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21	Det vikingatida bågskyttet i Birka : Ett exempel på en framstående stridskonst med främmande inslag Lundström, Fredrik January 2006 (has links) <p>This paper deals with archery in the Viking Age settlement of Birka and in particular the presence of Euro Asiatic, steppe nomadic archery equipment at the Birka Garrison and one Birka grave. The equipment contains for example closed quivers and a bow case. This paper also contains a discussion of archery battle techniques and tactics in Viking Age Birka and the implications of the above mentioned equipment to this discussion. The analysis insinuates the importance and status of archery in 10th century Birka.</p> archaeology Viking Age Birka The Garrison conservation archery steppe nomads bow case closed quiver battle technique arkeologi vikingatid Birka Garnisonen konservering bågskytte stäppnomader bågfodral koger stridsteknik Archaeology Arkeologi
22	Det vikingatida bågskyttet i Birka : Ett exempel på en framstående stridskonst med främmande inslag Lundström, Fredrik January 2006 (has links) This paper deals with archery in the Viking Age settlement of Birka and in particular the presence of Euro Asiatic, steppe nomadic archery equipment at the Birka Garrison and one Birka grave. The equipment contains for example closed quivers and a bow case. This paper also contains a discussion of archery battle techniques and tactics in Viking Age Birka and the implications of the above mentioned equipment to this discussion. The analysis insinuates the importance and status of archery in 10th century Birka. archaeology Viking Age Birka The Garrison conservation archery steppe nomads bow case closed quiver battle technique arkeologi vikingatid Birka Garnisonen konservering bågskytte stäppnomader bågfodral koger stridsteknik Archaeology Arkeologi
23	Origins and comparative performance of the composite bow Randall, Karl Chandler IV 02 1900 (has links) This thesis shall identify the date origin of the composite bow within Mesopotamia and Elam. and both identify and quantify the design factors which lead to increased performance possible with composite construction. To accomplish this, the thesis begins by summarizing the problems and flaws that currently exist in the field of history as it applies specifically to archery and bow use. With problems identified, the thesis will then introduce the reader to the basics of bow mechanics, thereby laying the basis for physical testing. This in turn will empirically demonstrate flaws in the current iconographical method of bow identification. The thesis will then devise a new method for iconographic identification of composite construction that has greater proven accuracy, based upon proportional length, which will link extant artifacts with both physical test results and iconographic evidence. The reader shall then be led through a complete reevaluation of iconographical evidence for Mesopotamia and Elam starting at the beginning of the second millennium BCE and working backwards using this new method of iconographic evaluation to determine the point at which composite bow technology first appears in the ancient Near East. The thesis will finish with an overview of the above accomplishments and their potential impact on the study of ancient and military history. / Classics and World Languages / D. Litt. et Phil. (Classical Studies) Ancient history Military history Archery Bow Composite Experimental archaeology Egypt Mesopotamia Elam Arrow 932 Egypt -- History, Ancient Elam -- History Civilization, Ancient Bow and arrow
24	Urbanistický rozvoj města Brna v lokalitě Brno - Žebětín / The urban development of city Brno, locality Brno-Žebětín Subbotina, Liubov January 2014 (has links) The paper deals with development of the area Brno – Žebětín, its object is to increase the attractiveness of the area and to provide a range of activities for inhabitants of the city Brno and its surroundings. The project outlines a current state of the region with its advantages and disadvantages. Simultaneously new variants of improvement are included. Possibilities of building a skatepark, inline track, archery club and bouldering are suggested for providing an additional entertainment options. Great emphasis is placed on helping people with disabilities by hiporehabilitation. Other important factors as races at the Masaryk circuit are also considered. The overall impression is underlined by architectural design of an area centre with dominants in the form of an obelisk, visual axis and the Green Boulevard. During the process of creating of the whole concept were weighted needs of inhabitants, preservation of current uses and protection of local nature
