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281	Inhaltsbasierte Analyse und Segmentierung narrativer, audiovisueller Medien / Content-based Analysis and Segmentation of Narrative, Audiovisual Media Rickert, Markus 26 September 2017 (has links) (PDF) Audiovisuelle Medien, insbesondere Filme und Fernsehsendungen entwickelten sich innerhalb der letzten einhundert Jahre zu bedeutenden Massenmedien. Große Bestände audiovisueller Medien werden heute in Datenbanken und Mediatheken verwaltet und professionellen Nutzern ebenso wie den privaten Konsumenten zur Verfügung gestellt. Eine besondere Herausforderung liegt in der Indexierung, Durchsuchung und Beschreibung der multimedialen Datenbestände. Die Segmentierung audiovisueller Medien, als Teilgebiet der Videoanalyse, bildet die Grundlage für verschiedene Anwendungen im Bereich Multimedia-Information-Retrieval, Content-Browsing und Video-Summarization. Insbesondere die Segmentierung in semantische Handlungsanschnitte bei narrativen Medien gestaltet sich schwierig. Sie setzt ein besonderes Verständnis der filmischen Stilelemente vorraus, die im Rahmen des Schaffensprozesses genutzt wurden, um die Handlung und Narration zu unterstützten. Die Arbeit untersucht die bekannten filmischen Stilelemente und wie sie sich im Rahmen algorithmischer Verfahren für die Analyse nutzen lassen. Es kann gezeigt werden, dass unter Verwendung eines mehrstufigen Analyse-Prozesses semantische Zusammenhänge in narrativen audiovisuellen Medien gefunden werden können, die zu einer geeigneten Sequenz-Segmentierung führen. / Audiovisual media, especially movies and TV shows, developed within the last hundred years into major mass media. Today, large stocks of audiovisual media are managed in databases and media libraries. The content is provided to professional users as well as private consumers. A particular challenge lies in the indexing, searching and description of multimedia assets. The segmentation of audiovisual media as a branch of video analysis forms the basis for various applications in multimedia information retrieval, content browsing and video summarization. In particular, the segmentation into semantic meaningful scenes or sequences is difficult. It requires a special understanding of cinematic style elements that were used to support the narration during the creative process of film production. This work examines the cinematic style elements and how they can be used in the context of algorithmic methods for analysis. For this purpose, an analysis framework was developed as well as a method for sequence-segmentation of films and videos. It can be shown that semantic relationships can be found in narrative audiovisual media, which lead to an appropriate sequence segmentation, by using a multi-stage analysis process, based on visual MPEG-7 descriptors. Videoanalyse inhaltsbasierte Analyse Clusteranalyse Szenen Kinematographie MPEG-7 Deskriptoren Scene-Transition-Graph audiovisual media video analysis segmentation content-based analysis cluster analysis scenes film studies film styles cinematography MPEG-7 Descriptors Scene-Transition-Graph ddc:000 ddc:006 Audiovisuelle Medien Segmentierung Filmwissenschaft Stilmittel Filmtechnik
282	Dokonalá žena. Analýza filmových postav umělých ženských bytostí z perspektivy teorií postmoderny a jejích přístupů k tělu a konstituování identity. / The perfect woman. The analysis of movie characters of artificial female beings from the perspective of the postmodern theories and its approaches to the body and the identity constitution. Bubeníčková, Kateřina January 2015 (has links) This thesis will be focused on the analysis of the basic types of the female artificial movie characters - the beings connecting "femininity" (humanity) and technology. These characters holds the external female sexual signs or the characteristics stereotypically perceived as female (e.g. cyborg/cyborg woman, android woman, robotess). My issue will be examinated from the perspective of postmodern approach to the process of shaping their bodies and identities in relation to the narrative movie structure. The characters will be divided into categories based on their dominating physical and "social" function in the story. The subsequent identification and interpretation of physicality, identity and relations with other characters of the narrative will be based not only on principles of semiotic analysis, but will take into account especially the approach of postmodernism. The main theoretical basis for this paper will be the theory of poststructuralism and so called post theories - a theory of posthumanism, transhumanism and cyberfeminism.
