Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-10T21:34:58Z No. of bitstreams: 1 EmiliAdamiRossetti_DISSERT.pdf: 3321045 bytes, checksum: c3d8977fc6bca2bfc8534511e4b2304d (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-17T22:07:03Z (GMT) No. of bitstreams: 1 EmiliAdamiRossetti_DISSERT.pdf: 3321045 bytes, checksum: c3d8977fc6bca2bfc8534511e4b2304d (MD5) / Made available in DSpace on 2016-03-17T22:07:03Z (GMT). No. of bitstreams: 1 EmiliAdamiRossetti_DISSERT.pdf: 3321045 bytes, checksum: c3d8977fc6bca2bfc8534511e4b2304d (MD5) Previous issue date: 2015-04-22 / A ci?ncia tem se mantido em posi??o hegem?nica entre as diversas formas de conhecimento que possibilitam perceber nosso entorno. Ap?s um movimento de introvers?o do campo cient?fico, que oportunizou o empoderamento da academia, ? crescente a discuss?o, na atualidade, sobre a necessidade de se divulgar o conhecimento da ?rea para a sociedade. Nosso estudo se prop?e a observar o discurso de divulga??o cient?fica institucional, levando em considera??o as condi??es hist?ricas que possibilitaram a emerg?ncia da ci?ncia como leg?tima observa??o da natureza e do homem, bem como a outorga de credibilidade ? m?dia. Para tanto, temos como objeto de estudo os textos de editoriais da revista Darcy, de divulga??o cient?fica e cultural da Universidade de Bras?lia. Voltamo-nos para a observa??o do discurso de compartilhamento de saber pela m?dia, abordando, para tal, os conceitos de campo, de Bourdieu, e de ?profana??o?, de Agamben, em conson?ncia com no??es da ?rea de comunica??o organizacional. Al?m deles, os conceitos de dispositivo, discurso e saber-poder empregados t?m como base os estudos da escola francesa que os associam ? necessidade de se pensar o poder como rela??o entre o discursivo e o n?odiscursivo, tendo Michel Foucault como importante expoente deste pensamento. A pesquisa, apoiada da An?lise do Discurso de escola francesa, leva-nos a perceber um processo de m?tua valida??o dos discursos cient?fico e jornal?stico, que se associam ao fortalecimento da pr?pria institui??o e do pr?prio campo cient?fico, em textos que t?m como pano de fundo o fortalecimento da imagem e da reputa??o institucionais. / Science has remained in hegemonic position among the various forms of knowledge that enable us perceive our surroundings. After a growing movement of introversion of the scientific field, which enabled the empowerment of the academy, it is growing today the discussion about the need to spread knowledge of this area to society. Our study aims to observe the discourse of institutional science communication, taking into account the historical conditions that made possible the emergence of science as legitimate observation of nature and of man and also the credibility granted to the media. Therefore, we have as our study object the editorials of the Darcy magazine, for scientific and cultural journalism of the University of Brasilia. We focused on observing the discourse of knowledge sharing by the media, using the concepts of field, from Bourdieu?s work, and Agamben?s "profanation" together with notions from the organizational communication area. Also, the concepts of dispositive, discourse and knowledge-power used are based on the studies from the French school which associate them to the need of thinking power as a relation between what is and what is not said, having Michel Foucault as an important exponent of this area. The research, which uses as a method the Discourse Analysis, shows us a process of mutual validation of the scientific and journalistic discourses, which contribute to the strengthening of the institution itself as well as the scientific field, in texts which have as a backdrop the institutional image and reputation.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-07-26T00:34:28Z No. of bitstreams: 1 FranciscoJadsonSilvaMaia_DISSERT.pdf: 949955 bytes, checksum: 67bbd168c50b00c9e456cc785d821cfa (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-08-08T19:51:58Z (GMT) No. of bitstreams: 1 FranciscoJadsonSilvaMaia_DISSERT.pdf: 949955 bytes, checksum: 67bbd168c50b00c9e456cc785d821cfa (MD5) / Made available in DSpace on 2016-08-08T19:51:58Z (GMT). No. of bitstreams: 1 FranciscoJadsonSilvaMaia_DISSERT.pdf: 949955 bytes, checksum: 67bbd168c50b00c9e456cc785d821cfa (MD5) Previous issue date: 2016-03-04 / Neste trabalho busca-se compreender as especificidades da comunica??o