This thesis aims to present how the daily Sport, the web iSport, the sports section of MF Dnes and the website sport.idnes.cz reported on the coronavirus crisis in connection with the Fortuna League. To achieve the objectives of the thesis, quantitative content analysis is used. Three time periods are examined in the thesis, with each period chosen to cover an important period in the events related to the coronavirus crisis and the Fortuna League. The research part of the thesis analyses the articles published in each period, as well as examining mentions of clubs and the use of narratives. The results are compared both between periods and between media. The thesis also presents the Fortuna League as a competition, individual clubs and their history. At the same time, the thesis chronologically characterizes the key events of the coronavirus crisis in the Czech Republic. It also briefly presents recent research findings on sports journalism during the coronavirus crisis.

Virtú has long been associated with manly traits like strength, cunning, valor, and ruthlessness. Much has been debated among these lines, whereas others have taken the approach of letting virtú and its meaning be undetermined. In this thesis a comparison between the different theoretical and practical meanings of Machiavelli’s teachings are discussed, with the conclusion being that there might be a case for virtú as being similar to showmanship, alternatively, an ingrained part of human nature. This conclusion is derived from comparison of different sources regarding Machiavelli’s works, with the Prince and the Discourses as the core of the interpretation. The flexibility of virtú and its circumstantial nature creates, through the arguments in this thesis, a basis for virtú as something other than a trait to have or to be developed. That being said, I am cautious to finalize a meaning to virtú, because of the nature of the word and its meaning. It has been interpreted to fit different subjective realities ever since its release, whereas this thesis might be found to do the same. Virtú and Machiavelli is hard to fully grasp, which makes it all the more interesting to try to derive meaning where none might be found.

This thesis investigates the Roman idea of fortuna, by examining its representation in different media (coins, cults, philosophy, and literature) and the thought worlds which these media inhabited. Drawing chiefly on evidence from the late Republic and the first two centuries of the Empire, I examine the interactions between the meanings of fortuna and the contexts in which they occur, showing how fortuna was used to construct understandings of broader social processes. Chapter 1 charts how various groups and individuals appropriated the religious character of fortuna into discourses of power to promote their interests, from the first archaic cults through to Imperial fortunae. By propitiating fortuna, the founders and worshippers of these cults attempted to ‘tame’ fortuna by representing themselves or the groups to which they belonged as particularly favoured by this deity. Chapter 2 examines how literary authors used fortuna to talk about ideas of social status, luck, chance, and fate. How these authors chose to describe fortuna, or which powers they chose to ascribe to her, were choices frequently determined by the text’s relationship to the structures of Roman power. Chapter 3 examines the iconography of fortuna on Imperial coins, for which I used a statistical methodology to quantify her numismatic representation. This sets our understanding of the interconnections between numismatic iconography and cultural and political history on a firmer basis and allows us to analyse more precisely how fortuna was imagined in imperial ideology. I look at the periods in which fortuna was most often deployed and when her iconography and legends underwent the greatest changes, discussing the political and cultural contexts that motivated these uses. Chapter 4 addresses philosophical conceptions of fortuna. I look at what was peculiarly Roman about how Roman Stoics and Epicureans figured fortuna in their physics and ethics, focusing especially on the philosophical and cultural implications of their concern with fortuna.

