El presente trabajo busca demostrar que en la novela Tengo miedo torero de Pedro Lemebel, la protagonista llamada La loca del frente, construye una fantasía melodramática que trasciende los estereotipos de pasividad asociados tanto al melodrama como a la fantasía. Así, extiende su efectividad como mecanismo de defensa privado hacia el campo público y la actividad militante. Para ello, se analizará a lo largo de dos capítulos, la función de este recurso tanto en el espacio privado como el público. En la primera parte, se analizará la naturaleza fantasmática y su funcionamiento como estrategia de supervivencia frente a una sociedad heteronormativa. Asimismo, se considerarán las múltiples figuras que encarna, desde la fantasía de la estrella de cine y los boleros, hasta los actos melodramáticos con el fin de proteger la salud mental de la protagonista. En la segunda parte, se analizará su función en el espacio público que se inscribe en la ética del cuidado como herramienta política contra la dictadura desde una postura que desafía tanto la heteronormatividad como la homonormatividad. Esta investigación se enmarca en las teorías sobre el melodrama de Peter Brooks y de la fantasía de Freud, así como el fantasmático lacaniano interpretado por Kaja Silverman, a la par que utiliza el carnavalismo de Bajtin y la ética del cuidado de Joan Tronto como herramientas fundamentales para el entendimiento de la evolución política de la Loca. / Tesis

Los orígenes de nuestra aviación están cubiertos por un aparente manto de indiferencia. La historiografía existente dedicada exclusivamente al tema de la aviación en el Perú es escasa y constituye una prueba de ello. Las causas se podrían plantear en una serie de hipótesis, pero siendo en el Perú la aeronavegación y las actividades conexas eminentemente técnicas, con poca vinculación con las letras, las ciencias humanas y las ciencias sociales, no ha sido un tema que haya motivado el interés de los investigadores; como resultado encontramos escasos trabajos de investigación, en su mayoría por convocatoria institucional, con una orientación determinada y no como producto de una espontánea inquietud o interés. / Tesis

In Cinema 1: The Movement-Image and Cinema 2: The Time-Image, Gilles Deleuze distinguishes two regimes of audiovisual thought. In the regime of the movement-image, such thought is constituted by two processes. The first, differentiation/integration, expresses a whole that changes through the intermediary of the shifting relationships between the objects and people on screen. The second, specification, gives images a determinate function in a sensory-motor schema, through which perceptions are linked to actions in rational intervals of movement. With the regime of the time-image, as I understand it, thought instead comes to mean, as Deleuze puts it in Foucault, to experiment and problematize, and “knowledge, power, and the self are the triple root of a problematization of thought” (95). It is my argument in this thesis that Deleuze’s work on cinema is of great utility in carrying out filmic analyses that seek to detect and draw out the consequences of strategies of filmmaking that make knowledge, power, and self problematic. Furthermore, such a mode of analysis is particularly valuable in attending to new films that confront us with novel means of organising problematic audiovisual thought. My arguments are made through consideration of two films each from four directors: Wong Kar-wai, Nuri Bilge Ceylan, Pedro Costa, and Apichatpong Weerasethakul. While there are many important differences between the works of these filmmakers, their films nevertheless lend themselves to an approach that seeks to determine how thought becomes problematic in specific cases. Similarities and resonances are brought out between these films and those that Deleuze uses himself in making his arguments and shaping his concepts, but I also identify new problems that we encounter in the works of these filmmakers, which extend the range of meaning of some of those concepts. One such concept that is of particular importance in this thesis is “belief in the world”. There is always something in those films that pass into the regime of the time-image that is asystematic, which breaks up and multiplies thought, multiplies the thinkers we are made to inhabit. Our relation to the world of the film is therefore unstable and uncertain, and calls for belief, since films themselves in this regime produce new links between humans and the world, rather than firmly establishing a realistic state of things, a temporal and spatial matrix that accords with that which we experience in everyday existence. Such films thus make us receptive to a thought different from that interiorised thought through which, as Nietzsche writes, the apparatus of knowledge abstracts, simplifies, and takes possession of the world and others (Will, no. 503, 274).

