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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
251

Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria

Granda, Victoria C. 16 August 2013 (has links)
No description available.
252

Collect

Harksen, Jacob Carl 19 June 2013 (has links)
No description available.
253

無月、雨月 no moon, rain moon

McOmie, Maya Ann 06 September 2022 (has links)
No description available.
254

Musiklyrikens critical literacy-utvecklande potential : En normkritisk lyrikanalys av Joakim Bergs låttexter / The potential of developing critical literacy through lyric poetry : A norm critical analysis of Joakim Berg’s lyric poetry

Wadsten, Clara January 2024 (has links)
I denna studie genomförs en normkritisk textanalys av ett urval av Joakim Bergs texter i syfte att beskriva hur normer om etnicitet och trostillhörighet uttrycks. Vidare har studien en didaktisk funktion och syftar till att belysa hur musiklyrik kan fungera i svenskämnets critical literacy-utvecklande undervisning. Delvis för att undersöka hur texterna kan utveckla elevernas ämneskunskaper i svenska, delvis för att studera hur texterna kan utveckla förmågor relaterade till läroplanens demokratiuppdrag. Materialet för studien består av låttexterna ”Sverige” (Berg 2002), ”Våga vara rädd” (Berg 2007) och”Tennsoldater” (Berg 2016) vilka normkritiskt analyserats med fokus på bildspråks och symbolers relation till normer knutna till etnicitet och trostillhörighet. Resultatet visar att samtliga texter belyser de studerade normerna, bland annat genom bildspråk och symboler som beskriver invandring, invandringspolitik, orättvisor samt bemötande av personer utanför normen. Textanalysens resultat, i relation till gymnasieskolans styrdokument, visar att det finns stor potential för att Bergs musiklyrik kan utveckla gymnasieelevers critical literacy.
255

Shaking the Burning Birch Tree: Amy Lowell’s Sapphic Modernism

Dunkle, Iris Jamahl 14 June 2010 (has links)
No description available.
256

With[in]out

Benigni, Leslie 18 May 2022 (has links)
No description available.
257

'E io a lui' : dialogic models of conversion and self-representation in medieval Italian poetry

Bowe, David James Alexander January 2014 (has links)
This thesis examines the role of dialogic processes in representations of conversion narratives and expressions of poetic subjectivity across the works of four poets: Guittone d’Arezzo (c.1235-1294), Guido Guinizzelli (c.1230-1276), Guido Cavalcanti (c.1255-1300) and Dante Alighieri (1265-1321). The introduction proposes a definition of ‘dialogic processes’ drawing on theoretical models of performativity and dialogism. It presents the usefulness of these approaches to the analysis of narratives of conversion and accounts of subjectivity in poetry. Chapter 1 analyses Guittone’s conversion poetics in light of these processes and seeks to complicate the teleology of his narrative of self. Chapter 2 examines the poetry of Guinizzelli and Cavalcanti, first establishing the ‘poetic conversion’ of Guinizzelli in dialogue with his own and others’ poetry. It then examines Cavalcanti’s physiological performance of a polyphonic subjectivity and how far this poetic expression partakes in the dialogic processes previously discussed in relation to religiously inflected writing. Chapters 3 and 4 will explore the manifestations of these phenomena of dialogue and performance in Dante’s oeuvre with particular focus on the Commedia as a key site for intertextual interaction both with his own earlier texts and with the texts (and figures) of the other poets under discussion. These chapters will seek to reopen the teleological closure which Dante tries to impose on his vernacular predecessors, as well as on his own works. The weight of critical engagement with Dante’s predecessors has treated them as sources or reference points for Dante’s own praxis. I aim to consider Guittone, Guinizzelli and Cavalcanti on their own terms and in dialogue with one another before approaching Dante through these poets, thus reconstructing the networks of poetic dialogue in late medieval Italy, and situating Dante firmly within a dialogic tradition of narratives of self and conversion.
258

Písňová tvorba J. B. Foerstera: Šest písní na básně Puškinovy op. 161 / Works of Songs by J. B. Foerster: The Six Songs Based on Puskin's Poems Op. 161

