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The portfolio of compositions comprises six pieces: a chamber opera, an orchestral piece and four shorter chamber works. These pieces are diverse and distinct from one another but collectively explore aesthetic tensions relating to tonality, aura and ontology. The largest piece is a chamber opera setting Margaret Atwood's novel, The Handmaid's Tale, which has been flexibly scored as a series of fragments in order to reflect the quality of her text. The remaining pieces draw influence from poetry, landscape and the environment. They all encompass a series of material contrasts but attempt to simply contain these tensions in some way, leaving them partially unresolved. The thesis is a re-assessment of the music of the Ukrainian composer, Valentin Silvestrov, in particular, his 'metamusic' approach to composition that treats pre-existing styles as a form of musical metaphor. Through a series of comparisons with landscape and photography, I offer new vantage points for approaching the aesthetic issues present in his work, relating to aura, imitation and historical reference. The metaphors of landscape and photography might appear far removed from his work, but mediated by the work of the artist Gerhard Richter, offer a basis for critically analysing Silvestrov's approach. Furthermore, by drawing upon the theories of Walter Benjamin, Roland Barthes and the geographer, Stephan Harrison, I demonstrate how concepts from other disciplines can be recast in order to be effective for approaching both Silvestrov and Richter. As a form of conclusion, I consider the role of photography in the production of CD covers and how this relates to the reception of Silvestrov's metamusic in a commercial setting.

This supporting document for the thesis exhibition entitled “Veils: Truth in Translation” will discuss Block’s exploration of painting during her time at East Tennessee State University. The supporting document also provides the historical background and influences which have contributed to Block's overall process and techniques. These influences include the Abstract Expressionists, Carl Jung, Ferdinand de Saussure, John Dewey, Theodor Adorno, Joan Mitchell and Gerhard Richter. In the supporting document Block probes the idea that non-objective painting is more than a language confined by linguistic elements of sign, signifier, and signified, but is a process of thinking, which is communicated on a higher level of perception than verbal speech or visual symbolism. Block will discuss how she translates experiences from the metaphysical realm of feeling and thought to the physical reality of paint and surface which communicates the experience to the viewer.

This thesis aims to predict the probable undiscovered geothermal systems through investigation of spatial relation between geothermal occurrences and its surrounding geological phenomenon in Western Anatolia. In this context, four different public data, which are epicenter map, lineament map, Bouger gravity anomaly and magnetic anomaly maps, are utilized. In order to extract the necessary information for each map layer the raw public data is converted to a synthetic data which are directly used in the analysis. Synthetic data employed during the investigation process include Gutenberg-Richter b-value map, distance to lineaments map and distance to major grabens present in the area. Thus, these three layers including directly used magnetic anomaly maps are combined by means of Boolean logic model and Weights of Evidence method (WofE), which are multicriteria decision methods, in a Geographical Information System (GIS) environment. Boolean logic model is based on the simple logic of Boolean operators, while the WofE model depends on the Bayesian probability. Both of the methods use binary maps for their analysis. Thus, the binary map classification is the key point of the analysis. In this study three different binary map classification techniques are applied and thus three output maps were obtained for each of the method. The all resultant maps are evaluated within and among the methods by means of success indices. The findings reveal that the WofE method is better predictor than the Boolean logic model and that the third binarization approach, which is named as optimization procedure in this study, is the best estimator of binary classes due to obtained success indices. Finally, three output maps of each method are combined and the favorable areas in terms of geothermal potential are produced. According to the final maps the potential sites appear to be Aydin, Denizli and Manisa, of which first two have been greatly explored and exploited since today and thus not surprisingly found as potential in the output maps, while Manisa when compared to first two is nearly virgin.

Univ., Diss.--Kiel, 2004. / Literaturverz. S. 226 - 243.

Zugl.: Berlin, Humboldt-Univ., Diss., 1996.

The essay is a manifesto-like personal take on painting, and a redefinition of painting in the digital age. Careless usage of the term ”painting” has led to a diluted descriptive function and a waning categorizing capacity; almost anything can be called painting, which in turn puts actual painting in an awkward position – where it, apart from being itself, could be almost anything. The term “painthing” is introduced to distinguish painting from works that beside its two-dimensional visual information also makes a point of its specific materiality. It brings up cave paintings and links to video-games, suggesting that video-games have gone through the reversed evolution of the history of painting – from abstraction to representation. It speaks of the problems of documentation – the translation of visual information (or re-flattening of a flat surface) – and the cultural equalization of information and images on the internet through the common denominator the pixel. It also describes “information painting”, which in short is digital painting where there is no physical object to be translated to a documentation of itself, but rather a painting that is original in its documentation form (its digital form), painting that strives to be nothing but the utopia of an image – the untouchable/unreachable visual information.

