Zugl.: Wien, Univ., Diss.

Thesis--Universität München, 2007. / Includes bibliographical references (p. 467-496)

Much has been written about twelfth-century chroniclers in England, but satisfactory reasons for their approaches to historical explanation have not yet been advanced. This thesis investigates how and why historians in England retold accounts of England's eleventh-century invasions: the Danish Conquest of 1016 and the Norman Conquest of 1066. The object is to illuminate the consistent historical agendas of three historians: William of Malmesbury, Henry of Huntingdon and John of Worcester. I argue that they share a view of royal responsibility independent both of their sources (primarily the Anglo-Saxon Chronicle) and of any political agenda that placed English and Norman allegiances in opposition. Although the accounts diverge widely in the interpretation of character, all three are concerned more with the effectiveness of England's kings than with their origins. Part One outlines trends in early insular narratives and examines each of the three historians' background, prose style and view of English history to provide the necessary context for understanding how and why they rewrote narratives of kings and conquest. Part Two analyzes narratives of defending kings Æthelred and Harold; Part Three conducts a parallel analysis of conquering kings Cnut and William. These sections argue that all three writers add a significant and new degree of causal and moral responsibility to English kings in their invasion narratives. Part Four discusses the implications and significance of the thesis's findings. It argues that the historians' invasion narratives follow consistent patterns in service of their projects of redeeming the English past. It contends that modern understanding of the eleventh-century conquests of England continues to be shaped by what historians wrote years later, in the twelfth. In departing from prior modes of explanation by collective sin, the three historians' invasion narratives reflect a renaissance of ancient ideas about rule.

This thesis is a full political biography of Alice Perrers, the mistress of Edward III from the early 1360s until his death in June 1377 and mother to three of his children. It argues on the basis of the progression of her career that after the death of Edward's queen consort Philippa of Hainault in August 1369 Alice was able to extend the scope of her power and influence to the point that she became a ‘quasi' or ‘uncrowned' queen and, consequently, that her contribution to the political crisis of the 1370s can only be fully understood in terms of queenship. More generally, despite the recent increase on work on Alice, this study suggests that her life deserves a more thorough and nuanced appraisal than it has so far received. Various aspects of Alice's life are explored: her birth, family and first marriage; her early years as Edward III's mistress; the change in her status after Philippa of Hainault's death; her commercial activity as a moneylender and businesswoman; her accumulation of a landed estate and moveable goods; what happened to her in the Good Parliament; her trial in 1377; her marriage to William Wyndesore; and her life after Edward III's death. By examining Alice's career in this fashion it is shown that she took a leading role in the court party during the 1370s. Ultimately, by taking the original approach of applying ideas about queenship to a royal mistress this thesis demonstrates that Alice was perceived to have ‘inverted' or undermined the traditional role that the queen played in complementing and upholding the sovereignty and kingship of her husband, something that has implications for the wider study of not only mistresses, but also queens and queenship and even male favourites.

