Made available in DSpace on 2016-08-03T12:30:07Z (GMT). No. of bitstreams: 1 MArcia Rodrigues da Costa2.pdf: 2746301 bytes, checksum: ed77dc9be8a78d2e03edd13cfc9e5213 (MD5) Previous issue date: 2015-05-15 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research investigates the presence of the image on the cover of the cultural supplement Ilustríssima of Folha de S. Paulo. The focus was the analysis of the condition of the social and aesthetic production of this image of artistic origin, considering the mixing of art and journalism of the supplement and the concepts of hybridization and convergence. Discourse analysis techniques helped in the analysis of articulation between the aesthetic (textual conditions) and extratextual (social conditions) issues, where the meanings are renewed from the tensions and contradictions between text and context. The methodology is based on the Visual Studies, a field that has the thinking of Edgar Morin as a major influence, providing us with a complex seeing over the production of the image presented in Ilustríssima. / Esta pesquisa investiga a presença da imagem na capa do suplemento cultural dominical da Folha de S. Paulo, a Ilustríssima, a partir de um estudo de caso. O foco foi a análise das condições sociais e estéticas de produção dessa imagem de origem artística, levando em conta a mistura entre arte e jornalismo que o suplemento comporta e os conceitos de hibridação e de convergência. Técnicas da Análise de Discurso auxiliaram na análise da articulação entre as questões estéticas (condições textuais) e extratextuais (condições sociais), onde os sentidos são renovados a partir das tensões e contradições entre texto e contexto. A metodologia baseia-se nos Estudos Visuais, campo que tem o pensamento de Edgar Morin como principal influência, possibilitando-nos um olhar complexo sobre a produção da imagem presente na Ilustríssima.

Made available in DSpace on 2016-08-03T12:30:20Z (GMT). No. of bitstreams: 1 Eliane Fatima Corti Basso1.pdf: 356512 bytes, checksum: bd265196ca3aeca75f32c7b8f6fbc966 (MD5) Previous issue date: 2005-12-16 / Magazine Sir: modernity and culture in the Brazilian press it has as objective to rescue the history of a publication that marked time. Produced in the period of 1959 the 1964, the magazine demonstrated its paper as a central space of quarrel of cultural subjects. Fruit of a specific conjuncture, Sir behaved itself as an encyclopedia of 50 years and beginning of years 60, divulging, in the set of news articles that produced, chronicles, assays, critical and articles, the values and the effective cultural movements, many times expressing new forms of behavior, considered advanced then. The used methodology in the research is of the descriptive analysis and qualitative of the content of the published substances and the theoretical approach it is based on the estimated ones of the interdisciplinaridade of the chain of the Cultural Studies. The conclusions had pointed the characterization of the magazine as a publication that translates Cultural the Journalism formative, come back the intellectualized people or multiplying calls of opinion, showing as one of the most important considered magazines "cultured" of the Brazilian market. It was a magazine directed predominantly for a culturally elitizado masculine public and/or economically. The idea is still conceived of that SIR, for its graphical and publishing project, was in the vanguard of Brazilian publications of all the times. / Revista Senhor: modernidade e cultura na imprensa brasileira tem como objetivo resgatar a história de uma publicação que marcou época. Produzida no período de 1959 a 1964, a revista demonstrou seu papel como um espaço central de discussão de temas culturais. Fruto de uma conjuntura específica, SENHOR portou-se como uma enciclopédia dos anos 50 e início dos anos 60, divulgando, no conjunto de reportagens que produziu, crônicas, ensaios, críticas e artigos, os valores e os movimentos culturais vigentes, muitas vezes expressando novas formas de comportamento, consideradas avançadas então. A metodologia usada na pesquisa é a da análise descritiva e qualitativa do conteúdo das matérias publicadas e o enfoque teórico está baseado nos pressupostos da interdisciplinaridade da corrente dos Estudos Culturais. As conclusões apontaram a caracterização da revista como uma publicação que traduz o Jornalismo Cultural formativo, voltada a pessoas intelectualizadas ou chamadas multiplicadoras de opinião, revelando-se como uma das mais importantes revistas consideradas "cultas" do mercado brasileiro. Foi uma revista dirigida redominantemente para um público masculino elitizado culturalmente e/ou economicamente. Concebe-se ainda a idéia de que SENHOR, por seu projeto gráfico e editorial, esteve na vanguarda das publicações brasileiras de todos os tempos.(AU)

