This thesis explores the attitudes of women with borderline personality disorder towards otherness. The aim of the thesis was to explore the relationship between different personality characteristics of five women diagnosed with borderline personality disorder and their attitudes towards themselves and representatives of otherness. For these purposes, the Semi- Structured Interview for Personality Functioning (STiP-5.1) assessing personal functioning in the personal and interpersonal domains and the experience sampling method (ESM) were used, through which the respondents recorded the intensity of emotions felt towards themselves and various representatives of otherness for 30 days. The data were processed qualitatively into five case studies. The results indicated significant intraindividual variability in emotions toward self and representatives of otherness. The methods could find application in the treatment process and therapy, whereby assessment of personality functioning could contribute to the overall current picture of the patient and the variability of their psychological attitudes in response to certain life events could be monitored using ESM. KEYWORDS borderline personality disorder, otherness, STiP-5.1, experience sampling methodology

Theme of loneliness generates in most of us negative feelings of fear and emptiness, while rarely on Loneliness, is regarded as positive, life takes effect. The actual problem is a taboo, hides in the background of the more popular social topics, so we usually lack information that would allow us to approach him other than "emotional" attitude. However, it is linked to a number of fundamental questions, whether by death, the awareness of one's own being, and as a result, it is also about taking responsibility for himself and perception of normality, individuality and conformity. For this reason, I believe that the relationship that we create to loneliness, forms then our relationship to ourselves, our close relationship and subsequently the functioning of the whole society.

This thesis is aimed at investigating the concepts of otherness and the abject/abjection in the various characters' discourses in the two short stories "Dimensions" and "Child's Play" in Alice Munro's collection Too Much Happiness from a psychoanalytic perspective in conjunction with a Critical Discourse Analysis. Both texts share features of otherness which manifest in various forms in the characters. In "Dimensions" otherness has to do with insanity, domestic terror, and self-alienation in a dysfunctional marriage, whereas in "Child's Play" it concerns children's othering of a disabled young girl which eventually leads to her death. What both stories also show is that certain characters experience a sense of abjection or can be seen as embodying the abject, which eventually make them commit murder. Moreover, this thesis also argues that certain characters in both stories attempt to control and manipulate the course of events in both narratives even retrospectively. A psychoanalytical approach based on Jacques Lacan's and Julia Kristeva's theoretical framework in conjunction with Norman Fariclough's Critrical Discourse Analysis serve as the basis for this investigation.

The main purpose of this thesis is to identify the discursive techniques through which women are delegitimized, belittled and "Othered" in Croatian media. On top of that, the goal is to identify patterns in news framing processes which reflect the structures of a patriarchal society. This thesis looks at discourse with an aim to identify and address the dynamics of “othering” and “silencing strategies” in Croatian media and their most popular informative talk shows, "Sunday at 2" and "Fifth Day". The question of whether HRT complies with their own laws as well as the laws on gender equality in the media is also raised. This thesis employs critical discourse analysis to examine four different talk show episodes where problems of sexual violence and access to abortion were discussed. Additionally, power relations between men and women enacted through discourse are observed, revealing the frames behind them. Results suggest that agenda-setting and news framing are powerful tools through which Croatian media presents women as inferior or“Other”, while delegitimizing their struggles. The male figures on Croatian television are shown to perpetuate stereotypes and gender inequalities, violating Croatian Radiotelevision and Gender Equality Laws. Ultimately, this thesis observes Croatian media in the light of the process of retraditionalization in Croatia and the broader backlash against women's issues across Europe. Finally, this thesis highlights the conservative patriarchal values reflected in Croatian media and encourages research on media framing of women in Croatia. However, further research is needed to better understand framing effects on public's perceptions of gender inequalities in Croatia.

This thesis compares the visual representation of Syrian refugees during the 2015 refugee crisis and Ukrainian refugees during the Russian invasion 2022 in news outlets Dagens Nyheter, Svenska Dabladet and Aftonbladet. The aim of the study is thus to investigate how ethnic groups are framed in a photojournalistic setting. The theoretical concept otherness is used to analyze the selected visual images and the concept of visualities highlight how photographs published in the media communicate political messages and how images reflect immigration discourse. Additionally, photojournalistic regimes of visibility and responsibility are used to illuminate similarities and dissimilarities in the material. In total, 200 images made up the sample for the performed qualitative visual analysis. The findings reveal that empathetic portrayals dominate the Swedish narrative. Syrian refugees were overrepresented in imagery alluding to otherness painting a picture of Syrians as ethnic, cultural and dangerous others. Photography triggering social and political engagement were crucial in the forming of visualities, relating visual images to the political and public arena. The sampled images did reflect immigration discourses of intimidation and humanity.

Villette (1853), Charlotte Brontë's last novel, is famously riddled with ambiguity: its narrator-protagonist, Lucy Snowe, avoids disclosing details about her childhood, fails to reveal to readers the identity of characters she recognizes from her past, and, at the end of the novel, refuses to confirm if her love interest, M. Paul, has died at sea after a storm. Believing Lucy's ambiguous narrative style to be a tool she uses to train readers to better understand her, many critics have focused their efforts on trying to interpret Lucy's silences and evasions "correctly," thereby turning themselves into Lucy's or Brontë's "ideal" authorial readers. However, throughout her life, Lucy has resisted being read by people who assume they can fully know her and fit her into their worldview. Unwilling to impose her views on others, Lucy's autobiography encourages readers to make their own meaning without deciphering how she intends for it to be read. In this way, she maintains that she is ultimately unknowable to her readers, just as they are to her, and preserves, rather than erases, the distance that exists between reader and author. By constructing an authorial reader who does not seek to think as Lucy does, Villette invites readers to enter into an ethical relationship with Lucy, one in which otherness is respected and intimacy is possible despite differences.

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<p>For many of us, the events of 9/11 served as a violent birth into a new era. In subsequent years, we have witnessed a mechanical vacillation between reaction and revenge in the domain of politics, at a time where terrorism and counter-terrorism are virtually indistinct. September 11^th was by no means the genesis of xenophobia, but it has been complicit in the production of a global climate where an understanding of xenophobic logic is increasingly relevant.</p> <p>In this thesis, I begin with an analysis of the conceptual anatomy of xenophobia and its relation to ideas of sameness and difference, identity, selfhood, “Otherness” and community. In the second chapter, I provide a taxonomy of xenophobia, differentiating this “exclusive” mode of prejudice from “inclusive” modes. I analyze contemporary manifestations of xenophobia under this framework. In the final chapter, I conclude with an exploration of the manner in which communities may be re-envisioned, in order to avoid identity-essentialism and encourage freedom of action in the political domain.</p> / Master of Arts (MA)

This work unfolds Arturo Escobar's radical relational ontology in an imagined discussion with Gilbert Simondon. Questioning Escobar's academic reception in the North, we seek the answer in Escobar's own work, in his proposal of a political ontology and the pluriversal posture it underlies. In trying to grasp what radical difference means, understood as ontological excess, we come to the point of having to outline a pluriversal ethic of otherness in order to "live fearlessly the difference from within". Key words: relational-ontology; indigenous-struggles-for-the-territory ;ontological- conflicts ; otherness ; radical-otherness; anthropology ;philosophy; Arturo-Escobar; Gilbert- Simondon