Made available in DSpace on 2014-06-11T19:26:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-29Bitstream added on 2014-06-13T18:54:51Z : No. of bitstreams: 1 michelette_pt_me_assis.pdf: 584904 bytes, checksum: ed3d2b656689ffdea69530d225d2e8b6 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta dissertação teve como objetivo compreender a elaboração da concepção da Realeza católica a partir das ideias políticas do bispo Isidoro de Sevilha (560-636). Prelado que viveu na passagem do século VI para o VII na Hispânia Visigoda, um período de mudanças, onde se buscava a unidade religiosa, política, legal, administrativa e de identidade deste reino. Coube a Isidoro de Sevilha traçar-lhe a doutrina. Assim analisamos as perspectivas deste prelado em relação ao reinado de Recaredo, rei que apareceu diante do III Concílio de Toledo (589) como o autor da conversão de seu povo e defensor dos interesses da única Igreja oficial do reino, bem como de seus sucessores. Contudo, apesar da conversão de Recaredo ter dado um novo caráter à Monarquia esta ainda não conseguiu consolidar totalmente o reino. Isidoro, por meio de suas obras desenvolveu um importante papel na tarefa de fortalecimento da Monarquia. Assim na maior parte de seus escritos não apenas apresentou as preocupações e anseios de um indivíduo isolado, mas os desejos e temores também do restante do corpo que, em sua maioria, compunham a Igreja hispano-visigoda e a instituição monárquica / This dissertation aimed to understands the elaboration of the conception of the Catholic Royalty starting from the bishop's Isidoro of Seville political ideas (560-636). Prelate that lived in the passage of the century VI for VII in Visigothic Hispania, a period of changes, where the religious unit, politics, was looked for legal, administrative and of identity of this kingdom. Isidoro of Seville fit to draw the doctrine. We analyzed the prospects of this prelate in relation to the reign of Recaredo, king that appeared before III Council of Toledo (589) as the author of the conversion of his people and defender of the interests of the only official Church of the kingdom, as well as of their successors. However, in spite of the conversion of Recaredo to have given a new character to the Monarchy this still didn't get to consolidate the kingdom totally. Isidoro, through their works developed an important paper in the task of invigoration of the Monarchy. Like this in most of their writings it didn't just present the concerns and an isolated individual's longings, but the desires and fears also of the remaining of the body that, in majority, composed the hispano-Visigothic Church and the monarchic institution

Warcraft är ett strategidataspel som massor av människor världen över ägnar sig åt. Sebastian Pesic (alias 4K FuRy) är en av världens bästa spelare och dataspelandet har blivit hans jobb. Dokumentärfilmen handlar om Sebastian Pesic och hans verklighet i Warcraftlaget 4Kings. Sebastian kommer att berätta om sina upplevelser och vi kommer att få se honom i action. Filmen kommer att ge en inblick i dataspelsvärlden som många inte ens vet om existerar. Ännu mindre att man kan tjäna stora pengar på att spela. Utomlands är uppmärksamheten för Warcraft större. Sebastian är mycket känd och han har fans runt om i hela världen. 4K FuRy is an alias and the man behind the name is Sebastian Pesic. He is a 19 year old young man who’s playing a strategy computer game called Warcraft. He is one of the best Warcraftplayers in the world and the computer playing has become his job. The documentary is about him and his reality in the Warcraft team 4 Kings. You will be able to follow Sebastian in his preparation for the biggest tournament of the year and you will be informed about the computergameworld that many don’t even know exists. Nor less that you can make a lot of money playing. Warcraft is well know and played of a lot of people worldwide and Sebastian has a lot of fans all around the globe. / Detta är en reflektionsdel till en digital medieproduktion.

The largest Florida manatee (Trichechus manatus latirostris) aggregation at a natural warm-water refuge occurs in Kings Bay, Crystal River, FL. Over the last 32 years, the U.S. Fish and Wildlife Service and the State of Florida have created a network of manatee protection areas within Kings Bay including a year-round refuge designation and seven Federal manatee sanctuaries during the winter manatee season (November 15 – March 31). Aerial survey data collected between 1983 and 2012 was used to examine the seasonal change in manatee distribution within Kings Bay in order to assess the effectiveness of current sanctuary sizes and locations. Regression analysis indicated a significant change in manatee abundance among the winter seasons (p < 0.05). The average winter manatee counts increased by 4.81 animals per year over the 30 year period. In contrast, no significant changes in average or peak manatee abundance was detected among the summer seasons (p = 0.71 and p = 0.45 respectively). The average manatee counts increased by only 0.109 animals per year over the summer periods. Spatially explicit models using Geographic Information System (GIS) analysis revealed a strong correlation between high manatee density and artesian springs during the winter seasons. Highest abundances were identified at three locations: King’s Spring, Three Sisters Springs, and Magnolia Springs. These three locations coincide well with pre-existing sanctuary designations, but additional coverage is needed to support the overflow of manatees outside of sanctuary boundaries. Manatees continued to use Kings Bay in the summer seasons but in lower numbers and densities. Because density patterns were not uniform across summer periods, a heavier reliance on boat speed regulation is recommended to provide adequate protection to the endangered Florida manatee. Within a habitat type, the Magnolia Springs, South Banana Island, and Three Sisters Springs sanctuaries exhibited a significant influence on manatee density, suggesting differences in quality among sanctuaries. Years coinciding with extreme cold weather events also had a significant influence on manatee density. Using GIS to investigate seasonal shifts in manatees can be very informative regarding many issues including habitat selection and may improve the design and management of protected areas.

