Fondée sur la polysémie du terme latin uates, notre thèse se propose d’étudier les rapports entre poésie et prophétie dans la Pharsale de Lucain. Depuis l’Antiquité, le prophète est à la fois celui qui annonce l’avenir et celui qui parle au nom d’un tiers, souvent d’un dieu. D’abord, nous proposons une typologie des figures de prophètes dans la Pharsale en les comparant avec les prophètes de la tradition littéraire, en particulier issue de l’épopée et de la tragédie. Trois types de prophètes apparaissent chez Lucain : les prophètes omniscients, les prophètes utilisant une discipline divinatoire (astrologie, haruspicine, enthousiasme…) et les prophètes doués d’une inspiration infernale. Ensuite, la parole prophétique des personnages est comparée à celle, oraculaire, du narrateur épique. Nous proposons une étude des prolepses narratives de l’épopée en lien avec l’histoire de Rome, et en particulier avec l’histoire des guerres civiles. Ainsi, Lucain construit une vision cyclique de l’histoire. Après avoir défini la matière prophétique dans la parole du narrateur, nous analysons son style prophétique du point du vue narratologique et stylistique. Enfin, nous passons d’une poétique à une métapoétique de la prophétie chez Lucain. En effet, les personnages de prophètes constituent des mandataires du poète dont ils sont les porte-voix, au sens étymologique de prophète. Les prophètes lucaniens sont donc chargés de délivrer un Art poétique, conformément à la vision du monde de l’auteur. Cette dernière se traduit par une esthétique de la rupture qui s’applique au macrocosme céleste, au microcosme organique et à l’hexamètre épique. / Starting from the double meaning of the latin word uates, this study aims to define the links between poetry and prophecy in Lucan’s Pharsalia. Since Antiquity indeed, the prophet has been both a soothsayer and a person speaking for somebody else, especially for a god. First, we build a typology of the prophetic figures in the Pharsalia and we compare them with literary characters from epic and tragedy. Lucan conjures three kinds of prophets : omniscient ones, prophets who use divinatory technics (e.g. astrology, haruspicy, enthusiasm) and those whose inspiration comes from the Underworld. We then look at the prophetic speeches delivered by the characters against the oracular voice of the epic narrator. We study narrative prolepses of the epic that anticipate Roman history (especially the history of the Civil Wars), and through which Lucan offers a cyclical vision of history. After defining the prophetic matter of the narrative voice, we analyse Lucan’s prophetic manner from a narratological and a stylistic perspective. Lastly, we switch from a poetic definition of prophetic voices in the Pharsalia to a metapoetic study. The prophet characters indeed serve as surrogates of the poet and literally utter his voice, thus referring to the etymology of the word. The role of Lucan’s prophets is therefore to formulate an Ars poetica, in accordance with the poet’s Weltanschauung – a vision articulated by an aesthetics of disruption which encapsulates the celestial macrocosm, the organic microcosm and the epic hexameter.

This research project explores and describes how names and embedded meanings might be utilized as a therapeutic technique in order to mediate social adjustment and interpersonal efficiency. The subjective feeling of success that a person experiences in different areas of life is closely related to the quality of interpersonal relationships that underlie satisfactory interaction with other people. It is the researcher’s opinion that a person’s name almost equals a personal life prophecy and that any name could be a means to mould the client’s life script onto more favourable pathways, because the embedded meaning of a name might contribute to the client’s level of self-knowledge which is necessary for healthy, meaningful relations with others. With the rationale of this research study in mind, the research problem was formulated as follows: How can names and embedded meanings be utilized as a therapeutic technique to mediate social adjustment and interpersonal efficiency? Critical questions that emerged were: What are the underlying psychological constructs that guide the use of names and embedded meanings as a therapeutic technique? How can embedded meanings of names contribute to the different components inherent to sound social adjustment and interpersonal efficiency? Can names and embedded meanings be successfully utilized as a therapeutic technique to enhance social adjustment and interpersonal efficiency? A mixed method approach of qualitative as well as quantitative research was used for the purpose of this study, and interpretivism was the preferred epistemology. A non-experimental mode of inquiry was implemented at the hand of a single case study. Multiple data gathering methods were employed, which included: a well observed intake interview, a pre- and post-test at hand of the Interpersonal Relations Questionnaire, research participant-reflection during a structured interview with a number of stimulus-questions and informal observations and conversations. As enhanced social adjustment, interpersonal efficiency and growth in certain areas were obtained by means of using names and their embedded meanings as a therapeutic technique, the hypothesis of this study could be accepted and supported. / Dissertation (MEd (Educational Psychology))--University of Pretoria, 2007. / Educational Psychology / MEd / unrestricted

