Submitted by CLAUDIO HENRIQUE ALTIERI DE CAMPOS null (claudio_altieri@yahoo.com.br) on 2017-05-03T18:02:07Z No. of bitstreams: 1 Tese Jackson do Pandeiro e a MPB - Claudio Campos - Texto Completo.pdf: 16325694 bytes, checksum: 3c888d3cb84293ccd975a3006a69ed9f (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-05-05T13:53:31Z (GMT) No. of bitstreams: 1 campos_cha_dr_ia.pdf: 16325694 bytes, checksum: 3c888d3cb84293ccd975a3006a69ed9f (MD5) / Made available in DSpace on 2017-05-05T13:53:31Z (GMT). No. of bitstreams: 1 campos_cha_dr_ia.pdf: 16325694 bytes, checksum: 3c888d3cb84293ccd975a3006a69ed9f (MD5) Previous issue date: 2017-03-27 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta pesquisa é dedicada ao estudo da trajetória artística e da obra musical do intérprete e compositor Jackson do Pandeiro (1919 – 1982) e suas relações no campo da Música Popular Brasileira (MPB). Jackson ocupa um lugar de destaque na história da MPB, sendo apontado por diversos artistas, como Gilberto Gil, Lenine, João Bosco, Gal Costa, Guinga, entre muitos outros, como referência fundamental para este campo artístico e cultural, influenciando suas próprias obras musicais. A produção artística de Jackson é muito diversificada, constituindo-se de gêneros musicais variados como o coco, o samba, o forró, a marcha carnavalesca, o baião, entre outros, relacionados à pluralidade de identificações que participaram de sua formação artística e cultural, e que é observada neste estudo por meio das ideias do antropólogo Victor Turner, notadamente sobre o conceito de liminaridade e seu desdobramento na noção de liminóide. A Tese sustentada aqui é que Jackson do Pandeiro se caracterizou por uma condição liminar/liminóide que, associada ao seu virtuosismo como artista/intérprete, possibilitou-lhe realizar uma série de mediações, por meio de sua obra, que lhe trouxeram destaque no campo da MPB, desde o período em que estava em atividade e mesmo após a sua morte, em 1982, chegando até o momento atual, em 2017. Para tanto, este trabalho investiga a trajetória artística de Jackson do Pandeiro procurando verificar de que modo foram realizadas estas mediações e as formas como sua figura foi ressignificada ao longo do tempo, inclusive com a observação de discursos que permeiam o campo da MPB e que contribuíram para a construção e consolidação de sua imagem como o “Rei do Ritmo”. Tem lugar também nesta investigação um estudo sobre a performance vocal de Jackson, especialmente voltado para sua forma de enunciação rítmico-melódica, popularmente chamada de “divisão”, apontada em diversos discursos como elemento distintivo do artista no âmbito da Música Popular Brasileira. Neste sentido, esta pesquisa, situada na área da Etnomusicologia, mas com caráter interdisciplinar, se fundamenta em autores como A. Merriam, P. Bourdieu, R. Ortiz, M. Bakhtin e o já citado V. Turner, entre outros. / This research is dedicated to the study of the artistic trajectory and musical work of the performer and composer Jackson do Pandeiro (1919 - 1982) and their relations in the field of Brazilian Popular Music (BPM). Jackson has a prominent place in the history of BPM, being pointed by several artists, as Gilberto Gil, Lenine, João Bosco, Gal Costa, Guinga, among many others, to be a fundamental reference for this artistic and cultural field, influencing their own musical works. The artistic production of Jackson is very diversified, constituted by a variety of musical genres as the coco, the samba, the forró, the carnival march, the baião, among others, related to the plurality of identifications that participated in his artistic and cultural formation, and which is observed in this study through the ideas of the anthropologist Victor Turner, notably on the concept of liminality and its unfolding in the notion of liminoid. The thesis held here is that Jackson do Pandeiro was characterized by a liminal/liminoid condition that, combined with his virtuosity as an artist/performer, enabled him to make a series of mediations, through his work, that brought him prominence in the field of BPM, from the period in which he was active and even after his death, in 1982, reaching the present moment, in 2017. In order to do so, this work investigates the artistic trajectory of Jackson do Pandeiro, seeking to verify how these mediations were realized and the ways in which his figure was resignified over time, including the observation of discourses that permeate the field of BPM and contributed to the construction and consolidation of his image as the “King of Rhythm”. In this investigation there is also a study on Jackson's vocal performance, especially focused on his form of rhythmic-melodic enunciation, popularly called “divisão”, pointed out in several discourses as a distinctive element of the artist within the scope of Brazilian Popular Music. In this sense, this research, situated in the area of Ethnomusicology, but with an interdisciplinary character, is based on authors such as A. Merriam, P. Bourdieu, R. Ortiz, M. Bakhtin and the already mentioned V. Turner, among others.

