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Penny Dreadful et son processus transfictionnel : les possibilités de la transfiction dans les séries télévisées contemporainesRodriguez-Caouette, Meganne 12 1900 (has links)
Ce mémoire propose d’étudier le processus narratif à l’œuvre dans la série télévisée Penny Dreadful. Il naît du constat que la plupart des études et des recherches mettant au premier plan cet objet télévisuel l’associent au concept d’adaptation. L’objectif de cette recherche est d’interroger cette filiation entre ce qui se produit dans la série télévisée Penny Dreadful et le concept d’adaptation. L’adaptation ne rend pas compte de toutes les subtilités des procédés narratifs et télévisuels de cette série télévisée. Ceux-ci se rapprochent davantage des concepts de transfiction, de Frankenfiction et de remix qui sont en marge de celui d’adaptation. Les réflexions autour de ces derniers permettent d’ouvrir un dialogue avec les notions de répétition, de variation et de sérialité propre à l’adaptation et aux études télévisuelles. Il sera question d’observer par l’analyse de séquences et l’analyse de personnage les limites et les frontières de ces concepts dans le cas des séries télévisées et de leurs possibilités créatives, dont s’approprient les fans pour fabriquer leurs œuvres. / This thesis proposes to study the narrative process at work in the television series Penny Dreadful. It arises from the observation that most studies and research about this television object associate it with the concept of adaptation. The objective of this research is to question this connection between what happens in the television series Penny Dreadful and the concept of adaptation. The adaptation does not reflect all the subtleties of the narrative and television processes of this series. These are closer to the concepts of transfiction, Frankenfiction and remix which are on the margin of adaptation. The reflections around these allow to open a dialogue with the notions of repetition, variation, and seriality proper to the adaptation and the television studies. It will be question of the limits and boundaries of these concepts in the case of television series and their creative possibilities, which fans appropriate to make their works.
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But Wait, There's More: Serial Character and Adaptive Reading Practices in the Victorian PeriodHaugtvedt, Erica Christine January 2015 (has links)
No description available.
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The Punk-Rock BrontesdeCourville, Nichols P., IV January 2017 (has links)
No description available.
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Serialität der Romanhefte / Seriality of dime novelsLorenz, Björn 18 November 2014 (has links)
No description available.
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Pražský ilustrovaný kurýr. Masový tisk jako obraz světa obyčejných lidí. / Prague Illustrated Courier: The Prague Penny-press as a Window into the World of Commeon Men.Machek, Jakub January 2012 (has links)
- Jakub Machek Prague Illustrated Courier. The Prague Penny-press as a Window into the World of Common Men. This work is dedicated to early sensational pictorial press (Pražský Illustrovaný Kurýr and its less successful predecessors) and its urban readers, as an example of the rising Fin de siècle popular culture in the Czech lands and its significance for revealing fundamental social and political changes that took place at the turn of the 20th century. During this era, even the members of lower social classes broadened their economical and cultural potency and thus capacity to absorb the development of new common culture generated by the rapid industrialization and urbanization. Production and reception of emerging popular press is analysed as a marker of the new modern urban experience and its social influences. Global pattern of successful mass daily press was, however, modified for Prague audience, its specific local beliefs, values and desires, distinctively different from those of western urban centre dwellers.
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The Solo Violin Works of Samuel Adler, Chen Yi, and Shulamit Ran: A Performer's PerspectiveGalu, Ioana 16 July 2012 (has links)
No description available.
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Medieval Minstrels and Folk Balladeers: An Analysis of Orfeo in Celtic Music and LiteratureHeredos, Rosemary M. 13 May 2016 (has links)
No description available.
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A Semiotic reading of gendered subjectivity in contemporary South African art and feminist writingDe Gabriele, Mathilde Daatje Johanna Fenna 30 November 2002 (has links)
This dissertation investigates the correlation between semiotic theory and the way that
gendered subjectivity is represented in contemporary South African art. The phenomenon
of signification is central to the semiotic theories of the Bulgarian semiotician and
psychoanalyst Julia Kristeva. Semiotics can be described as the science of the sign that
considers the way in which artists express their personal experience in art making.
In this investigation I refer mainly to women's artworks, although the concept of
gendered subjectivity in the work of male artists is also discussed. This particular
research investigates the symbolic relations of culture in gender terms, that explores the
apparent contradictions of subjectivity inherent in capitalist patriarchal society. / Art History, Visual Arts & Music / M.A. (Visual Arts)
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The artist's role as collector of memory and selfThomas, Lee Ann 11 1900 (has links)
Artworks that use found or appropriated images and objects
often function as collections. These collections simulate the
everyday collections of mementos and souvenirs that come to
represent aspects of an individual's personality and past. The
collections of objects mirror the individual's collection of memories
that help to define himself and provide a means of communication
with others. The artist as collector takes on roles similar to that of
storyteller and anthropologist, providing a narrative of conscious
preservation. Through various devices of display and denial a
curiosity cabinet I Wunderkammer representing and simulating a
Self is created and the role of collector is passed on to the viewer. / Art History, Visual Arts & Musicology / Thesis (M.A. (Art History))
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A Semiotic reading of gendered subjectivity in contemporary South African art and feminist writingDe Gabriele, Mathilde Daatje Johanna Fenna 30 November 2002 (has links)
This dissertation investigates the correlation between semiotic theory and the way that
gendered subjectivity is represented in contemporary South African art. The phenomenon
of signification is central to the semiotic theories of the Bulgarian semiotician and
psychoanalyst Julia Kristeva. Semiotics can be described as the science of the sign that
considers the way in which artists express their personal experience in art making.
In this investigation I refer mainly to women's artworks, although the concept of
gendered subjectivity in the work of male artists is also discussed. This particular
research investigates the symbolic relations of culture in gender terms, that explores the
apparent contradictions of subjectivity inherent in capitalist patriarchal society. / Art History, Visual Arts and Music / M.A. (Visual Arts)
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