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Recepce ruského formalismu v ukrajinské kultuře v meziválečném období (1921-1939) / Reception of Russian formalism in the Ukrainian culture in the interwar period (1921-1939)Babak, Galyna January 2020 (has links)
This study examines the specific aspects of the reception of Russian formalism and the development of the Formal method in Soviet Ukrainian culture in the 1920s - the beginning of 1930s. Russian formalism in the process of reception becomes an important tool for the "modernization" of national culture and, as a result, an instrument for a new phase in the construction of national cultural identity. On that basis, the cultural-historical and ideological context of the development of Ukrainian literary criticism, criticism and (partially) literature of the late 19th - first decades of the 20th century is consistently reconstructed in eight chapters of the work. The first chapter highlights theoretical aspects of the study, reviews critical literature, reconstructs the history of reception of Russian formalism in Russian and Western criticism and the history of literature. The second chapter addresses the historical and theoretical premises of the reception of Formal theory in Ukrainian culture. The next chapter discusses historical and political context of the development of literature and literary criticism in 1917-1920 using the example of multinational post-revolutionary Kiev; a brief review of the theoretical and historical works of the 1920s also appears here. A special focus is put on the...
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Dagermans arbetande män : En marxistisk och maskulinitetsteoretisk analys av Stig Dagermans Streber / Dagerman's Working Men : A Marxist and Masculinity Theoretical Analysis of Streber by Stig DagermanNilsson, Emilia January 2021 (has links)
Uppsatsen undersöker hur marxistiska och maskulinitetsteoretiska maktstrukturer påverkar relationerna mellan de fyra huvudkaraktärerna i Stig Dagermans dramatext Streber. Karaktärerna analyseras utifrån texten i Judasdramer från 1949. Analysen utgår ifrån repliker, karaktärsbeskrivningar och scenanvisningar. I uppsatsen analyseras hierarkiska positioner utifrån den marxistiska teorin med fokus på klasstillhörighet och socioekonomiska förutsättningar, följt av maskulinitetsteorin med fokus på maskulinitetstyper samt maskulinitetsnormer. De bägge analysperspektivens resultat sammanförs i ett intersektionellt perspektiv och används för att placera in karaktärerna i schematiska modeller. Dramat har inför analysen delats in i tre delar vilket innebär att man genom analysen följer karaktärernas utveckling genom tre olika schematiska modeller. De schematiska modellerna och analyserade exemplen visar slutligen hur olika ekonomiska, sociala och könsrelaterade maktfaktorer påverkar relationerna mellan dramats huvudkaraktärer samt deras relationer till övriga av dramats karaktärer.
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Uchanganuzi wa Riwaya ya Kiza Katika Nuru ya Said Ahmed Mohamed kwa Misingi ya Umarxi Mpya wa KifreireWafula, Richard Makhanu, Mue, Elizabeth Kasau 30 May 2022 (has links)
Makala hii inachanganua wahusika na dhana kuu zinazosawiriwa katika riwaya ya Kiza Katika Nuru (1988) ya Said Ahmed Mohamed kwa kuzingatia mihimili ya mojawapo ya mikabala ya Umarxi Mpya, mkabala wa mwanafalsafa na mwananadharia kutoka Marekani ya Kilatini, Paulo Freire. Kiini cha mkabala huu wa umarxi-mpya ni kukosoa na kutupilia mbali mitazamo kuhusu elimu inayomnyima mwanafunzi fursa ya kujifunza kutokana na mazingira yake. Uchambuzi huu unabainisha jinsi Umarxi Mpya wa Kifreire unavyofaa kwa kuchambua riwaya ya Kiza Katika Nuru, na riwaya nyingine za Kiswahili zinazofanana nayo. / This article analyses characters and main concepts in Said Ahmed Mohamed’s novel Kiza katika Nuru (Darkness in Light) through applying tenets of one of the Neo-Marxist theories, namely the Freirean one. Paul Freire’s Neo-Marxist theory is primarily associated with the Latin American environment and centres around the debunking of the banking concept education as a modus operand of revolution. This analysis demonstrates how Freirean Neo-Marxism is relevant and appropriate to the understanding and interpretation of Kiza Katika Nuru and other Kiswahili novels that are similar to it.
