Canadian education has historical roots in blatantly assimilationist policies bent on the social, economic, linguistic and spiritual subjugation of Aboriginal peoples and their cultures. Today, Canadian education has moved away from overtly colonialist discourses and publicly embraced the principles of multiculturalism. This research explores how and if this ideological shift has translated into the practice of contemporary Canadian education as it is experienced by students. My research focuses on the ways Canada’s colonial history and contemporary Aboriginal issues are addressed in mandatory Ontario high school social studies curriculum. This analysis is based on interviews with twenty-five recent high school graduates about what they remember learning about Aboriginal issues and how that knowledge has influenced their understanding of colonialism and Aboriginal peoples today. My interpretive analysis of students’ responses relies on the insights provided by critical pedagogy and postcolonial theory. By drawing on Gramsci, Freire and Apple I challenge the hegemonic practices in education that continue to marginalize Aboriginal peoples and their struggles. This research contributes to scholarship in the sociology of education and postcolonial studies by providing a unique picture of the ways in which young people come to understand Canada’s colonial legacy through their formal education, as well as providing insight into new directions for curriculum development, teacher training and more effective integration of anti-racist pedagogy in Ontario’s high schools. / Thesis (Master, Sociology) -- Queen's University, 2007-08-23 17:38:27.532

The nurturance of creative capacity and cultural awareness have been identified as important 21st century concerns, given the ways that globalisation has challenged cultural diversity. This thesis explores the share that the art classroom, as a formative place, has in supporting such concerns. It specifically examines artmaking strategies that visual arts teachers may use to help adolescent students to develop and negotiate their senses of self, place and community. Held within this goal is the assumption that both student and teacher perspectives are important to this endeavor. This thesis, accordingly, draws upon empirical work undertaken with lower secondary school level visual art students in Christchurch, New Zealand and teacher-trainees in Kingston, Jamaica to explore this potential in multi-dimensional ways. The research employs a qualitative, arts-based methodology, centred on the transformative capacity of ‘visual knowing’ to render this potential visible. A/r/tography as a particular strand of arts-based methodology, served to also implicate my artist-researcher-teacher roles in the study to facilitate both reflection and reflexivity and to capture the complexity and dynamics of the study. Multiple case studies provided the contexts to furnish these possibilities, and to theorize the intrinsic qualities of each case, as well as the complementary aspects of the inquiry in depth. The conceptual framework that underpins this study draws widely on scholarship relating to contemporary artmaking practices, visual culture, culturally responsive and place-conscious pedagogical practices. The research findings reveal that when the artmaking experience is framed around the personal and cultural experiences of the participants, both students and teachers participate in the enterprise meaningfully as co-constructors of knowledge. In this process, students develop the confidence to bring their unique feelings, experiences and understandings to the artmaking process, and develop a sense of ‘insideness’ that leads to strong senses of self, place and community. This also creates a space where the authentic interpretation of artmaking activities goes beyond the creation of borders around cultural differences, and instead generates multiple entry points for students to engage with information. The findings also indicate that while the nature of artmaking is improvisatory and emergent, structure is an integral element in the facilitation of habits toward perception and meaning making. Accordingly, emphases on structured, open-ended artmaking experiences, framed aesthetically, as well as exposure to both the products and processes of contemporary art serve this endeavor. Artmaking boundaries and enabling structures also help to supplement this process. Though this research is limited in scope (in terms of the community engagement), there exists evidence that collaboration with community resource persons enlarges students’ conceptions of artmaking. It presents the potential to address broad issues of local and global import, which also have relevance for the ways students understand their relationships with the world. For researchers outside of the school and community culture however, this process requires close working relations with school personnel to ensure its effectiveness and to facilitate those school-community bridges. The undertaking is also best realized when participants have their own senses of its value, and, as such, are more inclined to participate. A/r/tography, as an arts-based methodology presents much potential for examining the complexities of the artmaking experience. As a form of active inquiry it helps those who employ its features to be more attuned toward enquiry, their ways of being in the world, the ways the personal may be negotiated in a community of belonging, and the development of practices that address difference. This contributes to evolving and alternative research possibilities that value visual forms of ‘knowing’. Finally, this thesis addresses the paucity of research on visual arts education at the secondary level, especially in the Jamaican context. A significant feature of this research is the evidence of its effectiveness with both lower secondary school students and teachers across geographical contexts. It therefore presents the potential for similar studies to be undertaken internationally. Given that the results are site specific however, it is recommended that the adaptation of the framework of this study for future purposes also respond to the specific realities of those contexts.