Made available in DSpace on 2016-08-03T12:31:15Z (GMT). No. of bitstreams: 1 Paginas 1-175.pdf: 1816387 bytes, checksum: 8befadc88fad92a5171542eaeca99c8e (MD5) Previous issue date: 2010-05-05 / O trabalho analisa se o jornalismo cultural praticado pelo caderno EU&Fim de Semana do jornal Valor Econômico, ao incorporar certos assuntos e fenômenos decorrentes da modernidade aos conteúdos com abordagem e mentalidade culturais e universalizadas, rompe o paradigma do Jornalismo Cultural tradicional alargando este conceito, até então restrito aos acontecimentos considerados tradicionais da área da cultura, como cinema, pintura, literatura, museu, dança, música, teatro, gastronomia e turismo. O corpus da pesquisa foi composto pelo assunto principal de capa de 32 edições e resultou na análise de 75 matérias. O referencial teórico utilizado é a sociologia da cultura de Pierre Bourdieu por meio da teoria dos campos, espaço social, habitus de classe e o desejo de distinção de uma elite cosmopolita. Contudo, não se constitui uma prática jornalística sem compromisso social. As análises quantitativa e qualitativa compõem a metodologia que identifica a presença de debates, de tensões e de conflitos, o conceito de Jornalismo Cultural, o caráter cosmopolita do jornalismo no início do século XXI, bem como os valores culturais adotados pelo caderno que abastecem o público com visão prismática para ler e reconhecer o mundo.(AU)

Made available in DSpace on 2015-05-07T14:46:43Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1191391 bytes, checksum: 19f30f82c1c153dff08ae5c3d7b64db0 (MD5) Previous issue date: 2013-03-20 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This study sought to understand present manifestations of cultural publications which pose an alternative to cultural journalism made by local traditional vehicles, so as to understand whether these publications produce a discourse on culture and everyday life different from the one produced by large media companies. To accomplish this, we chose as corpus four issues of Fome de Quê? (fmq?) magazine and seven issues of Cenário Cultural magazine, the main publications of this genre that circulate in the state of Paraíba showing the local culture and which are not connected to large communication companies. We analyze the characteristics of these two publications in order to understand which alternatives to the journalism model practiced by conventional vehicles are presented in these magazines. We focus our analysis on the way these magazines are organized as a communication vehicle and on the selection and approach of the guidelines, i. e., we observe how their organization modes, subjects, languages, agendas and goals, among other elements, combine in the creation of their discourse on the culture and the daily life they represent. The research approach was Everyday Life Sociology and the method of procedure was the formism. By highlighting the social forms, everyday life studies give us resources to analyze the parts, the alternative forms, in a context that does not favor the definition of the whole, in our case, the framing of the magazines as completely alternatives. / O presente estudo buscou compreender como se dão, na atualidade, manifestações de publicações culturais que se colocam como uma alternativa ao jornalismo cultural feito pelos veículos tradicionais locais, como modo de entender se tais publicações produzem um discurso sobre a cultura e o cotidiano diferenciado do que é produzido pelo jornalismo praticado por grandes empresas de comunicação. Para tanto, escolhemos como corpus os quatro números da revista Fome de Quê? (fmq?) e sete números da Cenário Cultural, principais publicações do gênero que circulam no Estado da Paraíba, pautando a cultura local, e que não estão ligadas a grandes empresas de comunicação. Analisamos aqui as características dessas duas publicações de modo a entender quais formas alternativas ao modelo do jornalismo praticado pelos veículos convencionais se apresentam nestas revistas. Focamos nossa análise no modo de organização dessas revistas, enquanto veículos de comunicação, e na seleção e abordagem das pautas, ou seja, observamos de que maneira seus modos de organização, seus sujeitos, linguagens, pautas e objetivos, entre outros elementos, combinam-se na formação do seu discurso sobre a cultura e no cotidiano que representam. Quanto à abordagem da pesquisa, a opção foi pela Sociologia do Cotidiano e o método de procedimento foi o formismo. Ao evidenciar as formas sociais, os estudos do cotidiano nos dão subsídios para analisar as partes, as formas alternativas, em um contexto que não favorece a definição do todo, no nosso caso, o enquadramento das revistas como alternativas em sua totalidade.

