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91	A promise kept: the mystical reach through loss Collins, Jody 04 October 2019 (has links) The meaning of loss is love. I know this through attention to experience. Whether loss or love is experienced in abundance or in absence, the meaning is mystical with an opening of body, mind, heart and soul to spirit. And so, in the style of a memoir, in the way of contemplative prayer, I contemplate and share my soul as a promise kept in the mystical reach through loss. With the first, initiating loss, the loss of my nine-year-old nephew, Caleb, I experience an epiphany that gives me spiritual instructions that will not be ignored. I experience loss as an abundance of meaning that comes to me as gnosis, as “knowledge of the heart” according to Elaine Pagels or divine revelation in what Evelyn Underhill calls mystical illumination in the experience of “losing-to-find” in union with the divine. Then, with gnostic import, in leaving the ordinary for the extraordinary, I enter the empty room in the painful yet liberating experience of the loss of my self. In the embrace of emptiness, I proceed to the first wall, the second wall, the third wall, the dark corner of denial, the return to centre, and, finally, to breaking the fourth wall in the empty room so as to keep my promise to you. Who are “you”? You are God. You are Caleb. You are spirit. You are my higher soul or self. And, you are the reader. You are my dear companion in silence. And then, through a series of broken promises and more loss, within what John of the Cross calls, “the dark night of the soul,” I am stopped by the ineffability of the dark corner of denial, the horror of separation and the absence of meaning, which is depicted as the grueling gap between the spiritual abyss and the breakthrough. What does it mean to keep going through a solemn succession of losses? I don’t know. In going into the empty room, I simply put pain to work in order to reach you. Through loss, though there are infinite manifestations, there is only one way: keep going. And so, in a triumph of the spirit, I keep going so as to be: a promise kept in the mystical reach through loss. As for you, through my illumined and dark experiences of loss, what is my promise to you? I keep going to reach the unreachable you. In the loss of self, with embodied emptiness, in going into the dark corner of denial, with a return to the divine centre of my emptied self, in an invitation to you, I give my soul to you in union with you. / Graduate / 2020-06-25 mystic mysticism apophatic cataphatic mystical mystical reach a promise kept empty promise broken promise reverence epiphany losing-to-find gnosis loss union divine will parsing perfection Caleb Lanz put pain to work wholehearted emptiness the empty room first wall second wall third wall dark corner of denial stonewall breaking the forth wall return to centre Promised Land abyss gap standing in the gap void memoir contemplative prayer contemplation everywhere and nowhere revelation illumination ineffable ineffability metaphor higher self self-giving self-emptying embodied emptiness higher soul spirit the dark night of the soul mystical union God breakthrough infinity infinite dynamism spiritual instruction invitation to spirit paradox symbol eulogy spiritual eyes spiritual heart looking into the slow reveal remaining sudden I am everywhere and nowhere what is what ought to be what can be what will be what is as it already is on earth as it is in heaven no-self unknown spirituality
92	Institutional critique : a philosophical investigation of its conditions and possibilities Morariu, Vlad V. January 2014 (has links) 'Institutional critique' is a term that refers to a range of diverse artistic practices and discourses that emerged at the end of the 1960s and that continue in the present. In spite of their differences, they all share a concern with the institutional conditioning of artists and artworks. Various historicizations of institutional critique (Alberro and Stimson, 2009; Raunig and Ray, 2009; Welchman, 2006) concur that one could distinguish two 'phases': artists of the 1960s and 1970s allegedly investigated the possibilities of an escape towards an 'outside' of the art institution, whereas those of the 1990s analysed the ways in which the artistic subject reproduced the structures of the art institution. Since the beginning of the 2000s various artists and authors have revisited the histories and legacies of institutional critique. This growing interest was triggered by the perceived intensification of a process that began at the end of the 1960s; it refers to the recuperation and neutralization of artistic types of critique by what Boltanski and Chiapello (2005) have called the 'new spirit' of capitalism. In this context, the Austrian philosopher Gerald Raunig and the members of the European Institute for Progressive Cultural Policies have proposed the hypothesis that 'a new phase' of institutional critique was to emerge. However, this proposition was based less on empirical evidence, than on a 'political and theoretical necessity to be found in the logic of institutional critique' (Raunig, 2009, 3). This thesis is a response to this set of circumstances. By asking 'what are the conditions and possibilities of institutional critique?' it investigates the categories of institutional critique's logic. My main argument is that a 'phase change' of institutional critique could and should be understood through the apparatus of Derridean deconstruction. This implies a criticism of the idea that one needs to escape the art institution in order to respond to urgencies stemming from the social, economic, and political realms (Truth Is Concrete Platform, 2012). At the same time, I will also refute the idea that institutional critique is trapped in the art institution (Fraser, 2009a). Institutional critique works on the remainder and rest that necessarily escapes the instituting will and intention of defining and describing in an exhaustive manner the whatness of what (art) is (Boltanski, 2011). I show that between critique and the art institution there is an irreducible relation of symbiosis and cohabitation, and that the deconstructive logic of institutional critique allows it to be both partner and adversary, at the same time, of the art institution. 708
