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11	The catacombs, martyrdom, and the reform of art in Post-Tridentine Rome: picturing continuity with the Christian past Magill, Kelley Clark 10 August 2015 (has links) The fortuitous discovery of early Christian images adorning the catacombs on Via Salaria in 1578 enabled scholars to address urgent, contemporary problems concerning the Catholic tradition of image veneration, which had been attacked by Protestant iconoclasts. Although the catacombs had been important devotional sites for the cult of martyrs and relics throughout the Middle Ages, the 1578 catacomb discovery was the first time that Romans connected the catacombs with the early Christian cult of images. Only after 1578 did scholars and antiquarians begin to collect and study early Christian frescoes and antiquities found in Rome’s numerous catacomb sites. Their research culminated in the publication of Antonio Bosio’s Roma sotterranea (1635), the first treatise on the Roman catacombs. After the Council of Trent (1545–1563), Catholic scholarship on the catacombs defended the early Christian origins of the cult of martyrs, relics, and images. I argue that the Tridentine Church’s claim of continuity motivated the study of early Christian art in the catacombs in the late sixteenth and early seventeenth centuries. By critically evaluating images and archeological sources to support an interpretation of the Church as semper eadem (ever the same), Bosio and his sixteenth-century predecessors contributed to the development of modern historical and archeological methods. This dissertation explores the juxtaposition of imaginative and analytical interpretations of the Roman catacombs in the late sixteenth and early seventeenth centuries. Early modern descriptions of the catacombs characterize these burial sites as emotive worship spaces for the early Church that evoked Christian suffering, martyrdom, and devotion to the cult of saints. I argue that the gruesome martyrdom imagery commissioned to decorate S. Stefano Rotondo and SS. Nereo e Achilleo in the last two decades of the sixteenth century imaginatively recreated what contemporaries thought early Christian worship would have been like in the catacombs. As the first in-depth study to consider the relationship between the exploration of the catacombs and the first large-scale martyrdom cycles in the late sixteenth century, this dissertation demonstrates how vivid pictorial imagination of the Christian past inspired the early Christian revival movement in post-Tridentine Rome. / text Roman catacombs Martyrdom Christian archeology Tridentine reform Early modern historiography Early modern antiquarianism Early Jesuit art Cesare Baronio Antonio Bosio
12	Eine kurze Geschichte des archäologischen Denkens in Deutschland Gramsch, Alexander 29 May 2019 (has links) Der vorliegende Beitrag gibt einen Überblick über die Geschichte der Entwicklung von Forschungszielen, Fragestellungen und Interpretationsansätzen der Prähistorischen Archäologie in Deutschland. Vom frühen 19. Jahrhundert ins Heute fortschreitend werden gleichzeitig die institutionellen und personellen Aspekte der Fachgeschichte und insbesondere die geistesgeschichtlichen Grundlagen der Urgeschichtsforschung skizziert – von der „vaterländischen Altertumskunde“ über anthropologisch-archäologische Forschungen bis zur Prähistorischen Archäologie. Hierbei wird insbesondere die Frage nach der Relevanz der Prähistorischen Archäologie für die Konstruktion kollektiver Identitäten verfolgt. / This paper presents a historical overview of research aims, questions and models of interpretation in prehistoric archaeology in Germany. Moving from the early 19th century into our days the epistemological foundations of prehistoric research are sketched – from “patriotic antiquarianism” via anthropologicalarchaeological research to recent prehistoric archaeology – but also its institutional and personal developments. Emphasis lies on the relevance this discipline had and still has for the construction of collective identities. info:eu-repo/classification/ddc/930 ddc:930
13	Ansvaret för kulturarvet : Studier i det kulturhistoriska museiväsendets formering med särskild inriktning på Nordiska museets etablering 1872−1919 / The Public responsibility for cultural heritage : A study in the formation of cultural history museums in Sweden, with a focus on the establishment of the Nordic Museum 1872-1919 Hillström, Magdalena January 2006 (has links) Avhandlingen rymmer en ”stor” och en ”liten” berättelse. Den lilla berättelsen börjar omkring 1870 och handlar om Nordiska museet och dess grundläggare Artur Hazelius. Den stora berättelsen tar sin början i 1800-talets första decennier och förankrar det kulturhistoriska museiväsendets framväxt och formering i en mera vidsträckt och kronologiskt utsträckt historie- och museipolitisk kontext. 1800-talet har karaktäriserats som en period av stark statlig mobilisering på det musei- och historiepolitiska fältet. Avhandlingen visar att det var osäkert vilken roll staten skulle spela. Det var osäkert vilket slags offentlighet som museerna tillhörde, vilka syften museer fyllde och hur de skulle utformas. Det var omtvistat vem som ägde fornminnena. Två rörelser kan urskiljas. Den ena rörelsen ville åstadkomma ett långtgående statligt ansvar för historiebevarandet. Den andra rörelsen var framväxten av ett civilsamhälleligt associationsväsende på historiebevarandets område. Historie- och museipolitikens grunddrag kännetecknades av spänningarna mellan dessa rörelser. Den stora berättelsen överlappar den lilla berättelsen om Nordiska museet och Artur Hazelius. Avhandlingen belyser det spelrum som de övergripande osäkerheterna om historiebevarandets mål och organisering lämnade åt Artur Hazelius och hur Nordiska museets