A pesquisa trata do projeto gráfico do Segundo Caderno do jornal Zero Hora (ZH), pe-riódico cuja circulação paga é a maior do Rio Grande do Sul e a sexta do Brasil. O Se-gundo Caderno, suplemento diário de cultura de ZH veiculado de segunda a sábado, é um dos cadernos mais lidos da publicação. O estudo identifica e analisa quais são os elementos gráficos e as estratégias compositivas utilizadas pelo caderno, verificando como estes articulam-se com os processos editoriais e com os valores do campo jorna-lístico, a fim de compreender as especificidades do design gráfico desenvolvido junto ao segmento diário cultural. Os procedimentos metodológicos adotados foram a pesquisa bibliográfica; a avaliação quantitativa e qualitativa de um corpus composto por edições dos meses de julho, agosto, setembro e outubro de 2011, num total de 24 edições; a ob-servação das rotinas produtivas da editoria que produz o caderno; e entrevistas não-estruturadas com cinco profissionais que atuam neste setor. Os resultados mostraram que o jornalismo possui uma cultura de trabalho muito forte e que suas condicionantes guiam a prática do design nesse contexto. A afinidade teórica entre as áreas mobilizadas para pesquisa pode ser percebida no plano dos objetivos junto ao público e na corres-pondência entre os parâmetros que orientam a atividade do design e os critérios e valo-res do jornalismo. Na avaliação do projeto gráfico, houve proximidade em muitos as-pectos entre o que a teoria apontava e o que foi identificado através da apreciação das edições. Não obstante, também foram percebidos alguns pontos questionáveis, como o pouco uso ilustrações e infografia e o grande volume de fotos de divulgação, tendo em vista que a cobertura do caderno é de cunho planejado e que seu foco privilegia os acon-tecimentos locais. Isso revelou a tensão inerente ao campo jornalístico, em que a pres-são do tempo, a estrutura e a rotina de produção editorial formatam os elementos e as estratégias gráficas que configuram as edições. / This research discuss the newspaper Zero Hora's Segundo Caderno graphic project, a journal whose paid circulation is the bigger on the state of Rio Grande do Sul and the 6th in Brazil. The Segundo Caderno, a newspaper's cultural daily addendum conveyed from Monday to Saturday, is one of the most read on the publication. The study identi-fies and analyses which are the graphics elements and the layout strategies used by the paper, verifying the way it deals with the editorials process and with the journalistic field values, in order to understand the graphic design specifics developed nearby the daily cultural segment. The methodologics procedures adopted have been the bibliogra-phic research; the quantitative and qualitative evaluation of a corpus composed by July, August, September and October of 2011 issues, in a total of 24 issues; the observation of the editorial's productive routines which produces the addendum; and interviews not-structurate with five professionals acting on the editorial sector. We noticed that the journalism has a work culture very strong and that its conditions guides the design prac-tice on this context. The theoretical affinity between the mobilized areas for the research can be noticed on the goals nearby the readers and on the interchange between the pa-rameters which guides the design activity and the journalism values and criterions. On the graphic project evaluation, had been nearness in a lot of aspects between what the-ory pointed and what was identified through the editions enjoyment. Despite that, were noticed also some questionable points, like the sparse use of illustrations and graphics and the great quantity of publicity pictures, intending that the addendum coverage is planned and its focus privileges the locals issues. It revealed the tension on the journa-listic field, in that the deadline stress, the structure and the editorial production routine create the elements and the graphic strategies which shapes the issues.