283	Dokonalá žena : analýza filmových postav umělých ženských bytostí z perspektivy postmoderních a post-teoretických přístupů k tělu a konstituování identity / The perfect woman : the analysis of movie characters of artificial female beings from the perspective of postmodern and post-theoretical approaches to the body and the identity constitution Bubeníčková, Kateřina January 2016 (has links) The thesis focuses on the analysis of the basic types of the film characters portraying artificial women: creatures who combine "femininity" (humanity) and technology, and who show female sexual characteristics or features that are stereotypically perceived as female-like (e.g. female cyborgs, female androids, female robots). The characters are analyzed and approached from the perspective of postmodern philosophy and post-theory studies; the forming of their body and identity is analyzed on the account of the narrative. The aim of the thesis is to explore whether the film representations of female cyborgs are similar to real cyborgs in the sense that they bring liberalization from the point if view of posthumanism and cyberfeminism, or whether they can only be perceived as the prime form of the Foucaltian body-as-machine, i.e. perfectly controllable precise technicist bodies which are created by the current power dispositions. The characters are divided into four categories, based on their predominant physical and "social" functions: a sexbot, a domesticated artificial woman, a destructive artificial woman and an emotional/intelligent artificial woman. The following identification and interpretation of the body, identity, relationships and the narrative structures are based on the theoretical...
284	Inhaltsbasierte Analyse und Segmentierung narrativer, audiovisueller Medien Rickert, Markus 26 September 2017 (has links) Audiovisuelle Medien, insbesondere Filme und Fernsehsendungen entwickelten sich innerhalb der letzten einhundert Jahre zu bedeutenden Massenmedien. Große Bestände audiovisueller Medien werden heute in Datenbanken und Mediatheken verwaltet und professionellen Nutzern ebenso wie den privaten Konsumenten zur Verfügung gestellt. Eine besondere Herausforderung liegt in der Indexierung, Durchsuchung und Beschreibung der multimedialen Datenbestände. Die Segmentierung audiovisueller Medien, als Teilgebiet der Videoanalyse, bildet die Grundlage für verschiedene Anwendungen im Bereich Multimedia-Information-Retrieval, Content-Browsing und Video-Summarization. Insbesondere die Segmentierung in semantische Handlungsanschnitte bei narrativen Medien gestaltet sich schwierig. Sie setzt ein besonderes Verständnis der filmischen Stilelemente vorraus, die im Rahmen des Schaffensprozesses genutzt wurden, um die Handlung und Narration zu unterstützten. Die Arbeit untersucht die bekannten filmischen Stilelemente und wie sie sich im Rahmen algorithmischer Verfahren für die Analyse nutzen lassen. Es kann gezeigt werden, dass unter Verwendung eines mehrstufigen Analyse-Prozesses semantische Zusammenhänge in narrativen audiovisuellen Medien gefunden werden können, die zu einer geeigneten Sequenz-Segmentierung führen. / Audiovisual media, especially movies and TV shows, developed within the last hundred years into major mass media. Today, large stocks of audiovisual media are managed in databases and media libraries. The content is provided to professional users as well as private consumers. A particular challenge lies in the indexing, searching and description of multimedia assets. The segmentation of audiovisual media as a branch of video analysis forms the basis for various applications in multimedia information retrieval, content browsing and video summarization. In particular, the segmentation into semantic meaningful scenes or sequences is difficult. It requires a special understanding of cinematic style elements that were used to support the narration during the creative process of film production. This work examines the cinematic style elements and how they can be used in the context of algorithmic methods for analysis. For this purpose, an analysis framework was developed as well as a method for sequence-segmentation of films and videos. It can be shown that semantic relationships can be found in narrative audiovisual media, which lead to an appropriate sequence segmentation, by using a multi-stage analysis process, based on visual MPEG-7 descriptors. info:eu-repo/classification/ddc/000 ddc:000 info:eu-repo/classification/ddc/006 ddc:006
285	Organizace občanské společnosti v kinematografii v ČR po roce 1989 / Civil society organization operating in the Czech cinema after 1989 Marečková, Lenka January 2011 (has links) This thesis deals with civil society organizations in the field of cinema in the Czech Republic. Cinematography is part of art and industry, with further influences of technology, culture, social or political situation. As in other areas there creates also civil society in the field of cinematography. The aim of this work is to determine the reasons are civil society organization formed and how they function. Due to the broad approach of the target group the research project work was targeted at those organizations that contribute to the development, support and promotion of Czech cinematography in general, and are the major players with the conceptual and strategic influence to the whole area.