Orientador : Osmyr Faria Gabbi Junior / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-02T17:18:12Z (GMT). No. of bitstreams: 1 Honda_Helio_D.pdf: 16460645 bytes, checksum: 2d888de1359b6a575ed6f1c478d7913d (MD5) Previous issue date: 2002 / Resumo: Restrito aos textos de Freud produzidos entre 1886 e 1896, o trabalho tenta mostrar que nos fundamentos da metodologia fteudiana encontram-se idéias oriundas da tradição britânica, em particular as de Stuart Mill e de Hughlings Jackson. Inicia pondo em evidência o interesse de Freud pelo método dos tipos, proveniente de Charcot, e relaciona essa metodologia com a atividade de inovação nosográfica realizada por Freud, mostrando que ela era orientada pela busca do caso único (Anna O., p. ex.) e pela identificação do mecanismo psíquico típico a cada quadro de neurose. A seguir, tenta mostrar como a teoria da classificação proposta por Stuart Mill, na qual defende-se a determinação empírica da noção de tipo e sua organização pelas causas, pode servir de fundamento para a metodologia fteudiana. Discute, também, a influência exercida pelas idéias de Mill sobre a formação científica alemã e mostra como elas já estavam presentes nas obras de Meynert e Exner. A segunda parte discute o lugar ocupado pelas idéias de Jackson na psicanálise fteudiana e mostra como certas hipóteses basilares da metapsicologia podem ter sido apropriadas a partir de seus textos. Sobretudo, mostra como a prescrição de Jackson sobre a necessidade de se ter uma distribuição empírica e uma classificação científica das doenças mentais, alicerçada nas concepções de Mill, constitui a base da metodologia fteudiana; sugere-se que esse modelo de ciência e método é capaz de justificar o caráter explicativo e o estatuto científico da metapsicologia fteudiana / Abstract: Restricted to Freud's texts produced between 1886 and 1896, the work tries to show that in the foundations of the Freudian methodology there are ideas originated in the British tradition, particularly the ones of Stuart Mill and Hughlings Jackson. It begins evidencing Freud's interest for the method of the types, originated from Charcot, and it relates that methodology with the activity of nosographique innovation accomplished by Freud, showing that it was guided by the search of the case unique (Anna O., for exemple) and by the identification of the- psychical mechanism utypical to each neurosis picture. Furthermore, it tries to show how the theory of the classification proposed by Mill, in which he defends the empirical determination of the type notion and its organization by the causes, can stand as foundation for the Freudian methodology. It discusses, also, the intluence carried out by Mill's ideas about the German scientific formation and it shows how they were already present in Meynert and Exner works. The second part discusses the place taken by Jackson's ideas in the Freudian psychoanalysis and shows how certain basic hypotheses of the eta psychology might have been appropriated from his texts. Above all, it shows how the prescription of Jackson about the necessity of having an empirical distribution and a scientific classification of the mental diseases, found in Mill's conceptions, constitutes the base of the Freudian methodology; it is suggested that this model of science and method is capable of justifying the explanatory character and the scientific statute of the Freudian metapsychology / Doutorado / Doutor em Filosofia