93	Essays on social influences in decision making KC, Raghabendra Pratap January 2018 (has links) This dissertation reports a series of studies on social influences in decision making with wide ranging marketing implications in areas such as gamification initiatives, participative pricing mechanisms, and charity fundraising strategies. The body of this work comprises of three indepth, stand-alone studies. The first study, "Contagion of the Competitive Spirit: The Influence of a Competition on Non-Competitors", investigates the influence of a competition on noncompetitors who do not participate in it but are aware of it. In a series of experimental studies, the study shows that the mere awareness of a competition can affect a non-competitor's performance in similar tasks. These experiments provide confirmatory and process evidence for this contagion effect, showing that it is driven by heightened social comparison motivation due to mere awareness of the competition. In addition, the study finds evidence that the reward level for the competitors could moderate the contagion effect on the non-competitors. The second study, "The Negative Effects of Precommitment on Reciprocal Behaviour: Evidence from a Series of Voluntary Payment Experiments", examines the effects of precommitment on reciprocal behaviour towards a forthcoming benefit. Through a series of experiments in several countries, the study shows that precommitment often weakens reciprocal behaviour. In two field experiments, a laboratory and an online experiment, the study finds consistent evidence that voluntary payment amounts decrease for individuals who are asked to precommit their payment. The results from a final online trust-game experiment support the posited mental-accounting mechanism for the effect. The third study, "Hold-Up Induced by Demand for Fairness: Theory and Experimental Evidence", explores the domain of hold-up and fairness concerns. While recent research suggests that fairness concerns could mitigate hold-up problems, this study proposes a starkly opposite possibility: that fairness concerns can also induce hold-up problems and thus significant inefficiencies. The study reports theoretical analysis and experimental evidence of hold-up in scenarios in which it will not occur if agents are purely self-interested, but could occur if they care about fairness at ex post negotiation.
94	Den kvantandliga diskursen : En undersökning av nyandlighetens möte med kvantfysiken Sporrong, Elin January 2012 (has links) This paper aims to describe and elaborate on a recent discursive change within the new-age movement. Since the seventies and the publishing of speculative popular science books like The Tao of Physics by Fritjof Capra and The self-aware Universe by Amit Goswami, the idea that quantum physics resonates with spirituality has become the topic of hundreds of books and movies. The quantum-spiritual discourse has three distinct ways to approach quantum physics in its discussion on spirituality: The parallelistic approach which emphasizes the similarities between eastern philosophies and modern physics, the monistic-idealistic approach which tells us that mind is the foundation of matter and the scientific spiritual approach which tries to explain spiritual claims scientifically. In the quantum-spiritual discourse, quantum physical phenomena (e.g. non-locality and entanglement) are being called upon to validate metaphysical statements. The primary assumption of the discourse is that the shift of paradigm due to the establishment of modern physics also is a shift of paradigm of spirituality. With the object to examine the common claims made in the discourse, cross-references between spiritual arguments and facts of quantum physics are being made. A discussion is held about the probable influence of the historical context, with particular focus on the monistic evolvement during the late nineteenth century. Lynne McTaggart Amit Goswami Ramatha quantum physics Edgar Mitchell Quantrek quantum activist John Hagelin What the bleep Fred Alan Wolf new-age The Field Zero point Field kvantfysik kvantmekanik andlighet kvantandlighet Vad vet vi egentligen Sporrong monism nollpunktsfältet nyandlighet
95	To compete or cooperate? three essays on the relationship between unions and employee and organizational outcomes: the moderating effect of management's response Pohler, Dionne Unknown Date No description available. unions industrial relations collective voice/institutional response appropriateness framework organizational outcomes individual outcomes management repsonse social dilemma monopoly face voice resource-based view competitive advantage union-management relationship labor-management cooperation competition union impact what do unions do union response CVIR
