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11	Náboženské a politické pozadí vzniku první křížové výpravy / The religious and political Background of the beginning of the First Crusades Founding Novotný, Lukáš January 2012 (has links) 7 ABSTRACT Title: THE RELIGIOUS AND POLITICAL BACKGROUD OF THE BEGINNING OF THE FIRST CRUSADES FOUDING The objective of this diploma thesis The religious and political Background of the beginning of the First Crusade Fouding is, to present the circumstances and the events, which preceded the beginning of the First Crusade on basis of examining literature. Further the thesis aims to clarify the three significant civilizations (European, Byzantine and Muslim), which participated in the crusade. The thesis itself is divided in several main sections: 1. Holy Land and the pilgrimage (pilgrim) tradition 2.Christians and Muslims fighting before the First Crusade. 3. Turbulent wartime conditions in Western Europe after the collapse of the Carolingian Empire. 4. The struggle for investiture. 5. Convening of the expedition. 6. The main leaders of the First Crusade. 7. Europe, Byzantium and the Muslim world of the XIth century - religion, life, culture and philosophy. 8. The World of Western Europe in the XIth century 9. World of the XIth century Byzantine Empire 10. World of the Muslim Asia Minor in the XIth century. 11. The chroniclers of the First Crusade. While studying the topic I mostly used secondary literature. Mainly I relied on the first volume of the work A History of the Crusades, which is a high quality...
12	Crossing the Strait from Morocco to the United States: the transnational gendering of the Atlantic World before 1830 Robinson, Marsha R. 14 July 2006 (has links) No description available. Women's History Atlantic World Morocco - Women United States - Women Malik Ibn Anas Islam - Women Andalusia Almoravid Almohad Marriage Reconquista Castile Isabel I Urraca Alfonso VI Alfonso X Domesticity
13	Les saints Matamores en Espagne, au Moyen Âge et au Siècle d'Or (XIIème-XVIIème siècles). Histoire et Représentations. Linares, Lidwine 22 May 2008 (has links) (PDF) Les saints matamores sont des saints militaires typiquement hispaniques qui, selon les légendes rapportées dans de nombreuses chroniques et hagiographies, seraient miraculeusement intervenus lors de certaines batailles de la Reconquête pour donner la victoire aux Chrétiens en déroute face aux envahisseurs musulmans. Notre travail de thèse consiste à étudier conjointement ces saints, au nombre de quatre (saint Jacques, apôtre et patron de l'Espagne, saint Emilien de la Cogolla, saint Isidore de Séville et saint Georges) notamment du point de vue de leurs représentations, tant textuelles qu'iconographiques. Il s'agit d'une part d'écrire une histoire de la sainteté militaire espagnole depuis ses origines, pour en dégager les caractéristiques essentielles. D'autre part, le but est de montrer, par le prisme des représentations, que ces saints sont des saints sui generis, ancrés dans un territoire spécifique mais aussi dans une Histoire, et que les espaces et les éléments de contexte historique ont largement influencé le traitement que les auteurs et les artistes leur ont réservé. [SHS] Humanities and Social Sciences sainteté saints matamores hagiographie saint Jacques santiago saint Georges san Jorge sant Jordi saint Emilien San Millan saint Isidore San Isidoro Espagne Moyen-Age Siècle d'Or Reconquête Reconquista chronique peinture
14	The paradoxical exemplar : the image of Saladin in Don Juan Manuel's El conde lucanor Atmaca, Delia Avila 22 February 2012 (has links) Don Juan Manuel’s laudatory portrayal of Saladin, the Muslim Sultan of Babylon, in Exempla 25 and 50 of El Conde Lucanor presents an interesting paradox, particularly when considering that the fourteenth-century text was intended as moral instruction for a Christian audience. This report addresses this paradox by determining Saladin’s placement within Juan Manuel’s moral and spiritual philosophy through textual and comparative character analyses. The first section applies Victor Turner’s social drama theory in a textual analysis of Exempla 25 and 50 to establish Juan Manuel’s representation of Saladin as a triumphant figure, capable of meeting and overcoming challenges to his honor and virtue. The second section applies M. M. Bakhtin’s concept of dialogism to engage in a closer examination of Saladin’s “voice” in relation to other characters of Juan Manuel’s exempla for the purpose of revealing the ambiguities and finer intricacies of Saladin’s character. These analyses serve to raise and address paradoxical questions relating to Juan Manuel’s presentation of Saladin as both a Muslim adversary and friend of Christendom. / text Saladin Salah al-Din Don Juan Manuel Juan Manuel El Conde Lucanor Medieval Spanish literature Spanish literature Medieval Spanish Exempla Exemplum Moral tales Medieval Iberia King Richard I Hunt Chivalry Christendom Reconquista Convivencia Moors
15	Una cronologia alimentaria: La coevolución e interdependencia de la comida, la cultura y la historia en el mundo hispánico Frank, Nicholas I. 17 May 2019 (has links) No description available. Agriculture Ancient Civilizations Ethnic Studies European Studies Foreign Language Food Science Hispanic American Studies Latin American History Latin American Studies Medieval History Minority and Ethnic Groups Social Structure Sociology comida food spanish latino hispano colonialidad Quijano Mignolo cultura Said cultura historia coevolucion alimentacion relaciones de poder renacimiento reconquista romano moro catolico azteca andino venezuela neoliberalismo
16	Early Music Printing in Salamanca, 1494-1512 de Groot, Nicolas 15 July 2022 (has links) From 1494 until 1512, around a dozen securely datable prints containing or relating to music were published in the city of Salamanca in present-day Spain. To date, these works have not been considered as a group. This thesis takes the perspective of the Salmantine printers to examine this corpus. To do so, the study gathers methods and secondary sources from a variety of fields, particularly combining history of the Iberian book with musicology. The thesis establishes Juan de Porras as the dominant printer in Salmantine music printing production with prominent connections to the Fonseca family, particularly the Archbishop of Santiago de Compostela, Alfonso II de Fonseca. Music production was also motivated by liturgical reforms sweeping across the Peninsula, as well as related language reforms occurring at the University of Salamanca. While liturgical prints had pre-established markets and patrons, marketing techniques in the music treatises show that these works were targeted to different segments of Iberian society. The thesis includes three appendices which 1) collate all identifiable persons in the prints, 2) present a catalogue of Salmantine music prints from 1494 to 1512, and 3) compare music types used in the liturgical books of the corpus. Juan de Porras Juan Gysser Renaissance University of Salamanca Spain Castile music prints printing Catalogue of Salmantine corpus Iberian book musicology Alfonso II de Fonseca Archbishop of Santiago de Compostela Galicia Peninsula marketing economics patronage liturgy language treatise missal woodblock Ferdinand Isabella Reconquista Juana Nebrija Antonio Hans Encina Castilian theorist Latin network

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