utveckling efter hand kom att ge återverkningar på hela det historie- och museipolitiska området. Den belyser också hur Nordiska museets stegvisa etablering som kulturhistoriskt centralmuseum påverkades av det kulturhistoriska museiväsendets professionalisering. I avhandlingen är det historiografiska perspektivet centralt. Ett utmärkande drag för den dubbla historia som avhandlingen berättar är den betydelse som historieskrivningen har haft, både för formeringen av det kulturhistoriska museiväsendet och för efterhandsförståelsen av detsamma. / This thesis traces and analyses important changes in cultural heritage and museum politics during the 19th century. It tells two overlapping narratives. One is about the museum founder Artur Hazelius and the creation and expansion of The Nordic Museum (Nordiska museet). The other concerns the indecisive construction of meaning and organisational forms for state responsibility for the cultural heritage. The latter story begins in 1810 and the former in 1872. The 19th century is commonly described as the breakthrough for a new era, a time when the cultural heritage became a matter of the state and a part of state promoted nationalism. This thesis instead sheds light on the uncertainties, hesitations and conflicts involved in the construction of national cultural heritage politics and practices. It emphasises the alternatives to state administration that were launched and the crucial role played by associations and voluntary organisation in the preservation of the cultural heritage. It observes the significance of histories and of counter-histories in the controversies over the ownership of and responsibility for the cultural heritage. The way different political positions grow out of conflicting stories of institutional origin is considered. The thesis also focuses on the gradual emergence of a museum profession and its implications for the development of the Nordic Museum and for museum politics in general. Sweden 19th-century antiquarianism heritage politics heritage preservation Svenska Fornminnesföreningen museum history of museums Nordiska museet Artur Hazelius Sverige 1800-talet fornminnesvård fornforskning Svenska Fornminnesföreningen kulturarv museer museihistoria Nordiska museet Artur Hazelius Kulturarv och kulturproduktion
14	A Saxon state : Anglo-Saxonism and the English nation, 1703-1805 Frazier, Dustin M. January 2013 (has links) For the past century, medievalism studies generally and Anglo-Saxonism studies in particular have largely dismissed the eighteenth century as a dark period in English interest in the Anglo-Saxons. Recent scholarship has tended to elide Anglo-Saxon studies with Old English studies and consequently has overlooked contributions from fields such as archaeology, art history and political philosophy. This thesis provides the first re-examination of scholarly, antiquarian and popular Anglo-Saxonism in eighteenth-century England and argues that, far from disappearing, interest in Anglo-Saxon culture and history permeated British culture and made significant contributions to contemporary formulations and expressions of Englishness and English national, legal and cultural identities. Each chapter examines a different category of Anglo-Saxonist production or activity, as those categories would be distributed across current scholarship, in order to explore the ways in which the Anglo-Saxons were understood and deployed in the construction of contemporary cultural- historiographical narratives. The first three chapters contain, respectively, a review of the achievements of the ‘Oxford school' of Saxonists of the late seventeenth and early eighteenth centuries; antiquarian Anglo-Saxon studies by members of the Society of Antiquaries of London and their correspondents; and historiographical presentations of the Anglo-Saxons in local, county and national histories. Chapters four and five examine the appearance of the Anglo-Saxons in visual and dramatic art, and the role of Anglo-Saxonist legal and juridical language in eighteenth-century politics, with reference to discoveries resulting from the academic and antiquarian research outlined in chapters one to three. It is my contention that Anglo-Saxonism came to serve as a unifying ideology of origins for English citizens concerned with national history, and political and social institutions. As a popular as well as scholarly ideology, Anglo-Saxonism also came to define English national character and values, an English identity recognised and celebrated as such both at home and abroad. 942.07
15	Contested Landscapes/Contested Heritage : history and heritage in Sweden and their archaeological implications concerning the interpretation of the Norrlandian past Loeffler, David January 2005 (has links) <p>This case study explores how geo-political power structures influence and/or determine the conception, acceptance and maintenance of what is considered to be valid archaeological knowledge. The nature of this contingency is exemplified through an examination of how the prehistory of Norrland, a region traditionally considered and portrayed as peripheral vis-à-vis the centre-South, was interpreted and presented by Swedish archaeologists during the 20th century. This contextual situation is analysed through the implementation of three interrelated and complimentary perspectives;</p><p>1) The relationship between northern and southern Sweden is examined using concepts concerning the nature of colonialism, resulting in the formulation of 20 particulars that typify the colonial experience, circumstances that characterise the historical, and unequal, association that has existed between these two regions for the last 600 years.