96	To compete or cooperate? three essays on the relationship between unions and employee and organizational outcomes: the moderating effect of management's response Pohler, Dionne 11 1900 (has links) In their highly influential work on the labour market impact of unions termed the collective voice/institutional response model (CVIR), Freeman & Medoff (1984) proposed that whether the unions monopoly or voice face would prevail greatly depended on the unions and managements willingness to compete or cooperate, respectively. However, these authors and the researchers that tested their ideas afterwards neither theorized about nor tested this key moderating condition of a unions impact. The result has been a confusing, mixed and generally inconclusive litany of research findings about the impact of unions at both the individual and organizational levels of analysis. I attempt to resolve this gap in CVIR by using the appropriateness framework (March 1994) to identify when and under what conditions management and unions, along with their members, will respond cooperatively or competitively toward each other. My empirical results are consistent with the idea that management response is a key moderating mechanism of a unions power and thus impact, contributing to zero or negative sum outcomes when management chooses to compete (i.e., union power is exerted in the direction of harmful monopoly effects) and positive sum outcomes when management chooses cooperation (i.e., union power is exerted in the direction of beneficial voice effects). In particular, when environmental cues lead the union and/or unionized employees to believe that management values voice, they will consider cooperation an appropriate response under the circumstances and reciprocate in-kind with other-regarding behaviors. On the other hand, when environmental cues lead the union or unionized employees to believe that management may potentially behave opportunistically, they will consider competition appropriate under the circumstances, and respond in-kind with self-serving, competitive behaviours. Drawing upon the resource-based view of the firm, I argue how a cooperative union-management relationship can be a source of sustainable competitive advantage for the organization (Barney, 1991). / Human Resources Management and Industrial Relations unions industrial relations collective voice/institutional response appropriateness framework organizational outcomes individual outcomes management repsonse social dilemma monopoly face voice resource-based view competitive advantage union-management relationship labor-management cooperation competition union impact what do unions do union response CVIR
97	A constituição do eu narrativo e figural na temporalidade complexa de Lobo Antunes / The constitution of the narrative and figural self in the complex temporality of Lobo Antunes Stefanello, Camila 16 December 2016 (has links) Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / “The constitution of the narrative and figural self in the complex temporality of Lobo Antunes” has as study object the novel What horses are those that make shade on the sea? (2009), by the contemporary Portuguese writer Antonio Lobo Antunes. In the novel it is narrated the story of the affective de-structure and the loss of the material goods of a traditional Portuguese family, through the voices of family‟s components. It is confused in the narrative, thus, the past experiences of the characters and their projections for the future. The characters-narrators, when remembering the past experiences and when projecting expectations for the future, defocus the present of the narrative in reflections that seem not to finish any conclusion about their experiences. It results from that a chaotic and bitter world, marked by multiple and contradicted affections of the characters in relation to their relatives, manifesting in the own structure of the narrative, with its ramifications, deviances and fragmentations. The configuration of the intrigue ends to evince, then, the conflicting and problematic nature of the own characters. This incessant returning to the past allied to this expectative of future and the reflections about the events reconstruct these distinct moments of experience of time in a present time always distended, in transition. The novel seems to reconstruct certain aporia of time, once that the time shows itself as makeable in the consciousness of the characters, and paradoxically, as fluid and transitory. This thick and complex character of temporality in the narrative configuration, the intertwine among told present, remembered past and expected future confers a psychological density to the characters, and never attributing to them an stable and cohesive identity and an integral image. We find, thus, in this dissertation, a reflection about the contemporary Portuguese literature, the work of the author, and an analysis of the novel based, mainly, on the studies of Paul Ricoeur about the interdependence among the configuration of intrigue, temporality and the constitution of a narrative identity. / “A constituição do eu narrativo e figural na temporalidade complexa de Lobo Antunes” tem como objeto de estudo o romance Que cavalos são aqueles que fazem sombra no mar? (2009), do escritor português contemporâneo António Lobo Antunes. No romance, é narrada a história de desestruturação afetiva e de perda dos bens materiais de uma tradicional família portuguesa, através das vozes dos componentes dessa família. Confundem-se na narrativa, então, as vivências passadas das personagens e as suas projeções para o futuro. As personagens-narradoras, ao relembrar as experiências do passado e ao projetar expectativas para o futuro, desfocam o presente da narrativa em reflexões que parecem não encerrar conclusão alguma sobre suas vivências. Resulta disso um mundo caótico e amargo, marcado pelos múltiplos e contraditórios afetos das personagens em relação aos seus familiares, manifestado na própria estrutura da narrativa, com suas ramificações, desvios e fragmentações. A configuração da intriga acaba por evidenciar, então, o caráter conflitante, problemático das próprias personagens. Esse retorno incessante ao passado aliado a essa expectativa do futuro e às reflexões sobre os eventos reconstroem esses momentos distintos da experiência do tempo em um tempo presente sempre distendido, em transição. O romance parece reconstituir certa aporia do tempo, visto que os tempos mostram-se como marcantes na consciência das personagens e, paradoxalmente, como fluidos e transitórios. Esse caráter denso e complexo da temporalidade na configuração da narrativa, o entrelaçamento entre presente contado, passado relembrado e de um futuro esperado confere uma densidade psicológica às personagens, sem nunca atribuir-lhes uma identidade estável e coesa e uma imagem íntegra. Encontra-se nessa dissertação, uma reflexão sobre a literatura portuguesa contemporânea, a obra do autor, e uma análise do romance com base, principalmente, nos estudos de Paul Ricoeur sobre a interdependência entre a configuração da intriga, a temporalidade e a constituição de uma identidade narrativa. Lobo Antunes Temporalidade Narratividade Identidade narrativa Temporality Narratives Narrative identity