em rede e a l?gica de articula??o das insurg?ncias sociais no contempor?neo inferidas a partir do rizoma, conceito cunhado por F?lix Guattari e Gilles Deleuze, e da multid?o como pregam Michael Hardt e Antonio Negri. Para tanto, levanta-se os processos e as pr?ticas dos corpos pol?ticos, chegando a linhas e estrat?gias comuns de opera??o. Salvo as especificidades, ? poss?vel tra?ar uma comunica??o cont?nua e rizom?tica que percorre tanto os corpos inscritos na democracia institucionalizada, como o movimento-partido espanhol Podemos e a coaliza??o grega Syriza, quanto os coletivos aut?nomos, como o Movimento Passe Livre, que luta pelo transporte p?blico universal, gratuito e de qualidade, e as iniciativas de m?dia livre M?dia NINJA e Catarina Santos, dispostas a compreender os movimentos sociais. O aditivo constituinte deste modelo de comunica??o em rede parece ser o desejo de radicaliza??o da democracia, no vi?s de Ernesto Laclau e Chantal Mouffe, como uma luta estrat?gica e comum. Com efeito, falando especificamente da m?dia livre, s?o constru?dos a partir daqui processos que se efetivam na compreens?o do agenciamento dos corpos como pertinente ? a??o pol?tica em dire??o ao projeto de democracia radical, como na utiliza??o de softwares livres, o agenciamento comunicador-manifestante, a performance, a viv?ncia coletiva. / This paper aims to understand the specifics of the network communication and the logic of articulation of social insurgencies in contemporary inferred from the rizome concept coined by Felix Guattari and Gilles Deleuze and the multitude as preach Michael Hardt and Antonio Negri. To do so, it raises the processes and practices of political bodies, reaching lines and common strategies of operation. Unless the specifics, it is possible to draw a continuous and rizomatic communication that traverses both bodies enrolled in institutionalized democracy, as the spanish movement-party Podemos and the greek coalition Syriza, as the autonomous collectives, such as the Movimento Passe Livre, fighting for universal public, free and quality transport, and the free media initiatives Media Ninja and Catarina Santos, willing to understand the social movements. The constitutional amendment of this model of communication networking seems to be the desire to radicalization of democracy, the bias of Ernesto Laclau and Chantal Mouffe, as a strategic and common struggle. Indeed, speaking specifically of free media, they are built from here processes that take place in understanding the agency of the bodies as relevant to political action toward the radical democracy project, and the use of free softwares, the communicator-protester agency, the performance, the collective experience.

Submitted by Sara Ribeiro (sara.ribeiro@ucb.br) on 2017-06-27T13:15:18Z No. of bitstreams: 1 HyldegardesMelloDissertacaoParcial2013.pdf: 1196706 bytes, checksum: 1a31ea8c308f2c013e74893ee6e719ea (MD5) / Approved for entry into archive by Sara Ribeiro (sara.ribeiro@ucb.br) on 2017-06-27T13:16:06Z (GMT) No. of bitstreams: 1 HyldegardesMelloDissertacaoParcial2013.pdf: 1196706 bytes, checksum: 1a31ea8c308f2c013e74893ee6e719ea (MD5) / Made available in DSpace on 2017-06-27T13:16:06Z (GMT). No. of bitstreams: 1 HyldegardesMelloDissertacaoParcial2013.pdf: 1196706 bytes, checksum: 1a31ea8c308f2c013e74893ee6e719ea (MD5) Previous issue date: 2013-11-29 / The growth of digital games in the world open many possibilities of use of digital media. This work intends to analyze how digital games can collaborate on the interaction between the elderly and the communication with the world, the elderly and the elderly with other generations (born in the digital age). From the question "The digital games as a space for interaction and communication can contribute to increased quality in the communication of the elderly to society?". The research developed in this work will be created in dialogue and with multiple authors who write about games and communication, highlighting authors Huizinga (2001), Calois (1990), Branco (2011), Pinheiro (2007) Gularte (2010), Xavier (2010), besides other important authors for this work such as Campbell (2007), Mcluhan (2007), Murray (2003), Morin (2000; 2008; 2011), Teilhard de Chardin (2006) e Barbosa Filho e Castro (2008), The age will be based on the work of Beauvoir (1990) and his thoughts on the aging process. Morin (2005) is also one of the authors on