In this study I aim to contribute to the field of feminist corpomaterial intersectional pedagogies, which I understand as a part of the broader field of feminist postconstructionist pedagogies. Against the background of feminist postconstructionism I wish to overcome binary understandings of for example discourse/materiality, theory/practice, male/female and mind/body in pedagogies. To follow this through I have analysed how affects and emotions are present in a classroom by studying the possibility of taking a starting point in the body while rethinking the anti-oppressive and norm critical pedagogical idea of the self-reflective teacher. In order to challenge the idea of the teacher as a neutral, universal and rational knowledge producer, I have in this study analysed how one can affectively and emotionally situate teacher-bodies and participant-bodies in a classroom.   The analysis was carried out on the basis of empirical material collected at a workshop on corporeality and norm critical pedagogy organised in a teacher-training program at a Swedish university. The workshop was conducted as intra-active-research and the material consists of my field diary, eight written interviews, one oral interview and my experiences from leading the workshop. I argue in this study that teacher-bodies affectively and emotionally could be situated as both following a corporeal schema, an expected plan for how a teacher-body should act and move, and also as stepping away from and disrupting this schema. Further on I argue that teacher-bodies could be situated as memory banks and as working from memory. I stress how important it is in pedagogic situations to be aware of the ways in which bodies in a room affect and are affected by each other, in other words; how bodies “do not end at the skin”. This affective and emotional situatedness shows how it is possible to overcome the idea of teachers and students as bodily neutral. I also argue that it might be important to integrate workshops on corporealities in teacher training. This could be one possible way to start to think on one’s affectively and emotionally situatedness as teacher, something I claim as required if one aspires for a feminist intersectional corpomaterial pedagogy.

William Stetson Kennedy (1916-2011), an activist and muckraking journalist, focused on social and economic conditions in the South. In seven decades of activism, he fought for peace, workers’ rights, civil rights, and environmental protections. Kennedy collected oral histories as a folklorist with the Federal Writer’s Project, and he infiltrated the Ku Klux Klan and worked to get their state charters revoked. This project breaks new ground by bringing to light a neglected aspect of Stetson Kennedy’s work: his years (1943-1947) as the editorial director for the Political Action Committee of the Congress of Industrial Organizations (CIO-PAC). In this role, Kennedy fought against voting restrictions and informed workers about candidates and voting issues. This dissertation explores several research questions: How are alphabetic, civic, and critical literacies activated and enhanced through labor rhetoric? In what ways are these three literacies connected? What are the implications of interconnected literate praxis in academic spaces and beyond? The writer employs archival research, primary field research, and critical theory. Using critical theory enables the writer to stake new claims about key concepts: the subject, agency, ideology, discourse, rhetoric, and literacy. This project enriches existing scholarship in rhetoric and composition through focusing on literacy programs in labor movements. Although labor unions have long provided instruction in reading, writing, history, and political economy, little work outside of history and sociology has been done on worker education. Literacy building outside the classroom has received some attention in rhetoric and composition, but the role that unions play in this process has been neglected. In addition, this rhetorical biography provides an historical account of a writer who helped educate workers largely through the use of dialect, folklore, and other forms of vernacular/working-class discourse. Vernacular discourse must be recovered in order to rectify the privileging of academic/elite discourse and to end the longstanding silence about socioeconomic class in US society. Furthermore, this project connects rhetorical theory to rhetorical practice, what Paulo Freire called praxis. Ultimately, this project provides a new view of literacy by theorizing how three different literacies interact, as well as the implications of these interactions in classrooms and communities.

This thesis describes a study that was done with tutors and students in Frontier College’s Beat the Street: Literacy and Basic Skills program. Using a qualitative methodology, it focuses on stories of literacy, life and learning from tutors and students. The author’s own experiences, stories and reflections as a tutor are an important piece of the work. The thesis operates on and argues for the notion that people are made up of their stories, and that they interact with other people and the world through those stories. This research process revealed many ways in which tutor and student perceptions of literacy, learning, and each other were affected by their stories. It also revealed that in the overlaps between stories lies the potential for a moment of profound connection and learning the author describes as resonance. The thesis explores some of the ways resonance was perceived to enhance the literacy environment.

This thesis describes a study that was done with tutors and students in Frontier College’s Beat the Street: Literacy and Basic Skills program. Using a qualitative methodology, it focuses on stories of literacy, life and learning from tutors and students. The author’s own experiences, stories and reflections as a tutor are an important piece of the work. The thesis operates on and argues for the notion that people are made up of their stories, and that they interact with other people and the world through those stories. This research process revealed many ways in which tutor and student perceptions of literacy, learning, and each other were affected by their stories. It also revealed that in the overlaps between stories lies the potential for a moment of profound connection and learning the author describes as resonance. The thesis explores some of the ways resonance was perceived to enhance the literacy environment.

While the word 'critique' appeared frequently in Australian legal education texts between 1987 and 2003, the meaning and the emphasis accorded critique varied widely. Michel Foucault's ideas about the close relationship between knowledge and power provide a theoretical framework within which this inconsistency of meaning and emphasis can be described, analysed and explained. Rather than monolithic, the discipline of legal education was by 2003 a dynamic nexus of distinct and competing discourses: doctrinalism, vocationalism, corporatism, liberalism, pedagogicalism and radicalism. Each of these six discourses was simultaneously a form of knowledge and an expression of disciplinary power within the law school. As a form of knowledge, each discourse accorded critique a different meaning and a different emphasis as a consequence of a range of historical, social and political contingencies. As an expression of power, each discourse was an attempt to achieve a set of objectives including the universalisation of a particular approach to the teaching of law and the enhancement of the status of a particular role within the law school. Critique, in a variety of forms, was a strategy employed by each discourse in order to achieve these objectives and to dominate and displace competing discourses.

Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2008. / Title from second page of PDF document. Includes bibliographical references (p. 160-164).

Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2008. / Title from second page of PDF document. Includes bibliographical references (p. 189-199).

Thesis (Ph. D.)--Ohio State University, 2007. / Full text release at OhioLINK's ETD Center delayed at author's request