286	Analýza filmových postav kyboržek z perspektivy postmoderních a post-teoretických přístupů k tělu a konstituování identity. / The analysis of movie characters of cyborg-woman from the perspective of the postmodern and post-theoretical approaches to the body and the identity constitution. Bubeníčková, Kateřina January 2016 (has links) The thesis focuses on the analysis of the basic types of the film characters portraying artificial women: creatures who combine "femininity" (humanity) and technology, and who show female sexual characteristics or features that are stereotypically perceived as female-like (e.g. female cyborgs, female androids, female robots). The characters are analyzed and approached from the perspective of postmodern philosophy and post-theory studies; the forming of their body and identity is analyzed on the account of the narrative. The aim of the thesis is to explore whether the film representations of female cyborgs are similar to real cyborgs in the sense that they bring liberalization from the point if view of posthumanism and cyberfeminism, or whether they can only be perceived as the prime form of the Foucaltian body-as-machine, i.e. perfectly controllable precise technicist bodies which are created by the current power dispositions. The characters are divided into four categories, based on their predominant physical and "social" functions: a sexbot, a domesticated artificial woman, a destructive artificial woman and an emotional/intelligent artificial woman. The following identification and interpretation of the body, identity, relationships and the narrative structures are based on the theoretical...
287	AfroAM: A Virtual Film Production Group Taylor, Bill, Jr. 04 February 2022 (has links) No description available. African American Studies African Americans American History Black History Black Studies Cinematography Communication Film Studies Mass Communications Mass Media Motion Pictures Multimedia Communications Systems Design Technology Web Studies action research Afro-American/Black filmmaking virtual teams Hollywood digital technology racism Foster Photoplay leadership
288	Análisis de la representación de la mujer en la serie Las chicas del cable (Netflix 2017-20XX) Anthony, Tyler Robert Daniel 17 May 2019 (has links) No description available. Cinematography European History European Studies Film Studies Foreign Language Gender Gender Studies History Language Mass Media Womens Studies melodrama television siglo XX feminismo las chicas del cable netflix Espana representacion streaming LGBTQ restauracion Segunda Republica Telefonica clase obrera burguesia esfera domestica machismo transhistorico transcultural
289	Genre Welcome?: Formula, Genre and Branding in USA Network's Programming and Promotional Content Barker, Cory Andrew 29 March 2012 (has links) No description available. Aesthetics African Studies American Studies Art Criticism Cinematography Communication Film Studies Marketing Mass Communications Mass Media Multimedia Communications Popular Culture Television USA Network Contemporary Television Branding Media Industries Advertising Genre Television Studies Promotions Television Promotions Burn Notice Psych
290	Cross-Border Film Production: The Neoliberal Recolonization of an Exotic Island by Hollywood Pirates Frampton, Anthony 02 April 2014 (has links) No description available. Arts Management Caribbean Studies Cinematography Communication Cultural Resources Management Ethnic Studies Film Studies International Relations Labor Economics Labor Relations Latin American Studies Mass Media Mass Communications Multimedia Communications Cross-border film Hollywood SIDS island Caribbean Dominica international production filmmaking producer transnational CARICOM location satellite tourism developing states colonialism post-colonialism imperialism

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