LOBO, José Tancredo. A produção de sonhos dos meninos da Casa Grande. 2010. 156f. Tese (Doutorado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2010. / Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-07-10T12:53:55Z No. of bitstreams: 1 2010_Tese_JTLobo.pdf: 950427 bytes, checksum: 664cc52551912211acf0150e450814f7 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-12T11:48:25Z (GMT) No. of bitstreams: 1 2010_Tese_JTLobo.pdf: 950427 bytes, checksum: 664cc52551912211acf0150e450814f7 (MD5) / Made available in DSpace on 2012-07-12T11:48:25Z (GMT). No. of bitstreams: 1 2010_Tese_JTLobo.pdf: 950427 bytes, checksum: 664cc52551912211acf0150e450814f7 (MD5) Previous issue date: 2010 / We live in a time of hopelessness, a world inside out to utopias, in a lack of hope. The promise of better life and abundant that the capitalist system, with its consumer society, has pledged not been fulfilled in its fullness in modernity, or rather not for everyone. Despair, existential frustration, violence became urgent topics among the concerns of various knowledge areas. In this particular field is part of this work, which aimed to understand the production of the dreams of young participants of the Fundação Casa Grande, located in Nova Olinda, Ceará. "Dreams" here understood as existential dimensions of the projects, therefore, to have well agreed. The doctoral research was developed within the Programa de Pós-Graduação em Educação, Faculdade de Educação (FACED), Universidade Federal do Ceará (UFC), the line of research Social Movements, Popular Education and the School, specifically in the thematic area Education Environment, Youth, Art and Spirituality, under the guidance of Professor Ercilia Maria Braga de Olinda. The complexity of the issue required a constructive approach in which theory, methodology and experiences of those involved (the researcher and subject) were woven together in a perception of wholeness. The context in which the object is inserted in an interwoven social and economic relationships and cultural special. Nova Olinda is a small town with HDI, according to the IBGE, the lowest in the region of Cariri. There she finds the institution that houses the young subjects of research. The Casa Grande Foundation Memorial Human Kariri - NGO created in 1992, purports to be "a school of cultural management that has as its mission to educate children and youth programs through the backwoods of Memory, Communication, Arts and Tourism." The subjects of this study collaborators were among the young participants of that institution. The theoretical mediation on intellectuals as Zygmunt Bauman, Boaventura Sousa Santos, Marie-Christine Josso, Antonio Novoa, Ercilia Braga, Alfonzo Farms, Peter Singer, Enrique Dussel, Humberto Maturana, José Tavares, Paulo Freire, Ernst Bloch, Erich Fromm and others. The methodological approach was interdisciplinary; used to search (auto) biography, both in theoretical and in the procedural aspects, the history of the research can be called a qualitative, collaborative, formative and existential modus how to produce science in which the core is in the person and human life as a major source of all existence. Techniques were used as narrative interview, circles and reflective observation of areas of the organization studied. The narratives expressed youth ways to be hopeful about what-does-not-come-to-be. Showed the action of resilient youth. The thesis is a reflection on the production of dreams as an opportunity to build - in the words of Ernst Bloch - what-does-not-become-good; at last, demonstrate that to dream is a way to contrapose the determination of destiny. / Vivemos um tempo de desespero, num mundo avesso às utopias, ou seja, numa carência de esperança. A promessa de vida melhor e abundante que o sistema capitalista, com sua sociedade de consumo, prometeu, não se cumpriu em sua plenitude na modernidade, ou melhor dizendo, não para todos. Desespero, frustração existencial, violência passaram a ser temas urgentes dentre as preocupações das diversas áreas do conhecimento. Nesse terreno especial se inscreve este trabalho, que teve por objetivo compreender a produção de sonhos dos jovens participantes da Fundação Casa Grande, localizada em Nova Olinda, Ceará. “Sonhos” aqui entendidos como dimensões dos projetos existenciais, portanto, que se têm bem acordados. A pesquisa de doutorado foi desenvolvida no âmbito do Programa de Pós-Graduação em Educação da Faculdade de Educação (FACED), da Universidade Federal do Ceará (UFC), na linha de pesquisa Movimentos Sociais, Educação Popular e Escola, especificamente no eixo temático Educação Ambiental, Juventude, Arte e Espiritualidade, sob a orientação da Professora Ercilia Maria Braga de Olinda. A complexidade da temática exigiu uma abordagem construtiva, em que teoria, metodologia e experiências dos envolvidos (pesquisador e sujeitos) foram tecidas juntas numa percepção de totalidade. O contexto em que se inseriu o objeto é um imbricado de relações sócio-econômicas e culturais especiais. Nova Olinda é um pequeno município com IDH, conforme o IBGE, dos mais baixos da região do Cariri. Ali se localiza a instituição que abriga os jovens sujeitos desta pesquisa. A Fundação Casa Grande Memorial do Homem Kariri – ONG criada em 1992, se propõe ser “uma escola de gestão cultural que tem como missão educar crianças e jovens do sertão através dos programas de Memória, Comunicação, Artes e Turismo”. Os sujeitos colaboradores deste trabalho foram alguns dos jovens participantes da referida instituição. A mediação teórica apoiu-se em intelectuais como Zygmunt Bauman, Boaventura de Sousa Santos, Marie-Christine Josso, Antonio Nòvoa, Ercilia Braga, Alfonzo Quintás, Peter Singer, Enrique Dussel, Humberto Maturana, José Tavares, Paulo Freire, Ernst Bloch, Erich Fromm e outros. A abordagem metodológica foi transdisciplinar; recorreu à pesquisa (auto)biografia, tanto nos fundamentos teóricos quanto no aspecto procedimental; a trajetória da pesquisa pode ser denominada de qualitativa, colaborativa, formativa e existencial como modus de produzir ciência em que a centralidade está na pessoa humana e na vida como fonte maior de toda a existência. Foram usadas técnicas como: entrevista narrativa, círculos reflexivos e observação dos âmbitos da organização pesquisada. As narrativas juvenis expressaram modos de ser esperançosos, acerca do que-ainda-não-veio-a-ser. Mostraram a ação de jovens resilientes. A tese é uma reflexão sobre a produção de sonhos, como uma oportunidade de construir – no dizer de Ernst Bloch – o que-ainda-não-se-tornou-bom, enfim, demonstra que sonhar é uma forma de se contrapor ao determinismo do destino.