This thesis deals with the person of rabbi Avraham Abulafia with intention express his unique mystical system with respect to events of his life and his personal experiences which he had during his journeys. The first chapter follows the various mystical and philosophical systems and strives for introducing some major Jewish movements and personalities which may have been sources of Abulafia's conceptions and methods. Also it provides the information about the eschatological and millennial conceptions of that time, that may have been known to this scholar and affect him as well. The second chapter follows the life journey of Abulafia and tries to show the most important events of his life. It intends to provide the information about works which he had written as well as about his social contacts (his teachers and his pupils). The third chapter provides the information about his successors and tries to describe the various form of perception of his works, as well as it provides some interesting remarks about their censorship. There is also an intention to state the transformation of reception of his authority in last decades whether it is by contemporary kabbalists or artists. The last chapter is the apex of this work. It is focused on the description and interpretation of major conceptions of...

Nel teatro shakespeariano è molto spesso presente un uso del tempo affatto moderno e connesso con le nuove tecnologie, se si considera come moderna la presenza massiccia nel canone di una temporalità realistica e cadenzata dal movimento delle lancette dell’orologio, vero oggetto rivoluzionario del nuovo modello temporale. Tra i tanti strumenti che Shakespeare impiega per la manipolazione dell’elemento temporale a livello di drammaturgia, uno è sembrato particolarmente innovativo e rilevante: la scadenza. Si è pensato che la presenza di questo elemento in circa un quarto della produzione shakespeariana potesse rappresentare, anche solo dal punto di vista quantitativo, un dato interessante e meritevole di esame approfondito. Si è infatti ritenuto che l’imposizione di un limite di tempo preciso e scandito dall'orologio all’interno del dramma testimoni non soltanto la sussistenza di un nuovo approccio alla temporalità, ma anche la familiarità del pubblico con un nuovo modo di pensare il tempo. Si è considerato inoltre che il legame tra la scadenza e una nuova concezione del tempo potesse risultare con maggiore evidenza mettendola a confronto con un altro elemento, rappresentativo invece di un pensiero più tradizionale: la profezia. Nella profezia si è infatti voluto vedere una sorta di antecedente della scadenza stessa, a causa di alcuni aspetti formali che le accomunano; allo stesso tempo, tuttavia, ci si è concentrati sull’aspetto che le differenzia, operante proprio sul piano temporale e tale da renderle emblematiche di due tradizioni culturali e teatrali vicine ma fondamentalmente differenti. / Shakespearian theatre often presents a use of time which is undeniably modern and connected to new technologies, if we consider as modern the presence, in the Canon, of a realistic kind of temporality, marked by the rhythm of the clock, the revolutionary object that characterizes the new temporal model. Among the techniques that Shakespeare uses to manipulate the temporal element on a dramaturgical level, one seemed to be particularly innovative and relevant: deadline. The presence of this element in about one fourth of Shakespearean production could represent, if only from a quantitative perspective, an interesting fact, worthy of in-depth analysis. The imposition of a precise time limit, marked by the clock, was thought to be a testimony both of a new approach to temporality, and of the audience's familiarity with a new way to conceive time. The connection between deadline and a new conception of time was thought to better emerge by comparing it to another element, more representative of a traditional way of thinking: prophecy. Prophecy was considered as a sort of precedent for deadline, because of some formal aspects that they have in common; at the same time, however, the work focused on their differences, that occur on the temporal level, so much so that they almost become symbols of two cultural and theatrical traditions that are close, but fundamentally different.

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The central theme of this study involves an ethical examination of the issues of justice and poverty in the Democratic Republic of Congo (DRC). Chapter one deals with the methodology of the research. It also provides an overview of the DRC. Chapter two shows that justice occupies a special place in society. It represents a fundamental aspect of human beings that illustrates one’s humanity. In the biblical perspective, justice is considered as a chief attribute of God. Chapter three discusses the phenomenon of poverty in the world, particularly in developing nations where people are unable to meet their basic needs. The chapter explores different causes of poverty on the African continent, as well as the crisis of underdevelopment, which to some extent is attributed to the exploitation of African nations by the Western powers. In chapter four, the researcher deals with the situation of poverty in the DRC. It is argued that regardless of its apparent wealth, the DRC remains one of the poorest countries in the world. The chapter explores the period of economic growth in the DRC, as well as its economic decline. Certain reasons for this economic decline are evoked, of which the most important are the economic policies of Zairianisation and radicalisation In chapter five, research steers toward the role that the Church could play in the areas of justice and poverty in the DRC. The Church is challenged to promote justice and the struggle against poverty in all its forms. It is also challenged to fully play its prophetic role. Chapter six explores poverty in relation to theological reflections. Poverty is considered as being evil. The responsibility of theologians and Christians in general is to promote a fair and just society in which the poor will be empowered in such a manner that they can contribute to the development of their community. In chapter seven, the researcher makes some recommendations to both Church and government and concludes that patriotism, justice, moral values and commitments to African solidarity are pillars on which Congolese citizens should build their nation. / Theological Ethics / D.Th. (Theological Ethics)