the ageing in modern society, the difficulties of the elderly at a time of new valuation and consequently the devaluation which are deemed obsolete. Other authors who bring significant works in the old theme as Shirmacher (2005), Faleiros and Loure??o (2005) and Debert (2004) provide information to learn more about the subject, enabling reflection about points of analysis. The concept of Noosphere of Morin (2008) and Teilhard de Chardin (2006) the author will explain about the creation of the concept of ludosfera as a playful space, birthplace of beings of costumes, the characters of the games that inhabit the imagination of children, youth, adults and seniors. Of texts and reports of references will be deducted points over the rescue of communication and quality of life of older people who use digital games. / O crescimento dos jogos digitais no mundo abrem muitas possibilidades de utiliza????o nessa m??dia interativa. Neste trabalho pretende-se analisar como os jogos digitais podem colaborar na intera????o entre idosos e a comunica????o, dos idosos com o mundo e dos idosos com as outras gera????es (os chamados nascidos na era digital). A partir da pergunta ???Os jogos digitais como espa??o de intera????o e comunica????o podem colaborar com o aumento da qualidade na comunica????o do idoso com a sociedade????. A pesquisa desenvolvida nesse trabalho ser?? bibliogr??fica e dialogar?? com v??rios autores que escrevem sobre jogos e Comunica????o, destacando os autores Huizinga(2001), Callois (1990), Branco (2011), Pinheiro (2007) Gularte (2010),Xavier (2010), al??m de outros autores tamb??m importantes para este trabalho tais como,Campbell (2007), Mcluhan (2007), Murray (2003), Morin (2000;2008;2011),Teilhard de Chardin (2006) e ), Barbosa Filho e Castro (2008),. O envelhecer ter?? como base o trabalho de Beauvoir(1990) e seu pensamento sobre o processo do envelhecimento. Morin(2005) tamb??m ser?? um dos autores sobre o envelhecer na sociedade moderna, as dificuldades dos idosos numa ??poca de valoriza????o do novo e consequentemente desvaloriza????o do que se considera obsoleto. Outros autores que trazem trabalhos significativos no tema velhice como Shirmacher (2005), Faleiros e Loure??o (2005) e Debert (2004) fornecer??o informa????es para conhecer mais sobre o assunto, possibilitando reflex??o sobre pontos de an??lise. Do conceito de Noosfera do Morin (2008) e Teilhard de Chardin (2006) a autora explicar?? sobre a cria????o do conceito de ludosfera como um espa??o do l??dico, nascedouro dos seres das fantasias, dos personagens dos jogos que habitam o imagin??rio de crian??as, jovens, adultos e idosos. Dos textos e relatos das refer??ncias ser??o deduzidos pontos sobre o resgate da comunica????o e qualidade de vida dos idosos que utilizam jogos digitais.

Made available in DSpace on 2014-12-17T14:20:28Z (GMT). No. of bitstreams: 1 RobertoASS_TESE.pdf: 8011815 bytes, checksum: df451f78265111362b4b55a5e3616a6c (MD5) Previous issue date: 2013-07-05 / This is an ethnographic and comparative study of the Maracatus Solar (2006) and Reis de Paus (1960), whose aim was to verify what is ancient and traditional in the new maracatu practiced by the guild Solar and conversely, what is new or modern in the old maracatu ritualized by guild Reis de Paus. It is worth noting that through this case study it is also intended to ethnographically observe and better understand the processes of ruptures and continuities between modernization and tradition, and the relationship between the global and the local. The communication system, the dancing, the music, the costumes and the loas (letters) were analyzed using the technique of participant observation as well as secondary materials such as newspapers, blogs and magazines. The interviews were open, non-directive, but recorded to facilitate understanding the speech of revelers. The research has shown that all the symbolic elements of aesthetic expression of the maracatu are permeated by clashes of historical contexts and of political representation, which, in another instance, also enunciates a fight of micro-community resistance regarding the renewal process and the social development that plague modern megalopolis. It is In this interim, between modernity and tradition that today it can be spoken about the existence of hybrid identity in the maracatu regarding a context mediated by the overall above mentioned values and