L’art du naqqâli en Iran est basé sur une longue tradition de récits épiques portant sur des héros de la légende nationale iranienne. La principale source de ces épopées, Le Livre des rois de Ferdowsi, est un œuvre fondamentale de la culture nationale. Les conteurs professionnels «naqqâl» récitent, en les adaptant, les passages du Livre des rois pendant des heures à l’assistance dans certaines maisons de thé, plus connues sous l'appellation de cafés traditionnels. La représentation du naqqâli qui dure approximativement une heure et demi comporte trois parties d’environ une demi-heure chacune. Une session habituelle commence par une introduction poétique suivie d’une entrée en matière pour introduire l’histoire et s’achève par l’histoire proprement dite. Le début et la fin de chaque partie sont marqués par une combinaison de salavât (prière récitée en chœur) et de récitations de poèmes classiques qui ne sont pas nécessairement liés à l’histoire elle-même, mais servent en général à retenir l’attention du public pendant la représentation. Les qualités de la récitation du naqqâl reposent sur un ensemble de méthodes complémentaires permettant de donner plus de relief au spectacle : les méthodes oratoires, gestuelles et l’approche musicale. Les naqqâl utilisent les rouleaux de parchemin appelés tumâr pour préparer la représentation et s’aider pendant la récitation tout en prenant des libertés par rapport au texte dans le but de retenir l’attention de leur auditoire. Les caractéristiques formelles spécifiques de ce genre de représentation qui se rapporte à ses contraintes minimales sont : la durée fixe d’une représentation et son découpage sérialisé, l’influence plus ou moins directe de la structure du tumâr et en particulier sa division en trois niveaux d’unités structurelles : le chapitre, la partie et l’épisode. / The art of naqqâli in Iran is based on a long tradition of epics involving heroes of the Iranian National legend. The main source of these epics, Ferdowsi’s Book of the Kings, is a cornerstone of the national culture. Over long hours, professional naqqâl recite passages from the Book of the Kings to the audience in tea-houses, known as traditional cafes. The naqqâli performance lasts about one and half hours and up to three parts for about half an hour each. A session usually begins with an introduction followed by a poetic prelude to outline the story and ends with the story itself. The beginning and end of each part are salavât (prayer recited in unison) and recitations of classic poems which are not necessarily related to the history itself, but in general serve the purpose of gaining the public attention during the performance. The quality of the naqqâl’s recitation based on a set of methods to give a larger dimension to the show such as: oratory techniques, gesture and musical approach. Naqqâl use parchment scroll called tumâr prepared for the performance which help with the recitation while taking liberties with respect to the text in order to attract the attention of their audience. The formal features of this type of performance which refer to its minimal constraints are : the fixed duration of performance and its serial form, the more or less direct influence of the structure of the tumâr, particularly its division into 3 levels of structural units : chapter, instalment and episode.

