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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Den utställda kvinnan : En analys av hur kvinnorna framställs på tre svenska museer samt hur detta förhåller sig till den kvinnorhistoriska forskningen

Magnusson, Åse January 2000 (has links)
No description available.
2

Gränslöst. En global utställning på Historiska museet

Lundell, Linnéa January 2011 (has links)
This thesis is a report concerning the practical aspects on exhibition techniques. During an internship at the National History Museum in Stockholm I participated in the work with their new, temporary exhibition Gränslöst - en global utställning på Historiska museet [Boundless - a global voyage of discovery at the National Historical Museum]. I was part of a small project team of museum staff. The purpose of this exhibition was to show how cultures have met and influenced each other throughout history. The National Historical Museum has in its collections and exhibitions several examples of objects that has been imported from or inspired by other cultural areas. The primary goal was to give the visitors a new perspective, to show that these “Swedish” objects have a long history of trading and cultural exchange. Additionally, Gränslöst is an attempt to draw the visitors into the permanent exhibitions; it is not an independent production and shares some characteristics with so- called “Hot spot” exhibitions. My ambition is to describe the planning, implementation and delivery of the exhibition and highlight problems and solutions that arise during that process.
3

Att blåsa liv i forntiden : En studie av kommunikation via montertexter på ett museum i stockholm

Pettersson, Sofia January 2020 (has links)
Denna undersökning inriktar sig på hur Historiska museet i Stockholm kommunicerar genom montertexter. Syftet är att ta reda på hur museet skapar en relation mellan museum och besökare, samt mellan besökare och historia genom utställningstexter. Materialet består av skrivna texter hämtade från två rum på utställningen Forntider. För analys används den interpersonella och den ideationella metafunktionen, som båda tillhör systemisk-funktionell grammatik. Resultatet påvisar att museet tar lite plats i texterna och inte kommunicerar ur ett närhetsskapande perspektiv, även om texterna markerar att de är riktade till en mottagare. Fynden och de forntida människorna framställs till största del som frånvarande och svåra att knyta an till.
4

Bidrar utställningen "Maria - Drömmen om kvinnan" till genusperspektivet inom det konstvetenskapliga fältet?

Lena, Naarttijärvi January 2008 (has links)
<p>The purpose with this essay is to study if the exhibition, <em>Maria-Drömmen om kvinnan </em>has a gender perspective and if it contributes to the history of art. The study shows what kind of women the exhibition illustrates and what kind of perspective it has. By telling about the black Madonna I also show that there is another representation of the middle age women in the Roman Catholic Church at this time that the exhibition not have included. The study is also going to illustrate the difference between a genderperspektiv in art and a women’s perspective. I use the world of art and a study from the government to explain how the gender perspective can be used.</p>
5

Bidrar utställningen "Maria - Drömmen om kvinnan" till genusperspektivet inom det konstvetenskapliga fältet?

Lena, Naarttijärvi January 2008 (has links)
The purpose with this essay is to study if the exhibition, Maria-Drömmen om kvinnan has a gender perspective and if it contributes to the history of art. The study shows what kind of women the exhibition illustrates and what kind of perspective it has. By telling about the black Madonna I also show that there is another representation of the middle age women in the Roman Catholic Church at this time that the exhibition not have included. The study is also going to illustrate the difference between a genderperspektiv in art and a women’s perspective. I use the world of art and a study from the government to explain how the gender perspective can be used.
6

Omtolkningens och omladdningens paradox : Tre fallstudier av föremål och historiska fynd i dåtid, nutid och framtid / The Paradox of Reinterpretation and Re-evaluation : Three Case Studies of Artefacts and Historical Discoveries in the Past, Present and Future

Mujkanovic, Elma, Sjöblom, Lina January 2022 (has links)
The aim of this thesis is to identify what actions of change museums have taken to adjust to the ebb and flow of societal norms and values. The empirical evidence is based on three case studies of objects in three museums: the Birka warrior from grave Bj-581 in the Swedish History Museum in Stockholm, the G’psgolox totem pole in the Museum of Ethnography in Stockholm, and the Benin bronzes in the Museum of Ethnography in Stockholm and the British Museum in London. Through observations of objects and exhibitions in combination with interviews with museum professionals and researchers, an overall picture is created that shows traces of regulation but also remaining attributes from older times. Through theories of structuration, authorized heritage discourse, norm critique and postcolonial ideas, we highlight the strong connections between social structures, social relations and authorized governing groups that exist in the process of disentangling. With this thesis, we intend to highlight how the phenomenon of change is portrayed and managed in museums. Museums in the west were foremost established during a time when nationalistic and colonial ideals characterized societal norms and the work that took place within museums. As a result of the preservation and presentation of the national identity, museums were often attributed with a character of identity making. Over time, the world has changed and so have the norms within society. Aspects of ethics and morals have become increasingly incorporated into discussions about power and governance. In line with these changes, museums have also had to change to stay relevant in their time. The museums hold to this day some of the old nationalistic and colonial ideals which they were built upon. The old ideals can be identified within the museums’ exhibitions, and because of this, clashes may occur between older and newer norms and values in the process of change, within which transparency becomes an important key element.  This is a two year master's thesis in Museum and Cultural Heritage Studies.

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