The study of foresight methodology has traditionally focused on the anticipation and development of future scenarios. It is somewhat surprising that, despite the impact that the advice generated with foresight may have had on Research and Innovation(R&I) policy action, the analysis of the process whereby foresight actually creates policy recommendations has so far been ignored in the literature. This thesis explores this process, trying to identify those elements that have a greater influence in the final advice characteristics. The research draws on the study of two European cases, which are analysed with very different methods. The first case is addressed with critical discourse analysis, which constitutes a methodological innovation in the area of foresight evaluation. The second case is explored through action research, which facilitated an in-depth examination of the foresight process and an exhaustive tracking of the activities that gave rise to the final recommendations. In both cases special attention is paid to the role and utility of future anticipation. The combination of these methods helped in understanding: the effect that repositioning advisors’ mindsets in highly transformed futures has in the volume and originality of the insights generated, the importance of achieving a balanced representation of the R&I actors in the discussion groups, and the relevance that argumentation has in the formation of final advice. Understanding these factors would contribute to improve the quality and consistency of foresight advice discourses, thus augmenting their possibilities for acceptance and implementation by policy makers.

Orientador: Fadel David Antonio Filho / Banca: Andréa Coelho Lastória / Banca: Maria Augusta H. Wurthmann Ribeiro / Este trabalho tem como objetivo apresentar uma análise comparativa entre diferentes tipos de texto - literário e didático - a partir das imagens que elaboramos e/ou evocamos e que resultam da interpretação dos mesmos. Tomamos como referencial em nossa análise o homem, presente tanto na obra literária "Os Sertões", de Euclides da Cunha, como nas apostilas de Geografia, Ensino Médio, do Programa de Educação à Distância Telecurso 2000 (TC 2000). Como resultado da análise temos os "tipos humanos", que possibilitam a busca pelo entendimento de imagens que, revelando suas diferenças, revelam também diferentes visões do mundo na atual realidade. / This work has objective presents a comparative analysis among different text types - literary and didactic - starting from the images that we elaborated and/or we evoked and they result of the interpretation of the same ones. We took as referencial in our analysis the man, presents so much in the literary work "Os Sertões", of Euclides da Cunha, as in the study aids of Geography, Medium Teaching, of the Program of Education at the Distance Telecurso 2000 (TC 2000). A result of the analysis we have the "human types", that your possibility us the search for the understanding of images that, revealing their differences, they also reveal different visions of the world in the current reality. / Mestre

abstract: Sustainability visioning (i.e. the construction of sustainable future states) is considered an important component of sustainability research, for instance, in transformational sustainability science or in planning for urban sustainability. Visioning frees sustainability research from the dominant focus on analyzing problem constellations and opens it towards positive contributions to social innovation and transformation. Calls are repeatedly made for visions that can guide us towards sustainable futures. Scattered across a broad range of fields (i.e. business, non-government organization, land-use management, natural resource management, sustainability science, urban and regional planning) are an abundance of visioning studies. However, among the few evaluative studies in the literature there are apparent deficits in both the research and practice of visioning that curtails our expectations and prospects of realizing process-based and product-derived outcomes. These deficits suggests that calls instead should focus on the development of applied and theoretical understanding of crafting sustainability visions, enhancing the rigor and robustness of visioning methodology, and on integrating practice, research, and education for collaborative sustainability visioning. From an analysis of prominent visioning and sustainability visioning studies in the literature, this dissertation articulates what is sustainability visioning and synthesizes a conceptual framework for criteria-based design and evaluation of sustainability visioning studies. While current visioning methodologies comply with some of these guidelines, none adhere to all of them. From this research, a novel sustainability visioning methodology is designed to address this gap to craft visions that are shared, systemic, principles-based, action-oriented, relevant, and creative (i.e. SPARC visioning methodology) and evaluated across all quality criteria. Empirical studies were conducted to test and apply the conceptual and methodological frameworks -- with an emphasis on enhancing the rigor and robustness in real world visioning processes for urban planning and teaching sustainability competencies. In-depth descriptions of the collaborative visioning studies demonstrate tangible outcomes for: (a) implementing the above sustainability visioning methodology, including evaluative procedures; (b) adopting meaningful interactive engagement procedures; (c) integrating advanced analytical modeling, sustainability appraisal, and creativity enhancing procedures; and (d) developing perspective and methodological capacity for long-range sustainability planning. / Dissertation/Thesis / Ph.D. Sustainability 2013