Tománková, Jana January 2011 (has links)
The song genre constitutes a significant part of J. B. Foertser's work (around 350 songs). In the Czech musical context, Foerster is along with Vítězslav Novák considered a founder of modern Czech song. Despite its unquestionable significance, Foerster's song output remains an unexplored area in musicology. The aim of this diploma thesis is to contribute to the body of scholarship devoted to Foerster by focusing on this area of his work, which has not received adequate critical attention. The main part of the thesis consists of detailed musical-textual analyses of the song cycle Šest písní na básně Puškinovy op. 161 (1937). Through the analyses, the thesis examines the composer's approach to the setting texts to music and points out the qualities of his work. The discussion gives an overview of Foerster's song output and outlines the main critical concerns in this area of his work. The last but one chapter of the thesis compares opus 161 with selected Foerster's song cycles from his previous work periods and an attempt is made to put the opus into the context of the composer's song output as a whole. In the conclusion, opus 161 is discussed in the context of the Czech and, more generally, European song productions.
259

Politik der kleinen Form

Mateo Decabo, Eva Maria 02 May 2019 (has links)
Im Mittelpunkt der Dissertation „Politik der kleinen Form“ steht die Frage nach der Politizität ‚kleiner‘ Formen in augusteischer Zeit: also der sogenannten Liebeselegie des Properz, Tibull und Ovid sowie der erotischen Dichtung des Horaz. Auf der Grundlage einer Analyse der Gattungs- und Formpolitik ihrer Paraklausithyra und Recusationes wird eine neue Interpretation aufgezeigt. Jenseits von inhaltszentrierten Lesarten, die immer nur den Subversions- oder Affirmationscharakter von Literatur herausarbeiten, schlägt diese Dissertation einen dritten Weg vor: den der Ambivalenz und des Paradoxons. / At the centre of the dissertation „The Politics of Small Forms“ is the question of the politicity of ‘small forms’ in Augustan times: of the so-called love elegy of Propertius, Tibullus and Ovid as well as of the erotic poetry of Horace. On the basis of an analysis of the genre and form politics of their paraclausithyra and recusationes a new interpretation is pointed out. Beyond content-centered readings, which work out either the subversive or the affirmative character of literature, this dissertation suggests a third way: that of ambivalence and paradox.
260

A escritura desejante de Hilda Hilst

Pereira, Ana Paula de Oliveira 31 October 2006 (has links)
Made available in DSpace on 2016-04-28T19:59:00Z (GMT). No. of bitstreams: 1 LCL - ANA PAULA DE OLIVEIRA PEREIRA.pdf: 597551 bytes, checksum: 51496d131dd80d5e1c655c81477e2bc2 (MD5) Previous issue date: 2006-10-31 / Acting on poetry, on prose and on drama through forty years, Hilda Hilst erected a singular discourse which thematic bases are God, Love and Death. The following assignment has as purpose to reflect and analyze the poetic constructions of the eroticism in the Hilstian poetry, according to the point of view of the literary criticism, considering the philosophy and the psychoanalysis contributions. The hypothesis that supports this research has its source in the knowledge of the philosopher Georges Bataille (continuity x being discontinuity) and leans on the mutual interweaving proposed by Octavio Paz (the eroticism as a bodily poetic , and the poetry as verbal erotic ). As a result, it was concluded that the Hilstian poetry carries out the fusion of eroticism and literary creation / Atuando na poesia, na prosa e no drama ao longo de quarenta anos, Hilda Hilst erigiu um discurso singular cujas bases temáticas são Deus, Amor e Morte. O presente trabalho tem como objetivo refletir e analisar as construções poéticas do erotismo na poesia hilstiana, à luz da crítica literária, considerando as contribuições da filosofia e da psicanálise. A hipótese que sustenta a pesquisa parte do entendimento do filósofo Georges Bataille (continuidade x descontinuidade do ser) e se apóia no mútuo entrelaçamento proposto por Octavio Paz (o erotismo como uma "poética corporal", e a poesia como "erótica verbal"). Concluiu-se que a poesia hilstiana realiza essa fusão entre erotismo e criação literária

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