98	A Theoretical and Numerical Study of Hydraulic and Mechanical Processes in Cover-Collapse Sinkholes Paudel, Prakash January 2020 (has links) No description available. Civil Engineering what is a sinkhole sinkholes cover collapse sinkholes cover subsidence sinkholes hydromechanical coupling prakash paudel sinkholes prakash paudel thesis soil sloughing crack propagation crack expansion suffosion upper bound solution
99	Kollaborativ modekonsumtion : Vilken inverkan har fast fashion på konsumentens inställning till kläduthyrning? / Collaborative fashion consumption : What influence does fast fashion have on consumer attitudes towards fashion rental services? Jernqvist, Agnes, Lundgren, Linn January 2023 (has links) Idag konsumeras en betydligt större mängd kläder än för ett decennium sedan, samtidigt som de inte används i samma utsträckning. Detta beteendemönster i samband med fast fashion-industrins upptakt resulterar i överkonsumtion, vilket fått omfattande konsekvenser för miljön. För att motarbeta fast fashion-konsumtion har alternativa konsumtionsmetoder utvecklats, såsom kollaborativ konsumtion i form av uthyrning. Under branschens utveckling har ett flertal modeuthyrningstjänster för vardagsbruk försökt etablera sig på svenska marknaden med varierande resultat. Under en ettårsperiod från 2022 till 2023 ansökte fyra av Sveriges största aktörer inom modeuthyrning på onlinemarknaden om likvidering, vilket har lämnat den svenska marknaden utan uthyrningsalternativ för vardagskläder. Ett ämne som kan beaktas är om fast fashion-konsumtionens tillgänglighet och slagkraft bidragit till uthyrningstjänsternas nuvarande position. Studien syftar till att undersöka fast fashion-konsumtionens påverkan av kläduthyrning för vardagsbruk. Genom att studera zillennials attityder till fast fashion kontra kläduthyrning är avsikten att skapa en ökad förståelse kring om fast fashion bidrar till minskad kollaborativ modekonsumtion. Detta undersöks med hjälp av en litteraturstudie samt utvalda respondenter genom att kvalitativa data samlas i form av fokusgruppsintervjuer. Studien har funnit att fast fashion delvis skapar utmaningar för kläduthyrning men att det även finns andra faktorer oberoende av fast fashions existens som skapar ogynnsamma förhållanden. Ett avsaknat behov till följd av fast fashions tillgänglighet, okunskap om innebörden av uthyrningstjänster och orosmoment kring konceptet ligger till grund för konsumenternas inställning till kollaborativ modekonsumtion. / Today, a considerable volume of clothing is consumed compared to a decade ago. Simultaneously, they are not used to the same extent. This behavioral pattern in connection with the fast fashion industry’s growth results in over consumption, which has extensive consequences for the environment. To counteract fast fashion consumption, alternative consumption methods have been developed, like collaborative fashion consumption as fashion rental. During the development of the industry, there have been multiple fashion rental services for everyday apparel. These have tried to establish themselves on the Swedish market with varied results. During a one-year-period from 2022 to 2023, four of Sweden’s biggest actors within fashion rental online applied for liquidation. This has left the Swedish market without rental options for everyday apparel. Thus, the subject to consider is if the availability and pulling power of fast fashion consumption has contributed to the fashion rental services current position. The study aims to investigate the impact fast fashion consumption has on fashion rental services for everyday apparel. By studying zillennials’ attitudes towards fast fashion versus fashion rental services, the intention is to create an increased understanding of whether fast fashion contributes to decreased collaborative fashion consumption. This will be investigated using a literature study, as well as collecting qualitative data through focus group interviews with selected respondents. The study has found that fast fashion partly creates challenges for clothing rental, but that there are other factors independent of fast fashion's existence that creates a disadvantage. The lack of need as a result of fast fashion's accessibility, lack of knowledge of the meaning of rental services and concerns about the concept lays the foundation for consumer attitudes towards collaborative fashion consumption. Kollaborativ modekonsumtion Fast fashion Kläduthyrning Modeuthyrning Zillennials Överkonsumtion Konsumtionsbeteende Social Sciences Samhällsvetenskap
100	Nachdenken über Ostdeutschland: Understanding the History of East Germany Through the Literature of Christa Wolf Oviatt, Kristen Nicole 26 August 2013 (has links) No description available. East European Studies European History Germanic Literature History Literature European Studies Language Christa Wolf East Germany Cold War Literature Der geteilte Himmel Divided Heaven Nachdenken ueber Christa T The Quest for Christa T Medea Was bleibt What Remains Berlin Wall

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