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Indos, abjects, exiles : Joseph Conrad's culturally liminal characters in the age of nationalism2013 September 1900 (has links)
This essay is an investigation of transnational author Joseph Conrad’s engagement with issues of cultural liminality during the years around the turn of the 20th century. Through an examination of Almayer from Almayer’s Folly, Yanko of “Amy Foster”, and Cornelius from Lord Jim, the common experience of cultural displacement is considered. Conrad placed these three culturally liminal characters in various, carefully constructed social environments. Thus far, these characters have been under investigated in the critical literature, particularly the mixed-culture Almayer and Cornelius. By investigating these three characters and their environments, this essay demonstrates how Conrad depicts cultural displacement in the age of nationalism to be increasingly multifaceted but inevitably disastrous. The essay further reveals the need for more careful critical assessments of the cultural nuances of Conrad’s characters.
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The final final final cut : Fan edits och hur de samverkar med filmindustrinPontén, Joon January 2011 (has links)
Begreppet ”fan edits” betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min uppsats vill jag påvisa dels hur samspelet mellan fans och filmmakare/filmbolag sett och ser ut, dels försöka klargöra varför copyright/fair use är så knepigt att applicera på området.
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Christian heroism in J.R.R. Tolkien's The Lord of the RingsDudley, Cynthia January 1988 (has links)
No description available.
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Narrative Voice and Racial Stereotypes in the Modern Novel: Joseph Conrad's Lord Jim and William Faulkner's Absalom, Absalom!Puxan Oliva, Marta 03 June 2010 (has links)
Aquesta tesi vol demostrar que Joseph Conrad i William Faulkner, en les novel·les Lord Jim i Absalom, Absalom! respectivament, reflexionen sobre la credibilitat de la veu en la ficció i del discurs racial per mitjà de l'exploració tècnica de la veu narrativa i dels estereotips racials. Nascuda de les crisis històriques que giren al voltant de les relacions racials, patides al si de l'Imperi Britànic de finals del segle XIX i al Sud dels Estats Units durant la dècada de 1930, l'articulació d'aquests dos aspectes en les novel·les permet una representació de les qüestions racials que és innovadora i ambivalent. Certament, la interrogació de la credibilitat dels discursos, tan comú en la novel·la moderna, porta a la sofisticació tant de les estratègies narratives que exploren el problema de la fiabilitat en la ficció com de l'ús dels estereotips racials a dins de la narració, entesos, doncs, com a formes narratives. És justament en l'anàlisi de les correspondències entre els aspectes històrics i els aspectes formals on la tesi troba la manera complexa en què aquestes dues novel·les expressen les tensions racials pròpies dels contextos històrics que les engendren. / This dissertation intends to demonstrate that Joseph Conrad's novel Lord Jim and William Faulkner's Absalom, Absalom! explore the narrative strategy of narrative voice, on the one hand, and racial stereotypes, on the other, in order to reflect upon the credibility of voice in fiction as well as the trustworthiness of racial discourse. Emerging from the historical ideological crisis that involved race relations in the late nineteenth-century British Empire, and in the 1930s U.S. South, the blending of these two aspects allowed an alternative and ambivalent representation of racial issues in fiction. The interrogation of credibility, very common in the Modern novel, results in these novels in a sophistication of the strategies that address the problem of narrative reliability, and of the use of racial stereotypes for narrative purposes in other words, their conception as narrative forms. By paying attention to these two aspects, this thesis claims that it is in the analysis of their intertwining where we may find the expression of the historical tension born of complex race relations.
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Being IsadoraClarke, Suzanna January 2003 (has links)
Being Isadora is a story of possession. Isadora Duncan, the founder of modern dance, was an intensely creative, free-spirited woman. Her life experiences early last century were as fascinating and tragic as her achievements.
In New York in 1985, Isadora's last surviving pupil and adopted daughter, ninety-year old Anna Duncan, is searching for a way to fulfill a long held promise. Isadora wished to control the way she was remembered and had made Anna promise that any remaining film of her dancing would be destroyed. But one film survives and Anna is running out of time to find it.
A young Australian journalist, Tamsin Doyle, attends a dance class at the Isadora Duncan Studio and meets Anna, unknowingly becoming part of the quest.
Initially the stories of Isadora and Tamsin run parallel, then as Tamsin gets to know Anna, she becomes immersed in a dream world of dramatic incidents from Isadora's life. The dreams become waking experiences and she fears her will is gradually being taken over. She ends up in places - in fact other countries - that she had no intention of being, pursuing an agenda that is not her own.
In the second part of the book, she finds herself in Russia, where Isadora lived after the Revolution. She meets and falls in love with Vladimir, the grandson of Isadora's former dance collaborator. Unable to prevent herself being possessed while visiting the school Isadora founded, Tamsin is arrested by the authorities. A Russian KGB officer has his own plans and abducts her, keeping her prisoner in a dacha outside Moscow. He shows her a film of herself dancing and then the surviving film of Isadora. The two are almost identical and a dramatic climax ensues.
