Thesis (Ph.D.), Memorial University of Newfoundland, 1999. / Bibliography: p. 314-330.

No description available.

Cette thèse a pour objectif d'analyser le concept de « cercle fermé » en tantqu'organisation communautaire dans l’oeuvre d'Elizabeth Gaskell, et de démontrerque la fermeture de groupes sociaux restreints ou sélectifs représente à la fois unprocessus et un espace social de rejet et d'accueil. Ce paradoxe sera développéselon la conception du cercle fermé telle qu'elle se dégage des romans de Gaskell, à savoir une zone de refuge, car difficile d'accès pour l'Autre. Cette approche permettra d'envisager la construction identitaire des différentes communautés isolées et méfiantes, telles que Cranford, ou sélectives, telles que les industriels de Manchester représentés dans Mary Barton ou North and South, en analysant le recours à l'exclusion comme tentative de préservation du groupe, ainsi que dans son rôle politique. En effet, l’œuvre de Gaskell manifeste ce double aspect de la fermeture communautaire, à savoir, d'une part, le conformisme aux divisions sociales établies, et, d'autre part, l'établissement de sociétés alternatives en microcosme. On s'attachera à comprendre le rapport parfois conflictuel entre le cercle fermé et ses membres, tout en envisageant ce cercle comme un espace privilégié de rencontre et de communication. / The purpose of this dissertation is to analyse the concept of the « closed circle » as a community system in the works of Elizabeth Gaskell, and to show that the closing of social groups to the outside world, either by restriction or selection, represents both a process and a social space of rejection and reception. The paradox of this representation will be developed according to the concept of the closed circle as is described in Gaskell's novels, namely, a safe haven which is dependent on its own inaccessibility to the Other. This approach will enable one to study the building of community identity insofar as it is related to the recourse to exclusion as an attempt to preserve the group and as a political tool, both in isolated and distrustful communities such as Cranford, and in selective groups such as the Manchester manufacturers portrayed in Mary Barton or North and South. Indeed, Gaskell's works express the dual aspect of closed communities, namely, on the one hand, conformism to established social divisions, and, on the other hand, the establishment of alternative, microcosmic societies. We will particularly focus on the relationship between the closed circle and its members, which is often depicted as conflictual, while still viewing the circle as a privileged space of meeting and communication.

Cette thèse propose une étude inédite sur un auteur négligé par l’Université et la recherche : Marcel Pagnol. À partir de son cas, ce travail interroge les processus de légitimation et déconstruction du canon. Cette recherche, qui s’inspire de la sociologie de la littérature, explore les paradoxes d’un « illustre méconnu » qui relève d’une littérature officielle, classique, patrimoniale, mais se trouve déconsidéré à plusieurs titres. Sa célébrité et ses succès nuisent à son capital symbolique ; son particularisme régional l’empêcherait d’atteindre l’universel. Entre institutionnalisation et discrédit, Pagnol dessine une voie moyenne et réalise un art moyen (middlebrow culture) qui concilie bonne littérature et grand public. Au théâtre, il met d’accord le théâtre commercial, le théâtre de boulevard et une partie de l’avant-garde, démontrant la perméabilité du champ dramatique. Au cinéma, il associe le cinéma d’auteur, le scénario littéraire et l’avant-garde néoréaliste aux mélodrames populaires. Dans ses récits, il met en valeur la continuité entre tradition orale et innovation médiatique. Ce classique-populaire, ce conservateur moderne se tient en équilibre entre régionalisme et parisianisme, entre intellectualisme et pragmatisme, sur une voie moyenne qui hybride cinéma et théâtre, théâtre et music-hall, conte et radio. / This thesis provides a new study on a writer usually neglected by scholarship : Marcel Pagnol. Taking his case as a starting point, this study aims to analyze the processes of legitimation and construction of canon. This research, building on sociology of literature, investigates the paradoxes of an “illustrious unrecognized” who pertains to official, classical and patrimonial literature but that nonetheless remains discredited by several matters. His fame and successes damage his symbolic capital; his regional particularism may prevent him from reaching universality. Between institutionalization and disrepute, Pagnol draws a medium path and carries out a medium art (middlebrow culture) which reconciles goodliterature and general public. In theater, he makes commercial theater, boulevard theater and some of the avant-garde come to an agreement, proving the permeability in dramatic field. In cinema, he combines art-house movies, literary script and neorealist avant-garde with popular melodramas. In literature, he emphasizes continuity between oral tradition and media innovation. This middlebrow author, this modern conservative balances regionalism against parisianisme, intellectualism against pragmatism, in a medium way that makes cinema and theater, theater and variety, tale and radio interact.