A presente pesquisa tem por objetivo principal organizar a recepção do romance I Promessi Sposi (Os Noivos), de autoria de Alessandro Manzoni (1785-1873), no Brasil. A narrativa tem como protagonistas os jovens Renzo e Lucia que enfrentam as maiores dificuldades de seu tempo (a carestia, a fome, o domínio estrangeiro, as guerras e a peste no norte da Itália durante o século XVII) para realizar seu matrimonio e é uma das obras-primas da literatura italiana e mundial. Este trabalho estuda as maneiras pelas quais o romance manzoniano aporta em terras brasileiras, é acolhido e permanece como argumento de debates críticos, desde o primeiro registro encontrado por esta investigação até o ano de 2012, data da publicação da última tradução brasileira. Neste sentido, estudaram-se as diversas traduções, edições e adaptações publicadas deste romance no Brasil, atentando seja para a forma como se dá o transporte do texto original italiano para a língua portuguesa, seja para as questões relacionadas ao paratexto, isto é, o cuidado editorial empregado nesses textos. Organizou-se a também a recepção da crítica brasileira a I Promessi Sposi que se deu em forma de livros, capítulos, artigos em jornais, revistas e periódicos científicos, verbetes de enciclopédias e nos Boletins do Instituto Brasileiro Estudos Manzonianos. Da coleta e análise desse material buscou-se traçar o perfil que a recepção a I Promessi Sposi conferiu a Manzoni e sua obra-prima no Brasil. / The present research has as the main objective of organizing the reception of the novel The Betrothed, from Alessandro Manzonis authorship (1785-1873), in Brazil. The narrative presents as protagonists the young Renzo and Lucia who encounter the greatest difficulties of their time (inflation, hunger, the foreigner domination, the wars and the plague in the north of Italy during the XVII century) to make their wedding happen and it is one of the masterpieces of the world and Italian Literature. This thesis studies the manners by which the Manzonian novel arrives in Brazilian lands, is accepted and remains as argument of critic debates, since the first record found by this investigation until the year 2012, the publishing date of the last Brazilian translation. In this sense, diverse translations, editions and adaptations published of this novel in Brazil were studied, noticing the way the original Italian text was transferred into the Portuguese language, and the issue related to the paratext, namely, the editorial care used in these texts. The Brazilian critic reception of the Betrothed that happened in book form, chapters, newspaper articles, magazines and scientific journals, encyclopedia entries and the newsletters of the Manzonian Studies Brazilian Institute were also organized. From the gathering and analysis of these materials we searched to outline the profile that the reception of The Betrothed granted Manzoni and his masterpiece in Brazil.

Made available in DSpace on 2016-04-25T20:21:34Z (GMT). No. of bitstreams: 1 Leandro Ramos Goncalves.pdf: 5526962 bytes, checksum: c0a47b3eb7c3a3b87de0b0fe767dc90f (MD5) Previous issue date: 2015-12-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In the widespread rhetoric of consolidation masks a paradox inside of the brazilian political scenario: the republican system was build in the prewritten institutions on the Constituitional Letter of 1988 as a institucional arrangement and after twenty five years of exercise didn t crumble in front of adversity, like had always happened in Brazil s politics; however, researchs about people s political imaginary doesn t show a remarkable evolution of the republican way of life that happened among this institution. In view of this problematic, this work it s intented to try to understand the experience of the past and presente things, trying to verify if the contemporaneous brazilian State built this regime facing freedom like it was supposed to do. The methodology used was inspired by Niccolo Machiavelli s categories for analysis: facing the Nova Republica s as State, that has form and matter, build and orderly from the Virtue of the great, while princes, for the establishiment of the people, starting with the moment provided by Fortune during the period / Na difundida retórica da consolidação se mascara um contrassenso do cenário político brasileiro: o sistema republicano se edificou nas instituições prescritas na Carta Constitucional de 1988 como arranjo institucional, e após vinte e cinco anos de exercício não se esfacelou frente as adversidades, como sempre foi típico da política no Brasil; todavia, pesquisas acerca do imaginário político do povo não se verifica notável evolução de um modo de vida efetivamente republicano que tenha se dado concomitante a estas instituições. Tendo em vista essa problemática, o presente trabalho tem por fim buscar compreender a experiência das coisas passadas e presentes a fim de verificar se o Estado brasileiro contemporâneo edificou regime voltado a liberdade de fato como se prescreve o direito. A metodologia vale-se aqui das categorias de Nicolau Maquiavel para análise, isto é, encarar a construção da Nova República, enquanto um Estado, que tem forma e matéria, gerado e ordenado a partir da Virtude dos grandes, enquanto príncipes, para o estabelecimento do hábito de comportamento do povo, a partir das ocasiões fornecidas por uma Fortuna dada no tempo