Made available in DSpace on 2015-03-05T12:06:52Z (GMT). No. of bitstreams: 0 Previous issue date: 6 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho de pesquisa empreende um estudo sobre o comportamento e as práticas familiares dos escravos da Fronteira Oeste do Rio Grande entre fins do século XVIII e princípios do XIX. Para verificar as questões explicitadas, lança-se mão de um conjunto de informações provenientes de um número variado de fontes que vão desde registros de batismos, casamentos e óbitos, passando pelos inventários post-mortem e manumissões. O estímulo principal é o entendimento do funcionamento do trabalho escravo nessa região que se delimitava com o espaço castelhano, cuja economia caracterizava-se pelo predomínio da pecuária. Inicialmente, busca-se mapear a história da região desde a chegada dos primeiros povoadores europeus até a Revolução Farroupilha, analisam-se as atividades produtivas, as faixas de tamanho das escravarias e a evolução da população escrava, observando-se o perfil demográfico desse segmento no período analisado. Enfatiza-se, ainda, que a condição não exportadora da economia local, combinada com a / The present work of research undertakes a study on the behavior and familiar practices of the slaves of the Border West of the Rio Grande between ends of century XVIII and principles of the XIX. To verify the questions, a set of information proceeding from a varied number of sources like registers of baptisms, marriages and deaths, passing for the inventories post-mortem and manumissions. The main stimulation is the agreement of the functioning of the slaved work in this region that delimited with the Castilian area, whose economy was characterized for the predominance of the cattle. Initially, tries to map the history of the region since the arrival of the first European settlers until the Farroupilha Revolution, analyze the productive activities, the size area of the slaves and the evolution of the slaved population, observing the demographic profile of this segment in the analyzed period. It is still emphasized, that the no exporting condition of the local economy, combined with the stability reached for t

Submitted by Maicon Juliano Schmidt (maicons) on 2015-04-22T14:50:53Z No. of bitstreams: 1 Roberto Poletto.pdf: 3420775 bytes, checksum: d922c338ab5f9ef3a1b9fb2d16af6565 (MD5) / Made available in DSpace on 2015-04-22T14:50:53Z (GMT). No. of bitstreams: 1 Roberto Poletto.pdf: 3420775 bytes, checksum: d922c338ab5f9ef3a1b9fb2d16af6565 (MD5) Previous issue date: 2014-01-31 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / CNPQ – Conselho Nacional de Desenvolvimento Científico e Tecnológico / Esta dissertação tem como foco a trajetória de Pedro Montenegro. Nascido na Espanha, em 1663, ele atuou no Hospital Geral de Madri, onde realizou sua formação técnica. Anos mais tarde, imigrou para a América, onde, em 1691, ingressou na Companhia de Jesus, sendo que, mesmo como religioso, continuou exercendo ofícios ligados às artes de curar, tanto em Córdoba, quanto nas missões de Apóstoles e Mártires, onde faleceu em 1728. Para a reconstituição de sua trajetória, recorremos à documentação relativa às instituições que fizeram parte sua vida, tais como o Hospital de Madri, o Protomedicato e a Companhia de Jesus. Ao irmão jesuíta Montenegro é atribuída a autoria da Materia Medica Misionera, de 1710, considerado um dos principais tratados de botânica médica do período colonial. A análise da obra nos possibilitou problematizar aspectos relativos à autoria e ao seu processo de elaboração e, também, identificar e avaliar as apropriações que seu autor fez das concepções europeias de medicina e as ressignificações resultantes do contato com as populações indígenas e das experiências que realizou com as plantas medicinais nativas americanas. / This dissertation focuses on the trajectory of Pedro Montenegro. Born in Spain in 1663, he served at the General Hospital of Madrid where he accomplished his technical training. Years later, he immigrated to America , where, in 1691, became involved in the Company of Jesus, and even as a religious, continued to perform crafts involving the healing arts, both in Córdoba, and in the Apostles and Martyrs missions, where he died in 1728. In order to reconstitute his trajectory, we used the documentation of institutions that were part of his life, such as the Hospital of Madrid, Protomedicato and the Company of Jesus. The authorship of Materia Medica Misionera written in 1710 is attributed to the Jesuit brother Montenegro, a work considered to be one of the main treaties of medical botany of the colonial period. The analysis of the work enabled us to discuss aspects concerning the authorship and its preparation process and also to identify and evaluate the appropriations that its author did of European conceptions of medicine as well as the resulting reinterpretation obtained by the contact with the indigenous people and experiences that he made with the Native American medicinal plants.