The purpose of this study was to investigate the hermeneutic value of the Daseinsanalytic approach to dream interpretation in the process of psychotherapy. After delineating the Daseinsanalytic view on dream interpretation, with emphasis on the conceptualization of Medard Boss, the study explores the usefulness and validity of the case study as a method of investigating the content and process of psychotherapy. A psychodynamic formulation of the presenting problem is based on the conceptualization of the nature and etiology of neurosis as delineated by Andras Angyal, with particular reference to the pattern of noncommitment. The dreams included in the case material are then examined to determine to what degree they facilitated insight into the subjective experience and phenomenological existence of the dreamer, and what effect the dream interpretation based on the Daseinsanalytic approach had on the process of therapy. It is established that a phenomenological understanding of the client's dreams corresponds with his subjective experience of his emotional and existential condition, and that positive changes in the content of the dreams during the course of therapy correspond with overt, observable changes in his behaviour, ideation and mood. Based on these findings, the case study leads to the conclusion that the Daseinsanalytic approach to dream interpretation has hermeneutic value in the process of psychotherapy.

This thesis deals with a dream. It is divided into two parts, theoretical and practical. The theoretical part consists of basic knowledge of the dream in terms of physiological and psychological. There is also mention the phenomenon of dreams as a source or subject in the historical development of visual arts. The theoretical part also discusses author?s personal relationship to dreams, the choice of materials, techniques and rationale for selection of space for indoor installation. Practical part of the author's realization of spatial stained glass plate combined with concrete. Workflow is completed the drawing designs and photographs.

