La thèse explore la surveillance algorithmique des communications mondiales à travers l’art numérique. Elle examine les projets artistiques à la lumière du moment post-Snowden qui met en évidence l’étroite relation entre la surveillance d’État et la lutte au terrorisme, l’économie numérique, et le droit à la vie privée. Plus spécifiquement, la thèse pose la question de la résistance esthétique à la surveillance déployée par les dispositifs de sécurité occidentaux et à la sécurisation du quotidien. Animée par une réflexion sur le public et la circulation de l’art, la thèse s’intéresse à une communauté d’artistes circulant principalement autour de New York et Berlin. Ces artistes se réapproprient les médias et les artefacts de la culture numérique et explorent la relation technologie-culture-pouvoir pour comprendre et contester les structures de pouvoir associées à ces pratiques de surveillance. L’art numérique propose une cartographie alternative du pouvoir qui éclaire et politise les structures de pouvoir rendues invisibles par le secret d’État et la banalisation des technologies. Il conteste en outre la subjectivité numérique néolibérale et les pratiques de catégorisation sociale pour repenser une collectivité politique égalitaire. La thèse démontre la pertinence de l’art comme avenue de résistance à la surveillance, et propose une nouvelle méthode pour analyser l’art en Relations internationales. Mettant en évidence la complicité volontaire et involontaire des entreprises numériques aux efforts antiterroristes, l’incapacité du droit à la vie privée à protéger les individus contre la surveillance algorithmique des communications mondiales, la liberté d’interprétation des données que s’attribuent les dispositifs de sécurité occidentaux, et l’impératif de visibilité qui accompagne la participation numérique, la thèse montre les limites que cette surveillance impose à la résistance. De là, la thèse suggère à travers les œuvres analysées une avenue de contestation à la fois technologique et collective permettant la mise en place d’une collectivité radicalement égalitaire qui brouille les processus de catégorisation sociale et constitue un espace de dissensus face à la société profilée et sécurisée de la surveillance algorithmique.

- Friedrich Thießen: Der Fall Snowden oder das Ende der anonymen Welt (S. 2-3) - Sebastian Liebold: Imi Knoebel - eine Ausstellung leuchtet in den Winter hinaus (S. 23-24)

This paper provides insights on how five different frames of the Edward Snowden issue (Hero, Patriot, Traitor, Whistleblower, Dissident) have been diffused on the Twitter platform. This study uses NodeXL to collect, analyze and visualize all the tweets including the keyword “Edward Snowden” from February 17 to April 10, 2014 to examine the flow of information and the interaction between opinion leaders along with the characteristics of opinion leaders in this specific issue. Findings provide insight about future strategic communication for general branding and public image maintenance. / text

Surveillance studies suffer from a near-total lack of empirical data, partially due to the highly secretive nature of surveillance programs. However, documents leaked by Edward Snowden in June of 2013 provided unprecedented proof of top-secret American data mining initiatives that covertly monitor electronic communications, collect, and store previously unfathomable quantities of data. These documents presented an ideal opportunity for testing theory against data to better understand contemporary surveillance. This qualitative content analysis compared themes of technology, privacy, national security, and legality in the NSA documents to those found in sets of publicly available government reports, laws, and guidelines, finding inconsistencies in the portrayal of governmental commitments to privacy, transparency, and civil liberties. These inconsistencies are best explained by the risk society theoretical model, which predicts that surveillance is an attempt to prevent risk in globalized and complex contemporary societies.

Land of freedom or land of surveillance? Right to privacy in the U.S. after 9/11 Abstract The United States of America has been always perceived as a land of freedom. The U.S. citizens are very proud of their Constitution that became model for other constitutions in the world. The terrorist attacks of September 11, 2001 not only brought a change in the U.S. foreign policy as the war on terror was launched, but also influenced the domestic political development and caused creation of a complex network of security legislative. These antiterrorism measures have been criticized, as the programs arising especially from the Patriot Act are controversial, challenging the civil rights and especially the right to privacy. In 2013, Edward Snowden revealed secret spying programs of the National Security Agency. This thesis examines the discrepancies between the proclaimed freedom and the reality, in which the United States is ranked among endemic surveillance societies. Keywords: USA, Patriot Act, Snowden, NSA, surveillance, antiterrorism legislative

