Esta pesquisa, de natureza qualitativa e caráter teórico-prático, alicerça-se nas técnicas de observação, entrevista (com base em história oral), análise de documentos e no referencial bibliográfico. O interacionismo simbólico reflete a postura teórica adotada, de valorização do ponto de vista do sujeito. Trabalha-se com as categorias: sustentabilidade, paisagem, patrimônio e comunidade. Seu desenvolvimento define-se na qualificação da paisagem cultural e do turismo sustentável. Tem-se como objeto de pesquisa as representações da comunidade local da vila ferroviária de Paranapiacaba com relação às transformações ocorridas relativas à patrimonialização e à menor influência da atividade ferroviária - e o envolvimento com o turismo na localidade. Em uma abordagem multidisciplinar, utilizam-se conceitos de diversas ciências - Geografia, Sociologia, Antropologia, Psicologia Social -, além de subsídios de estudos sobre Turismo. Como resultados, verificou-se que a comunidade participa da atividade turística desenvolvida em Paranapiacaba, entretanto, essa participação, atualmente, é marginal: dá-se, sobretudo, no nível operacional, não no patamar das decisões quanto aos rumos do setor. Em termos teóricos, propõe-se a aproximação do conceito de paisagem cultural aos estudos do turismo, no contexto da sustentabilidade socioambiental. / This theoretical-practical qualitative research was developed based on several techniques, such as observation, interviews (oral history), and documental analysis. The symbolic interactionism reflects the theoretical approach adopted in valuing the research subjects´ point of view. Categories analyzed were: sustainability, landscape, heritage and community. Its development was defined in the context of cultural landscape and sustainable tourism. The main focus of this thesis was on the representations of the local community of Paranapiacaba, a railway village, in relation to the transformations that have occurred, mainly related to the heritage and the declining influence of railroad activity, and their role in the tourism activity. In a multidisciplinary approach, concepts of several sciences - Geography, Sociology, Anthropology, Social Psychology were used, as well as studies in the tourism and leisure field. As a result, it was found that the local community participates in the activity, however, their participation is, mainly, at the operational level, not at the strategic decision-making level. In theoretical terms, this study suggests approaching the concept of cultural landscape in tourism studies, related to the context of social-environmental sustainability.

This thesis deals with the representation of the natural environment in branding the Czech Republic on the domestic and global market. The aim was to find out how the visual and textual content of CzechTourism information and promotional materials contributes to this and how the representation of nature characterizes the Czech Republic as a cultural tourism destination. The evaluation was based on qualitative analysis. Textual content was analysed using the grounded theory method, selected photographs were subjected to semiotic analysis. The result shows that the Czech Republic is presented through CzechTourism brochures as a country that is a harmonious combination of natural treasures and historical monuments. The Czech Republic seems to be a tourist destination, after a visit to which a change of personality occurs: not only does one's physical and emotional state improve, but also one reflects on a number of issues such as the perception of spiritual values, awareness of oneself as a Czech citizen (for local residents), gaining new knowledge about the history of the Czech state (for foreign tourists). This work can serve as a basis for further research, e.g. building a country's brand through CzechTourism's social media presence. It would also be interesting to find out whether the content of...

Historische Kulturlandschaftselemente prägen die regionaltypische Vielfalt und Eigenart der Kulturlandschaft. Insbesondere die biotischen Elemente haben als Zeugen oder Relikte traditioneller Landnutzungen eine hohe Bedeutung für die Biodiversität. In dem Bericht werden 16 biotische historische Kulturlandschaftselemente wie Alleen, Extensiväcker, Gruben, Hecken, Hohlwege, Teiche, Streuobstwiesen und Weinberge beschrieben. Dargestellt wird, wie die Elementtypen historisch entstanden sind, welche Ausprägungen historisch typisch sind, welche Funktionen sie früher hatten, ob und wie sich diese Funktionen gewandelt haben, welche Bedeutung sie für den Arten- und Biotopschutz haben und wie sie erhalten, geschützt und gepflegt werden können. Die Beschreibung ergänzt die als Heft 33/2012 in der Schriftenreihe erschienene Studie »Historische Kulturlandschaften Sachsens«.