The main goal of this study is to demonstrate the role of the Holy Spirit in building up Church unity, based on the exegesis of I Corinthians. The current theme is urgent; however, little attention has been paid to it in research literature. We have noted that it is not human wisdom but the Holy Spirit who is the key to our faith, salvation, and understanding of divine mysteries. The Holy Spirit along with Christ brings forward the building of the Church and guides it. One Spirit is the foundation for Church unity. The Holy Spirit administers spiritual gifts according to His will and establishes their orderly operation. Seeking the guidance of the Spirit, trusting and obeying Him brings unity, whereas following different authorities, mistrusting and disobeying Him results in disunity. / Biblical and Ancient Studies / M. Th. (New Testament)

Text in Afrikaans / Die Baha'i-geloof is 'n nuwe onafhanklike wereldreligie en is redelik onbekend onder die bree Suid-Afrikaanse publiek. Hierdie kwalitatiewe studie (gebaseer op die fenomenologiese metode) het ten doel om die Baha'i-fenomeen op 'n nie-veroordelende wyse sander vooroordele te beskryf en om die Baha'is se eie Suid-Afrikaanse ervaring te registreer. Dit geskied eerstens deur 'n bespreking van die Baha'ise historiese gebeure (deel 1). Op hierdie wyse word die geloof in sy religieuse familiegroepering geplaas. Terselfdertyd verklaar hierdie deel die ontstaan en ontwikkeling van die Baha'i-geloof wereldwyd en in Suid-Afrika. Dit herdefinieer die verbondsgedagte en toon hoe Baha'is die eenheidsgedagte en die uitlewing van Baha 'u' llah se boodskap via die skepping van 'n Administratiewe orde vormgee. Sentrale Baha'i-konsepte (deel 2) aangaande die geestelike dimensie van die geloof word hierna aangestip. Dit word uitgebou met ongestruktureerde onderhoude met versigtig gekose deelnemers, waarin Baha'is dus self hul geloof in terme van die Baha'i-administrasie, wette, byeenkomste en bepalings, Godsbegrip en eskatologie sowel as hul antropologie en geskiedenis uitspel. Dit word ooreenkomstig die sentrale temas bespreek sodat 'n Baha'i-geheelbeeld gekonseptualiseer kan word. Dit word afgesluit met 'n bespreking van die Baha'i-wereldstaat as die vervulling van die profesie van die nuwe hemel en aarde. Verskeie gevolgtrekkings word uit hierdie data gemaak. Dit toon hoe die Baha'is Baha'u'llah se boodskap as sleutel gebruik sodat die moderne mens na die vestiging van 'n nuwe wereldkultuur gelei word. Hierdie strewe bekragtig die Baha'i-strategie en motto van eenheid in die verskeidenheid, en word as die oplossing vir die hedendaagse probleme van die moderne mens aangebied. Daar word dan met die Suid-Afrikaanse Baha'i-toekomsbeskouing afgesluit. / The Baha'i Faith is a new independent world religion and is vastly unknown to the South African public. The purpose of this qualitative research (based on the phenomenological method) is to describe the Baha'i phenomenon in an unbiased, non-judgemental way so that the own South African Baha'i experience is registered. The Baha'i history (part 1) is discussed first in order to place this faith in its own religious framework and to explain its origin and development worldwide as well as in South Africa. It establishes the message of the Covenant and shows how Baha'is are proclaming the unity idea and the message of Baha'u'llah via the establishment of the Administrative order. Central Baha'i concepts (part 2) concerning the spiritual dimension of the Baha'i faith are explored. It is expanded via unstructured interviews with carefully selected participants in order to let Baha'is explain their own administration, laws and regulations, concepts about God and their escatology as well as their anthropology and history. This is done in accordance to the central themes so that a total picture of Baha'i could be conceptualised. It ends with a discussion of the Baha'i worldstate as the fulfillment of the new heaven and earth prophecy. Different conclusions are made from these data. It shows how the Baha'is are using Baha'u'llah's message as the key in order to lead man to the establishment of a new modern world culture. This culture will be the fulfillment of the Baha'i strategy and motto of unity in diversity and serves as the Baha'i answer to the modern day problems. The thesis ends with the South African expectations of the future / Religious Studies and Arabic / D.Th. (Religious Studies)