Orientador: Elisabeth Bauch Zimmermann / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-15T18:21:30Z (GMT). No. of bitstreams: 1 Barcellos_AdrianadosSantosTeixeira_M.pdf: 855738 bytes, checksum: c3bbb307e4326a066a0b4a34bcea0556 (MD5) Previous issue date: 2010 / Resumo: A descoberta e a construção de um novo processo de criação que partisse de imagens do inconsciente e conseguisse alcançar o espaço cênico, estruturado como obra coreográfica, com o mínimo de interferência consciente possível, foi o desafio proposto na pesquisa. O encontro com a teoria de Jung, a Psicologia Analítica, trouxe conceitos que ecoaram como uma possibilidade de trajetória a seguir. Com base nesses conceitos, construiu-se um caminho que se inicia nos sonhos, e se transforma em movimento. A metodologia de criação partiu das imagens de sonhos selecionados, para os laboratórios de improvisação. A técnica da Imaginação Ativa de Jung participou inicialmente como utilizada e descrita por ele, e depois de forma adaptada aos laboratórios, que geraram frases de movimento, e desdobramentos de imagens. O trabalho contínuo de improvisação elegeu o roteiro e a movimentação que mais se aproximava das imagens originais. O inconsciente manifestou-se na criação desde o início, nas imagens, sugestões, intuições e soluções de problemas / Abstract: The challenge of this search was the discovery and the construction of a new creation process that came from the unconscious' images and could reach the scenic space structured as a choreography work, with the less conscious interference possible. The encounter with Jung theory, the Analytical Psychology, brings concepts who echoed as a possibility of way to follow. This concepts, could build a way which starts on the dreams and turns into movements. The methodology starts on the selected dream's images and develops on the improvisation laboratories. The Active Imagination, technique developed by Jung, was applied in the beginning as described and used on Analytical Psychology; and after in an adapted way on the laboratories where produced movement's phrases and conceived new images. The continuous improvisation work elected the script and the movements who were nearest to the originals' images. The unconscious was present on creation since the beginning, on the images, suggests, intuition and solving problems / Mestrado / Artes Cenicas / Mestre em Artes

Esta tese é resultado da pesquisa realizada entre as famílias tupi guarani, que compõem a aldeia Ywy Pyhaú, situada no município de Barão de Antonina, sudoeste do estado de São Paulo. Trata-se de uma etnografia cujo intuito é abordar as múltiplas dimensões do movimento da pessoa, dentre eles os sonhos (xeke rupi...), tema que orientou a pesquisa de doutorado e guiou a escrita desta tese. Além dos sonhos se apresentarem como possibilidades de relações entre os diversos tipos de gente que habitam o cosmos, é através deles que recebem seus mborei (cantos-reza), aconselhamentos e mensagens divinas, bem como, revelações de Nhanderu, que podem tanto interferir no dia-a-dia das pessoas e em suas decisões pessoais quanto servir de impulso a eventos maiores como, por exemplo, as mudanças nos locais onde constituem suas aldeias. Evidenciando assim, que aquilo que experienciam durante o sono, influencia sua vida desperta. No entanto, por se tratar de uma das dimensões do movimento da pessoa, não é possível dissociar os sonhos de outras tantas capacidades e, consequentemente, discutir a seu respeito sem abordar, também, suas práticas de territorialidade, suas formulações acerca de seus corpos-espíritos, assim como a importância que atribuem às relações entre parentes. Em suma, pretende-se demonstrar, articulando temáticas tão variadas, que para as famílias tupi guarani viver junto aos parentes, em uma terra boa, é o que as fortalece, e possibilita que tenham bons sonhos, ocasiões nas quais recebem saberes e poderes das divindades. / This dissertation is the result of research carried out among tupi guarani families, which make up the village Ywy Pyhaú, and live in Barão de Antonina city, southwest of São Paulo state. This is an ethnography that has the intention of approaching the multiple dimensions of the person\'s movement, including dreams (xeke rupi); a theme that guided this doctoral research and the writing of this thesis. In addition to dreams presenting themselves as possibilities of relations among the different types of people who inhabit the various Tupi Guarani worlds, it is through them that people receive their mborei (song-prayer), as well as counseling and divine messages and Nhanderu´s revelations that can both interfere in their daily lives and in their personal decisions, and major events, such as changes in the locations of their villages. This shows that what they experience during sleep, affects their waking life. However, because the dream is one of the dimensions of a person\'s movement there is no way of dissociating them from many other capacities. This, in turn, gives rise to the discussion of the territorial practices of the tupi guarani families, their formulations about the body-spirits and the importance they attach to relations among relatives. In short, by articulating these different themes, this ethnography intends to demonstrate, that living with relatives in a good land, is what strengthens the Tupi Guarani and enables them to have good dreams, those by which they can receive knowledge and power from the divinities.