25	La Furūsiyya des Mamlûks : Une élite sociale à cheval (1250-1517) Carayon, Agnès 26 June 2012 (has links) Les Mamlûks sont réputés pour avoir porté les arts de la furūsiyya à leur plus haute expression. Cette thèse a pour objectif de cerner à la fois les enjeux de leur dextérité, et ses caractéristiques. La première partie porte sur la littérature de la furūsiyya. Après un bilan historiographique, plusieurs ouvrages de furūsiyya sont analysés et comparés, afin de mieux appréhender les héritages et les apports proprement mamlûks. Un traité anonyme de maniement de dabbūs et de lutte à cheval, contenant également une partie sur les feux de guerre, est édité et traduit. La deuxième partie de cette thèse porte sur la suprématie militaire des Mamlûks. Leur formation très poussée y est décrite, mais la lumière a aussi été mise sur leurs chevaux : leurs races ; leur dressage ; leur nombre ; leur entretien. Un large échantillon d'armes mamlûkes est présenté. Enfin, un chapitre est consacré au problème des procédés de combat, encore très mal connus, qui tend à nuancer la vision d'archers montés que l'on a généralement des Mamlûks. Enfin, la dernière partie relève de l'histoire sociale. Elle a pour ambition de démontrer que la maîtrise de la furūsiyya était perçue par les Mamlûks comme la détention d'un art complexe, un « attribut de distinction » qui les distinguait du vulgum pecus. Ce sont alors les diverses manifestations de cette appartenance sociale qui sont analysées : les « sports » équestres, les lieux de jeu et d'entraînement militaire et les palais-écuries, enfin les institutions et les spectacles.Les annexes contiennent un tableau détaillé des manuscrits de furūsiyya et un glossaire, en plus de quelques planches. / The Mamluks are renowned for bringing the arts of furūsiyya to their highest expression. This thesis aims to identify both the issues of their dexterity, and characteristics.The first part focuses on the literature of furūsiyya. After a historiographical balance, several treatises of furūsiyya are analyzed and compared in order to better understand the legacy and contributions properly Mamluk. An anonymous treatise of handling dabbūs and fight on horseback, also containing some of the fires of war, is edited and translated.The second part of this thesis is on their military supremacy.Their extensive training is described, but the light was also put on their horses : races, training, numbers and maintenance. A wide selection of Mamluk weapons is presented. Finally, a chapter is devoted to the problem of combat methods, very little known, which tends to moderate vision of mounted archers that is generally widespread.The last part focus on social history. It aims to demonstrate that furūsiyya mastery was seen by the Mamluks as the knowledge of a complex art, an "attribute of distinction", which distinguished them from the hoi polloi. Then, the various manifestations of belonging to this social class are analyzed: "sports" riding, gambling venues and military training, and palace-stables, and finally the institutions and the shows.The appendices contain a detailed table of manuscripts of furūsiyya, a glossary and a few plates. Furūsiyya Siyya Archerie Dabbūs Masse d’arme Polo Jeux de lance Mahmal Tactique Cheval Maydan Hippodrome Écurie Mamlûk Armes Armures Arc Épée Littérature Traité Qumiz Cérémonial Chasse Qabaq Qiqhaj Amīr aN Furūsiyya Siyya Archery Dabbūs Mace Polo Lance game Mahmal Tactic Horse Maydan Hippodrome Stable Mamluk Arms Armour Bow Sword Literature Treatise Qumiz Ceremonial Hunting Qabaq Qiqhaj Amīr aN
26	Treasures of the University : an examination of the identification, presentation and responses to artefacts of significance at the University of St Andrews, from 1410 to the mid-19th century, with an additional consideration of the development of the portrait collection to the early 21st century Rawson, Helen C. January 2010 (has links) Since its foundation between 1410 and 1414 the University of St Andrews has acquired what can be considered to be ‘artefacts of significance’. This somewhat nebulous phrase is used to denote items that have, for a variety of reasons, been deemed to have some special import by the University, and have been displayed or otherwise presented in a context in which this status has been made apparent. The types of artefacts in which particular meaning has been vested during the centuries under consideration include items of silver and gold (including the maces, sacramental vessels of the Collegiate Church of St Salvator, collegiate plate and relics of the Silver Arrow archery competition); church and college furnishings; artworks (particularly portraits); sculpture; and ethnographic specimens and other items described in University records as ‘curiosities’ held in the University Library from c. 1700-1838. The identification of particular artefacts as significant for certain reasons in certain periods, and their presentation and display, may to some extent reflect the University's values, preoccupations and aspirations in these periods, and, to some degree, its identity. Consciously or subconsciously, the objects can be employed or operate as signifiers of meaning, representing or reflecting matters such as the status, authority and history of the University, its breadth of learning and its interest and influence in spheres from science, art and world cultures to national affairs. This thesis provides a comprehensive examination of the growth and development of the University's holdings of 'artefacts of significance' from its foundation to the mid-19th century, and in some cases (especially portraits) beyond this date. It also offers insights into how the University viewed and presented these items and what this reveals about the University of St Andrews, its identity, which changed and developed as the living institution evolved, and the impressions that it wished to project. 069

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