Made available in DSpace on 2016-04-26T14:55:45Z (GMT). No. of bitstreams: 1 Leandro Ramos Goncalves.pdf: 5526962 bytes, checksum: c0a47b3eb7c3a3b87de0b0fe767dc90f (MD5) Previous issue date: 2015-12-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In the widespread rhetoric of consolidation masks a paradox inside of the brazilian political scenario: the republican system was build in the prewritten institutions on the Constituitional Letter of 1988 as a institucional arrangement and after twenty five years of exercise didn t crumble in front of adversity, like had always happened in Brazil s politics; however, researchs about people s political imaginary doesn t show a remarkable evolution of the republican way of life that happened among this institution. In view of this problematic, this work it s intented to try to understand the experience of the past and presente things, trying to verify if the contemporaneous brazilian State built this regime facing freedom like it was supposed to do. The methodology used was inspired by Niccolo Machiavelli s categories for analysis: facing the Nova Republica s as State, that has form and matter, build and orderly from the Virtue of the great, while princes, for the establishiment of the people, starting with the moment provided by Fortune during the period / Na difundida retórica da consolidação se mascara um contrassenso do cenário político brasileiro: o sistema republicano se edificou nas instituições prescritas na Carta Constitucional de 1988 como arranjo institucional, e após vinte e cinco anos de exercício não se esfacelou frente as adversidades, como sempre foi típico da política no Brasil; todavia, pesquisas acerca do imaginário político do povo não se verifica notável evolução de um modo de vida efetivamente republicano que tenha se dado concomitante a estas instituições. Tendo em vista essa problemática, o presente trabalho tem por fim buscar compreender a experiência das coisas passadas e presentes a fim de verificar se o Estado brasileiro contemporâneo edificou regime voltado a liberdade de fato como se prescreve o direito. A metodologia vale-se aqui das categorias de Nicolau Maquiavel para análise, isto é, encarar a construção da Nova República, enquanto um Estado, que tem forma e matéria, gerado e ordenado a partir da Virtude dos grandes, enquanto príncipes, para o estabelecimento do hábito de comportamento do povo, a partir das ocasiões fornecidas por uma Fortuna dada no tempo

Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Sócio-Econômico. Programa de Pós-Graduação em Economia. / Made available in DSpace on 2012-10-22T00:19:55Z (GMT). No. of bitstreams: 1 225454.pdf: 1053441 bytes, checksum: 267c106b5fa135a5e077ec2829c61803 (MD5)