customs specific of the new generations. However, one can not deny that the forms of negotiations with modernity also require the establishment of a link with the specific singularity of a popular culture that is not excluded, but also should not get invaded by the idea of authenticity. Therefore, performing this study was above all an opportunity to understand also the community life in the city outskirts, understanding society, culture and everyday social relations maintained between humans that produce and make it all happen. The Solar and Reis de Paus do not join in opposition between themselves nor by their similarity. What is most striking among them is the renewal of a tradition that reinvents itself in the form of popular representation across the street parade / Trata-se de um estudo etnogr?fico e comparativo dos Maracatus Solar (2006) e Reis de Paus (1960), cujo objetivo foi verificar o que existe de antigo e tradicional no novo maracatu praticado pela agremia??o Solar e, em contrapartida, o que existe de novo ou moderno no velho maracatu ritualizado pela agremia??o Reis de Paus. Cabe ressaltar que por meio deste estudo de caso pretendeu-se tamb?m observar etnograficamente e compreender melhor os processos de rupturas e continuidades entre moderniza??o e tradi??o e a rela??o entre o global e o local. O sistema de comunica??o, a dan?a, a m?sica, as vestimentas e as loas (letras) foram analisados com o uso da t?cnica da observa??o participante e tamb?m de materiais secund?rios, como jornais, blogs e revistas. As entrevistas foram abertas, n?o diretivas, mas gravadas para facilitar a compreens?o das falas dos brincantes. A pesquisa mostrou que todos os elementos simb?licos de express?o est?tica do maracatu s?o permeados de disputas de sentido, de confrontos de contextos hist?ricos e de representa??o pol?tica, que, em outra inst?ncia, enunciam tamb?m uma luta da resist?ncia microcomunit?ria em rela??o ? renova??o e ao processo de desenvolvimento social que assolam as megal?poles modernas. ? nesse ?nterim entre modernidade e tradi??o que se pode falar hoje sobre a exist?ncia de identidade h?brida no maracatu em rela??o a um contexto mediado pelo global acima dos valores e costumes particulares das novas gera??es. Entretanto, n?o se pode negar que as formas de negocia??es com a modernidade requerem tamb?m o estabelecimento de um v?nculo com a singularidade espec?fica de uma cultura popular que n?o se exclui, mas tamb?m n?o deve se deixar invadir pela ideia de autenticidade. Portanto, realizar este estudo foi acima de tudo uma oportunidade para compreender tamb?m a vida comunit?ria na periferia da cidade, entender a sociedade, a cultura e as rela??es sociais cotidianas mantidas entre os seres humanos que produzem e fazem tudo isso acontecer. O Solar e o Reis de Paus n?o se unem pela oposi??o existente entre si nem tampouco pela similaridade. O que ? mais marcante entre ambos ? a renova??o de uma tradi??o que se reinventa em forma de representa??o popular atrav?s do desfile de rua

Made available in DSpace on 2015-04-14T14:40:42Z (GMT). No. of bitstreams: 1 400350.pdf: 2255646 bytes, checksum: 71879aa31b0407274e70e02d4fd14dca (MD5) Previous issue date: 2008-03-14 / A hip?tese que se apresenta ? de que h? uma s?ndrome do protagonista em curso na contemporaneidade, cujas estruturas de sentimento se forjam na cultura da m?dia. Nessa condi??o, encontram-se os sujeitos comuns que se al?am ? visibilidade midi?tica, atrav?s da participa??o em algum espet?culo de realidade novo g?nero que inclui o formato reality show da televis?o, mas, tamb?m, as cartas e depoimentos a se??es de leitores de jornais ou revistas, a programas de r?dio ou blogs da internet. Considera-se que a premissa hist?rica para o protagonismo o direito ? express?o do sujeito comum, hoje exacerbado em culto ? personalidade localiza-se no movimento rom?ntico e que os espet?culos de realidade s?o herdeiros da est?tica do folhetim (este mesmo uma exacerba??o emocional da proposta rom?ntica) e do fait divers, a f?rmula folhetinesca do jornalismo. Por isso, o sujeito comum, no momento em que emerge do seu lugar de receptor para tornar-se personagem midi?tica, busca seus modelos de atua??o nas personagens-tipo que ali tiveram sua origem e que se consolidaram, depois, nas r?dio e telenovelas. Apresenta-se, ent?o, uma proposta de mapeamento das personagens-tipo dos espet?culos de realidade.

