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41	Romantic, do-it-yourself, and sexually subversive : an analysis of resistance in a Hawaiʻi local punk rock scene Takasugi, Fumiko January 2004 (has links) Thesis (Ph. D.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaves 256-265). / Also available by subscription via World Wide Web / xii, 265 leaves, bound ill. 29 cm Counterculture -- Hawaii Indie culture -- Hawaii Music and youth -- Hawaii Punk culture -- Hawaii
42	Tester: A Story of Class, Academia, Punk Rock, and Generation X Maxson, Brian 01 January 2013 (has links) Written under the name "Malcolm Franklin", this article offers an account of my journey from first-generation college graduate from the rural midwest to college professor. I wrote it as a pedagogical text to give my undergraduates and graduate history students at ETSU a better sense of the challenges that face them if they choose to pursue an academic career path. Tester class academia punk rock generation X History Curriculum and Social Inquiry Education Educational Leadership Higher Education Higher Education and Teaching
43	A Blacker and Browner Shade of Pale: Reconstructing Punk Rock History / Schwarze und braune Nuancen im Weiß: eine Rekonstruktion der Geschichte des Punkrocks Pietschmann, Franziska 20 December 2010 (has links) (PDF) Embedded in the transatlantic history of rock ‘n’ roll, punk rock has not only been regarded as a watershed moment in terms of music, aesthetics and music-related cultural practices, it has also been perceived as a subversive white cultural phenomenon. A Blacker and Browner Shade of Pale challenges this widespread and shortsighted assumption. People of color, particularly black Americans and Britons, and Latina/os have pro-actively contributed to punk’s evolution and shaped punk music culture in the United States and England. Examining why people of color are not linked to the punk rock genre and culture in normative discourse, this paper first scrutinizes the continuously unaddressed racialization of Anglo-American popular music itself and explores how the historical development and discursive construction of racial boundaries impacted the historiography of Anglo-American popular music. Building on these premises, the second central field of inquiry probes how the music press, aided and abetted by academic texts, constructs punk as a white music mono-culture that such discourse historicizes, analyzes, and maintains. Both popular (journalistic) and academic publications have largely ignored or underrepresented the presence of people of color, especially black (American) as well as Latina/o participants, in punk rock culture. The thesis’ third major focus imagines punk as a fluid social and musical convergence culture that continuously crosses unstable boundaries of genres, races, and genders. A Blacker and Browner Shade of Pale thus indicates an emerging awareness of how popular and academic discourse can become more sensitive to punk's multiracial, inclusive, and participatory mores. Punk Rock Populäre Musik Afroamerikaner Lateinamerikaner USA England Historiographie Subkultur Musikjournalismus Multikulturalismus Geschichte Rassismus punk rock popular music African Americans Latina Latino USA England historiography subcultures music journalism multiculturalism history racism ddc:780 rvk:LS 48900 Punk Rock Geschichte
44	Rock ‘n’ Roll Took Me There: Its Effects Upon Individual and Communal Religious Experience Wood, Matthew 14 November 2013 (has links) From the claims of punk rocker GG Allin aiming to shed his own blood for Rock ‘n’ Roll to the religiously tinted narratives of Bruce Springsteen we come to find artists using religious references to color their artistic medium. A question arises: Could these utterances and narratives show a deeper meaning behind Rock ‘n’ Roll such that it can give individuals a way to obtain religious experience? This thesis aims at arguing for the ability of Rock ‘n’ Roll as having a way to incite feelings of religious experience and communitas. Through the usage of auto-ethnography coupled with subsidiary sources from academic to pop culture writers this thesis will investigate if such a creative form helps to enable individuals to experience transcendence and feelings of community while immersed in Rock ‘n’ Roll. Music Culture Religion Anthropology Sociology Auto-Ethnography Memoir Thesis Awesome Turner Peak Experience Absorption Theory Communitas punk rock Indie Ernest Becker Bruce Springsteen GG Allin Religious Experience Rock 'n' Roll Rock n Roll Csordas Brahinsky Luhrmann