A presente pesquisa tem por objetivo principal organizar a recepção do romance I Promessi Sposi (Os Noivos), de autoria de Alessandro Manzoni (1785-1873), no Brasil. A narrativa tem como protagonistas os jovens Renzo e Lucia que enfrentam as maiores dificuldades de seu tempo (a carestia, a fome, o domínio estrangeiro, as guerras e a peste no norte da Itália durante o século XVII) para realizar seu matrimonio e é uma das obras-primas da literatura italiana e mundial. Este trabalho estuda as maneiras pelas quais o romance manzoniano aporta em terras brasileiras, é acolhido e permanece como argumento de debates críticos, desde o primeiro registro encontrado por esta investigação até o ano de 2012, data da publicação da última tradução brasileira. Neste sentido, estudaram-se as diversas traduções, edições e adaptações publicadas deste romance no Brasil, atentando seja para a forma como se dá o transporte do texto original italiano para a língua portuguesa, seja para as questões relacionadas ao paratexto, isto é, o cuidado editorial empregado nesses textos. Organizou-se a também a recepção da crítica brasileira a I Promessi Sposi que se deu em forma de livros, capítulos, artigos em jornais, revistas e periódicos científicos, verbetes de enciclopédias e nos Boletins do Instituto Brasileiro Estudos Manzonianos. Da coleta e análise desse material buscou-se traçar o perfil que a recepção a I Promessi Sposi conferiu a Manzoni e sua obra-prima no Brasil. / The present research has as the main objective of organizing the reception of the novel The Betrothed, from Alessandro Manzonis authorship (1785-1873), in Brazil. The narrative presents as protagonists the young Renzo and Lucia who encounter the greatest difficulties of their time (inflation, hunger, the foreigner domination, the wars and the plague in the north of Italy during the XVII century) to make their wedding happen and it is one of the masterpieces of the world and Italian Literature. This thesis studies the manners by which the Manzonian novel arrives in Brazilian lands, is accepted and remains as argument of critic debates, since the first record found by this investigation until the year 2012, the publishing date of the last Brazilian translation. In this sense, diverse translations, editions and adaptations published of this novel in Brazil were studied, noticing the way the original Italian text was transferred into the Portuguese language, and the issue related to the paratext, namely, the editorial care used in these texts. The Brazilian critic reception of the Betrothed that happened in book form, chapters, newspaper articles, magazines and scientific journals, encyclopedia entries and the newsletters of the Manzonian Studies Brazilian Institute were also organized. From the gathering and analysis of these materials we searched to outline the profile that the reception of The Betrothed granted Manzoni and his masterpiece in Brazil.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-18T11:46:31Z No. of bitstreams: 1 Ricardo De Angelis Colli.pdf: 1173300 bytes, checksum: 51bbcc3090a9156ce11fc31de9c2bd5e (MD5) / Made available in DSpace on 2018-07-18T11:46:31Z (GMT). No. of bitstreams: 1 Ricardo De Angelis Colli.pdf: 1173300 bytes, checksum: 51bbcc3090a9156ce11fc31de9c2bd5e (MD5) Previous issue date: 2018-03-30 / The Brazil has faced since the deployment of the Unified Health System (SUS), in 1988, deep financial resources dispute to ensure the universal and integral health right. Among the biggest problems that involve the financing of SUS are: the lack of greater participation of the federal Government in determining sources of public revenues and the wacky tax structure, charge on the poorest individuals and families; and, the release of resources for public health, thickening the payment of public debt. In this context will be analyzed the different views regarding the taxation of large fortunes, to identify the main barriers to your institution. The objective of this research is to investigate the role that tax on large fortunes could have as a source of funding for the SUS / O Brasil tem enfrentado desde a implantação do Sistema Único de Saúde (SUS), em 1988, profundas disputas por recursos financeiros para garantir o direito universal e integral à saúde. Dentre os maiores problemas que envolvem o financiamento do SUS estão: de um lado, a falta de maior participação do governo federal na determinação de fontes de receitas públicas e a estrutura tributária regressiva, onerando os indivíduos e famílias mais pobres; de outro, a desvinculação de recursos destinados à saúde pública, que podem engrossar o pagamento da dívida pública. Neste contexto serão analisados os diferentes pontos de vista a respeito da tributação das grandes fortunas, bem como identificar os principais entraves à sua instituição. O objetivo desta pesquisa é investigar o papel que a tributação sobre as grandes fortunas poderia ter como fonte de financiamento para o SUS

Conselho Nacional de Desenvolvimento Científico e Tecnológico / Times study aims to understand the intricate network of relationships established between a sertanejo musical production and its times. In this sense, our interest is to analyze how this production seen as root dialogues with the new social and cultural patterns of the time, based on a national-developmentalist ideals of modern urban to Brazil between 1950 and 1980. We choose as the object of analysis the musical production of José Fortuna, composer that transited during this period between the root and the new song fads , so even unveiling a turbulent time for the genre, which followed a need for firming appreciation of the caboclas arts (as a redeemed identity) denigrating the part of modern sertanejo music. Thus, tradition and modernity opposed in country music. But while the country was changing, was modernizing, gender blended new sound elements and thematic in which the traditional and the modern was hybridizing. Visualize from this change of meaning and values of country music, a major transformation process that melded, and not without conflict, tradition and modernity. / Este trabalho tem como objetivo compreender a intrincada rede de relações que se estabelece entre uma produção musical sertaneja e seu tempo. Nesse sentido, é de nosso interesse analisar como essa produção tida como raiz - dialoga com os novos padrões socioculturais da época, fundamentados em um projeto nacional-desenvolvimentista de ideais modernos e urbanos para o Brasil, entre os anos de 1950 e 1980. Elegemos como objeto de análise a produção musical do compositor José Fortuna, que nesse período transitava entre a música raiz e os novos modismos sertanejos, desvelando por isso mesmo um momento turbulento para o gênero, que seguia firmando uma necessidade de valorização das artes caboclas (como uma identidade resgatada) denegrindo a vertente moderna da música sertaneja. Assim, tradição e modernidade se opunham nessa música. Mas, ao passo que o país mudava, se modernizava, o gênero mesclava novos elementos sonoros e temáticos nos quais o tradicional e o moderno se hibridizavam. Visualizamos a partir dessa mudança de sentidos e de valores da música sertaneja, um processo de transformação maior que mesclava, e não sem conflitos, tradição e modernidade. / Mestre em História