Made available in DSpace on 2014-12-17T14:19:53Z (GMT). No. of bitstreams: 1 MonicaCOZ.pdf: 1511592 bytes, checksum: e2a6430e0533c708f0ef685e0f53816c (MD5) Previous issue date: 2005-08-25 / This work analises the social relationship between Television and the Family though the resignification of individuals about Television messages and the speeches that they make about Family. Firstly, the objective is to understand if the principles, values and beliefs constructed and communicated (repassed) inside the Family filter the messages from the Mass Media. Secondly, if there still exists a family culture able to forge identity against so many cultural exchanges. Thirdly, what the function of this identity in the production of senses is. In session 1 and 2, a general approach about the dissemination of Mass Media in Society and the pertinence of the work is presented. Session 3 is about the method used: a qualitative research, with thirteen families from Natal-RN, situated in the Middle Class. The theorical base is considered in the fourth session where the reference to the evolution of the Family is made, with enphasis on the Middle Class and some theories that analyze the pheomenom of the Mass Media , specially in the second half of twentieth century. In session 5 and 6, the research data is presented and analyzed. Finally, in the last session, as a conclusion it can be said that the value of the Family as emotional support is reforced by the speeches and practices that interfere in the signification procces, singular aspects, as well as the social repertoire constructed per si and by institutions (including the family) moreover, mediative message is assimilated by the receiver and becomes understood inside the learned speeches during the receiver‟s history of life, although these messsages are also components in the construction of these repertoire. / O presente trabalho analisa a rela??o social entre a TV e a Fam?lia, a partir das ressignifica??es dos indiv?duos sobre as mensagens televisivas e os discursos que eles pr?prios fazem sobre Fam?lia. A inten??o ? entender se princ?pios, valores e cren?as constru?dos e repassados dentro da Fam?lia medeiam a mensagem dos Meios de Comunica??o de Massa; se ainda existe uma cultura familiar capaz de forjar uma identidade frente a tantos interc?mbios culturais; e qual ? o papel dessa identidade enquanto media??o na produ??o de sentidos. Nas sess?es 1 e 2, procede-se a uma abordagem geral sobre a dissemina??o dos Meios de Comunica??o de Massa na Sociedade e a pertin?ncia do trabalho. A terceira sess?o trata do m?todo utilizado: uma pesquisa qualitativa com treze fam?lias oriundas de Natal/RN, situadas na faixa da Classe M?dia. A fundamenta??o te?rica est? contemplada na quarta sess?o, onde se faz refer?ncia ? evolu??o da Fam?lia, com ?nfase na de Classe M?dia, e a algumas correntes te?ricas que analisam o fen?meno da Comunica??o de Massa, especialmente a partir da segunda metade do s?culo XX. Nas sess?es 5 e 6, s?o apresentados e analisados os dados da pesquisa. Finalmente, na ?ltima sess?o, como conclus?es, pode-se afirmar: que o valor da Fam?lia como sustenta??o emocional ? refor?ado nos discursos e pr?ticas; que interferem no processo de significa??o das mensagens aspectos individuais, tanto quanto os repert?rios sociais constru?dos de per si e pelas institui??es (incluindo a Fam?lia); e que a mensagem midi?tica ? assimilada pelo receptor e faz-se compreens?vel dentro dos repert?rios apreendidos ao longo de sua hist?ria de vida, embora sejam tamb?m essas mensagens os componentes de constru??o de tais repert?rios.

Made available in DSpace on 2014-12-17T14:20:25Z (GMT). No. of bitstreams: 1 MonicaCOZ.pdf: 562873 bytes, checksum: 31b3d160576d563e19b89621de831138 (MD5) Previous issue date: 2005-11-14 / This work analises the social relationship between Television and the Family though the resignification of individuals about Television messages and the speeches that they make about Family. Firstly, the objective is to understand if the principles, values and beliefs constructed and communicated (repassed) inside the Family filter the messages from the Mass Media. Secondly, if there still exists a family culture able to forge identity against so many cultural exchanges. Thirdly, what the function of this identity in the production of senses is. In session 1 and 2, a general approach about the dissemination of Mass Media in Society and the pertinence of the work is presented. Session 3 is about the method used: a qualitative research, with thirteen families from Natal-RN, situated in the Middle Class. The theorical