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Filosofie Louise Althussera v "teoreticistním" období / Philosophy of Louis Althusser in his ‚theoreticist' periodKužel, Petr January 2014 (has links)
TITLE: The Philosophy of Louis Althusser in his ‚theoreticist' period AUTHOR: Petr Kužel DEPARTMENT: Social Sciences and Philosophy, Department SUPERVISOR: Mgr. Michael Hauser Ph.D. ABSTRACT: The thesis focuses on a philosophy of Louis Althusser in his "teoreticist" period, i.e. 1960-1967. The work is divided to four essentials sections: epistemology, ontology, psychoanalyse and ideology. We put accent on epistemological problematic, which is in this period of a development of Althusser's philosophy unequivocally dominant. In introduction of this text is explained historical and political context, in which Althusser realized his "theoretical intervention". The thesis treat on Althusser's conviction, that inadequate theory leads to deformed political practice and that Marxist theory exists till now in his "applied form", notably in The Capital. According to Althusser this Marxist theory wasn't adequately theoretically formed. Our work characterises Althusser's tentative to create and theoretically formulate this theory. This Althusser's tentative is connected with an effort to draw a "line of demarcation" between the Marxism and the pre-Marxist idealist notions, which are foreign to authentic Marxism. Althusser's critique focuses on Stalinism, "theoretical humanism", empiricism and Hegelianism. In present...
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Rebooting Brecht: Reimagining Epic Theatre for the 21st CenturyRice, Andrea 31 May 2019 (has links)
No description available.
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Love and Refusal: Contrasting Dialectical Interpretations and its Implications in the Works of Erich Fromm and Herbert Marcuse, 1941-1969Mantell, Cole January 2019 (has links)
No description available.
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The Valuation of Literature: Triangulating the Rhetorical with the Economic MetaphorGustafson, Melissa Brown 16 July 2004 (has links) (PDF)
Several theorists, including the Marxist theorists Trevor Ross, Walter Benjamin, and M.H. Abrams, have proposed theories to explain the eighteenth-century shift from functional to aesthetic conceptions of literature. Their explanations attribute the change to an increasingly consumer-based society (and the resulting commoditization of books), the development of the press, the rise of the middle class, and increased access to books. When we apply the cause-effect relationships which these theorists propose to the contexts of nineteenth-century America, Communist East Germany, WWII America, and 9/11 America, however, the causes don't correlate with the effects they theoretically predict. This disjunction suggests a re-examination of these three theories and possibly the Marxist basis which they share. I suggest that by triangulating rhetorical theory with Marxist theory we will gain a more comprehensive understanding of society's valuation of literature.
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Dissonance in Gaskell’s Mary Barton: A Tale of Manchester Life and Orwell’s Down and Out in Paris and LondonJeremic, Kristian January 2022 (has links)
This essay identifies a type of narrative dissonance in the depictions of working-class conditions within Elizabeth Gaskell’s Mary Barton: A Tale of Manchester Life and George Orwell’s Down and Out in Paris and London. In this thesis, the dissonance is argued in part to be the effect created when an author belonging to one social class attempts to portray a class separate from their own. According to Marxist views, class constructs are well-defined and exist in opposition to one another. As such, there is a distinction between describing circumstances while viewing from outside and portraying conditions from within a class consciousness one does not share. The contrast between these perspectives introduces a discordant element into the narrative which interferes with a reader’s immersion. Furthermore, instances of both intranarrational and extratextual unreliability exacerbate the peculiar sense of dissonance when those elements conflict with the experiences of the reader. Understanding and sympathizing with the experiences of the Other, while beneficial in many regards, should not be conflated with knowledge of their lived experience. In order to establish this distinction, a close reading of the books, highlighting examples, is utilized. Additionally, by way of further explanation, Althusser’s concept of “internal distantiation” is used to define conflicting class viewpoints as a contributing factor to the dissonance perceived.
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Socialism without Socialists: Egyptian Marxists and the Nasserist State, 1952-65Ide, Derek Alan January 2015 (has links)
No description available.
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Moving Up the Social Ladder: An Analysis of the Role of Temptation in Shaping Characters in Select Fairy Tales Employing Marxist and Psychological LensesIacovetta, Anna C. 27 June 2017 (has links)
No description available.
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