Submitted by Maicon Juliano Schmidt (maicons) on 2015-07-20T16:35:34Z No. of bitstreams: 1 Cyanna Missaglia de Fochesatto_.pdf: 5318891 bytes, checksum: 17431955138ae7e5c5d229d82ca31513 (MD5) / Made available in DSpace on 2015-07-20T16:35:34Z (GMT). No. of bitstreams: 1 Cyanna Missaglia de Fochesatto_.pdf: 5318891 bytes, checksum: 17431955138ae7e5c5d229d82ca31513 (MD5) Previous issue date: 2015-04-24 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / PROSUP - Programa de Suporte à Pós-Gradução de Instituições de Ensino Particulares / Este estudo busca fazer uma análise de algumas obras do pintor gaúcho Pedro Weingärtner, de temática regional, que tratem da representação do imigrante europeu e do processo de colonização no Rio Grande do Sul, no período do final do século XIX e início do XX. A análise dessas pinturas foi feita através do entendimento da memória e da biografia de seu criador, para que então fosse possível compreender o tipo de identidade do imigrante presente nas pinturas. Pretendeu-se aprofundar de que forma esse tipo social estava representado nas telas, as suas características, seu modo de vida, os espaços de sociabilidade e trabalho, as paisagens e os elementos sócio-culturais. A relevância desta pesquisa dá-se pela ausência de trabalhos de fôlego sobre Pedro Weingärtner e também pela contribuição no campo dos estudos da história e das imagens, uma vez que colabora – de forma interdisciplinar – com os estudos, principalmente, sobre imigração alemã, imagens e artes plásticas. Encontrou-se ao longo da pesquisa a representação de um imigrante fortemente aliado ao espaço rural e ao trabalho na terra, buscando a construção da imagem de um tipo social que é tanto o trabalhador da zona rural quanto o principal agente causador da transformação da paisagem natural brasileira. / This study aims to to analyze some paintings from the gaucho artist Pedro Weingärtner, a regional theme that address the representation of the European immigrant and the colonization process in Rio Grande do Sul, from the period of the nineteenth and early twentieth centuries. The analysis of these paintings was made through the understanding of memory and biography of its creator, so that it was possible to understand the type of identity of the immigrant present in the paintings. It was intended to deeply understand how this social type was represented in the paintings, their characteristics, their way of life, the gaps of sociability and work, the landscapes and socio-cultural elements. The relevance of this research is given by the absence of a major study on Pedro Weingärtner and also for the contribution in the field of studies of history and of images, once it contributes - in an interdisciplinary way - with studies about German immigration, pictures and fine arts. It was found throughout the research the representation of an immigrant strongly allied to rural areas and work on the land, seeking the construction of the image of a social type that is both a worker in the countryside as the main causative agent of transformation of the natural landscape Brazilian.

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-05-06T17:45:43Z No. of bitstreams: 1 DIS_RAFAEL_REIGADA_BOTTON_COMPLETO.pdf: 825913 bytes, checksum: d1c72de4435117e3005758f0819e06f0 (MD5) / Made available in DSpace on 2016-05-06T17:45:43Z (GMT). No. of bitstreams: 1 DIS_RAFAEL_REIGADA_BOTTON_COMPLETO.pdf: 825913 bytes, checksum: d1c72de4435117e3005758f0819e06f0 (MD5) Previous issue date: 2016-03-08 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This dissertation consists of an analysis about Joaquim Pedro de Oliveira Martins?s historiography, focusing over his conceptions about the decay of the Portuguese nation; and about the historiographical constructions related to de Caesarism concept. It will be also analyzed the politic and cultural contexts of development of the Generation of 1870, and how the ideia of decay articulated the cohesion between its members (focusing on its theorist theoretical foundation on Oliveira Martins?s thought, specially, the Hegel?s dialectic logic and the theories about social organicism). It will be used as research methodology the historical categories of Space of Experience and Horizon of Expectation of Reinhart Koselleck, intending to constitute a historical hermeneutic adequate to study the analogies established between the historical circles of Portugal?s history, and its relation with the Roman Republic. It will be also analysed the main postulates of the cathedratic socialism, and its influence over Oliveira Martins?s political