base is considered in the fourth session where the reference to the evolution of the Family is made, with enphasis on the Middle Class and some theories that analyze the pheomenom of the Mass Media , specially in the second half of twentieth century. In session 5 and 6, the research data is presented and analyzed. Finally, in the last session, as a conclusion it can be said that the value of the Family as emotional support is reforced by the speeches and practices that interfere in the signification procces, singular aspects, as well as the social repertoire constructed per si and by institutions (including the family) moreover, mediative message is assimilated by the receiver and becomes understood inside the learned speeches during the receiver s history of life, although these messsages are also components in the construction of these repertoire / O presente trabalho analisa a rela??o social entre a TV e a Fam?lia, a partir das ressignifica??es dos indiv?duos sobre as mensagens televisivas e os discursos que eles pr?prios fazem sobre Fam?lia. A inten??o ? entender se princ?pios, valores e cren?as constru?dos e repassados dentro da Fam?lia medeiam a mensagem dos Meios de Comunica??o de Massa; se ainda existe uma cultura familiar capaz de forjar uma identidade frente a tantos interc?mbios culturais; e qual ? o papel dessa identidade enquanto media??o na produ??o de sentidos. Na sess?es 1 e 2, procede-se a uma abordagem geral sobre a dissemina??o dos Meios de Comunica??o de Massa na Sociedade e a pertin?ncia do trabalho. A terceira sess?o trata do m?todo utilizado: uma pesquisa qualitativa com treze fam?lias oriundas de Natal/RN, situadas na faixa da Classe M?dia. A fundamenta??o te?rica est? contemplada na quarta sess?o, onde se faz refer?ncia ? evolu??o da Fam?lia, com ?nfase na de Classe M?dia, e a algumas correntes te?ricas que analisam o fen?meno da Comunica??o de Massa, especialmente a partir da segunda metade do s?culo XX. Nas sess?es 5 e 6, s?o apresentados e analisados os dados da pesquisa. Finalmente, na ?ltima sess?o, como conclus?es, pode-se afirmar: que o valor da Fam?lia como sustenta??o emocional ? refor?ado nos discursos e pr?ticas; que interferem no processo de significa??o das mensagens aspectos individuais, tanto quanto os repert?rios sociais constru?dos de per si e pelas institui??es (incluindo a Fam?lia); e que a mensagem midi?tica ? assimilada pelo receptor e faz-se compreens?vel dentro dos repert?rios apreendidos ao longo de sua hist?ria de vida, embora sejam tamb?m essas mensagens os componentes de constru??o de tais repert?rios

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-06-06T21:55:14Z No. of bitstreams: 1 CezarMacedoBarros_DISSERT.pdf: 1390389 bytes, checksum: 898df5c4903bff415e5dee54bdfdf9d4 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-06-08T23:13:39Z (GMT) No. of bitstreams: 1 CezarMacedoBarros_DISSERT.pdf: 1390389 bytes, checksum: 898df5c4903bff415e5dee54bdfdf9d4 (MD5) / Made available in DSpace on 2016-06-08T23:13:39Z (GMT). No. of bitstreams: 1 CezarMacedoBarros_DISSERT.pdf: 1390389 bytes, checksum: 898df5c4903bff415e5dee54bdfdf9d4 (MD5) Previous issue date: 2015-11-23 / Esta disserta??o tem como objetivo investigar o espa?o destinado ? radiorreportagem e as condi??es de produ??o nos radiojornais das emissoras comerciais que operam em frequ?ncia modulada (FM), na cidade de Natal-RN. Atrav?s de observa??o emp?rica preliminar, percebeu-se que este formato jornal?stico ? pouco presente na programa??o das emissoras comerciais de r?dio local, sem aprofundamento da cobertura jornal?stica. A pesquisa toma por base o conte?do veiculado em quatro radiojornais di?rios transmitidos por emissoras de perfil comercial. Levanta-se a hip?tese de que a crise pela qual atravessam as empresas jornal?sticas pode justificar a falta de investimento na reportagem radiof?nica. O estudo de caso (YIN, 2005) partiu de pesquisa bibliogr?fica, visando a constru??o de um modelo te?rico de refer?ncia sobre o formato estudado, a partir do que prop?em Prado (1989), Bespalhok (2006), Meditsch (2007), Lopes (2013) e Ferraretto (2014). A metodologia tamb?m incluiu escuta de conte?do veiculado durante uma semana nos quatro radiojornais analisados, observa??o participante e entrevistas em profundidade com profissionais que produzem os referidos programas. Verificaram-se oito ocorr?ncias com caracter?sticas similares ?s da radiorreportagem, todas veiculadas em apenas um dos programas analisados. Segundo os entrevistados, o formato ? pouco utilizado porque geraria custos altos ?s empresas, que n?o t?m condi??es de arcar com essa