This thesis explores the importance of the visionary experience in five novels by Virginia Woolf. In her fiction, Woolf portrays the phenomenal world as constantly changing and she uses the cycles of nature and the passing of time as a terrifying backdrop against which the mutability and transience of human life are set. Faced with the inevitability of change and the fact of mortality, the individual seeks moments of permanence. These stand in opposition to flux and lead to the experience of a visionary intensity. Woolf's presentation of time as a qualitative phenomenon and her stress on the importance of memory as a function which allows for the intermingling of past and present make possible the narrative rendering of moments which contradict perpetual change and the rigours of sequential time. Moments of stillness 'occur in the midst of and in spite of process and allow for individual contact with an experience that defies the relentless progression of time. Necessary for this experience is not only memory but also the imagination, a faculty which has the power to perceive patterns of harmony in the midst of the chaos that characterises the phenomenal realm. Fundamental to Woolf's writing, however, is the acknowledgement that visions are fleeting, as are the glimpses of meaning that emerge from them. Therefore, while several of her novels describe the artistic effort to create a structured order as a defense against change, Woolf uses the artist's struggle as a metaphor for the difficulties attached to describing the enigma that is life. None of her artist figures is able to formulate a construction that either sums up life or provides a permanence of vision. This study presents a chronological examination of the novels in order to demonstrate that the changing forms of Woolf's fiction trace the evolution of a style that accurately portrays both the workings of the human mind and the insubstantial and fragmentary nature of life. The chronology also reveals that her novels develop in terms of their presentations of the visionary experience. Woolf's final novel incorporates into its central vision the paradoxical fact of the permanence of time's progression and acknowledges that, beyond the individually mutable life, is a continuum that links pre-history to the future. This notion, which is explored in part in the earlier novels, but developed completely in Between the Acts, suggests that consolation can be found in the greater cycles of existence despite the fact of individual mortality.

<p>The Virgin Mary reportedly began to appear at Greensides Farm, just outside the village of Marmora, Ontario, Canada, in 1992. She continues to appear to three central visionaries at the pilgrimage shrine. Catholic pilgrims come from around the world to pray, many of them with the hope of seeing Mary or experiencing a miracle. Countless pilgrims claim to have received spiritual, emotional, or physical healing through their miraculous experiences, events which they attribute to the power of the Holy Spirit. I argue that contestation is present at the Marmora pilgrimage shrine and occurs over symbols embedded in the activities of individuals and different Catholic groups. Communitas also exists at Marmora through the shrine's liminality, but it is normative communitas, and not spontaneous communitas, because the pilgrimage is structured by outside social, political, and religious influences. Further to this point, most pilgrims retain their status in everyday life at the shrine, and some pilgrims (namely the visionaries) obtain a heightened status that transfers into their mundane lives. My research indicates that contestation and communitas among both pilgrims and Catholic groups affect each individual's interpretation of their pilgrimage experience at Marmora, just as individuals' interpretations of their own background and knowledge inform their experiences of contestation and communitas. An analysis of pilgrims' miracle and healing narratives demonstrates that it is important to explore individuals' interpretations of their pilgrimage experience, as the journey can have tangible effects on a pilgrim's mental, emotional, spiritual, and physical well-being </p> / Thesis / Master of Arts (MA)

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The focus of this thesis is the Visio Baronti (VB), an account of a seventh-century monk's journey to the other world. This text serves as a metaphoric fulcrum to support a more extensive study of early medieval conceptions of the other world and the historical context in which visionary accounts were produced. Chapter 1 contains an introduction to ideas of the other world, a survey of types of visionary experiences, their uses, imitations and historiographical responses to them. Chapter 2 focuses on medieval and modern responses to visions. This chapter includes a survey of the terminology for dreams and visions found in theoretical writings, compares dream theory with otherworld visions and identifies medieval methods of determining the validity of a visionary experience. Chapter 3 investigates the manuscript tradition of the VB, in order to illuminate medieval receptions and treatments of this text. Because the text appears unusual for the seventh century, chapter 4 provides an analysis of the grounds for dating the VB to the seventh century, while chapter 5 treats the VB in its seventh-century monastic context and assesses what influences shaped this text. Chapter 6 compares Barontus's vision with ninth-century visions and other Carolingian writings to consider Carolingian interest in the VB in light of their contributions to the genre. Chapter 7 examines the artistic response to this text through an examination of the illustrations which accompany the text in the ninth-century St Petersburg manuscript. A brief conclusion to this study follows.

