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Komediant och riksförrädare handskriftcirkulerade smädeskrifter mot Gustaf III /Mattsson, Annie, January 2010 (has links)
Diss. Uppsala : Uppsala universitet, 2010.
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Stilanalys av fyra pamfletter, och fyra kungliga påbud, från den senare delen av tryckfrihetstiden (1770–1772)Bergström, Dan January 2015 (has links)
I detta arbete kommer fyra pamfletter, och fyra kungliga påbud, från den senare delen av Sveriges tryckfrihetstid (1770–1772), att analyseras stilistiskt. Arbetet fokuserar på att ställa pamfletter och kungliga påbud mot varandra, för att genom stilistisk analys undersöka om det finns stildrag som, trots de båda texttypernas olikheter, ändå förenar dem. Arbetet tar även kortfattat upp den inverkan som tidens censur, social tillhörighet, och stilmönster hade på pamflettförfattarna. Analysen visar på att pamfletterna har en ledigare stil än de kungliga påbuden, men att de trots det ändå uppvisar stildrag som i hög grad är förknippade med myndighetstexter. En möjlig bidragande orsak till detta kan vara att pamflettförfattarna utövade sina färdigheter som skribenter redan innan tryckfrihetstiden inleddes, och att det kanske inte var helt lätt att släppa tankarna på den föregående tidens hårda publiceringsregler.
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Komediant och riksförrädare : Handskriftcirkulerade smädeskrifter mot Gustaf IIIMattsson, Annie January 2010 (has links)
The opposition against Gustavus III (1746–1792) had limited access to the printing press, but managed to spread a variety of political pamphlets through clandestine manuscripts. The main purpose of the dissertation is to analyse this communication and thereby enhance our understanding of the political culture of the period. The manuscript published oppositional works against Gustavus III have hitherto been little explored. With source material consisting of 120 manuscript libels, this study makes use of three interrelated methodological perspectives: media analysis, rhetorical analysis and analysis of ideas. The combination of media studies and classical rhetoric is inspired by the works of Peter Burke. Questions of production, distribution and consumption frame the discussions. The libels – published anonymously for fear of persecution – were spread through what Harold Love calls “user publication”. This means that many readers contributed to their distribution and through the act of copying also functioned as co-authors. The majority of the libels originated among the estate of the nobility and their political allies. The authors were often accomplished writers, skilfully using a variety of rhetorical strategies to interest and entertain their readers. When viewed in an international context, the Swedish material is revealed as relatively conservative. The arguments in the Swedish works were generally founded on established and traditional values and ideas, and treated Monarchy and Lutheran Christianity as given institutions which stood unquestioned. In comparison to French libels against royalty, Swedes were also more reluctant to use sexual slander. One explanation for this conservatism is that the authors were aiming for a wide audience, and therefore strove to ground their arguments in common values. Another explanation can be found in the fact that many of the works originated within the noble classes: a privileged group which had much to gain from the preservation of traditional social structures.
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Batikhäxan – ett kvinnligt supermonster : En kritisk diskursanalys av tre politiska pamfletter / The Tie-Dye Witch – a female super monster : A critical discourse analysis of three political pamphletsLahti Davidsson, Elisabeth January 2019 (has links)
This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars " by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, islamophobic, xenophobic, nationalist and apocalyptic discourses.
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