When Peter Jackson sought to adapt J.R.R. Tolkien’s The Lord of the Rings to film, many fans worried about the changes that could be made to such a beloved story. Though the response to the films was generally positive, all three movies did have their detractors. Many of the complaints centered on his badly adapting the source material, specifically the characters. When Jackson released The Two Towers, fans were outraged further by how Jackson had handled Faramir. However, these interpretations of The Lord of the Rings and Faramir are a narrow evaluation of the larger problem facing fan and scholarly communities, that being, the devaluation of Escapism and what Tolkien calls, “escapist texts,” in today’s society. Tolkien claims that the main purpose of escapist texts is that they allow audiences to recover previous experiences that gave them feelings of happiness or joy. Despite criticism of Escapism, escapists texts don’t urge people to abandon their lives and seek something else. Rather, escapist texts encourage audiences to identify with and empathize with the characters represented in these texts, in order to return to their lives and accept responsibility for and connection with other people. When audiences see The Lord of the Rings and Faramir (whether in book form or in film form), they identify and connect with these stories and characters and seek responsibility in their own lives, which brings them, and those around them, hope.

Gemensamma operationer handlar om att integrera stridskrafter, samtidigt som försvarsgrenar innebär en uppdelning av stridskrafter i separata organisationer. Hur påverkar en försvarsmakts organisationsstruktur dess förmåga att genomföra gemensamma operationer? I uppsatsen studeras Försvarsmaktens omorganisation till försvarsgrensstaber i perioden 2018–2021 som ett fall av militär organiserad för gemensamma operationer. Henry Mintzbergs Structure in Fives och Aaron P. Jacksons The Four Aspects of Joint används för att kombinera ett organisationsteoretiskt och krigsvetenskapligt perspektiv. Organisationens struktur utläses ur offentliga dokument. Den teoretiska analysen visar att Försvarsmaktens förmåga att integrera stridskrafter i gemensamma operationer kan minska till följd av omorganisationen. Detta beror på en ökad divisionalisering (uppdelning i självständigare delar) respektive avveckling av gemensamma ledningsstrukturer. Som slutsats föreslår författaren att relationen mellan organisationsstruktur och gemensamma operationer kan beskrivas med hjälp av två sammanhängande modeller. Den ena beskriver stridskrafter med olika stark organisatorisk självständighet. Den andra ställer stridskraft som organisatoriskt indelningskriterium mot indelningar med integrerade stridskrafter. Styrkor och svagheter i val av struktur beskrivs utifrån hur väl olika interdependencies (ömsesidiga beroenden) hanteras. Författaren föreslår att gemensamma ledningsstrukturer är nödvändiga för att överkomma de inneboende motsättningar som finns i varje organisatorisk grundlösning. Efter analysen tydliggörs att den krigsvetenskapliga teorin påverkas av ett utgångsperspektiv som förutsätter existensen av självständiga försvarsgrenar. Organisationsteorins bidrag utgör enbreddning av detta perspektiv.