Quelles sont les caractéristiques d’une théologie issue de la mystique ? Telle est la question à laquelle nous tenterons de répondre à partir d’un cas particulier, celui des Showings de Julian de Norwich (XIVe-XVe s.). La version longue de cet opus nous permet d’observer un phénomène d’amplification et d’élaboration qui touche les domaines de l’anthropologie, de la christologie et de la théologie trinitaire. Puisant dans l’expérience vive, le propos théologique de Julian est traversé des affects liés à ce vécu. Julian parle de Dieu en ne cessant de parler à Dieu et en établissant avec ses « semblables dans le Christ » une communauté émotionnelle et noétique. Mais une expérience mystique ne donne pas forcément lieu à une théologie mystique au sens où l’entendent le Pseudo-Denys et Jean Gerson. C’est plutôt à une théologie prophétique et visionnaire que nous avons à faire, qui assume pleinement son caractère partiel, situé. Nous nous trouvons ici à un tournant de l’histoire de la théologie et de la spiritualité qui voit l’émergence de deux domaines séparés, celui de la théologie scolastique ou universitaire et celui de la spiritualité, là où la patristique témoignait d’une profonde unité. Les différentes méthodologies mises en œuvre dans cette recherche sont au service d’une étude qui se situe tout à la fois dans le champ de la théologie et de l’histoire de la spiritualité. / What are the main characteristics of a theology stemming from a mystic experience ? This thesis attempts to answer this question by examining an individual case, that of The Showings of Julian of Norwich (C14th- C15th). The Long Text of this opus enables us to observe a development in the fields of anthropology, Christology and Trinitarian theology. Firmly rooted in her experience of life, Julian’s theological discourse is interwoven with the emotions drawn from that experience. Julian speaks about God in speaking to God and in establishing with her « fellow Christians » an emotional and noetic community. But a mystical experience does not automatically give birth to a mystical theology as understood by Pseudo-Dionysius and Jean Gerson. We are rather in the presence of a prophetical and visionary theology that is fully conscious of its partial, limited, and contextualised nature. We find ourselves at a turning-point in the history of theology and spirituality, which sees the emergence of two separate fields that of scholastic theology and that of spirituality, where previously patristic theology bore witness to a profound unity. The different methodologies used in this research are in the service of a study within two distinct fields : those of theology and the history of spirituality.

This thesis examines the dissemination of visions of the otherworld in the long thirteenth century (c.1150-1321) by analysing the work of one enthusiast for such visions, Helinand of Froidmont, and studying the later transmission of three, contrasting accounts: the vision of the monk of Eynsham (c.1196), the vision of St. Fursa (c.656) and the vision of Gunthelm (s.xiiex). It relies on a close reading and comparison of different versions of these visions as they appear in exempla collections, religious miscellanies, history chronicles and sermons. In considering the process of redaction, it corrects two imbalances in the recent scholarship: a focus on searching for, then discussing ‘authorial’ versions of the narratives and a tendency among students of literature to treat visions of the otherworld as an independent sub-genre, prefiguring Dante’s later masterpiece. Instead, by looking at the different responses of a number of authors and compilers to visions of the otherworld, this thesis shows how they interacted with other elements of religious culture. On one hand it reveals how all medieval editors altered the narratives that they inherited to fit the needs and rules of genre. These rules had an important influence on how visions were spread and received by different audiences. On the other, it explains how individual authors demonstrated personal or communal theological and political motivation for altering visions. In doing so, it notes a divergence in the way that older monastic communities and travelling preachers responded to the stories. By explaining these variations, this study uncovers a range of complex reactions to trends in thirteenth-century eschatology (particularly the development of the doctrine of Purgatory) and how they interacted with wider religious concerns such as pastoral care. Finally, it shows how an examination of the pattern of a vision’s dissemination can lead to a re-consideration of the earlier texts themselves and the religious milieu from which they emerged.

A desirable future critically depends on our ability to ensure the supply of key resources while simultaneously respecting planetary boundaries. This paper looks at the potential implications of living within the "safe operating space" for people, business and the economy. It develops a positive vision of the future based on three pillars: a safe and fair use of global resources, a sustainable society, and a transformed economy.We review and build on recent sustainability visions to develop a holistic reflection on what life in 2050 could look like, and explore the key changes in the economy needed to get there. In particular we show that resource efficiency requires a systemic shift in values, innovation, governance and management regimes. We present a bold vision for Europe underlined by indicators and targets, explore transition challenges to getting there and conclude with a list of key policies needed for overcoming challenges and reaching the vision. (authors' abstract)