personagem e sua categorização. A partir daí foram buscadas as representações do Outro nos enunciados de Robinson durante o período de seu total isolamento na ilha em que naufragou; a procura foi norteada pelo conceito da constituição dialógica da palavra, dado que no contexto de enunciação não havia presença real de interlocutores. Como forma de enfatizar o caráter dialógico da linguagem, realizou-se, também, uma seleção de marcas do Outro no relato autobiográfico do personagem (a obra em seu todo), algumas delas explicitamente visualizadas. As reflexões de diferentes autores acham-se presentes neste estudo: Roland Barthes, Michel de Certeau, Jeanne Marie Gagnebin, Ivonne Bordelois, Zygmunt Bauman, Dominique Maingueneau, Fernando Savater, David Olson, George Steiner. Os resultados do trabalho atestam a propriedade da hipótese formulada e demonstram a força da linguagem na vida humana, confirmando a necessidade de valorização da palavra em meio à crise cultural presente na modernidade líquida. / The following thesis presents a study on Daniel Defoes literary creation Robinson Crusoe, written in 1719. Its status as a literary classic that has been the subject of endless adaptations gives Robinson Crusoe an extraordinary position in the discursive chain, revealing the character as a myth. The present study, based on Mikhail Bakhtins concept of creative understanding, sought to amplify the meanings in the analysis of its empirical object, with the following aims: to question the possible use of classic works as fetishes, to empty its meanings and to investigate the hypothesis of Robinson Crusoe being a prototype of man as a being of language, a metalinguistic being. This hypothesis was enabled by the concept of the dialogism of language, understood within the concept of Bakhtins Circle. The methodology employed consisted of successive readings of the work, the selection of acts of language expressed by the character, and their classification into categories. From this basis, the representations of the Other in Robinsons enunciations during his period of total isolation on the island where he was shipwrecked were sought; the search was guided by the concept of the dialogic constitution of speech, since within the context of the enunciation there were no actual conversational partners present. To stress the dialogic character of language, a selection was also made of the signs of the Other in the characters autobiographical account (the work as a whole), some of which were explicitly visualized. The reflections of different authors are present in this study: Roland Barthes, Michel de Certeau, Jeanne Marie Gagnebin, Ivonne Bordelois, Zygmunt Bauman, Dominique Maingueneau, Fernando Savater, David Olson, and George Steiner. The results of this study confirm the correctness of the hypothesis proposed and demonstrate the strength of language in human life, supporting the need to value speech in the midst of the cultural crisis of liquid modernity.

This thesis is focused on an animal protagonist in literary texts which could be used in education because of their didactic potential. The aim of this thesis is to describe the form of representation of an animal protagonist (and nature in general) in chosen literary texts and to design the possible ways how to use these texts in education. The first part is dedicated to a theme of animal in the cultural context, especially in the literature with a short ethology-digression. The second part deals with a literary-theoretical analysis of texts from Rudyard Kipling, Jack London, Vitaly Bianki and Ceridwen Dovey. The third part of this thesis is focused on the didactic potential of analyzed texts aiming to econarratology. In the last chapter are described possibilities of the didactic work with all the formerly analyzed texts. Keywords animal protagonist, anthropomorphism, literature for children and youth, Rudyard Kipling, Jack London, Vitaly Bianki, Ceridwen Dovey, education, econarratology, didactic potential

Topic of this diploma Thesis is holocaust in literature aimed at children and youngsters in the time period from the second World War until recent time. The development of the above-mentioned literature is going to be explored, however the main emphasis is going to be put on different authors and analysis of their works. This analysis is going to be based on the comparison of different elements of literature in these works. The concluding part is going to be focused on the presence of šoa topic in workbooks at the second grade of elementary schools.

The main aim of this diploma thesis is to provide materials about the Holocaust to secondary school teachers. The theoretical part provides general information about the Holocaust and World War II and it deals with the relation between the Holocaust and the Framework Educational Programme. It also informs about readers'specifics of pubescents and didactic interpretation of the texts. In the practical part, with the help of didactic interpretation of the books Counting Stars by Lois Lowry, Boy in the Striped Pajamas by John Boyn, The Island on Bird Street by Uri Orlev and Mark Zusak's Book Thief, there are compiled lesson plans with workseehts and methodical instructions. In the diploma thesis, the E-U-R model and the methods of critical thinking (e.g. didactic Cinquain) are used to fill in the worksheets. Selected worksheets were tested on secondary school pupils and then the lessons and the achievement of the individual goals were evaluated. The diploma thesis also offers possibilities how to improve the lesson plans and worksheets. KEYWORDS Holocaust, World War II, foreign literature, literature for children, didactic interpretation, pubescent reading

Orientador: Marilena Aparecida Jorge Guedes de Camargo / Banca: Romualdo Dias / Banca: Dulcinéia de Fátima Ferreira Pereira / Resumo: Apresentamos uma discussão que debruça seu olhar nos pontos de convergência entre Literatura, Educação e Psicanálise, sob o viés dos pontos de identificação entre leitor/criança e literatura. Exercitando o faz de conta a criança descobre soluções novas para seus dramas existenciais. Assim, encontra o prazer - aqui no sentido freudiano -, que permite que extrapole o universo concreto que a rodeia e adentre no universo do imaginário e do simbólico. A literatura é espaço para se ampliar o mundo simbólico no imaginário e o imaginário é o espaço em que a realidade textual se faz aparecer pela linguagem, mas que também é a própria linguagem e se dá, não na interioridade (o dentro) e nem fora (mundo externo) mas no espaço intermediário entre os dois que, portanto, será ocupado infinitamente pelo ato de criar. Partindo dessas premissas vislumbramos a importância de que o aluno torne-se ativo no fazer literário, criando um ponto de identificação entre ele e a obra, pois trabalhar com a imaginação/lúdico é trabalhar dentro do universo do fazer artístico, do criar, o que implica tornar-se agente, tornar-se sujeito; afinal a palavra criar é inseparável da palavra criança, pois para ser criança é necessário criar, ou seja: criançar / Abstract: The discussion that follows intends to conjugate Literature, Education, and Psychoanalysis under the headline of an identification between reader/child and Literature. In playing with the once upon a time children discover new solutions for their existential dramas. Then, to find out pleasure - here in a Freudian sense - allows them to overreach the concrete universe around them in order to enter the universe of imaginary and the symbolic. Literature is the space for widening the symbolic world into the imaginary, and the imaginary is the space in which a textual reality springs up by language at the same it is language itself and blooms not in the inward world (the inside) neither in the outward world (the outside), but at the intermediate space between both, a space that will be completely fulfilled with the act of creation. Departing from this propositions we can realize the importance of the student in becoming active in his/her literary making, what creates an identification spot between him/her and the literary work, once playing with imagination is playing with the inward of the artistic universe, or the creation universe itself, what results in becoming active, in becoming subject. In this sense the word create is inseparable of the word child, once to be a child implies to create, or rather, to childcreate / Mestre