A pesquisa trata do projeto gráfico do Segundo Caderno do jornal Zero Hora (ZH), pe-riódico cuja circulação paga é a maior do Rio Grande do Sul e a sexta do Brasil. O Se-gundo Caderno, suplemento diário de cultura de ZH veiculado de segunda a sábado, é um dos cadernos mais lidos da publicação. O estudo identifica e analisa quais são os elementos gráficos e as estratégias compositivas utilizadas pelo caderno, verificando como estes articulam-se com os processos editoriais e com os valores do campo jorna-lístico, a fim de compreender as especificidades do design gráfico desenvolvido junto ao segmento diário cultural. Os procedimentos metodológicos adotados foram a pesquisa bibliográfica; a avaliação quantitativa e qualitativa de um corpus composto por edições dos meses de julho, agosto, setembro e outubro de 2011, num total de 24 edições; a ob-servação das rotinas produtivas da editoria que produz o caderno; e entrevistas não-estruturadas com cinco profissionais que atuam neste setor. Os resultados mostraram que o jornalismo possui uma cultura de trabalho muito forte e que suas condicionantes guiam a prática do design nesse contexto. A afinidade teórica entre as áreas mobilizadas para pesquisa pode ser percebida no plano dos objetivos junto ao público e na corres-pondência entre os parâmetros que orientam a atividade do design e os critérios e valo-res do jornalismo. Na avaliação do projeto gráfico, houve proximidade em muitos as-pectos entre o que a teoria apontava e o que foi identificado através da apreciação das edições. Não obstante, também foram percebidos alguns pontos questionáveis, como o pouco uso ilustrações e infografia e o grande volume de fotos de divulgação, tendo em vista que a cobertura do caderno é de cunho planejado e que seu foco privilegia os acon-tecimentos locais. Isso revelou a tensão inerente ao campo jornalístico, em que a pres-são do tempo, a estrutura e a rotina de produção editorial formatam os elementos e as estratégias gráficas que configuram as edições. / This research discuss the newspaper Zero Hora's Segundo Caderno graphic project, a journal whose paid circulation is the bigger on the state of Rio Grande do Sul and the 6th in Brazil. The Segundo Caderno, a newspaper's cultural daily addendum conveyed from Monday to Saturday, is one of the most read on the publication. The study identi-fies and analyses which are the graphics elements and the layout strategies used by the paper, verifying the way it deals with the editorials process and with the journalistic field values, in order to understand the graphic design specifics developed nearby the daily cultural segment. The methodologics procedures adopted have been the bibliogra-phic research; the quantitative and qualitative evaluation of a corpus composed by July, August, September and October of 2011 issues, in a total of 24 issues; the observation of the editorial's productive routines which produces the addendum; and interviews not-structurate with five professionals acting on the editorial sector. We noticed that the journalism has a work culture very strong and that its conditions guides the design prac-tice on this context. The theoretical affinity between the mobilized areas for the research can be noticed on the goals nearby the readers and on the interchange between the pa-rameters which guides the design activity and the journalism values and criterions. On the graphic project evaluation, had been nearness in a lot of aspects between what the-ory pointed and what was identified through the editions enjoyment. Despite that, were noticed also some questionable points, like the sparse use of illustrations and graphics and the great quantity of publicity pictures, intending that the addendum coverage is planned and its focus privileges the locals issues. It revealed the tension on the journa-listic field, in that the deadline stress, the structure and the editorial production routine create the elements and the graphic strategies which shapes the issues.

The aim of this bachelor thesis was to examine how cultural art journalistic critique manifests on different digital platforms today. I chose to focus on film criticism as it not only tells a story about the movies but also about the society. The bachelor thesis also aims to examine if there are any differences in how amateurs and professional journalists frames film criticism and in extension the society. The research questions examined were:How are the reviews composition and content arranged? How does the reviews rhetoric get constructed? How do the writers approach appraisements in their texts and how do these get framed? Do the texts have an inclination towards the aesthetic or the journalistic paradigm? I used Hulténs mass media rhetoric analysis which is a form of qualitative media content analysis in order to find differences and similarities in the texts. By closely examining the reviews, I found that references to popular culture were of great significance in the field of journalistic film criticism. They do not only show the journalists habitus but also their position in the field and the fields doxa. The study shows that the amateurs often emulates and are inspired by the professional journalists. The amateurs also largely depend on the aesthetic paradigm whilst the professionals strives for an equiponderant relation to both paradigms. My conclusion is that the amateurs compose a heterodox rebellion towards the current doxa on the field and that the professionals reigns the field with their knowledge and their complex and critical portrayal of movies and the society.