This thesis investigates whether beliefs acquired by way of prophecy are safe. By ‘prophecy’ I have in mind the presentation of the prophetic method as found in the Guide of the Perplexed, which was Moses Maimonides’ philosophical masterpiece. And by ‘safe’ I have in mind the work by Timothy Williamson on the safety condition for knowledge. Both authors have proven to be dominant forces on these respective topics. The significance of this investigation derives from the centrality of prophecy to the three monotheistic religions. My main goal in this thesis is to identify those safety risks associated with the prophetic method. In this manner I aim to undermine any presumption in favor of prophetic beliefs as a whole being safe. Importantly, this general conclusion does not entail of a specific prophetic belief p that p is unsafe. Additionally, the scope of these results is restricted to the model of prophecy found in the Guide. The thesis begins with a critical elucidation of Williamson’s extensive work on the safety condition for knowledge. Particular attention is paid to those issues related to method individuation and Williamson’s cumulative conception of bases. Matters concerning these two topics inform the reading of Maimonides on prophecy found in the second chapter. In particular, I argue that Maimonides should be read as defending a cumulative conception of prophecy. As I emphasize several times during the chapter, the epistemology of prophecy cannot be reduced to the epistemology of testimony since prophecy for Maimonides does not involve the transfer of a proposition from God to the prophet. The third chapter is devoted to identifying those elements of the prophetic method that involve room for error. I argue that while all belief-forming methods in a fallibilist epistemology contain room for error, some are riskier than others. Prophecy should be considered one of the riskier sort. The fourth and final chapter shifts attention to non-standard semantics for ‘knows,’ David Lewis’s in particular. I argue that the interaction between such semantics and the laws governing prophecy in Jewish law is problematic. In particular, I demonstrate that such semantics destabilize the prophetic phenomenon. As such, we must either choose invariantism and gain stability, or choose non-standard semantics for ‘knows’ and live with this lack of stability.

Thesis (DTh (Old and New Testament))--University of Stellenbosch, 2009. / The Balaam narratives of Numbers 22-24 have long proven to be a source of fascination for readers of the Old Testament. The narratives present Balaam as a faithful ‘word-of-Yahweh’ prophet. However, the Tale of the Donkey (22:22-35) portrays him as an ‘unseeing’ prophet intent on personal gain. How does one explain the conflicting views of Balaam within the narratives of Numbers 22-24? Socio-rhetorical criticism was employed as a methodology to examine the development of these conflicting views of Balaam. An analysis of the Inner Texture revealed that the repeated themes 'seeing’, ‘blessing’, and ‘cursing’ are central to the narratives, and serve to connect Balaam with the paradigmatic prophet Moses of Exodus 3 and Deuteronomy 18. The study of the narratives’ Intertexture revealed numerous inner-biblical allusions, and considered the possible relevance of the Deir ‘Alla texts to the narratives. The Social-cultural and Ideological textures of the narratives suggest that a process of prophetic redefinition took place during either the late pre-exilic or exilic periods, which resulted in the exclusion of divination from Israel’s prophetic tradition. Prophets entered into an alliance with the priests in order to centralise religious authority and place the focus of ‘prophecy’ on the exposition and application of Torah. A consideration of the theological texture of the narratives suggested that this process of prophetic redefinition continued into the early post-exilic period, and ultimately led to a re-evaluation of Balaam. Wide-spread xenophobia within early Yehud contributed to Balaam’s final demise, as later reception history within the Old Testament portrays Balaam as responsible for inciting Israel’s apostasy in Numbers 25. The Tale of the Donkey is integrated into the narratives of Numbers 22-24 by priestly writers in order to distance Balaam from Israel’s prophetic tradition. The result is a dynamic theological synthesis that recalls both an earlier period in which divination was accepted as part of Israel’s prophetic tradition, and a new perspective focused on the exposition and application of Torah. The Balaam narratives of Numbers 22-24 serve as the theological ‘hinge’ or ‘fulcrum’ of the book of Numbers, recalling both the old generation of rebellion, and the new generation of hope that will re-enter the land of promise. The Balaam narratives of Numbers 22-24 serve to powerfully proclaim that Yahweh’s purpose to bless his people will not be thwarted by the intrigues of Israel’s enemies, or Israel’s past disobedience.