This study investigates the effects of traumatic experiences on emotional content of dreams. The theoretical framework of the present study is both the threat simulation theory and Hartmann’s theory of dreams as a mechanism for handling emotions after traumatic events. Both theories predict an increase in negative emotions after trauma but assign a different function for this increase. The subjects in this study (N = 16) were regularly writing dream diaries which after the 9/11 attack gave the researchers an unique opportunity to study the exact impact of events on dream content. Each subject’s ten last dreams before 9/11, and ten first dreams after 9/11, were analysed according to the emotional content. The results showed no significant differences in the number or tone of emotions in the before dreams compared to the after dreams. Possibly because none of the subjects experienced the event first hand.

This thesis is a comparative regional study of a complex of beliefs and practices regarding the water divinities in southern Africa. These snake and mermaid-like divinities, which are said to work in conjunction with one's ancestors, are believed to be responsible for the calling and training of certain diviner-healers by taking them underwater for periods of time. In addition to granting healing knowledge, these divinities are associated with fertility, water and rain, and the origins of humanity. The research combines comparative ethnography with the anthropology of extraordinary experience (AEE), and focuses particularly on the Zulu, Cape Nguni, Shona and Khoisan groups. The use of the 'radical participation' method, as recommended by AEE, was facilitated by the author being identified as having a ' calling' from these water divinities, which subsequently resulted in her initiation under the guidance of a Zulu isangoma (diviner-healer) who had reputedly been taken underwater. The research details the rituals that were performed and how dreams are used to guide the training process of izangoma. This resulted in the research process being largely dream-directed, in that the author traces how the izangoma responded to various dreams she had and how these responses opened new avenues for understanding the phenomenon of the water divinities. The comparative study thus combines literature sources, field research and dream-directed experiences, and reveals a complex of recurring themes, symbols and norms pertaining to the water divinities across the selected groups. In seeking to explain both the commonalities and differences between these groups, the author argues for a four-level explanatory model that combines both conventional anthropological theory and extraordinary experience. Responses to the author's dream-led experiences are used to throw light on the conflicting discourses of morality regarding traditional healers and the water divinities in the context of political-economic transformations relating to capitalism and the moral economy; to illuminate the blending of ideas and practices between Zulu Zionists and diviner-healer traditions; and to link up with certain issues relating to San rock art, rain-making and healing rituals, which contribute to the debates regarding trance-induced rock art in southern Africa.

Anxiety and estrangement in Juan Carlos Onetti's works Key words: Onetti, The Well, novel, Eladio Linacero, estrangement, anxiety, loneliness, dreams, Tizón This work focuses on the literary conception of characters in Onetti's works. Specifically, it converges on anxiety, loneliness and estrangement, which are the central components of the author's prose. Onetti's first-fruit, The Well, serves as a starting point. This novel revealed new possible ways of the novel-writing and influenced many other authors. It carries the key issues of Onetti's future work. The novel is sketchy; the images often do not follow each other and they are directed by hidden associations. There appears a new character: urban anti-hero, who escapes from the hostile reality to the fantasy life. The present work features the protagonist of The Well with other Onetti's characters. The part dedicated to the style focuses on the relation between form and content. Onetti's books are about misunderstanding which is reflected in the structure and language. In the final chapter of this work is confronted The Well with The Beauty of the World by Héctor Tizón. Different and in some components similar processes allow to recognize and define Onetti's style and uniqueness better.