No description available.

Nesta tese, examina-se um complexo evento cultural – a Feira do Livro de Porto Alegre/RS –, realizado anual e ininterruptamente desde 1955 sob a chancela da Câmara Rio-Grandense do Livro, em parceria com o Ministério da Cultura e a Prefeitura Municipal de Porto Alegre (RS), reunindo atividades culturais de distintas ordens e mobilizando muitas práticas que delineiam identidades culturais para a cidade e para a própria Feira e seus participantes. É possível afirmar que o evento se encontra em expansão, tanto no que se refere ao espaço físico que ocupa, quanto ao que diz respeito ao número de participantes, ao qual se somam os patrocinadores, organizadores, administradores, escritores, livreiros e mídias, que, além de divulgá-lo, reiteram, por meio dele, seus compromissos com a cultura sul-rio-grandense. Muitas são as representações colocadas em circulação na Feira, que definem, posicionam e ensinam, aos sujeitos e às instituições locais, modos de integrar-se à cultura regional. Ao lado dessa configuração mais regionalista, institucionalizam-se na Feira, cada vez com mais intensidade, práticas de internacionalização voltadas a conectar esse evento da cultura gaúcha a outros em desenvolvimento na América Latina e em outros continentes. O estudo focaliza estratégias discursivas e representações associadas à produção/gestão/invenção desse evento cultural veiculadas no encarte Caderno da Feira – suplemento que circula diariamente durante a realização da Feira no jornal gaúcho Zero Hora, o qual integra o conjunto de artefatos comunicacionais do Grupo RBS. Considerou-se que tanto a Feira quanto o encarte e o jornal a que está vinculado operam como pedagogias culturais. O corpus da pesquisa abarca um acervo ampliado de 153 exemplares, do qual foram examinadas 85 edições publicadas e divulgadas nos meses de outubro/novembro, quando ocorre a Feira, dos anos de 2005 a 2013. Foram também examinados exemplares do jornal Zero Hora das décadas de 1960, 1970, 1980 e 1990 por conterem informações importantes sobre esse evento. Foram ainda examinadas seções, manchetes de capa e reportagens, incluindo as imagens nelas apresentadas, bem como notas informativas. O estudo inspira-se nos Estudos Culturais e vale-se de teorizações de autores, tais como Albuquerque Jr. (2012), Canclini (2007), Debord (1997), Fischer (2012), Freitas (2007), Hall (1997a; 2005), Kellner (2006), Sarlo (1998), Silva (2012), Silveira (2000), Yúdice (2006), Woodward (2012) e Wortmann (2010), dentre outros. As análises evidenciam as múltiplas funções do evento: nele, comemora-se o “livro”, promove-se a sua venda, destacam-se autores e autoras, divulga-se a importância da leitura, mas igualmente propagandeiam-se seus promotores, patrocinadores e gestores, além de essa festa do livro ser associada a muitos outros eventos culturais da cidade, entre os quais, estão a Bienal do Mercosul, mostras e exibições fotográficas, oficinas de criação literária, palestras, apresentações de grupos musicais diversos, etc. Tudo isso transforma o evento em um espetáculo cultural múltiplo que se tornou central à vida da cidade, não apenas durante sua realização. O estudo também aponta para a forma como, especialmente a partir da figura do patrono, são destacadas diferentes facetas da cultura sulrio- grandense, que incluíam desde um culto ao gauchismo até a configuração de uma regionalidade mais ampliada, urbana e vinculada a cânones literários. / This thesis examines a complex cultural event, the Porto Alegre Book Fair, which has been annually held since 1955 under the auspices of Rio Grande do Sul Chamber of Literature in a partnership with the Ministry of Culture and Porto Alegre City Hall. The Fair comprises different kinds of cultural activities and involves several practices which have delineated cultural identities to the city, the Fair itself and its participants. It is possible to state that the event has been expanded in terms of physical space, number of