thought, also reflecting on his historiography. It?s intended to problematize the borders between historical production and political thought, as much about the readings of Portuguese history that provided multiple interpretations about the Portuguese national identity. / A presente disserta??o consiste em uma an?lise a respeito da historiografia de Joaquim Pedro de Oliveira Martins enfatizando suas concep??es com rela??o ao processo de decad?ncia da na??o portuguesa, bem como sobre as constru??es historiogr?ficas relativas ao conceito de cesarismo. Abordar-se-? tamb?m o contexto pol?tico e cultural em que se desenvolveu a Gera??o de 1870 em Portugal e como a ideia de Decad?ncia articula-se enquanto eixo de coes?o entre seus membros (focando na fundamenta??o te?rica do mesmo no pensamento de Oliveira Martins, em especial, na l?gica dial?tica hegeliana e nas teorias do organicismo social). Empregar-se-? como metodologia de pesquisa as categorias hist?ricas de Espa?o de Experi?ncia e Horizonte de Expectativa, de Reinhart Koselleck, para a constitui??o de uma sem?ntica da hist?ria adequada para estudar as analogias entre os ciclos hist?ricos de Portugal em rela??o ? Rep?blica Romana. Por fim, analisar-se-? os principais postulados do socialismo catedr?tico e como estes influenciaram o pensamento pol?tico de Oliveira Martins, refletindo-se tamb?m em sua historiografia. Busca-se, desta forma, problematizar tanto as fronteiras entre a produ??o historiogr?fica e o discurso pol?tico, quanto ?s releituras da Hist?ria que possibilitaram m?ltiplas interpreta??es acerca da identidade nacional portuguesa.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-02-22T11:46:25Z No. of bitstreams: 1 Clóvis José Migotto.pdf: 1028812 bytes, checksum: 8cc57be743cd6df3acc73f7621a5acdf (MD5) / Made available in DSpace on 2017-02-22T11:46:25Z (GMT). No. of bitstreams: 1 Clóvis José Migotto.pdf: 1028812 bytes, checksum: 8cc57be743cd6df3acc73f7621a5acdf (MD5) Previous issue date: 2017-02-17 / Fundação São Paulo - FUNDASP / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation aims to investigate the poetry of Pedro Casaldáliga, approaches in a cut of his poetic production and seeks to perceive a specific meaning. Inserted in the context of his Prelature of São Felix do Araguaia Pedro Casaldáliga matured his expression as a poet in the measure of his commitment to the liberation of his people. Every trace of his human and poetic thought, therefore, can be understood by the search for meaning to be a Christian witness of the proposal of the Kingdom of God. His poetry is integrated into the theoretical universe known as Liberation Theology and pervades the various experiences lived by the poet Casaldáliga in the region of Araguaia, Central America and Europe. The meaning of his poetry will be researched from his development as a poet, starting from his first verses until gaining emphasis his prophetic poetry. In a reflection on the historical retrospection of the process of colonization of the American Continent and, specifically, of Brazil, we take into account the colonizing function of the Christian faith that arrived here with the caravels of the Spanish and Portuguese conquerors, but also, Same faith, in defense of the conquered peoples. It follows that there is a knowledge on the part of the oppressed that seeks to resist the oppressor ever since. Understanding the poetry of Pedro Casaldáliga as knowledge that resists and liberates the colonized oppressed proves to be of fundamental importance for the analysis of the search for meaning of poetry in contexts of life marked by relations of oppression, resistance and hope of liberation / Esta dissertação tem como objetivo a investigação da poesia de Pedro Casaldáliga, que abordamos a partir de um recorte de parte da sua produção poética e, busca perceber um sentido específico. Inserido no contexto de sua Prelazia de São Félix do Araguaia Pedro Casaldáliga amadureceu sua expressão como poeta na medida mesmo de seu compromisso com a libertação de seu povo. Cada traço de seu pensamento humano e poético, portanto, pode ser compreendido pela busca de sentido de ser testemunha cristã da proposta do Reino de Deus. Sua poesia vem integrada no universo teórico conhecido como Teologia da Libertação e perpassa as várias experiências vividas pelo poeta Casaldáliga na região do Araguaia, da América Central e da Europa. O sentido de sua poesia será pesquisado a partir de seu desenvolvimento como poeta, partindo de seus primeiros versos até ganhar ênfase suas poesias proféticas. Numa reflexão sobre a retrospectiva histórica do processo de colonização do Continente Americano e, em específico, do Brasil, levamos em conta a função colonizadora da fé cristã que aqui chegou com as caravelas dos conquistadores espanhóis e portugueses, mas que também, se apresentou, essa mesma fé, em defesa dos povos conquistados. Daí se depreende que há um conhecimento por parte do oprimido que busca resistir ao opressor desde então. Compreender a poesia de Pedro Casaldáliga como conhecimento que resiste e liberta o oprimido colonizado revela-se de fundamental importância para a análise da busca de sentido do fazer poesia em contextos de vida marcado pelas relações de opressão, resistências e esperanças de libertação

