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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Reviewing the critics: Examining popular video game reviews through a comparative content analysis

Gifford, Ben 23 August 2013 (has links)
No description available.
12

Sexuální identita jako filmová podvratnost: diskurz New Queer Cinema / Sexual Identity as Cinematic Subversion: the Discourse of New Queer Cinema

Kajánková, Lucia January 2015 (has links)
The thesis proposes the New Queer Cinema chapter of film history as a paradigm of queer film's subversive practices. The theoretically and historically focused first part establishes the term queer, expounds its possible applications to film in the realm of queer film studies and in the third chapter critically introduces the 'new wave' of queer film New Queer Cinema. The analytical part assigns queer and its possible functions as its basis for inquiry. It consists of two parts: the first performs the formal-content analysis of the pivotal film Swoon (1992); the final chapter builds on its conclusions and examines the corpus of New Queer Cinema films along four analytical cuts in order to describe how they produce the queer discourse. The final output of the thesis is an open model of prospective approaches to queer film.
13

"Jag är ju allt, egentligen." : En kritisk studie av könstillhörighetens relevans för framställningen av Mai Zetterling som auteur / “I’m everything, really.” : A critical study of the relevance of gender specificity in dealings with Mai Zetterling as an auteur

Tomani, Ebba January 2015 (has links)
This essay deals with the idea of women as the ”the other sex” within the field of authorship, and aims to bring to together feminist, film and auteur theory with analysis of historic documentations of reception as well as context for academic treatments of Mai Zetterling as an auteur/director. This, in attempt to, through intertwined discussion, catch a glimpse of better understanding how gender specificity may have influenced and continue to influnce perceptions of auteurs of female gender and their works, yet keeping focus on the case of Mai Zetterling and hers in specific.
14

品嚐酸甜苦辣的「羅雜」滋味:論雅絲敏電影中的族群關係再現 / A study on the representation of ethnic relationship in Yasmin Ahmad' films.

周蔚延, Chew, Hui Yan Unknown Date (has links)
雅絲敏•阿莫(Yasmin Ahmad),是馬來西亞已故的電影及廣告女導演。其電影最大特色是反映出馬來西亞族群與文化多元性,賦予了馬來西亞電影真正的意義,除了受國內各族群觀眾的喜愛,也在許多國際影展上獲得殊榮。 雅絲敏的電影中有許多的情節,是在指涉馬來西亞社會中特定的情境與文化現象,有其獨特意義,極具研究價值。因此,本論文將以作者論態度和文本分析法探究雅絲敏的六部作品,包括《愛到眼茫茫》、《我愛單眼皮》、《花開總有時》、《木星的初戀》、《愛從心開始》和《戀戀茉莉香》,主要在於了解雅絲敏在電影中對於馬來西亞族群關係的再現。文獻方面,將對作者論、文本分析法以及族群相關概念及理論進行梳理與探討。另外,也將整理出雅絲敏六部作品的共通性,以確認雅絲敏的電影風格以及她在馬來西亞電影發展脈絡中所作出的貢獻與代表意義。 / The late Yasmin Ahmad is one of the most outstanding film directors from Malaysia. Yasmin’ films always depict the multiethnic and multicultural society of Malaysia, which not only attracted audiences from different ethnic within the country but also won many awards in the international film festival. It is important to think and understand the messages Yasmin trying to convey through her films. Therefore by using the auteur theory and textual analysis, this research will study the representation of ethnic relationship in all her six films, Rabun(2003), Sepet(2004), Gubra(2006), Mukhsin(2007), Muallaf(2008) and Talentime(2009). In order to provide background knowledge regarding the circumstances of Malaysia multiethnic society, this research also involves the theory of pluralism, ethnic identity, ethnic boundary, and stereotypes as part of the literature review. And also, this research will analyses mise-en-scène that was used to appear in Yasmin’ films to prove that Yasmin is truly a film auteur. Lastly, this research will conclude the unique film style which solely belongs to Yasmin and her contribution towards Malaysia film industry.
15

And the Stereotype Award Goes to...: A Comparative Analysis of Directors using African American Stereotypes in Film

Young, Kelcei 12 1900 (has links)
This study examines African American stereotypes in film. I studied six directors, Kathryn Bigelow, Spike Lee, the Russo Brothers, Ryan Coogler, Tate Taylor, and Dee Rees; and six films Detroit, BlacKkKlansman, Captain America: The Winter Soldier, The Help, and Mudbound. Using the framework of critical race theory and auteur theory, I compared the common themes between the films and directors. The main purpose of my study is to see if White or Black directors predominantly used African American stereotypes. I found that both races of directors rely on stereotypes for different purposes. With Black directors, the stereotype was explained further through character development, while the White directors used the stereotype at face value with no further explanation.
16

Finding Treasure: The Story of a Micro-budget Digital Film

Williamson, Christopher 01 January 2015 (has links)
Treasure is a feature-length narrative fictional film directed by Chris Williamson as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the School of Visual Arts and Design at the University of Central Florida. This thesis is a documentary record of the film production from concept to completion. In this thesis the concerns of authorship are explored from the perspective of the author as the executive producer, writer, and director of the film.

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