45	Rock ‘n’ Roll Took Me There: Its Effects Upon Individual and Communal Religious Experience Wood, Matthew January 2013 (has links) From the claims of punk rocker GG Allin aiming to shed his own blood for Rock ‘n’ Roll to the religiously tinted narratives of Bruce Springsteen we come to find artists using religious references to color their artistic medium. A question arises: Could these utterances and narratives show a deeper meaning behind Rock ‘n’ Roll such that it can give individuals a way to obtain religious experience? This thesis aims at arguing for the ability of Rock ‘n’ Roll as having a way to incite feelings of religious experience and communitas. Through the usage of auto-ethnography coupled with subsidiary sources from academic to pop culture writers this thesis will investigate if such a creative form helps to enable individuals to experience transcendence and feelings of community while immersed in Rock ‘n’ Roll. Music Culture Religion Anthropology Sociology Auto-Ethnography Memoir Thesis Awesome Turner Peak Experience Absorption Theory Communitas punk rock Indie Ernest Becker Bruce Springsteen GG Allin Religious Experience Rock 'n' Roll Rock n Roll Csordas Brahinsky Luhrmann
46	Mapeando la cultura Kruda: Hip-Hop, Punk Rock y performances queer latino contemporáneo Dowman, Sarah 26 July 2013 (has links) No description available. Caribbean Studies Gender Gender Studies Hispanic American Studies Hispanic Americans Latin American Studies Music Performing Arts popular culture gender sexuality race identity music punk rock hip-hop performance transnational US Latino Cuba cultura Kruda graphic novel
47	Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid Nell, Wendy Desre 02 1900 (has links) Text in Afrikaans / Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is. / The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians. / Afrikaans & Theory of Literature / M.A. (Afrikaans) Song texts Cultural identity Lyric analysis Afrikaans music industry Karen Zoid Bok van Blerk Fokofpolisiekar Buckfever Underground Youth Socio-political factors Artists Contemporary musicians 782.421640268 Afrikaners -- South Africa -- Music Social change -- South Africa Afrikaners -- South Africa -- Music
48	Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid Nell, Wendy Desre 02 1900 (has links) Text in Afrikaans / Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is. / The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians. / Afrikaans and Theory of Literature / M.A. (Afrikaans) Song texts Cultural identity Lyric analysis Afrikaans music industry Karen Zoid Bok van Blerk Fokofpolisiekar Buckfever Underground Youth Socio-political factors Artists Contemporary musicians 782.421640268 Afrikaners -- South Africa -- Music Social change -- South Africa Afrikaners -- South Africa -- Music
49	Role žen v historii českého punku / Women's Role in the History of Czech Punk Římanová, Jana January 2015 (has links) Diplomová práce zkoumá roli žen v historii českého punku. V úvodní části práce je popsána historie a vývoj punku ve světě. V této části jsou vysvětleny významy pojmu punk jako subkultura (v terminologii pozdějších výzkumů scéna) a punk jako hudební žánr. Popsána jsou specifika ženské punkové módy a stylu. Jsou uvedeny role, ve kterých se ženy v punkové scéně realizují a typické ženské role v hudebních skupinách. Součástí teoretické části práce je stručný popis historie punku na území České republiky a zapojení žen v české punkové scéně. Jako jeden z hlavních zdrojů při vypracování diplomové práce byly využity rozhovory vedené metodou odvozenou od metodologie orální historie. Dílčím cílem práce bylo ověření použitelnosti analytického programu Atlas.ti pro analýzu orálně-historických interview. Tento software byl využit pro analýzu výzkumných rozhovorů. Druhá polovina práce se zabývá interpretací témat obsažených v rozhovorech. Věnuje se specifickým oblastem života v souvislosti s punkovou subkulturou jako jsou důvody, které přivedly ženy k punku, role přátel a vztahů, setkání punkového myšlení s autoritou v podobě rodičů a školy. Dále se práce zabývá transformací punkových názorů v dospělosti ve vztahu k zaměstnání a vlastní rodině. Poslední část interpretace se věnuje ženským rolím, které byly v...
50	Anti-colonial Resistance and Indigenous Identity in North American Heavy Metal Thibodeau, Anthony 10 April 2014 (has links) No description available. American Studies Music Native American Studies Native Americans Hispanic American Studies Cultural Anthropology Popular Music Popular Culture Native American studies Indigenous Studies Post-colonial Studies Metal Studies heavy metal punk rock Mexica Movement resistance indigenous identity American Indian Chicano Studies Gathering of Nations Powwow

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