M.A. / The post-apartheid period has seen growing literary interest in issues of gender and sexuality. This dissertation reads literature as a type of cultural history and engages critically with the discursive and epistemological role of fiction within a broader palimpsest of discourses, theories and nomenclatures relating to sexuality. It maps the limitations of existing epistemological hierarchies and argues for the recognition of fiction as an ephemeral and complementary archive of same-sex subjectivities. While fiction can construct and shift signifying regimes, it also engages with the complexities and nuances of individual subjectivities as well as the affective elements of narratives in interesting and important ways. Focussing particularly on K. Sello Duiker’s The Quiet Violence of Dreams (2001), Gerald Kraak’s Ice in the Lungs (2006), and Mark Behr’s Kings of the Water (2009), this dissertation examines the ways in which representations of non-heteronormative sexualities impact on post-transitional literary culture in South Africa. Transition-era texts and discourses tend to serve particular political imperatives that demand the politicisation of identities. This dissertation destabilises the existing taxonomies of sexual identities and foregrounds the fluidity of both sexual desire and individual subjectivities. Furthermore, this dissertation interrogates the signifying regimes and discursive practices with which same-sex intimacies between men are represented. In addition, it interrogates the prevailing frameworks for the study of masculinities and shows how the novels under consideration illustrate alternative ways of conceptualising gender performativity. While there are of course a multiplicity of masculinities, through a close reading of the novels I argue that the performativity of masculinities is produced by the indeterminate, though undeniable, intersections between cultural gender norms and individual agency. This dissertation’s analysis of gender representations identifies masculinities as the site for the interrogation of myriad historical and cultural discourses including those relating to the South African Defence Force, the anti-apartheid movement and post-apartheid Cape Town. Accordingly, I argue that the three post-transitional novels under consideration resist the politics of collective mobilisation and undermine ideologically-sanctioned ‘official’ histories. As both a literary and a cultural history, this dissertation engages not only with the literariness of the novels but also with how they contribute to a broader cultural history of same-sex male subjectivities in South Africa.

This is a biography of the scribe Butehamun. A member of a well-known family who had long lived in the village of Deir el-Medina working on the tombs in the Valley of Kings, Butehamun’s coming of age saw invasion and civil war in Thebes, and the end to the making of new tombs in the Valley, as the New Kingdom came to an end. Instead he was given the task by the High Priests of Amun to remove and rewrap royal mummies and rebury them in secret caches, while plundering them of their gold and other valuables for the coffers of the priestly rulers of Thebes. In many respects Butehamun was a tomb raider in the service of the High Priests of Amun. That project seems to have been successful: The mummy of every single king from the 18th through 21st Dynasties that has been identified and was found in a tomb was found in the two caches KV 35 or TT 320 (with the sole exception of Tutankhamun). Butehamun is unusually well-documented, leaving behind many letters, labels on coffins he worked with, graffiti, and highly unusual imagery on his own coffins. Two houses he lived in have been excavated, one with inscriptions about his family. This paper seeks to create a biography of Butehamun through the study of these things he left behind. One seems to reflect he may have suffered a crisis of faith, others may display instead a deep piety for Amun and pride in the royal mummy reburial project he carried out in the service of the god. / Detta är en biografi över skrivaren Butehamon. Han kom från en mycket känd familj som i många generationer verkat i byn Deir e-Medinah och arbetat med gravarna i Konungarnas dal. Han växte upp under en tid av invasion och inbördeskrig i Thebe, vilket ledde till slutet på det Nya riket och på byggandet av nya gravar i Dalen. Butehamons uppdrag från guden Amuns överstepräster blev istället att svepa om mumierna med nytt linne och avlägsna allt guld och andra värdesaker. Mumierna begravdes i nya hemliga förvaringsplatser, medan värdesakerna gick till Thebes religiösa härskare. Man kan beskriva Butehamon som en gravplundrare i tjänst hos översteprästerna. Projektet tycks ha varit en succé: Varenda kung från 18:e till och med 21:a dynastierna vars mumie har identifierats och som hittades i en grav fanns i ett av de två gömställena, KV 35 eller TT 320 (med Tutankhamon som enda undantag). Butehamon är ovanligt väldokumenterad, med många brev, etiketter på likkistor han arbetat med, graffiti samt de mycket ovanliga bilderna på hans egna likkistor. Två hus där han bodde har grävts ut, ett med inskriptioner om hans familj. Denna avhandling är en biografi över Butehamon baserad på studier av de saker han lämnade efter sig. En av dem tyder på en andlig kris, medan andra tycks avspegla en djup fromhet och tro på Amun och stolthet över det mumieprojekt han ledde i gudens tjänst.