despesa. A pesquisa inferiu ainda que, al?m da falta de vis?o empresarial, h? acomoda??o dos profissionais que poderiam produzir radiorreportagens mesmo com a pouca estrutura dispon?vel. Por fim, esta disserta??o aponta a necessidade de se investir mais no radiojornalismo local com vistas a melhorar a qualidade das informa??es veiculadas nas emissoras comerciais de Natal-RN e na capacita??o dos estudantes de Jornalismo para utilizarem as potencialidades do r?dio com m?ximo aproveitamento. / This thesis aims to investigate the space of radio reporting and production conditions in radio newscasts in commercial stations operating in modulated frequency (FM) in the city of Natal, Rio Grande do Norte. Through preliminary empirical observation, it was observed that this journalistic style (radio reportage) is hardly present in the schedule of local commercial radio stations, with a lack of in-depth news coverage. The research is based on the content broadcast in four daily radio news programs transmitted by commercial stations. It raises the hypothesis that the crisis that cuts across journalistic companies could be justified by the lack of financial funding in in-depth news reporting. The starting point for the case study (Yin, 2005) was a bibliographical research, for building a theoretical model of reference for the studied style, based on Prado (1989), Bespalhok (2006), Meditsch (2007), Lopes (2013) and Ferraretto (2014). The methodology also included listening to content broadcast during a week in the four analyzed news programs, participant observation and interviews with professionals who produce these programs. There were eight events with similar characteristics to radio reporting, all broadcast in just one of the analyzed programs. According to the interviewees, the format is rarely used because it would generate high businesses costs, which are prohibitively high for the stations. The research also inferred that besides the lack of entrepreneurial vision, there is accommodation of the professionals who could produce news stories even with little structure available. Finally, this work points out the need to invest more on local radio journalism to improve the quality of the information provided on commercial broadcasters in Natal and the training of journalism students to use radio's potential to maximum use.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-03-14T22:38:31Z No. of bitstreams: 1 MaisaCarvalhoDeSouzaViega_DISSERT.pdf: 5614843 bytes, checksum: 78313f9131296f4f648c5f8e5c6ce96e (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-03-16T20:16:37Z (GMT) No. of bitstreams: 1 MaisaCarvalhoDeSouzaViega_DISSERT.pdf: 5614843 bytes, checksum: 78313f9131296f4f648c5f8e5c6ce96e (MD5) / Made available in DSpace on 2017-03-16T20:16:37Z (GMT). No. of bitstreams: 1 MaisaCarvalhoDeSouzaViega_DISSERT.pdf: 5614843 bytes, checksum: 78313f9131296f4f648c5f8e5c6ce96e (MD5) Previous issue date: 2016-11-10 / Este trabalho investiga filmes coletivos de fic??o contempor?neos, pertencentes a franquia cinematogr?fica Cities of Love, enquanto espa?os voltados ? recorda??o, engendramento, circula??o e silenciamentos de mem?rias urbanas. Paris, Je T?aime (2006), New York, I Love You (2009) e Rio, Eu Te Amo (2014) formam o objeto emp?rico da pesquisa. A discuss?o te?rica apoia-se na interlocu??o entre mem?ria, m?dia e cinematografia urbana. Destacam-se na condi??o de aporte te?rico, os escritos de Almeida (1999), Assmann, A. (2008; 2011), Assmann, J. (2008; 2011), Calvino (2013), Comolli (2008), Costa (2002; 2008a), Erll (2008a; 2008b; 2012), Huyssen (2000), Mongin (2009), Pollak (1992) e Schorske (2000). Quanto aos procedimentos metodol?gicos, efetua-se abordagem predominantemente qualitativa e faz-se uso conjugado das an?lises f?lmica e de conte?do, do tipo tem?tica, com base em Aumont e Marie (2013) e Bardin (2011). Dentre os objetivos alcan?ados, tem-se: a identifica??o das cidades filmadas de Paris, Nova York e Rio de Janeiro a partir da narrativa, tipos humanos, locais e acontecimentos valorizados pelas produ??es; a sinaliza??o dos discursos e imagens relativos ?s particularidades da experi?ncia humana em movimento nas Cidades do Amor; e a reflex?o sobre a forma??o de mem?rias e as opera??es de recorda??o e lembran?a concernentes ?s cidades suscitadas pelos filmes e nos filmes. Conclui-se que os longas-metragens pertencentes ? franquia cinematogr?fica Cities of Love, ao mesmo tempo que edificam cidades filmadas, tornam-se campos de disputa de mem?rias urbanas. / This work investigates collective films of contemporary fiction as spaces dedicated to