Spelling suggestions: "subject:"telemann, georg philipp,"" "subject:"telemann, georg philippe,""
21 |
Aria forms and chorus textures in Bach's early cantatas : the influences of Neumeister, Telemann, and Rosenmüller /Metzler, Patrizia. January 2007 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007. / Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2722. Adviser: John Walter Hill. Includes bibliographical references (leaves 187-193) Available on microfilm from Pro Quest Information and Learning.
|
22 |
Selected baroque compositions with instrumental accompaniment for amateur choirBusarow, Linda Cressman. January 2007 (has links)
Thesis (D.M.A.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 126-129).
|
23 |
A interpretação de recitativos em cantatas sacras de G. P. Telemann sob uma perspetiva historicaHoller, Marcos Tadeu 15 February 1995 (has links)
Orientadores: Helena Jank, Dorotea Kerr / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-20T21:04:39Z (GMT). No. of bitstreams: 1
Holler_MarcosTadeu_M.pdf: 4958477 bytes, checksum: 3076180d8d6ccb6a32b8b2633c3ac9c3 (MD5)
Previous issue date: 1995 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Artes
|
24 |
Georg Philipp Telemann's Use Of The Trumpet In Tafelmusik II-TWV 55: D1 (1733) Together with Three Recitals of Selected Works by Kennan, Torelli, Chaynes and OthersSwisher, Eric 12 1900 (has links)
While trumpeters know him best for his concertos, Telemann included trumpets in his operas, cantatas, oratorios, orchestral music and mixed chamber music. This project will study the opening suite and conclusion of Tafelmusik II (TWV: D1, 1733) in order to examine his use of the trumpet in a mixed chamber work. Since Telemann was heavily influenced by his environment, the first chapter will focus on the city of Hamburg. As a major port, Hamburg's thriving economy gave rise to a wealthy merchant class, who were among Telemann's greatest supporters. The city boasted of many progressive elements: a democratic government, intellectual societies, foreign visitors, and a great love of music. This made Hamburg an ideal place for Telemann to work. The second chapter will provide an analysis of the movements: their forms, key structures, phrase organizations and orchestrations. After a brief explanation of the Baroque Trumpet, the third chapter will focus on Telemann's use of the trumpet in the work. Special attention will be paid to the methods which he employed to conceal the trumpet's tonal limitations and its relationship to the other instruments of the ensemble.
|
25 |
The Essercizii musici: A Study of the Late Baroque SonataVolcansek, Frederick Wallace 05 1900 (has links)
Telemann's Essercizii musici is a seminal publication of the 1730's representative of the state of the sonata in Germany at that time. Telemann's music has been largely viewed in negative terms, presumably because of its lack of originality, with the result that the collection's content has been treated in a perfunctory manner. This thesis presents a reappraisal of the Essercizii musici based on criteria presented in Quantz's Versuch. A major source of the period, the Versuch provides an analytical framework for a deeper understanding of the sonatas that comprise Telemann's last publication. A comparison of contemporary publications of similarly titled collections establishes an historical framework for assessing the importance of the Essercizii musici as part of a tradition of publications with didactic objectives that may be traced to the late 17th century.
|
26 |
Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler / Johann Friedrich von Uffenbach. Collector - Donor - ScientistMeyerhöfer, Dietrich 28 January 2020 (has links)
No description available.
|
Page generated in 0.0502 seconds