participants, sponsors, organizers, managers, writers, booksellers and media, which besides publicizing the Fair, reinsure its commitment to sul-rio-grandense culture. A number of representations have been spread by the Fair and defined, positioned and taught people and local institutions ways of integrating the local culture. Together with this regionalist configuration, internationalizing practices have been more intensively institutionalized by the Fair with the aim of connecting this gaucho culture event to other events occurring in Latin America and in other continents as well. The study is focused on discursive strategies and representations associated with the production/management/creation of this cultural event as conveyed by Caderno da Feira, a supplement of the gaucho newspaper Zero Hora which is daily published along the days in which the Fair is held. This newspaper is one of the communication artifacts owned by Grupo RBS. The Fair, the supplement and the newspaper have been regarded as cultural pedagogies. The research corpus comprehended a large collection of 153 issues, out of which 85 issues published in October and November from 2005 to 2013 were examined. Issues of Zero Hora newspaper dating back to the 60s, 70s, 80s and 90s were also examined because they contained important information about the event. Sections, cover headlines and reports were examined together with pictures and notes. The study has been grounded on Cultural Studies and has relied on theorizations by Albuquerque Jr. (2012), Canclini (2007), Debord (1997), Fischer (2012), Freitas (2007), Hall (1997a; 2005), Kellner (2006), Sarlo (1998), Silva (2012), Silveira (2000), Yúdice (2006), Woodward (2012) and Wortmann (2010), among others. The analyses have evidenced the multiple functions performed by the event: it celebrates the “book”, promotes its commercialization, highlights writers, reinforces the importance of reading, but it also adverts its promoters, sponsors and managers. Furthermore, it is associated with a number of other cultural events taking place in the city, such as Mercosur Biennial Art Exhibition, photography shows, literary workshops, lectures, musical performances, etc. All that turns this event into a multiple cultural spectacle which has become central to the city life, and not only while it is held. The study has also pointed out the way in which different facets of the sul-rio-grandense culture are highlighted, particularly considering the patron figure, comprehending from the cult of gauchism to the configuration of a larger, urban regionalism linked to literary canons.

Submitted by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-03-29T18:10:07Z No. of bitstreams: 1 Dissertação Ana Angelica Martins da Trindade.pdf: 6677565 bytes, checksum: 166b89f9435090387cf6f7a400aad943 (MD5) / Approved for entry into archive by Ana Portela (anapoli@ufba.br) on 2016-04-06T13:52:28Z (GMT) No. of bitstreams: 1 Dissertação Ana Angelica Martins da Trindade.pdf: 6677565 bytes, checksum: 166b89f9435090387cf6f7a400aad943 (MD5) / Made available in DSpace on 2016-04-06T13:52:28Z (GMT). No. of bitstreams: 1 Dissertação Ana Angelica Martins da Trindade.pdf: 6677565 bytes, checksum: 166b89f9435090387cf6f7a400aad943 (MD5) / CAPES / A cooperação internacional é relevante para políticas regionais de desenvolvimento e integração, como forma de contrabalancear as consequências da globalização econômica. Propõe-se analisar as diretrizes e os rumos da cooperação internacional, no sentido de implementar políticas convergentes de saúde para o desenvolvimento regional de países partes do Mercado Comum do Sul (Mercosul): Argentina, Brasil e Uruguai. A fundamentação teórica do estudo baseou-se no reconhecimento, nas modernas teorias da justiça social, além de serem utilizados debates sobre conceitos oriundos das relações internacionais, das políticas públicas e dos determinantes sociais da saúde. O objetivo principal do trabalho é discutir, por um lado, o que constitui a cooperação