Notre approche du théâtre panique d’Arrabal a été dirigée par la perception d’une esthétique paradoxale, d’une dimension éthique et cathartique au cœur d’une théâtralité qui restitue sur scène la confusion de la vie et l’humain dans sa totalité. Cette thèse s’interroge sur les moyens par lesquels Arrabal a créé l’univers panique ainsi que sur les piliers d’une esthétique a priori fondée sur la dérision et l’altération de la réalité, dans une perpétuelle oscillation entre l’outrancier et le fascinant. Il s’agit de comprendre le fonctionnement du dispositif de la cruauté, à la fois dramaturgique et dramatique, et comment se révèle cette tension dialectique entre abject et sublime, à travers une pensée qui se prétend insaisissable. Notre travail cherche donc à situer tout d’abord la naissance de la pensée panique, à questionner la dimension contestataire et subversive de l’œuvre d’Arrabal, et à en envisager les variations et les permanences. La forme brute et primitive de ce théâtre en fait un spectacle qui nous touche et provoque un choc émotionnel qui stimule la pensée. A travers l’exploration de la cruauté enfantine, de la manifestation du cauchemar, du bouleversement des valeurs, de la violence et du blasphème, nous verrons que l’espoir et la quête de soi éloignent ce théâtre du tragique pur et du nihilisme. La merveille de l’enfance, les songes, l’humour, l’érotisme apparaissent alors comme autant de moyens d’une révolte poétique qui permet de tenir tête à une réalité oppressante et d’affronter la condition humaine sans tomber dans le désespoir. Cette polarisation entre le haut et le bas, entre l’espoir et la chute, dans une ritualisation de l’espace scénique, fait du théâtre d’Arrabal un théâtre libertaire et fondamentalement humain, qui devient un moyen d’accéder à la connaissance de soi. / Our approach of Arrabal’s panic theater was led by the perception of a paradoxical aesthetic, an ethic and cathartic dimension at the heart of a theatricality bringing to the stage the confusion of life and human condition. This Ph.D thesis questions the means by which Arrabal created the panic paradigm and the foundations of an aesthetic first of all based on mockery and distortion of reality, perpetually oscillating between outrage and fascination. Our aim is to understand how cruelty is expressed, both dramatically and theatrically, and how the dialectical tension between abject and sublime is revealed through a vision often considered evasive. We first seek to understand when the panic concept was born, to question the subversive and protesting side of Arrabal’s work and to point out what changes and what remains the same through his productions. The crude and primitive nature of this theater makes it a performance that brings out an emotional shock and stimulates the audience’s mind. By exploring the themes of children’s cruelty, nightmare, abrupt change of values, violence and blasphemy, we will see that hope and the ontological quest keep this theater from pure tragic and nihilism. Childhood, dreams, humor, and eroticism appear as forces which feed a poetic revolt, to stand up against an oppressive reality and fight against human condition without falling into despair. This polarization between the high and the low, the hope and the fall, by a ritualization of the scenic area, makes Arrabal’s theater libertarian, fundamentally human, and therefore a means to know oneself.

Since the recession has hit Greece, individuals have not only experienced financial loss but they have seen their whole life overhauled by the crisis. The purpose of this study is to explore how young Greeks who have recently graduated, or who are about to graduate, perceive their lives and futures at this time of severe economic crisis. More particularly, I tried to focus on their feelings (such as worries and hopes) about how the recession has impacted their lives and their feelings regarding their futures. Research has shown that during periods of recession, young individuals are affected the most and for that reason I chose this population as the target group of my research. Coming from the perspective of developmental and life-span theories that in order to achieve healthy psychological development, individuals need to go through particular tasks during their life span; I was particularly interested to see how the recession has psychologically affected young individuals who, even though they have recently ended two of the main markers that identify their transition to adulthood (education and gaining a professional qualification) due to the recession they were unable to move to the stages which are employment and financial in-dependence. I wanted to listen to these individuals’ stories and see how they perceive their lives and futures and what their feelings are during the period of recession. In a narrative framework, following an unstructured interview and asking the participants one main question, ‘What are your thoughts and feelings about your life and your future during the period of recession?’, the participants were allowed to express their stories and what they considered as important, creating in that way unique narratives that represented their own processes. The main themes that were identified from the stories are: ‘Their career choice and their hopes for employment prospects’, ‘Broken dreams and collecting the pieces’, ‘Impact of recession on the individual’, ‘Impact of recession on other aspects of their life’ and ‘Participants’ feelings about their future’. Presenting and exploring the participants’ stories I attempted to gain a better understanding and awareness of how the recession has impacted them psychologically, investigating their psychological needs finding ways to support them. The realisation of the significant losses that were described by the participants drove the researcher to turn to bereavement counselling theory trying to identify ways to psychologically support individuals who experience similar losses and clinical interventions were suggested.