Themes in the book explore the nature of memory and how it is influenced by photographic and filmic record, love and loss and the way patterns repeat in people's lives in an attempt to change outcomes.
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Representation of power in the lord of the rings and MaloryVan der Merwe, Claudia 11 1900 (has links)
No abstract available / English / M.A. (English)
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Bedeutung der Herrlichkeit des Herrn für Ekk-Lesiologie und Gemeindebau : eine biblisch-theologiesche Untersuchung anhand exemplarischer Ekklesiologien des 20.JH. / The meaning of the glory of the lord in ecclesiology and the churchplanting/Churchgrowth : a biblical-Theologiccal examination of selected ecclesiologies of the 20th centuryBrassel, Marianne 06 1900 (has links)
Christ has entrusted mysteries to his church which are essential for its life, teaching and mission
and are to be explored in their meaning. One of it is “the glory of the Lord”. In a variety of ways
the biblical testimony speaks of “the glory of the Lord”, which has revealed itself diversely and at
all times. It has played a central role in God’s encounter with man in the Old and New covenant.
God in his glory took his abode in the temple in order to establish worship. For this reason he let
his glory become man in Jesus and let his glory live in man and in his church by his spirit up to its
completion. The church has been called to the glory of God revealed in Christ. In spite of the broad
biblical basis this term has played only a marginal role in many ecclesiologies until today. In present
churches the glory of the Lord still remains an abstract term for many. It is not differentiated in
any way or recognized in its meaning for the church. For this reason some of the most important
ecclesiologies of the 20th century in German language are examined regarding the meaning and importance
of the glory of the Lord. They are checked regarding its impact for ecclesiology and
church-development. Its role will be compared with that in the bible. The conclusions are meant to
be inspirations and impulses for ecclesiology and for church growth, for church life and community
and for its mission in the world. / Christian Spirituality, Church History and Missiology / M. Th. (Systematic Theology)
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O diálogo intermidiático entre A sociedade do anel e The lord of the rings online (lotro) : aspectos de remidiação, meia-realidade, estrutura e ficção interativaMartinez, Lis Yana de Lima January 2017 (has links)
Esta dissertação tem como objetivo analisar o diálogo intermidiático que se estabelece na passagem de A Sociedade do Anel, de John Ronald Reuel Tolkien (1892 – 1973) para o jogo The Lord of The Rings Online (Lotro) e pretende dar conta de aspectos importantes na construção desse diálogo, de como se instala e como se movimenta, dando enfoque, segundo o viés comparatista, ao processo de remidiação e aos aspectos de estrutura, meia-realidade e ficção interativa, próprios da interação entre as mídias pertencentes ao corpus. A obra de John R. R. Tolkien já passou por inúmeros e complexos processos (re)midiação, The Lord of The Rings Online é um deles. O jogo contempla toda a parte do mapa da Terra Média e a história narrada nos dois primeiros volumes de O Senhor dos Anéis e guia seus jogadores por missões denominadas epic books, que seguem, assim como os nove membros da sociedade do anel, os caminhos até as grandes batalhas em Mordor. A análise aqui realizada parte da problemática de classificação do que uma mídia é (MCLUHAN, 2013) e do modo como as mídias se relacionam entre si e o contexto em que são inseridas (BOLTER; GRUSIN, 2000), agregando os postulados teóricos do videointerativo. A partir do corpus de pesquisa, propõe-se um estudo comparado que compreende, exemplificando as devidas diferenças de articulações estruturais e de outros aspectos, a passagem (VAN TIEGHEM, 1931) da literatura para o videogame como um empreendimento bem-sucedido, que valoriza as duas mídias e promove novas experiências ao leitor. / This M.A. thesis analyses the intermediatic dialogue established between The Fellowship of the Ring, a book written by Professor John Ronald Reuel Tolkien (1892 - 1973), and The Lord of the Rings Online (Lotro), a Massively Multiplayer Online Role-playing Game. Here, I intend to explain important aspects for the construction of this dialogue such as how it is created and how it has been articulating itself, focusing, according to Comparative Literature Studies’, on the remediation process and on aspects such as structure, half-reality and interactive fiction, characteristic of the interaction between both media. John R. R. Tolkien’s book has gone through several complex processes of (re)mediation, being The Lord of the Rings Online one of them. The game features the part of Middle-Earth that is told in the first two volumes of The Lord of the Rings. Lotro guides its players through missions called epic quests, which follow the nine members of the fellowship of the ring to the great battles at Mordor. The analysis proposed starts from the problematic issue of classifying what a medium is (MCLUHAN, 2013), the way through which media relate to one another and the context in which they are created (BOLTER; GRUSIN, 2000), adding the theoretical postulates of videogames. It is a comparative analysis that includes, as an example of the appropriate differences in structural articulations and other aspects, the passage (VAN TIEGHEM, 1931) from literature into videogame as a successful exchange that values both media, while promoting new experiences to the reader.