remembrance, engendering, circulation and silencing of urban memories. Paris, I Love You (2006), New York, I Love You (2009) and Rio, I Love You (2014) form the empirical object of research and the franchise Cities of Love is responsible for the production of feature analyzed films. The theoretical discussion relied on dialog between memory, media and urban cinematography. Stand out in a condition of theoretical contribution, the written of Almeida (1999), Assmann, A. (2008; 2011), Assmann, J. (2008; 2011), Calvino (2013), Comolli (2008), Costa (2002; 2008a), Erll (2008a; 2008b; 2012), Huyssen (2000), Mongin (2009), Pollak (1992) and Schorske (2000). As for the methodological procedures, is predominantly approach in qualitative and it is use in conjunction of the content analysis of the type of themes and film, based on Aumont and Marie (2013) and Bardin (2011). The objectives achieved are: identification of the cities of Paris, New York and Rio de Janeiro from the narrative, human types, places and events valued by the productions; indication of discourses and images related to the particularities of the human experience in movement in the Cities of Love; and reflection about formation of memories and the operations of remembrance related to the cities by the films and in the films. In conclusion, that the films belonging to the relief cinematic Cities of Love, at the same time that build cities index become fields of dispute of urban memories.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T23:10:10Z No. of bitstreams: 1 JulianaHermenegildoDaSilva_DISSERT.pdf: 5637594 bytes, checksum: 939ecbb0ca8b5d89152fef6422f49638 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-11T23:20:26Z (GMT) No. of bitstreams: 1 JulianaHermenegildoDaSilva_DISSERT.pdf: 5637594 bytes, checksum: 939ecbb0ca8b5d89152fef6422f49638 (MD5) / Made available in DSpace on 2017-04-11T23:20:26Z (GMT). No. of bitstreams: 1 JulianaHermenegildoDaSilva_DISSERT.pdf: 5637594 bytes, checksum: 939ecbb0ca8b5d89152fef6422f49638 (MD5) Previous issue date: 2017-02-24 / Ao longo de todo o s?culo passado os meios de comunica??o avan?aram nas diferentes esferas sociais, florescendo fen?menos diversos. A inser??o das manifesta??es culturais populares no campo midi?tico traz ? tona antagonismos entre tradi??o e modernidade e a constru??o de nossas representa??es identit?rias. Neste estudo problematiza-se a rela??o da visibilidade midi?tica com nossa identidade cultural e regional. Objetiva-se, de modo geral, analisar as representa??es da cultura popular nordestina ao ser colocado como produto midi?tico, econ?mico e tur?stico. Especificamente, demonstramos as pr?ticas sociais e comunicativas que se manifestam nas quadrilhas juninas ao serem introduzidas no cen?rio televisivo. Com a utiliza??o do m?todo etnogr?fico buscamos evidenciar que tais processos s?o mecanismos para a constru??o da identidade cultural da regi?o Nordeste. Nesse sentido questionamos a apropria??o das manifesta??es populares pela m?dia, analisando como os grupos juninos se mant?m dentro de um cen?rio cada vez mais restrito ao consumo e ao espet?culo. Embasados em autores como Marques de Melo, Benjamin, Lima, Chianca e Albuquerque Junior abordamos o cen?rio das festas populares do Nordeste e suas constantes reconfigura??es nos espa?os urbanos e de m?dia. / Throughout the last century the media have advanced in different social spheres, flourishing diverse phenomena. The insertion of popular cultural manifestations in the media field brings to the fore antagonisms between tradition and modernity and the construction of our identity representations. In this study the relationship of media visibility with our cultural and regional identity is problematized. In general, the objective is to analyze the representations of the popular culture of the Northeast when it is placed as a media, economic and tourist product. Specifically, we demonstrate the social and communicative practices that are manifested in the Juninas gangs when they are introduced to the television scene. With the use of the ethnographic method we seek to show that these processes are mechanisms for the construction of the cultural identity of the Northeast region. In this sense, we question the appropriation of the popular manifestations by the media, analyzing how the Junino groups remain within a scenario increasingly restricted to consumption and spectacle. Based on authors such as Marques de Melo, Benjamin, Lima, Chianca and Albuquerque Junior, we approach the scene of popular festivals in the Northeast and their constant reconfigurations in urban and media spaces.