Diplomová práce Kolektivizace zemědělství a její promítnutí do krajiny ABSTRACT I searched changes in the cultural landscape structure in the relation with social processes in the time period 1937-2010 in my thesis. The research refers to the second half of 20th century, or more precisely, to the era of collectivization of Czechoslovak agriculture. In consequence of collectivization, the landscape was ecologically devastated and overall the nature of Czech countryside changed. Analysis of the landscape structure has form of case study of cadastral area of Široký Důl. I interpreted landscape changes from historical aerial photos and then analyzed the changes by geographical information systems. The results of those analyses are indicators (landscape metrics), by which I interpreted conditions of landscape in particular time. I confronted the changes in the landscape structure with social processes, which are described in theoretical part of thesis according to background research. Result of my thesis is general story of particular landscape, whose structure changed fundamentally in consequence of collectivization of agriculture. Key words: landscape structure, collectivization, landscape metrics, GIS, cultural landscape, aerial photos, Široký Důl

The graduation thesis is focused on the phenomenon of Embellishment and by using a case study particulary researches the Association for Embellishment in Jílové u Prahy. The subject of my study is related character of former and present Association. Using a semi-structured interview process, I have attempted to find out how important local cultural tradition is for civic members and how far it is only a formal pattern for resumption of association's activities after 1989. I also tried to determine how the present Association deals with a current environmental issues and how it is used in practice.

Ce travail vise à comprendre comment, dans un espace de guerre, la Palestine, construit un processus de patrimonialisation. Il dévoile les nombreux acteurs de la patrimonialisation ainsi que les stratégies mises en œuvre dans un contexte identitaire compliqué et souvent dramatique. Dans le cadre du travail, le projet de rénovation de la ville d’Al-Khalil illustre, chez les Palestiniens, cette volonté d’affirmation identitaire dans un espace menacé brisé par les guerres, le déplacement et la dépossession par l’occupant israélien. Le patrimoine est lié à la convergence de trois affirmations : identité, territoire et souveraineté. Ici, géographie historique et élaboration d’une conscience patrimoniale sont intimement liées et contribuent à exprimer fortement le fait national palestinien. / This work aims to understand how Palestine affected by a space war, has launched a processcreating heritage value. It reveals the many actors involved and the strategies implemented in creating acomplex and often dramatic identity. In this framework the renovation project of the city of Al-Khalilillustrates among the Palestinians, the desire to assert identity in an a turbulent landscape shattered bywars, displacement, and dispossession by the Israeli occupation. Heritage relates to the convergence ofthree statements: identity, territory and sovereignty. Here, historical geography and development ofheritage consciousness are intimately linked and contribute to highly express the Palestinian nation.

Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2017-04-05T14:43:15Z No. of bitstreams: 1 ADELITA ARAUJO DE SOUZA.pdf: 236523345 bytes, checksum: 4a78b69647ebd3005329b8ddebf8f3d6 (MD5) / Made available in DSpace on 2017-04-05T14:43:15Z (GMT). No. of bitstreams: 1 ADELITA ARAUJO DE SOUZA.pdf: 236523345 bytes, checksum: 4a78b69647ebd3005329b8ddebf8f3d6 (MD5) Previous issue date: 2017-02-13 / This study aims at demonstrating that the Guaranian culture has its own logic of territorial organization on a local, regional and macro regional scale. In order to do so, this research is grounded in the concept of Cultural Landscape which imposes the potential to provide men with the resources that uphold a given culture to territory. With a view to integrating new ideas and realities, this dissertation traces history back and finds out that even before the European?s arrival, Guarani tribes had already settled down in an organized manner, with a number of territorial bases which remain up to present days. Historical and cartographical analyses reveal that Guarani tribes were successively subject to the superimposition of different means of territorial organization, whether Spanish, Jesuitical, Marquess of Pombal?s, imperial or republican, throughout history; thus hindering and subjecting their own organization to change, while imposing new ways of life which were always incompatible and intolerant to their culture. By identifying such superimpositions, we are able to advocate that the Guarani are neither culturally nomad nor migrating tribes, but have been historically forced to find new wide territories of appropriate environmental complexity where they could restore their own organization and, as a result, their own culture. At present, policies on settlement, integration and social welfare towards the Guarani go on promoting the same binomial superimposition-migration, as they are based on the same principles of replacing values, meanings and ways of life. / Esta pesquisa busca demonstrar que a cultura Guarani possui uma l?gica de organiza??o territorial que alcan?a as escalas locais, regionais e macrorregionais. Para isso utiliza o arcabou?o te?rico do conceito de Paisagem Cultural, que imp?em ao territ?rio a capacidade de oferecer ao homem os recursos que sustentam uma cultura. Com o objetivo de incorporar novas ideias e realidades, a tese recomp?e a hist?ria, observando que mesmo antes da chegada do homem europeu os Guaranis j? se estabeleciam de forma ordenada, com diversos fundamentos territoriais que permanecem at? os dias de hoje. Na an?lise hist?rica e cartogr?fica, ? poss?vel constatar que os Guaranis foram historicamente submetidos a sucessivas sobreposi??es de l?gicas territoriais, seja espanhola, jesu?ta, pombalina, imperial ou republicana, alterando e impedindo sua organiza??o, impondo novas formas de vida, sempre incompat?veis e intolerantes ? sua cultura. Frente a ideias amplamente admitidas, esta pesquisa confirma que os Guaranis tem amplo conhecimento da l?gica territorial, da agricultura e n?o s?o povos n?mades ou migrantes, mas foram historicamente pressionados a encontrar novos territ?rios, com amplitude e complexidade ambiental apropriada, onde pudessem restabelecer sua organiza??o a fim de recompor a sua cultura. Mesmo na atualidade, as a??es de assentamento, integra??o e assist?ncia social aos Guaranis, continuam a promover o mesmo bin?mio de sobreposi??o e migra??o, pois est?o baseados na mesma pol?tica de substitui??o de valores, significados e modos de vida.

Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2017-04-05T17:37:11Z No. of bitstreams: 1 LARISSA DE SOUZA PEREIRA.pdf: 941754 bytes, checksum: 4fbf1c854be53cc92508b237e0184853 (MD5) / Made available in DSpace on 2017-04-05T17:37:11Z (GMT). No. of bitstreams: 1 LARISSA DE SOUZA PEREIRA.pdf: 941754 bytes, checksum: 4fbf1c854be53cc92508b237e0184853 (MD5) Previous issue date: 2017-02-21 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / Pontif?cia Universidade Cat?lica de Campinas ? PUC Campinas / The ensemble of farms located in the south of the state of Minas Gerais, represents a great collection of reminiscences in the formation of the territory from the first attempts of arrival at the gold mines until the affirmation of the region as the most producer of items exported to the Court. The farms are exemplary creators of a rural landscape, which will be analyzed as a spatial representation in the process of construction of the territory and as the generator of the small cities in the region. In analyzing the symbolic values associated with the landscape, it is intended to demonstrate that the protection actions for the set of material and immaterial goods that make up the southern territory of Minas Gerais need to be supported by new parameters of value attribution and new scales of apprehension. Therefore, the central hypothesis is that the cultural landscape of the studied region combines a specific geography with singular natural elements and a significant material and immaterial patrimony that still remains integrated through the reiteration of social practices, over time, whose value can only be measured when the field of apprehension is returned to the history of the formation of the territory and the landscape and not to the significant elements alone. / O conjunto de fazendas localizado no sul do estado de Minas Gerais representa um grande acervo de remanescentes da forma??o do territ?rio desde as primeiras tentativas de chegada ?s minas de ouro at? a afirma??o da regi?o como maior produtora de itens exportados para a Corte. As fazendas s?o exemplares formadores de uma paisagem rural, que ser? analisada como representa??o espacial do processo de constru??o do territ?rio e como geradora das pequenas cidades existentes na regi?o. Ao analisar os valores simb?licos associados ? paisagem, pretende-se demonstrar que as a??es de prote??o para o conjunto de bens materiais e imateriais que comp?em o territ?rio sul mineiro necessitam se apoiar em novos par?metros de atribui??o de valor e novas escalas de apreens?o. Portanto, a hip?tese central ? a de que a paisagem cultural da regi?o estudada combina uma geografia espec?fica, com elementos naturais singulares e um significativo patrim?nio material e imaterial que ainda se mant?m integrado por meio da reitera??o de pr?ticas sociais, ao longo do tempo, cujo valor s? pode ser aferido quando se volta o campo de apreens?o para a hist?ria da forma??o do territ?rio e da paisagem e n?o para os elementos significativos isoladamente.

Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2017-08-31T14:06:29Z No. of bitstreams: 1 LUISA TREVISAN RIBEIRO.pdf: 120094826 bytes, checksum: 5cc8b757bc2034cd2690f505b9075694 (MD5) / Made available in DSpace on 2017-08-31T14:06:29Z (GMT). No. of bitstreams: 1 LUISA TREVISAN RIBEIRO.pdf: 120094826 bytes, checksum: 5cc8b757bc2034cd2690f505b9075694 (MD5) Previous issue date: 2017-06-26 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The research proposes to study the implantation of the Paulista Railway Company and the importance of the line in the formation and configuration of medium and small cities of S?o Paulo, specifically the cities of Vinhedo, Valinhos and Louveira, along the line between Campinas and Jundia?. From the analysis of the remaining railway assets along the line and its relation with the formed urban tissues, it is intended to reflect on the selection and preservation criteria of the cultural heritage. To understand the dynamics that operate in the studied territory, two groups of territorial analysis are developed that cover the three municipalities: the first group presents the urban physical expansions in spots, dated for periods of 20 in 20 years; The second presents the land uses of the Cia. Paulista railway. The analyzes are intended to interweave changes in the territory and the remaining rail heritage in this set of cities, where the railway and its stations formed the whole responsible for the first urbanization of these cities. As a result of this process is obtained the conformation of a characteristic landscape, conformed by the railway axis. For the recognition of these remnants, the analysis of new concepts of protection, such as the cultural landscape and the cultural itinerary, both published by UNESCO, made it possible to note how the preservation, conservation and promotion policies of cultural heritage in the municipal spheres are still fragile and Unprepared to face the preservation of more complex sets. / A pesquisa prop?e-se a estudar a implanta??o da antiga Cia. Paulista de Estradas de Ferro e a import?ncia da linha na forma??o e configura??o das cidades m?dias e pequenas paulistas, especificamente as cidades de Vinhedo, Valinhos e Louveira, do trecho da linha entre Campinas e Jundia?. A partir da an?lise dos patrim?nios ferrovi?rios remanescentes ao longo da linha e sua rela??o com dos tecidos urbanos formados, pretende-se refletir sobre crit?rios de sele??o e preserva??o dos bens. Para entender as din?micas e os fen?menos que atuam no territ?rio estudado, desenvolvem-se dois grupos de an?lise territorial que abrangem os tr?s munic?pios: o primeiro grupo apresenta as expans?es f?sicas urbanas em manchas, datadas por per?odos de 20 em 20 anos; o segundo apresenta os usos do solo do entorno da ferrovia da Cia. Paulista. As an?lises t?m o intuito de entrecruzar as mudan?as ocorridas no territ?rio e o legado ferrovi?rio remanescente neste conjunto de cidades, onde a ferrovia e suas esta??es formavam o conjunto respons?vel pela primeira urbaniza??o destes n?cleos. Como resultado desse processo obt?m-se a conforma??o de uma paisagem caracter?stica, conformada pelo eixo ferrovi?rio. Para a recogni??o destes remanescentes, a an?lise de novos conceitos de prote??o, como a paisagem cultural e o itiner?rio cultural, ambos chancelados pela UNESCO, possibilitou constatar o quanto as pol?ticas de preserva??o, conserva??o e promo??o do patrim?nio cultural nas esferas municipais ainda s?o fr?geis e despreparadas para enfrentar a preserva??o de conjuntos mais complexos.

O trabalho que se apresenta tem como propóstio avaliar o processo de projeto participativo da Casa de Memória em Altamira, cidade do Estado do Pará. A exigência da construção das Casas de Memória, uma na cidade de Altamira e outra na cidade vizinha de Vitória do Xingu, é uma das condicionantes do processo de licenciamento ambiental do empreendimento da construção da Usina Hidrelétrica de Belo Monte. A partir dessa avaliação crítica, expõem-se os desafios, dificuldades, possibilidades, limites e as especificidades do processo de participação no projeto museológico e arquitetônico das Casas de Memória originários do programa de compensação socioambiental. O trabalho não corrobora com a necessidade da construção da usina hidrelétrica de Belo Monte e tampouco com o plano de eletrificação da Amazônia, assume-se aqui que, dada a aprovação da construção da usina as edificações das Casas de Memória, o acervo e as atividades propostas pelo projeto de museologia são uma possibilidade desejável de compensação para a população. Como arquiteto, urbanista e paisagista acredito ser importante o registro e a documentação das transformações, dos valores naturais e culturais da paisagem e da população impactadas. Entendo as Casas de Memória como espaço vivo, animado e apropriado pela população que contribua com a compreensão, o enfrentamento e rsistência frente às transformações e a história da comunidade. A hipótese que se quer provar é de que apenas adotando o processo participativo de trabalho e construção do acervo e do projeto, as casas terão alguma chance de ser concretizada a contento, ou seja, apenas com o envolvimento efetivo da população afetada pela construção da barragem no processo teremos a chance de vê-los apropriem-se do espaço e conotem o valor seimbólico que o espaço remete, caso contrário, o espaço servirá como um museu da cidade que sediará a edificação / The present study aims to evaluate the participatory design process of the Memory House in Altamira, Pará State. The requirement of memory houses construction, one in the city of Altamira and another in the nearby town of Vitória do Xingu, is one of the conditions of the environmental licensing process to the construction of Belo Monte Hydroelectric Plant. Fromthis critical evaluation, i expose challenges, difficulties, possibilities, limits and specificities of the participation in the museum and architectural desing of the memory houses originating from environmental compensation program process. The study does not corroborate the need to build the hydroelectric plant of Belo Monte, nor with the electrification plan of the Amazon. Otherwise, it is assumed here that, give the approval of the construction of the plant, buildings of memory houses, the collection and activities proposed by the museology project is a desirable possibility of compensation for the population. As an architect, urban planner and landscaper designer, I think the registration and documentation of change, natural and cultural values of the landscape and the affected population is important. I understand the memory houses as living space, lively and taken by the population, a space that contributes to the understanding, facing and resistance before the change and the history of the community. The hypothesis we want to prove is taht only by adopting the participatory process of work and construction of the collection and design, the houses will have any chance of being implemented satisfactorily, in other words, only with the effective involvement of the population affected by the dam construction in the process, we will have the chance to see them take the space and understand all the symbolic value that the space refers, otherwise the space will mwerely serve as a city museum which will host the building.