Syftet med studien är att undersöka i vilken utsträckning gestaltningen av olika kön skiljer sig åt i svenska mediers rapportering kring kulturella skandaler, beroende på journalistens egna kön. Studiens fokus ligger i att undersöka Sara Danius och Horace Engdahl i krisen kring den Svenska Akademien, för att kunna jämföra svenska mediers rapportering av en kulturskandal, där både en kvinna och en man är inblandad. Det material som undersökts i studien är nyhetsartiklar från de sex största morgon- och kvällstidningarna i Sverige – Aftonbladet, Dagens Nyheter, Expressen, Göteborgs-Posten, Svenska Dagbladet och Sydsvenskan – vilka analyserats genom en kvantitativ innehållsanalys. Det teoretiska ramverk studien utgår från och som kan ge en förståelse för hur media gestaltar en skandal är; gestaltningsteori, medielogik, tonalitet och teorier om genus. Förutom dessa teorier har vi använt oss av relevant tidigare forskning inom skandaljournalistik och genus som indikerar att kvinnor och män gestaltas olika i media, inom politiska skandaler. Det blir därav intressant att undersöka om det även gäller en kulturell skandal samt om journalistens kön kan ha en betydelse för gestaltningen. Journalisters roll i rapporteringen och gestaltningen av skandalen är viktig, eftersom de har ett ansvar att vara objektiva samt att framställa de båda könen på ett likvärdigt sätt. Ur ett samhällsperspektiv blir studien intressant då mottagarna av en skandal påverkas av medias bild av hela händelseförloppet. Det resultat studien kommit fram till är att gestaltningen skiljer sig åt i hur kvinnliga och manliga journalister gestaltar de båda huvudpersonerna i skandalen kring den Svenska Akademien. Kvinnliga journalister fokuserar mer på huvudpersonens personliga egenskaper, utseende och yrkesroll, samt använder sig i större utsträckning av medielogikens berättarteknik personifiering. Kvinnliga journalister använder även i större utsträckning både mer positiv och negativ tonalitet i sina texter om Danius och Engdahl, medan manliga journalister överlag är mer neutrala i sin tonalitet. Resultatet visar även att det generellt läggs ett större fokus på både Danius yrkesroll och utseende än hos Engdahl, samt att journalisten syns mer i texten i de artiklar som främst handlar om Engdahl. Medielogikens berättarteknik personifiering syns även i större utsträckning när Engdahl gestaltas än Danius. När artikeln främst handlar om Danius är tonaliteten mot henne överlag mer positiv, medan när artikeln främst handlar om Engdahl är tonaliteten mot honom överlag mer negativ. Den som artikeln inte främst handlar om framställs med neutral tonalitet. I de fall bilder finns med i artikeln framkommer det att dessa i större utsträckning är gynnsamma för Danius, när artikeln främst handlar om henne. När artikeln främst handlar om Engdahl är eventuella bilder i större utsträckning mer neutrala eller missgynnsamma. Slutsatsen är att kvinnor och män gestaltas olika i skandalen kring den Svenska Akademien och att gestaltningen skiljer sig åt beroende på om journalisten är en kvinna eller man. Däremot är det svårtatt uttala sig om att alla kulturella skandaler skulle få samma utfall, då båda Sara Danius och Horace Engdahl är två särpräglade och unika individer med starka karaktärsdrag. / The purpose of the study is to examine to what extent the framing of different genders differs in Swedish media reporting on cultural scandals, depending on the journalists own gender. The study emphasizes on Sara Danius and Horace Engdahl in the crisis regarding the Swedish Academy, in order to be able to compare Swedish media reporting of a cultural scandal involving both a woman and a man. The empirical data that was examined in the study was news articles from six of the largest morning- and evening newspapers in Sweden – Aftonbladet, Dagens Nyheter, Expressen, Göteborgs-Posten, Svenska Dagbladet and Sydsvenskan – which has been analyzed through a quantitative content analysis. The theoretical framework is based on framing, media logic, tonality and theories of gender, which can give an understanding of how the media portrays a scandal. In addition to these mentioned theories, we have used relevant previous research in scandal journalism and gender which indicates that women and men are portrayed differently in the media, within political scandals. It was therefore interesting to investigate whether this also could be applied on a cultural scandal and if the gender of the journalist could have a bearing on the framing. The journalists role in reporting and depictions of a scandal are significant, they have a responsibility to be objective and to depict the two sexes in an equal manner. From a society perspective, the study becomes interesting as the recipients of a scandal are affected by