Judge and Jurisconsult – Coercive and Persuasive Authority in Islamic Law (Richter und Rechtsberater- Zwingende und überzeugende Autorität im Islamischen Recht) Wer spricht das Recht in der islamischen Rechtsprechung? Die islamische Rechtsgeschichte konzentrierte sich lange auf den Einzelrichter (qadi) als Inbegriff der Rechtsprechung. Der Richter handelte jedoch nicht als einzige Verkörperung der Rechtsprechung. Ein Justizpersonal unterstützte seine und arbeitete von einer ihm unterstellten Position aus. Darüber hinaus hat der gelehrte Rechtsberater (mufti) die Rechtsprechung durch übereinstimmende und abweichende Meinungen vor Gericht in vielerlei Hinsicht geprägt. Die Arbeit konzentriert sich auf zwei Autoritäten am Gericht – qadi und mufti – in der frühen Abbasidischen Rechtsgeschichte (2. und 3. Jahrhundert nach der islamischen Zeitrechnung bzw. 8. und 9. Jahrhundert der gregorianischen Zeit), die miteinander kooperiert oder auch konkurriert haben. Die Grundlage ihrer Beziehung ist das islamische Prinzip der gerichtlichen Beratung von Experten in Rechtsfragen. Die islamische Rechtslehre ermutigt einen Richter, der mit Rechtsunsicherheiten konfrontiert war, einen gelehrten Rechtsberater (mufti) zu konsultieren, bevor er eine gerichtliche Entscheidung trifft. Die islamische Rechtsprechung entstand somit aus einem Verhältnis von Kooperation, Konfrontation und Kooptation zwischen Richtern und (außer-gerichtlichen) gelehrten Rechtsberatern. / Judge and Jurisconsult – Coercive and Persuasive Authority in Islamic Law Who dispenses justice at court? Islamic legal historians have long focused on the single judge (qadi) as the embodiment of the administration of justice. The judge, however, did not act alone in dispensing justice. A judicial staff supported his work, working from a position subordinate to him. In addition, evading a clearly demarcated judicial hierarchy, the learned jurisconsult (mufti) shaped adjudication in many distinct ways through concurring and dissenting opinions at court. This contribution focuses on two authorities—the qadi and the mufti—who cooperated or competed with each other at court in early Abbasid legal history (2nd-3rd century A. H. / 8th-9th century C.E.). Fundamental to their relationship is the Islamic principle of judicial consultation of experts on legal questions. Islamic legal doctrine encouraged a judge confronted with legal uncertainties to consult a mufti before issuing a judicial decision. Islamic adjudication thus emerged out of cooperation, confrontation and cooptation between judge and (extra-judicial) legal experts.

Chaim Cohn: Aus meinem Leben. Autobiografie. Aus dem Hebräischen von Eva-Maria Thimme unter Mitarbeit von Jonathan Nieraad, Berlin: Jüdischer Verlag im Suhrkamp Verlag 2019, 422 S., ISBN: 978-3-633-54291-8, EUR 28,00. Besprochen von Daniel Hoffmann.

The research attempts to resolve which method of estimation is the most consistent for the parameters of the earthquake model, and how these different methods of estimation, as well as other changes, in the earthquake model parameters affect the damage estimates for a specific area. The research also investigates different methods of parameter estimation in the context of the log-linear relationship characterised by the Gutenberg-Richter relation. Traditional methods are compared to those methods that take uncertainty in the underlying data into account. Alternative methods based on Bayesian statistics are investigated briefly. The efficiency of the feasible methods is investigated by comparing the results for a large number of synthetic earthquake catalogues for which the parameters are known and errors have been incorporated into each observation. In the second part of the study, the effects of changes in key parameters of the earthquake model on damage estimates are investigated. This includes an investigation of the different methods of estimation and their effect on the damage estimates. It is found that parameter estimates are affected by observation errors. If errors are not included in the method of estimation, the estimate is subject to bias. The nature of the errors determines the level of bias. It is concluded that uncertainty in the data used in earthquake parameter estimates is largely a function of the quality of the data that is available. The inaccuracy of parameter estimates depends on the nature of the errors that are present in the data. In turn, the nature of the errors in an earthquake catalogue depends on the method of compilation of the catalogue and can vary from being negligible, for single source catalogues for an area with a sophisticated seismograph network, to fairly impactful, for historical earthquake catalogues that predate seismograph networks. Probabilistic seismic risk assessment is used as a catastrophe modelling tool to circumvent the problem of scarce loss data in areas of low seismicity and is applied in this study for the greater Cape Town region in South Africa. The results of the risk assessment demonstrate that seemingly small changes in underlying earthquake parameters as a result of the incorporation of errors can lead to significant changes in loss estimates for buildings in an area of low seismicity. / Dissertation (MSc)--University of Pretoria, 2014. / Insurance and Actuarial Science / MSc / Unrestricted