internacional para valorização de um bem público, a saúde, que se viabiliza nacionalmente; e, por outro lado, porque essa cooperação pode contribuir para melhorar a integração regional entre países. Foram consideradas quatro iniciativas de cooperação em saúde no sentido Sul-Sul: o Regulamento Sanitário Internacional (RSI), o Programa de Ação Mercosul Livre de Febre Aftosa (PAMA), o Observatório Mercosul de Sistemas de Saúde (OMSS) e a Convenção Quadro de Controle do Tabaco (CQCT). A análise do tema sugere que a cooperação tem progredido no Mercosul em termos de iniciativas, tais como: (i) a institucionalização do direito regional à saúde; e (ii) proposições de governabilidade regional em saúde com exercício de convergência política e, a longo prazo, promoção de justiça social nos países estudados. The international cooperation is important for regional development and integration policies, as a way to offset the consequences of economic globalization. It is proposed the analysis of guidelines and the course of international cooperation, to implement convergent health policies for regional development of countries integrating MERCOSUR (Southern Common Market): Argentina, Brazil and Uruguay. The theoretical basis for the study was based on the recognition, the modern theories of social justice, besides being utilized debates on concepts coming from international relations, public policy and social determinants of health. The main objective is to discuss, on one hand, what is international cooperation for the valorization of a public good, the health, which becames enabled nationally; and, on the other hand, why such cooperation can contribute to improve regional integration among countries. Four health cooperation initiatives were considered in South-South direction: the International Health Regulations (IHR), the Program of Action Mercosur Free of FMD (PAMA), the Centre Mercosur Health Systems (OMSS) and the Framework Convention of Tobacco Control (FCTC). The analysis of the subject suggests that cooperation has progressed in Mercosur in terms of initiatives, such as: (i) the institutionalization of regional right to health; and (ii) regional governance proposals on health care policy with the exercise of political convergence, and in the long run, the promotion of social justice in the countries studied.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis analyses the short stories from Uma Terra Só (1984) and intends to verify how the motifs related to the bordering space are manifested in this book, considering them from the perspective of making of characters, fictional space, narrative voice and, mainly, of the subject matter. The culture, the language, the literature, the frontier man, the history of both sides of the border line which passes by Rio Grande do Sul state and Uruguay are elements which attest a limit, however, they do not demarcate it in a precise and clear-cut way. On the contrary, such aspects configure this territory as a cultural continuum . This work aims at studying this conception of the physical and social space as well as its evident relation with the aesthetic project which we find in the so called puebleros short stories by Aldyr Schlee. / Esta dissertação analisa os contos de Uma Terra Só (1984) e busca verificar como os motivos relacionados ao espaço fimbrio manifestam-se no corpus em estudo, tomando-os, na obra, pela via da construção de personagens, do espaço ficcional, do narrador e, principalmente, da temática. A cultura, a língua, a literatura, o homem fronteiriço, a história dos dois lados da linha divisória que perpassa o Rio Grande do Sul e o Uruguai são elementos que atestam um limite sem, no entanto, demarcá-lo de modo nítido e firme. Pelo contrário, tais aspectos configuram esse território como um continuum cultural . Busca-se estudar essa forma de conceber o espaço físico e social e a sua evidente relação com o projeto estético que localizamos nos cognominados contos puebleros de Aldyr Garcia Schlee.

