La presente investigación tiene la finalidad de analizar el proceso de traducción por fans hispanoamericanos de la saga Cazadores de Sombras al traducir el libro Reina del aire y la oscuridad (2019) del inglés al español. Los fans traductores, al considerar que las traducciones oficiales previas realizadas por la Editorial Planeta no cumplieron con sus expectativas, optaron por organizarse a través de Facebook para iniciar un proceso de traducción comunitaria en línea, el cual se enfocó en producir un texto de forma rápida, pero sin perjudicar la calidad. Este estudio con enfoque cualitativo profundizará, mediante las técnicas de producción de datos de entrevista y análisis de documentos, en las etapas del proceso de traducción del equipo de fans traductores Shadowhunters contra la Ley, en la relación interna del equipo, y en la relación entre el equipo y la comunidad durante la traducción de la novela de fantasía Reina del aire y la oscuridad. / The present study aims to analyze the translation process of the book Queen of Air and Darkness (2019) of the Shadowhunters saga from English to Spanish by Hispanic fans. The fan translators considered that the previous official translations by Editorial Planeta did not fulfill their expectations. Therefore, they decided to use Facebook to start an online community translation process focused on producing a text in a short time, without compromising its quality. This qualitative study will allow us, through data production techniques such as interviews and document analysis, to learn more about the stages of the translation process of the fan translators team Shadowhunters contra la Ley. Also, it will help us to understand the internal relationship of the team and the relationship between the team and the fandom during the translation of the fantasy novel Queen of Air and Darkness. / Trabajo de investigación

Translation quality assessment remains pertinent in both translation theory and in the industry. Specifically, the process of assessing a target document's quality or a person's translation competence involves a lot of time and money on the part of various governments, organizations and individuals. In response to this issue, this project builds on the ongoing research of Hague et al. (2012), who seek to determine the capabilities of a computerized translation test for the French-to-English and Spanish-to-English language pairs. Specifically, Hague et al. (2012) question whether a good score on a detect-and-correct style computerized translation test that is calculated by a computer also indicates a good score on a traditional full translation test that is calculated by hand. This project seeks to further this research by seeking to answer the same question using an Arabic-to-English language pair. The methods used in this research involve testing individuals using two different style translation tests and then comparing the results. The first style translation test involves a detect-and-correct format where a subject is given a list of project specifications in the form of a translation brief, a source text passage and a corresponding target text passage that has errors introduced throughout. The subject is expected to detect and fix the errors while leaving the rest of the text alone. A score is given for this test using an automated algorithm. The second style test is a traditional translation test where a subject is given the same translation brief and a source text. The subject is expected to produce an acceptable target text, which is subsequently scored by hand. Thereafter, various forms of analysis are used to determine the relationship between the scores of the two types of tests. The results of this research do not strongly suggest that a high score on the detect-and-correct portion of the test indicates a high score on a hand-graded full translation test for the subject population used. However, this research still provides insight, especially concerning whether the detect-and-correct portion of the test actually measures translation competence and concerning second language acquisition (SLA) programs and their intentions. In addition, this research provides insight into logistical issues in testing such as the impact text difficulty and length may have on a detect-and-correct style test as well as the negative impact the American Translators Association (ATA) grading practices of weighting errors and capping errors can have on an experiment such as the one described in this research.

The aim of this study is to explore the stylistic identity of four translators of modern Greek poetry into English and to outline each translator’s distinct stylistic profile. In line with views on the subject expressed by Malmkjær (1996) and Baker (2000) a translator’s profile is seen as being composed by consistent patterns that can be identified throughout their work and which leave their personal mark on the text. A corpus-based methodology is used for the identification and exploration of these patterns, through a Specialized Corpus of English Translations of Modern Greek Poetry (SCETOMGP). This corpus contains translations by Rae Dalven, Kimon Friar, Edmund Keeley & Phillip Sherrard (working in collaboration) and David Connolly. The source-texts are taken from C.P. Cavafy, George Seferis, Yiannis Ritsos and Odysseus Elytis, who were extensively translated during the second half of the 20th century. The main purpose of the corpus is to facilitate direct comparison between the retranslations of the same poem. Such direct comparisons form the core of this study and have the advantage of making the issue of source-text influence on each translator directly observable, alongside their other stylistic traits. A detailed account of the theoretical views or reflections each translator has put forth is also presented. Following Holmes (1994) the translator of poetry is seen here as a meta-poet who requires skills similar to those of a critic and an original poet, and certain skills that are specific only to the translator. Consequently, the translators’ views on issues of language, literature, style and translation not only provide the backdrop for exploring any stylistic patterns found in the texts, but are seen as part of their stylistic profile. The distinguishing stylistic features for each translator are explored in both quantitative and qualitative terms. Overall word frequencies for each translator are examined, the stylistic features that are prominent in each case are identified, and their impact is considered. Special attention is also paid to the way those stylistic features that Boase-Beier (2005) calls ‘universal aspects of literature’ are treated by each translator. The next stage of the study involves the identification and sorting out of the patterns of stylistic features that consistently manifest in a translator’s work and examining how these patterns relate to their theoretical views and reflections. In the final stage, the stylistic profile of each translator is compiled by complementing the textual and contextual data together with each translator’s use of paratexts and extra-textual material.