the media's portrayal of the entire course of events. The study concluded that the framing differs in how female and male journalists portray the two main characters in the scandal regarding the Swedish Academy. Female journalists are more prone to emphasize personal characteristics, appearance and professional role, and make greater use of media logic's personification. Female journalists also used both more positively and negative tonality in their context regarding Danius and Engdahl, while male journalists generally are more neutral in their tonality. The results also show that there is generally a greater focus on Danius professional role and appearance than with Engdahl, and that the journalists are more visible in the context of the articles that are primarily about Engdahl. Media logic's personification is also seen to a greater extent when Engdahl is portrayed than Danius. When the article is mainly about Danius, the tonality towards her is generally more positive, while when the article is mainly about Engdahl, the tonality towards him is generally more negative. Whoever the article is not primarily about is portrayed with a neutral tonality. In cases where images are included in the article, it show that these are favorable to Danius, when the article is mainly about her. When the article is mainly about Engdahl, the images are either neutral or unfavorable. To summarizse, women and men are portrayed differently in the scandal regarding the Swedish Academy and that the framing differs depending on whether the journalist is a woman or a man. However, it is difficult to say that all cultural scandals would have the same outcome, as both Sara Danius and Horace Engdahl are two unique individuals with strong traits.

The aim of the diploma thesis "Media image of culture in the weekly Respekt and Reflex" is to use qualitative and quantitative research to describe the attitude towards culture and its relationship in the social news weekly magazines Respekt and Reflex. The theoretical part of this work is devoted to the description of the influences on the production of cultural journalism. It deals with the interpretative conception of culture, from the anthropological conception, through the conception of the Frankfurt and Birmingham schools to contemporary approaches to the attitude towards culture and the creative industries. All this is set in the context of the study of media and mass media, which is also influencing the cultural production. The results of the analytical part then present the concept of culture based on the description of editorial approaches to cultural topics and the analysis of the contents of the stated weekly magazines. In the end of the work the theoretical knowledge is connected with the results of research. Keywords Cultural journalism, culture in media, culture, media, society, cultural society, Respekt, Refex, weekly magazines.

Among Swedish cultural journalists, conflict and debates are common. It has long been atradition in the cultural pages of newspapers to be a voice in societal debates that discussessubjects like racism, feminism and class issues. The cultural pages have gone throughchanges in the modern era of digitization and economic issues. Because of that, culturaljournalists and critics need to bring something new or unique to be more visible in the newmedia landscape.This study is a case study of two modern debates that revolves around critics and literaturecritique. The purpose of the study was to investigate the cultural journalism field and how theactors in the field position themselves and others in this hierarchy. We wanted to study howthese debates start and develop over time, what the actors describe as good or bad critiqueand how they express that in the debate. By using the framework of Bourdieu's field theorywe could differentiate the capital that the actors possessed and the position and power theymanage in the field.The results showed that the actors that contribute to the debate put on a role. Every rolecarries a different purpose. The idea of what critique should be and what defines good or badcritique was different between every actor in the field but the basic idea was the same. Themain rule was that critique and the critic should work as an informant for the consumer. Thusthey need to be subjective, honest and able to add something new that the author or the bookcannot. The main goal when critiquing an actor in the debate is to undermine the capital andposition that they embody. Many of the writers felt a need to protect the doxa in the fieldsince it is important to their position, capital and therefore the power that they inhabit in thefield. The doxa that they identify with is used as their weapon in the debate to denounce theidea they do not agree with.