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This study will focus on the development of Andrew Jackson's attitude toward the American Indian and the effect of these attitudes on the shaping of official United states policy toward the Indians. Jackson was born and raised on the frontier. There his prejudices were acquired and his personality was formed. Chapter I deals with Jackson's early life as a young frontiersman, politician and Indian-fighter. His championing of the rights of the westerner, his attitudes toward the Indian and his love for the martial spirit led him into the Tennessee militia and the United States Army during the Indian wars. The military period of Jackson's life also is covered in Chapter I. Chapter II discusses the problems arising from the contact between the American colonist and the Indian as the white frontier pressed against and into Indian land. Jackson agreed with the general political justification for expansion: that the frontier must be advanced to provide security for settlements and farms. The average frontiersman would add that expansion also brought land into the hands of those who were meant to use it. Though acquisition of additional land was usually a result rather than a cause of war, few would deny that getting it by conquest was more desirable than buying it. With the cry for removal reaching a crescendo, the advocates found their champion in Andrew Jackson. He would implement the final solution to the Indian problem. Chapter III deals with the Indian removal policy and with Jackson's administration of removals, the dominant Indian feature of his presidency. The policy is described in detail, and the various attempts to justify it are considered. An important part of the removal story involves the relationship between the federal government and the states, the subject of Chapter IV. Jackson believed in the basic rights of states and had no desire to increase the power of the national government at their expense. In the controversy over Indian lands, he felt that the states had jurisdiction. This attitude the stage for this refusal to come to the aid of the Indians, in spite of treaty obligations to them. Chapter IV also covers the reaction to the removal policy by the public and by the Indians. Jackson's tendency to contradict himself is much in evidence in his Indian attitudes and policies. Chapter V attempts to show that he was a pragmatist. He was willing to do whatever was necessary to accomplish his ends, even if it meant completely reversing a principle that he had previously taken great pains to defend. In Chapter VI, conclusions are drawn on the effects of Jackson's Indian attitudes on the people of his own day and on generations that followed. Finally, an attempt is made to explain why Jackson felt and acted as he did in his relationships with the Indians. This section also deals with the charge that he was a racist and that he held the Indian in contempt as an inferior human being. Since the study is concerned primarily with Jackson's attitudes, the principal sources consulted were his letters and speeches. Published collections of Jackson's works proved especially valuable. Particularly helpful were Correspondence of Andrew Jackson, volumes I, II, and III, edited by John S. Bassett and J. F. Jameson and A Compilation of the Messages and Papers of the Presidents, volumes II and III, edited by James D. Richardson. To record the response to Jackson's Indian policies, contemporary newspapers were consulted, especially the New York Evening Post. Secondary sources were examined for detail and description rather than for analysis.

This is an ecocritically oriented study with elements of autoethnography, of Stina Jackson's book Ödesmark and Therése Söderlind's Norrlands svårmod: roman om ett försvinnande. With a focus on the portrayal of Swedish northern nature in literature the study investigates whether the Norrland view of nature has changed since Romanticism or whether the Norrland forests are still as dark, mysterious and magical as they were during Romanticism. The study also examines whether nature is described as anthropomorphic or metaphysical in these novels. Finally, the essay discusses how the "non-human" is portrayed in the books and how it is used to alienate on different levels. As a result, the study shows that there are still romantic elements in nature literature that are dark, mysterious, and magical. Nature is described slightly differently between the authors; Söderlind has a more anthropocentric approach to the environment in her book while Jackson maintains a more metaphysical perspective. Jackson's metaphysical perspective gives her characters animalistic appearance and behaviours, alienating them in society. In Söderlind's anthropocentric perspective, nature makes a backdrop for the characters' lives.

The female gothic as a genre, with its emergence in the 19th century, has a history of critiquing women’s place in the domestic sphere by showcasing the horrors of the home. When The Haunting of Hill House by Shirley Jackson was first published in 1959, it did so with both this historical genre background, as well as with a resurgence of traditional gender roles as an ideal. With the help of this context, this paper will do a queer reading of Jackson’s novel, highlighting the main character Eleanor’s queer longing for her friend Theodora. It will furthermore take into consideration Eleanor’s gender and the restrictions put on it during the time, especially concerning heteronormativity. To closer examine the relation between Eleanor and her desires, Hill House as a force will be analyzed. Although previous scholars have differing conclusions regarding Hill House, the most common one is Hill House as a patriarchal presence. However, Eleanor is also shown to be merging with Hill House during the narrative. To be able to combine these readings, as well as a queer reading, Sandra Lee Bartky’s reworking of Michel Foucault’s theories of internalization and self-surveillance will be used. This results in a queer reading of the novel where Hill House reflects Eleanor’s patriarchal internalization and acts as a self-surveilling force, disciplining her queer desires and finally resulting in her suicide. Ultimately, this essay argues that the character of Eleanor in The Haunting of Hill House has internalized patriarchal oppression and acts out disciplinary acts onto her own gender and sexuality through Hill House itself, which results in an overall textual critique of heteronormative ideals.

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