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Etniciteters varande eller icke varande i en rörlig tid : En studie om läromedel i svenska på gymnasiet ur ett värdegrundsperspektivHaanpää Våhlen, Julia, Olsson, Linnéa January 2020 (has links)
Föreliggande studie har som intresse att bidra till den interkulturella diskussionen i skolan utifrån värdegrunden. Genom att undersöka hur läromedelsböcker synliggör den etniska mångfalden vilken representeras i skönlitterära texter och bilder åskådliggörs hur läromedelsböcker kan fungera som ett verktyg i denna diskussion. I studien har läromedelsböckerna Svenska impulser 1, 2 och 3 granskats. Teorin har utgått från diskursteori där maktperspektiv beaktats på olika etniciteter vilka syns olika mycket. Detta i förhållande till skolans värdegrund är det grundläggande fundamentet för studien. Metoden som använt i denna studie är en kvalitativ innehållsanalys samt en hermeneutisk analysmetod och i de båda fallen finns kvantitativa element. Innehållsanalysen appliceras på de skönlitterära texterna medan hermeneutiken kopplas till bildmaterialet. Resultatet visar att etnisk mångfald inte synliggörs i tillräcklig utsträckning, som önskas, i förhållande till skolans värdegrund där samtliga etniska tillhörigheter ska värderas lika. Dessutom visar även resultatet att läromedelsböckerna skiljer sig minimalt åt vad gäller att synliggöra den etniska mångfalden. Detta berörs både i bild- och textperspektiv men även i författarrepresentationerna.
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”Bring us the girl and wipe away the debt” : Didaktisk potential i multimodal fiktionsläsningMattsson, Edvard January 2021 (has links)
No description available.
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Takt och OtaktGahrton, Daniel January 2019 (has links)
The theme of the song Lonely Woman by Ornette Coleman and the song It’s Halloween by The Shaggs has something in common when it comes to how the different instruments relate rhythmically to each other. I would call it a musical quality that could be described as a feeling of ungraspability. I had this quality in focus during a process of listening to music, writing music and playing music. To describe the cause of this quality I felt the need to define two concepts I named 1) rubato structures; rhythmic structures that aren’t based on, nor establish a steady pulse, and 2) tempo structures; rhythmic structures that are based on and establishes a steady pulse. Throughout the project I identified the cause of the quality, to be combinations of rubato structures and tempo structures, however my understanding developed during the project to a more specific definition which was layers of rubato structures and tempo structures. In the 6 compositions that this project resulted in, I created a number of musical situations with my group, which all had these elements. When listed, these situations rather systematically go through ways of combining structures in regards to different parameters. When listened to, at least for me, several of them give rise to the feeling of ungraspability I had in focus. My attempts to describe and analyze the many inspiring examples stretching from Charles Ives to Swedish contemporary vocal folk music, helped me to develope tools for making music of my own, rather than resulting in some objective truth, or a system for describing and analyzing music that would work objectively. One thing I would consider objectively true, however, is that there are a lot of different ways of creating rhythmic complexity, where some ways are very tedious and difficult for the musicians. With rhythmic layers of rather simple structures, containing rubato structures, I can create rhythmic complexity beyond the quantifiable, just by putting the human impulses in control. Takt in Swedish could mean many things, such as beat, meter, bar, measure. Otakt is often used as a negative word to describe a failed attempt to play in time, but is also linguistically the negation of takt (thus meaning no beat, no meter, no bar, no measure). Takt och (and) Otakt is therefor a play with words, since otakt relates to things in this study that is embraced rather than avoided. / <p>Bilaga: CD</p>
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