</p><p>2) Ideals of national identity and heritage as manufactured and employed by the kingdom and later by the nation-state, with the assistance of antiquarianism, archaeology and/or centralised cultural management, are outlined. The creation of these various concepts have reinforced and perpetuated the colonial and asymmetrical association between what has naturally come to be viewed as the peripheral-North and the centre-South.</p><p>3) A century of archaeological research into the Norrlandian past is studied using the concepts ‘thoughtstyle’ and ‘thought-collective’ as devised by Ludwik Fleck. This analysis disclosed a persistent set of reoccurring explanations that have constantly been invoked when interpreting and presenting the prehistory of Norrland. This archaeological thought-style has normalised the unbalanced power relationship between North and South that has existed for the last 600 years by projecting it far back into the prehistoric past.</p><p>This case study has demonstrated that archaeologists, unless acutely aware of the historical context in which they themselves move and work, risk legitimising debilitating economic and political power relationships in the present through their study and presentation of the past.</p> Archaeology Scandinavia Sweden Norrland Norrbotten Västerbotten Lappland Ångermanland Medelpad Jämtland Härjedalen Hälsingland Gästrikland history prehistory archaeology philosophy antiquarianism heritage cultural management identity Fleck thought-collective thought-style colonialism colony periphery hinterland kingdom empire industrialism nationalism romanticism Sámi Stone Age Mesolithic Neolithic semi-subterranean dwelling typology C14 shoreline displacement Arkeologi Archaeology subjects Arkeologiämnen
16	Furnishing Britain : Gothic as a national aesthetic, 1740-1840 Lindfield, Peter Nelson January 2012 (has links) Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 1740 and 1840. Indeed, no body of research on 'mainstream' Gothic furniture made at this time has been published. No sustained attempt has been made to trace its stylistic evolution, establish stylistic phases, or to place this development within the context of contemporary architectural practice and historiography — except for the study of A.W.N. Pugin's 'Reformed Gothic'. Neither have furniture historians been willing to explore the aesthetic's connection with the intellectual and sentimental position of 'the Gothic' in the period. This thesis addresses these shortcomings and is the first to bridge the historiographic, cultural and architectural concerns of the time with the stylistic, constructional and material characteristics of Gothic furniture. It argues that it, like architecture, was charged with social and political meanings that included national identity in the eighteenth century — around a century before Charles Barry and A.W.N. Pugin designed the Palace of Westminster and prominently associated the Gothic legacy with Britishness. 749.0941
17	Contested Landscapes/Contested Heritage : history and heritage in Sweden and their archaeological implications concerning the interpretation of the Norrlandian past Loeffler, David January 2005 (has links) This case study explores how geo-political power structures influence and/or determine the conception, acceptance and maintenance of what is considered to be valid archaeological knowledge. The nature of this contingency is exemplified through an examination of how the prehistory of Norrland, a region traditionally considered and portrayed as peripheral vis-à-vis the centre-South, was interpreted and presented by Swedish archaeologists during the 20th century. This contextual situation is analysed through the implementation of three interrelated and complimentary perspectives; 1) The relationship between northern and southern Sweden is examined using concepts concerning the nature of colonialism, resulting in the formulation of 20 particulars that typify the colonial experience, circumstances that characterise the historical, and unequal, association that has existed between these two regions for the last 600 years. 2) Ideals of national identity and heritage as manufactured and employed by the kingdom and later by the nation-state, with the assistance of antiquarianism, archaeology and/or centralised cultural management, are outlined. The creation of these various concepts have reinforced and perpetuated the colonial and asymmetrical association between what has naturally come to be viewed as the peripheral-North and the centre-South. 3) A century of archaeological research into the Norrlandian past is studied using the concepts ‘thoughtstyle’ and ‘thought-collective’ as devised by Ludwik Fleck. This analysis disclosed a persistent set of reoccurring explanations that have constantly been invoked when interpreting and presenting the prehistory of Norrland. This archaeological thought-style has normalised the unbalanced power relationship between North and South that has existed for the last 600 years by projecting it far back into the prehistoric past. This case study has demonstrated that archaeologists, unless acutely aware of the historical context in which they themselves move and work, risk legitimising debilitating economic and political power relationships in the present through their study and presentation of the past. Archaeology Scandinavia Sweden Norrland Norrbotten Västerbotten Lappland Ångermanland Medelpad Jämtland Härjedalen Hälsingland Gästrikland history prehistory archaeology philosophy antiquarianism heritage cultural management identity Fleck thought-collective thought-style colonialism colony periphery hinterland kingdom empire industrialism nationalism romanticism Sámi Stone Age Mesolithic Neolithic semi-subterranean dwelling typology C14 shoreline displacement Arkeologi Archaeology subjects Arkeologiämnen

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