This essay discusses the portrait of the whistleblower Edward Joseph Snowden in different media forms. Edward Snowden, the NSA employee who in June 2103 revealed NSA’s secret global surveillance system in the newspapers The Guardian UK, The Washington Post and The New York times, has been portrayed in various types of media such as news articles, film, documentary and self-biography. With references to the communication theories re-mediation and storytelling, this thesis examines which components are used in these different types of media to portray Snowden and how the perspectives differ. It also focuses on which traits that defines a hero and a traitor. And if the typical whistleblower is a hero or a telltale. The information is very similar. Which we can expect depends on that the information has not been remediated very far from its original source. What sets the portraits apart is the perspective and who and what Edward Snowden is shown in the opposite to. For example, in the news articles, Snowden is always talked about in reference to the government, and how he betrayed the loyalty of the government and his oaths. While in the rest of the media forms, produced by and representing the public, he is presented as the hero who took the integrity of the public and his own beliefs in his own hands and stood up against the government. Both sides can in substance prove their point, it is all about the perspective and whose side the audience and the authors are on.

- Friedrich Thießen: Der Fall Snowden oder das Ende der anonymen Welt (S. 2-3) - Sebastian Liebold: Imi Knoebel - eine Ausstellung leuchtet in den Winter hinaus (S. 23-24)

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-07-11T17:45:40Z No. of bitstreams: 1 BrunaPaianiNasserSpaniol_DISSERT.pdf: 1897318 bytes, checksum: 8fb2478fd40353226077e18215e09ed9 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-07-18T20:03:37Z (GMT) No. of bitstreams: 1 BrunaPaianiNasserSpaniol_DISSERT.pdf: 1897318 bytes, checksum: 8fb2478fd40353226077e18215e09ed9 (MD5) / Made available in DSpace on 2016-07-18T20:03:38Z (GMT). No. of bitstreams: 1 BrunaPaianiNasserSpaniol_DISSERT.pdf: 1897318 bytes, checksum: 8fb2478fd40353226077e18215e09ed9 (MD5) Previous issue date: 2015-09-22 / Esta pesquisa busca compreender como o problema da seguran?a da informa??o no Brasil ? tratado pela tematiza??o p?blica e de que maneira poder? afetar os aspectos pol?ticos e econ?micos do governo e das empresas brasileiras utilizando como estudo de caso o acontecimento do vazamento de documentos daNational Security Agency por Snowden. Para isso, foi realizado o estudo de caso da cobertura da m?dia online sob a perspectiva do paradigma indici?rio, dos estudos sobre circula??o e de acontecimento. Interessa-nos examinar como o tema seguran?a da informa??o ? tratado pela m?dia e qual seu impacto nas rela??es pol?ticas nacionais e internacionais. O caso analisado foi o maior vazamento de dados da hist?ria da NSA, a qual se configura como a ag?ncia de intelig?ncia de mais express?o mundial. Esse vazamento provocou grandes repercuss?es no Brasil, pois foi revelado que o pa?s foi o mais vigiado pelos Estados Unidos, atr?s apenas do pais americano. As consequ?ncias foram um grande tensionamento entre o Brasil e os EUA e a discuss?o p?blica sobre a privacidade e liberdade na internet. A pesquisa analisou 256 publica??es divulgadas por ve?culos de comunica??o brasileiros nos meios digitais, no per?odo entre junho e julho de 2013. / This research seeks to understand how the problem of information security is treated in Brazil by the public thematization and also how it can affect the political and economic aspects of both Brazilian companies and government by using a study case based on the document leak event of the National Security Agency by Snowden. For this, the study case of sites, blogs and news portal coverage was carried out from the perspective of evidential paradigm, studies of movement and event concept. We are interested in examining how the media handles the information security topic and what its impact on national and international political relations. The subject matter was considered the largest data leakage in history of the NSA, which ranks as the world's largest agency of expression intelligence. This leak caused great repercussions in Brazil since it was revealed that the country was the most watched by the United States of America, behind only USA itself. The consequences were: a big tension between Brazil and the US and a public discussion about privacy and freedom on Internet. The research analyzed 256 publications released by Brazilian media outlets in digital media, in the period between June and July 2013.

Temporary zone is open-source design studio. This diploma thesis is concerned with origin of the project and its theoretic background. Theoretic part of the thesis defines the term „open-source design“ and tries to explain motivations behind creation of Temporary zone.

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