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-06-01T12:19:46Z No. of bitstreams: 1 Geraldo Barbosa Neto.pdf: 6027799 bytes, checksum: 16023fdaa806bf62ab8d3b5cfcd6e624 (MD5) / Made available in DSpace on 2017-06-01T12:19:47Z (GMT). No. of bitstreams: 1 Geraldo Barbosa Neto.pdf: 6027799 bytes, checksum: 16023fdaa806bf62ab8d3b5cfcd6e624 (MD5) Previous issue date: 2017-04-26 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This investigation is about the articulations of the cosmographic knowledge with the problem of the physical and conceptual distance between the monarchical state of the Portuguese and the places of the world that composed its maritime empire. It is bordered in Portugal from the 16th century. Its scope is to reveal an interpenetration between the cosmographic production and the problem of the physical and conceptual distance between the Lisbon Palace and the coasts, islands and firm lands under its lordship, using as its historical source the works of Pedro Nunes (Alcácer do Sal, 1502 - Coimbra, 1578), cosmographer of the King of Portugal D. João III (1502-1557). It leads us to a historical framework in which power and science mingle. It introduces us to a historical conjuncture, in which a history of politics and a history of the sciences intertwine and complement each other / Esta investigação é sobre as articulações do conhecimento cosmográfico com o problema da distância física e conceitual entre o estado monárquico dos portugueses e os lugares do mundo que compuseram seu império marítimo. Está delimitada em Portugal do século XVI. Seu escopo é desvelar uma interpenetração entre a produção cosmográfica e o problema da distância física e conceitual entre o Paço lisboeta e as costas, ilhas e terras firmes sob seu senhorio, empregando como fonte histórica precípua as obras de Pedro Nunes (Alcácer do Sal, 1502 – Coimbra, 1578), cosmógrafo do rei de Portugal D. João III (1502-1557). Ela nos conduz para um âmbito histórico no qual poder e ciência se misturam. Nos introduz em uma conjuntura histórica, na qual uma história da política e uma história das ciências se enlaçam e se completam

On Violence and Tyranny examines historiography as a vehicle for the production of a theory of tyrannicide in the aftermath of the murder of Pedro I de Castilla (1369). The thesis of this work is that by considering the royal chronicle as a vehicle and locus for political theorization, we can appreciate the formulation of a theory of tyrannicide as a medium for dynastic legitimation that is not reducible to political propaganda. Rather, it becomes a meditation about monarchy itself, the limits of power, and the underlying causes and consequences of political violence. The chronicle of the king Pedro's rule conceives an economy of violence coded in terms of saber (political wisdom), justice and the law, as a means to face the ideological, political, and social challenges that civil war and regicide pose to a community. I will focus on two fragments of the chronicle, a pair of letters attributed to a wise Moor that the chronicler chose to include in a second stage of his composition and that establish extra textual connections to other political genres such as the specula principum and political prophecy. Through them, I will explore how a theory of tyrannicide allows the chronicler to confront three major problems that regicide poses. First, how to explicate the dynastic break that king Pedro’s murder brought about, and minimize the discontinuity that the advent of a new, and illegitimate, dynasty (the Trastámaras) represented for a historical tradition that deeply valued the continuity of history. Second, how a theory of tyrannicide served to repair the broken ties provoked by the civil war. And third, how to represent that founding violence, the violence against a sovereign, to render it legitimate, but not available for anyone else to exploit.