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Denna studie är ämnad att vara en analys som utvärderar den titulära karaktären Zelda från spelserien The Legend of Zelda. Studien har fokuserat på Zeldas design i två utvalda Zelda spel och har genomförts genom att analysera vetenskapliga artiklar och texter förankrat till ämnet och problemformuleringen. Målet är att kunna förstå estetik av en karaktärsdesign från ett mer vetenskapligt perspektiv med anknytningar till kvinnlig representation i spelmedia.

John Steinbeck, known for his descriptions of the American West, maintained a fascination with the Arthurian legend throughout his life and literary career. Through comparative analysis of Cup of Gold, Tortilla Flat, and The Acts of King Arthur and His Noble Knights, we can see Steinbeck's recurring interest in the Arthurian legend which is often overlooked by scholars. Steinbeck's initial interest in strict translation which evolved into adaptation over the course of his work on The Acts shows his developing interest in Arthurian themes which he enhanced with his own creative abilities as a world-renowned author. By highlighting the gap between Steinbeck's view of America and his known Arthurian interest, we can challenge current interpretations of Steinbeck's literary corpus, and create new meaning which has been overlooked. Despite limited scholarship on The Acts, this thesis explores Steinbeck's connection to King Arthur and underscores the significance of his contribution to the Arthurian tradition.

This study was designed to identify recurring themes in Civil War legends that are told in reference to antebellum homes in regions of Southwest Virginia. Existing literature indicates that collecting these legends is an important task because doing so helps others to better understand the community of legend-tellers. Previous research has also indicated that legends form a type of American mythology with reveals the way the legend-tellers perceive the specific subject they describe in the legends. Eight historic homes were visited in six southwestern counties of Virginia. Qualitative data were collected from a purposive sample of 12 participants who lived in these houses, previously lived in an historic house, or worked in an historic house museum. Each house was chosen as a site of inquiry because it has some significance for those interested in the Civil War or because it represents typical houses in similar southwestern Virginian communities during the Civil War era. In-depth interviews were the sole means of data collection and provided detailed and unlimited legends used to identify themes. The data were collected analyzed using a multiple case study approach. The findings from this study indicate that Civil War legends are being told in reference to antebellum homes in Southwest Virginia. Additionally, the tellers of the legends have common thoughts about the Civil War. The three major conclusions made in this study are (1) northern soldiers were aggressors during the Civil War; (2) southerners were strong during the Civil War; and (3) ghosts and ghostly activity serve as reminders of the Civil War. By continuing to share these legends, the tellers indicate their own perspectives of the Civil War as well as the perspectives of those who originate the legends. The legend-tellers also provide insight into the culture of today's southwestern Virginians as well as the Civil War era southwestern Virginians. / Master of Science

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L’étude de l’image de Robespierre dans le discours politique de la Restauration à la fin du XIXe siècle met en lumière le processus de construction de la légende dorée de Robespierre, légende qui n’a jamais été étudiée de manière précise, bien qu’elle ait influencé fortement l’historiographie. Forgée à partir de 1830 par des militants appartenant à la composante radicale du parti républicain, elle présente Robespierre comme le défenseur de l’égalité politique et sociale, le théoricien du droit à l’insurrection et l’apôtre d’une religion fraternelle qui doit servir de base à un nouveau contrat social. Cette étude montre aussi que la légende noire de Robespierre est traversée par des fractures idéologiques mal discernées jusqu’ici. La légende noire conservatrice/contre-révolutionnaire née sous la Révolution fait de Robespierre à la fois un tyran et un anarchiste niveleur et impie. La légende noire libérale qui se développe sous la Restauration en fait seulement un tyran clérical. Les légendes noires communiste et anarchiste, apparues respectivement au tournant de 1840 et sous la Deuxième République, dénoncent non seulement le cléricalisme de Robespierre mais aussi son manque d’ambition sociale. A la différence de la légende noire communiste, la légende noire anarchiste reprend l’image du tyran et critique le rôle de Robespierre dans la Terreur. Enfin, la légende noire libérale-républicaine apparue à partir du milieu du XIXe siècle s’inscrit dans le prolongement de la légende noire libérale tout en étant influencée par les légendes noires communiste et anarchiste et fait de Robespierre un tyran politique et clérical dont elle souligne le peu d’intérêt pour les questions économiques. / Studying the image of Robespierre in the political discourse from the Restauration to the end of the 19th century highlights the construction process of the golden legend of Robespierre, which has never been precisely analysed, although it influenced profoundly historiography. Built from 1830 onwards by militants belonging to the radical fringe of the republican movement, it presents Robespierre as the defender of political and social equality, the theoretician of the right to insurrection and the apostle of a brotherly religion, basis of a new social contract. This study also shows that Robespierre’s dark legend is split by ideological divides which remained until now unclear. A dark legend which can be called “conservative/counter-revolutionary” appeared during the Revolution. It describes Robespierre at the same time as a tyrant and as a godless leveller anarchist. The liberal dark legend appeared under the Restoration presents Robespierre only as a clerical tyrant. The communist and anarchist dark legends, which emerged respectively at the beginning of the 1840’s and under the Second Republic, point out not only Robespierre’s clericalism but also his lack of social concerns. Unlike the communist dark legend, the anarchist dark legend reuses the image of the tyrant and denounces Robespierre’s implication in the Terror. Finally, a republican-liberal dark legend emerges in the middle of the 19th century. It is a continuation of the liberal dark legend which is also influenced by the communist and anarchist dark legends. It presents Robespierre as a political and clerical tyrant and stresses on his lack of interest in economic issues.

The legend is a permanent fixture of human societies. Though the legends themselves are permanent, their functions and meanings can fluctuate as the context in which they are told and retold shifts. As societies move through history, certain authoritative institutions create narratives that direct those societies and frame debates within them. Issues neglected by these institutions yet experienced by members of the population can be said to be unconstructed. Social problems that have achieved some level of construction inevitably provoke those who dissent from those constructions. In these situations, members of a society look for alternative means for talking about these problems. Often they turn to the contemporary legend for this purpose. This study reviews a sample of the most popular legends in the early part of 2012 to determine the ways members of American society were dealing with the unconstructed social problems of that time.

Marion Zimmer Bradley's novel The Mists of Avalon is different from the usual episodic versions of the Arthurian legend in that it has the structural unity that the label "novel" implies. The narrative is set in fifth-century Britain, a time of religious conflict between Christianity and the native religions of Britain, especially the Mother Goddess cult. Bradley pulls elements from the Arthurian legend and fits them into this context of religious struggle for influence. She draws interesting family relationships which are closely tied to Avalon, the center of Goddess worship. The author also places the major events during Arthur's reign into the religious setting. The Grail's appearance at Camelot and the subsequent events led to the end of the religious struggle, for Christianity emerged victorious.