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El presente artículo explora las experiencias de trabajo y percepciones individuales en relación con la subtitulación interlingüística de un conjunto de profesionales de Lima, Perú. El estudio se realizó a partir de métodos cualitativos: doce entrevistas semiestructuradas a cuatro grupos de participantes — empresas y profesionales de traducción, y empresas y profesionales de comunicación audiovisual—. Aunque los participantes asumen que la subtitulación no tiene un mercado establecido en la capital peruana, opinan que se trata de un nicho con una demanda en crecimiento. Asimismo, existe una diferencia respecto al modo de trabajo de las empresas y profesionales de traducción y de comunicación audiovisual, concretamente, en las etapas del proceso de subtitulación y el uso de protocolos, además de otros criterios para asegurar la calidad del servicio. / The following article explores the work experiences and individual perceptions of a group of professionals from Lima (Peru) regarding interlingual subtitling. Such study was conducted using qualitative methods. A total of twelve semi-structured interviews were made, including four groups of participants: companies and professionals of the translation field, as well as companies and professionals of the audiovisual communication field. Although participants believe that subtitling does not have an established market in the Peruvian capital, they do think that it is a niche with a growing demand. Likewise, there is also a distinction between the way translation and audiovisual companies and professionals work, particularly with regard to the subtitling process and the use of guidelines, as well as other criteria used to ensure the quality of the service. / Revisión por pares

The focus of this paper is on university webpages and the translation of these. With the help of existing translation strategies, it aims to map out the strategies used in Swedish web pages in English with a focus on names and words/expressions for which there are no direct equivalents in English. The study shows that the most common strategies regarding the translation of names were translating word for word and using the nearest equivalent. Regarding language-specific expressions, the most common strategies were using cultural equivalents and reduction. Not surprisingly, additions in the text were most often matters of importance to an international audience, and the most common omissions were matters that only had a local interest.

The thesis looks into the practice of song translation, which occupies a peripheral position in translation studies (TS) despite its commonplace occurrence and significant impact on the global spread of songs. Foreign songs enjoy enormous appeal in China, where different methods have been adopted to translate them with the aim of enhancing listeners’ full reception. In particular, the practice of writing Chinese lyrics anew and setting them to the foreign tunes regardless of the semantic relationship between the source text (ST) and the target text (TT) has proliferated over the past decades. Some translated songs capture the gist of the original lyrics omitting minor details whereas some sever their relations with the original. This blurs the boundaries between translation, adaptation and rewriting lyrics. Another noticeable phenomenon is the emergence of self-organising communities, whose involvement in translating song lyrics and circulating subtitled music videos (MVs) cannot be overlooked in today’s digital landscape. Song translation can be understood as a field with its own “rules of the game” and exchange of different forms of capital following a Bourdieusian perspective. Adopting a case study methodology, the thesis investigates the particular field of song translation with special reference to the translation practices of a veteran song translator named Xue Fan 薛范, online amateur translators, and a professional lyricist from Hong Kong called Albert Leung 林夕. These case studies have been conducted for providing an in-depth analysis of China’s song translation activities through time and the dynamics of the power relations in the field. To translate a song from one language and culture into another invariably involves the losses and gains of certain elements, given the song’s semiotic richness. Against this backdrop, the thesis attempts to examine how the interplay of different meaning-making modes in a song has been dealt with by different agents under various circumstances through close examination of the relationship between STs and TTs. This will allow a better understanding of the production, circulation and reception of song translations in respective historical, ideological and social contexts. It is hoped that the thesis can provide new insights into our understanding of ‘translation’ in relation to music, and further shed light on how translation evolves at the convergence of music and technology in the globalisation era.

Automatic translation tools have facilitated navigating multilingual contexts, by providing accessible shortcuts for gathering, processing, and spreading information. As language technologies become more widely used and deployed on a large scale, however, their societal impact has sparked concern both within and outside the research community. This thesis adresses gender bias affecting Machine Translation (MT) and Speech Translation (ST) models. It contributes to this pressing area of research with an interdisciplinary perspective, to raise awareness of bias, improve the understanding of the phenomenon, and investigate best practices and methods to unveil and mitigate it in translation systems.

Audiovisual Translation (AVT) is a field where Machine Translation (MT) has long found limited success mainly due to the multimodal nature of the source and the formal requirements of the target text. Subtitling is the predominant AVT type, quickly and easily providing access to the vast amounts of audiovisual content becoming available daily. Automation in subtitling has so far focused on MT systems which translate source language subtitles, already transcribed and timed by humans. With recent developments in speech translation (ST), the time is ripe for extended automation in subtitling, with end-to-end solutions for obtaining target language subtitles directly from the source speech. In this thesis, we address the key steps for accomplishing the new paradigm of automatic subtitling: data, models and evaluation. First, we address the lack of representative data by compiling MuST-Cinema, a speech-to-subtitles corpus. Segmenter models trained on MuST-Cinema accurately split sentences into subtitles, and enable automatic data augmentation techniques. Having representative data at hand, we move to developing direct ST models for three scenarios: offline subtitling, dual subtitling, live subtitling. Lastly, we propose methods for evaluating subtitle-specific aspects, such as metrics for subtitle segmentation, a product- and process-based exploration of the effect of spotting changes in the subtitle post-editing process, and finally, a comprehensive survey on subtitlers' user experience and views on automatic subtitling. Our findings show the potential of speech technologies for extending automation in subtitling to provide multilingual access to information and communication.

The purpose of this thesis is to introduce a young Mexican dramatist and to situate his plays within the context of contemporary Mexican theater, highlighting how Alejandro Ricano's work reflects and differs from his theatrical heritage. Later in the introduction, I describe the theoretical framework and the process that I followed in translating Idiots Contemplating the Snow. / Master of Arts