Made available in DSpace on 2016-06-07T17:11:56Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-12-19. Added 1 bitstream(s) on 2016-06-07T17:16:29Z : No. of bitstreams: 1 000865209.pdf: 1503613 bytes, checksum: b01ecb3a9a9787492d74b1b932d15476 (MD5) / Neste trabalho, investigamos quatro narrativas ficcionais brasileiras que assumiram de modo ativo para seu arranjo o território sertanejo: Pedra Bonita (1938) e Cangaceiros (1953), do escritor paraibano José Lins do Rego, e Deus e o diabo na terra do sol (1964) e O dragão da maldade contra o santo guerreiro (1969), do cineasta baiano Glauber Rocha. Partimos do pressuposto de que os dois romances e os dois longas-metragens, mesmo que produzidos em um hiato histórico de trinta e um anos, ao elegerem o ambiente rural-sertão comportam e congregam uma inquietação com os rumos que a modernidade periférica assumia no Brasil. Os estilos diferentes de narrar tal espacialidade e de entendê-la mostram as distintas concepções dos autores sobre a política e, consecutivamente, sobre a estética. Buscar apreender nos romances e nos filmes, todavia, estes registros particulares do mundo social fixa a compreensão do espaço literário e do cinematográfico como espaço social, ao mesmo tempo em que exige a interpretação das conexões entre estes espaços e as dinâmicas da vida social brasileira / In this research, we investigate four Brazilian fictional narratives that took actively for their arrangement the backland territory: Pedra Bonita (1938) and Cangaceiros (1953), by José Lins do Rego, and Deus e o diabo na terra do sol (1964) and O dragão da maldade contra o santo guerreiro (1969), by Glauber Rocha. We presuppose that the two novels and two films, even if produced in a historical gap of thirty-one years, when they elect the backland space, the narratives behave and congregate an inquietude with the direction that the peripheral modernity assumed in Brazil. Different styles of narrating that spatiality and its comprehension show the authors‟ different conceptions about the politics and aesthetics. Searching to apprehend in novels and movies, however, these private records, fix the literary and the cinematographic spaces comprehension as social space, while require the analysis about the connections between these spaces and the dynamics of Brazilian social life

A presente dissertação focaliza as representações da figura feminina em Presença de Thalia (1989), da escritora catarinense Ruth Laus, dialogando e relacionando com questões inerentes à identidade e ao espaço das representações ficcionais entre gênero, o sujeito feminino enquanto produtora de textos e personagem ficcional, assim como avalia a interferência da ideologia patriarcal presente na obra. Para buscar resposta ao questionamento do que é o feminino, pela análise do mascullino e do feminino, entre outras possibilidades combinatórias, viabiliza-se uma visão crítica por meio de pesquisa e análise, acerca da ruptura, ou não, do modelo mítico do patriarcado. Para tanto, analisa-se a configuração regional e as suas interrelações culturais na obra, primeiramente, a partir de pressupostos teóricos sobre região e regionalidade; depois, aliados à perspectiva da crítica feminista, utilizam-se como subsídios os estudos de Showalter (1994) e dos antropólogos Bruner (1986) e Geertz (1989), com o intuito de, ao evidenciar o texto de autoria feminina, isto é, sua expressão, no que concerne à avaliação do campo social familiar e as estruturas de poder estabelecidas ficcionalmente, desvelar as estruturas conceptuais e interpretar as “teias de relações” ficcionais; e, finalmente, embasando as reflexões sobre representação, identidade e subjetividade, os pressupostos de Chartier (2002) e Weedon (2003), revelar como são concebidos os sujeitos femininos. / Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2015-12-15T11:29:51Z No. of bitstreams: 1 Dissertacao Karen Gomes da Rocha.pdf: 1905682 bytes, checksum: 15957982653c10d6aa5cc7d638920b0a (MD5) / Made available in DSpace on 2015-12-15T11:29:51Z (GMT). No. of bitstreams: 1 Dissertacao Karen Gomes da Rocha.pdf: 1905682 bytes, checksum: 15957982653c10d6aa5cc7d638920b0a (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior. / This dissertation focuses on the representations of the female figure in Presença de Thalia (1989), by Ruth Laus, a writer from Santa Catarina, dialoguing and relating to issues inherent to the identity and the space of fictional representations of gender, the female subject as a producer of texts and fictional character, as well as evaluates the interference of patriarchal ideology present in the novel. To seek answers to the question of what is the feminine, the analysis of masculine and feminine, among other combinatorial possibilities, enables a critical view through research and analysis, on breaking, or not, the mythical model of patriarchy. Therefore, it is analyzed the regional setting and its cultural interrelations in the novel, first, from theoretical assumptions regarding the region and regionality; then, combined with the perspective of feminist criticism, are used as subsidies the studies of Showalter (1994) and the anthropologists Bruner (1986) and Geertz (1989), in order to, by focusing on the female authorship text, that is, her expression, regarding the evaluation of family court and social power structures established fictionally, to unveil the conceptual structures and interpret the culture's fictional web of symbols; and, finally, basing the discussions on representation, identity and subjectivity with the assumptions of Chartier (2002) and Weedon (2003), reveal how female subjects are conceived.