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Abordagens e discussões sobre o espaço museal, a patrimonialização e a comunicação cultural no estudo comparativo entre o museu e a sala de milagres do Santuário do Bomfim, em Salvador, BahiaSilva, Genivalda Cândido da 15 November 2015 (has links)
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Dissertação de Genivalda Cândido.pdf: 14101984 bytes, checksum: 6b41f506818bc712362ae23e0e58cf25 (MD5) / FAPESB / A pesquisa intitulada de “Abordagens e discussões sobre o espaço museal, a patrimonialização e a
comunicação cultural no estudo comparativo entre o museu e a sala de milagres do Santuário do Bomfim,
Salvador, Bahia”, teve como objetivo realizar um breve panorama histórico a partir do período que abrange a
chegada de Theodózio Rodrigues de Faria a Salvador, e o surgimento do Santuário do Bomfim, que transcorreu
no século XVIII, especificamente nos anos de 1740 até 1770. Tendo como foco primeiro no contexto histórico,
mudanças sociais, urbanas, econômico-social que corroboraram de certa forma para a construção da Basílica do
Bomfim. Em Segundo momento procuramos tecer uma ligação aos itens que contribuíram para toda a discussão
presente nos referidos ambientes, como a religiosidade, a estética, o espaço e a comunicação. Itens estes
primordiais no desenvolvimento das análises realizadas. A pesquisa também objetivou analisar como as práticas
ex-votivas, presentes nos dois espaços, se vinculou à cultura popular dos pagadores de promessa, inerentes as
classes sociais que transitam livremente pela sala de milagres, e os objetos ex-votivos que são museografados no
Museu dos Ex-votos, local onde não é permitido ao crente, a colocação de ex-votos. Assim, então, se fez
necessário a interpretação e elucidação das novas dimensões e significados culturais da arte e da religiosidade
popular, e a retratação do ex-voto como um documento integrante do patrimônio cultural do Santuário do
Bomfim.
The research titled "Approaches and discussions on the museum space, the patrimonial and cultural
communication in a comparative study of museum or room of miracles in Bomfim Church in Salvador, Bahia",
aimed to make a brief historical overview from the period covers the arrival of Theodózio Rodriguez de Faria
from Salvador, and the emergence of the Sanctuary of Bomfim, which takes place in the eighteenth century,
specifically the years between 1740 to 1770. With the first focus social, urban changes, the historical context,
economic and social that corroborated in a way for the construction of Bomfim's Cathedral. Weaving a link to
items that corroborate all this discussion in these environments, such as religion, aesthetics, space and
communication. These primary items in the development of the analysis. A priori the project aimed to analyze
how former votive practices, present in the Sanctuary of Bomfim, is linked to the popular culture of the promise
of paying inherent social classes who freely move around the miracles of room, and the former votive objects
that are museographic in Ex-votos of the Museum, which is not allowed, by the believer, the placement of exvotos.
So, then, if the interpretation and elucidation of new dimensions and cultural meanings of art and popular
religiosity was necessary, and the retraction of the ex-votos as an integral document of the cultural heritage of the
Sanctuary of Bomfim.
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A Paradise Fading : Perceptions of Wild Nature in Alfred, Lord Tennyson's Idylls of the King and Howard Pyle's Story of King Arthur and His KnightsHedenmalm, Li January 2018 (has links)
This thesis explores representations of wild nature in two Arthurian texts – one British and one American – produced in an age characterised by rapid social transformation: Alfred, Lord Tennyson’s Idylls of the King (1859-1885) and Howard Pyle’s Story of King Arthur and His Knights (1903). By investigation of the textual descriptions of wilderness and the portrayals of characters living there, the study aims to investigate what attitudes towards unkempt nature are displayed in the two texts. While both narratives give evidence of a powerful nostalgia for a vanishing paradise, the yearning for Eden is expressed quite differently. Pyle’s text fuses the concepts of wilderness and paradise together by depicting the unkempt landscape as a place of splendour and spiritual enjoyment. Such a celebration of nature might well be seen a reaction against the rapid loss of wild spaces across America (and Britain) during the life-time of the author. In the Idylls, paradise is represented in the domesticated yet green landscape of the faraway fairy island of Avilion. Wilderness, on the other hand, is depicted as a harmful disease progressively spreading across the realm, arguably bringing about a moral degeneration among the human characters. In the end, however, it is not wilderness, but the corruption of the supposedly civilised characters that causes the collapse of Arthur’s empire. On closer inspection, the real danger thus seems to come from culture and material conditions rather than from nature.
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