梁建輝. / 稿本(據電腦打印本複印) / Thesis (M.A.)--香港中文大學硏究院中國語文學部. / Gao ben (Ju dian nao da yin ben fu yin) / Includes bibliographical references (leaves 305-323). / Liang Jianhui. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu. / Chapter 第一章 --- 緒論 --- p.1-26 / Chapter 第一節 --- 硏究本題的目的 --- p.1-11 / Chapter 第二節 --- 硏究本題的困難 --- p.11-15 / Chapter 第三節 --- 硏究本題的方法 --- p.15-18 / 注釋 --- p.19-26 / Chapter 第二章 --- 王充、劉勰論文的基本前提 --- p.27-78 / Chapter 第一節 --- 「文」的意義 --- p.27-54 / 注釋 --- p.55-60 / Chapter 第二節 --- 「文」的功能 --- p.61-76 / 注釋 --- p.77-78 / Chapter 第三章 --- 王充、劉勰的文體論 --- p.79-155 / Chapter 第一節 --- 論「武頌」 --- p.79-105 / 注釋 --- p.106-110 / Chapter 第二節 --- 論「史傳」 --- p.111-123 / 注釋 --- p.124-126 / Chapter 第三節 --- 論「諸子」 --- p.127-135 / 注釋 --- p.136-139 / Chapter 第四節 --- 論「論¨®Ơ」 --- p.140-153 / 注釋 --- p.154-155 / Chapter 第四章 --- 王充、劉勰的創作論 --- p.156-245 / Chapter 第一節 --- 論「模擬」 --- p.156-178 / 注釋 --- p.179-183 / Chapter 第二節 --- 論「言意」 --- p.184-193 / 注釋 --- p.194 / Chapter 第三節 --- 論「夸飾」 --- p.195-220 / 注釋 --- p.221-227 / Chapter 第四節 --- 論「繁簡」 --- p.228-242 / 注釋 --- p.243-245 / Chapter 第五章 --- 王充、劉勰的批評論 --- p.246-297 / Chapter 第一節 --- 論「奇」 --- p.246-267 / 注釋 --- p.268-272 / Chapter 第二節 --- 論「古」、「今」 --- p.273-292 / 注釋 --- p.293-297 / Chapter 第六章 --- 結語 --- p.298-304 / Chapter 第一節 --- 綜論王充、劉勰論文觀點的異同 --- p.298-301 / Chapter 第二節 --- 對漢魏六朝文論發展的一些假設 --- p.301-303 / 注釋 --- p.304 / 參考書目 --- p.305-323

莫潤棣. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 156-162). / 附中英文摘要. / Mo Rundi. / Lun wen (zhe xue shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves 156-162). / Fu Zhong Ying wen zhai yao. / 前言 --- p.i-ii / Chapter 第一章 --- 謝蘭生的生平 --- p.1 / Chapter 第一節 --- 生卒年考 --- p.1 / Chapter 第二節 --- 家學淵源 --- p.4 / Chapter 第三節 --- 仕途 --- p.6 / Chapter 第四節 --- 貢獻 --- p.9 / Chapter 第二章 --- 謝蘭生與廣東書畫收藏家的關係及鑑賞經驗 --- p.16 / Chapter 第一節 --- 書畫鑑藏來源 --- p.18 / Chapter 第二節 --- 謝蘭生與廣東三大書畫收藏家 --- p.19 / Chapter 一. --- 與吳榮光的關係 --- p.19 / Chapter 二. --- 與葉夢龍的關係 --- p.22 / Chapter 三. --- 與潘正煒的關係 --- p.24 / Chapter 第三節 --- 謝蘭生與其他廣東書畫收藏家 --- p.27 / Chapter 第四節 --- 小結 --- p.30 / Chapter 第三章 --- 謝蘭生的創作態度 --- p.37 / Chapter 第一節 --- 筆墨遊戲 --- p.38 / Chapter 第二節 --- 應酬作品 --- p.41 / Chapter 第三節 --- 創作要求 --- p.43 / Chapter 第四節 --- 小結 --- p.44 / Chapter 第四章 --- 謝蘭生的繪畫藝術 --- p.48 / Chapter 第一節 --- 謝蘭生對繪畫的興趣 --- p.48 / Chapter 第二節 --- 畫學淵源及畫學思想 --- p.49 / Chapter 一. --- 家庭的培育 --- p.49 / Chapter 二. --- 繪畫風格的取向 --- p.51 / Chapter 三. --- 對元代畫家的推崇 --- p.52 / Chapter 四. --- 對明代畫家的學習 --- p.53 / Chapter 五. --- 對同朝畫人的賞識 --- p.55 / Chapter 六. --- 小結 --- p.57 / Chapter 第三節 --- 謝蘭生繪畫風格分析 --- p.57 / Chapter 一. --- 傳世的謝蘭生繪畫作品 --- p.57 / Chapter 二. --- 早期的作品 --- p.59 / Chapter 三. --- 成熟期的作品 --- p.63 / Chapter 四. --- 小品風格 --- p.67 / Chapter 五. --- 小結 --- p.69 / Chapter 第五章 --- 謝蘭生的書法藝術與書法理論 --- p.75 / Chapter 第一節 --- 書學淵源及書學知識 --- p.75 / Chapter 第二節 --- 書法創作 --- p.80 / Chapter 一. --- 楷書面貌 --- p.80 / Chapter 二. --- 行書面貌 --- p.85 / Chapter 三. --- 隸書面貌 --- p.87 / Chapter 四. --- 小結 --- p.89 / Chapter 第三節 --- 書學理論 --- p.89 / Chapter 一. --- 《書訣》來源及目的 --- p.90 / Chapter 二. --- 《書訣》書法技巧 --- p.92 / Chapter 三. --- 《書訣》心身修養 --- p.97 / Chapter 四. --- 小結 --- p.98 / 附錄一 謝蘭生簡譜 --- p.103 / 附錄二 謝蘭生《常惺惺齋書畫題跋》目錄 --- p.108 / 附錄三 謝蘭生《常惺惺齋書畫題跋》畫家分類 --- p.119 / 附錄四 謝蘭生《書訣》 --- p.122 / 附錄五 道光四年(1824)謝蘭生曾鑑賞之書畫 --- p.125 / 附錄六 道光四年(1824)謝蘭生書畫創作 --- p.128 / 附錄七 道光九年(1829)謝蘭生曾鑑賞之書畫 --- p.134 / 附錄八 道光九年(1829)謝蘭生書畫創作 --- p.137 / 附錄九 謝蘭生作品知見錄 --- p.146 / 主要參考書目 --- p.156 / 圖錄及圖版

Cette thèse porte sur l’iconographie de la Crucifixion dans les peintures murales carolingiennes entre le IXe et le début du XIe siècle. Pivot dans la pensée chrétienne par sa portée dogmatique, la Crucifixion reste cependant peu représentée dans l’Occident latin jusqu’au milieu du VIIIe siècle. La période carolingienne marque, de fait, un tournant décisif où la Crucifixion s’affiche progressivement sur tous les supports et à travers des techniques différentes, en même temps que l’iconographie tend à se cristalliser. Nous appuyant sur une documentation comptant treize décors peints entre le IXe et le début XIe siècle et répartis dans les anciennes limites de l’Empire carolingien et ses marges, notre étude vise à analyser ce thème dans l’art monumental, peu étudié jusqu’alors. Outre la persistance de formes au-delà de la chute de l’Empire et des frontières politiques, les peintures recensées mettent en évidence le recours à une construction visuelle tributaire de traditions diverses – en premier lieu textuelles – permettant d’exalter la divinité du Christ sur la croix, mais aussi d’insister davantage sur son humanité souffrante. Ces choix iconographiques font écho à l’orientation théologique qui se manifeste sous le règne de Charlemagne et de ses successeurs et au sein de laquelle la Croix et le Crucifié occupent une place majeure. Mais, bien plus que de réserver notre analyse au cadre de l’image, il s’agit également de dépasser le champ figuratif pour prendre en compte l’environnement spatial et cultuel de la Crucifixion, et ce, afin d’envisager les lectures de ce décor dans l’espace qui lui est imparti. En étant peinte sur la paroi de l’édifice religieux, la peinture fait partie non seulement du décorum de l’édifice cultuel, mais participe parfois également aux rites qu’elle encadre. Ainsi, à la lumière des sources exégétiques et liturgiques, il convient de replacer le décor dans la scénographie dans laquelle elle s’inscrit. Souvent associée à un autel (majeur ou secondaire), voire à des fonts baptismaux, la Crucifixion s’inscrit bien souvent dans des temps rituels spécifiques ou des pratiques dévotionnelles qui témoignent d’une transformation du sentiment religieux à l’égard de la Passion et de ses représentations. / This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting between the 9th and the beginning of the 11th century. Pivot in the Christian thought with its dogmatic scope, the Crucifixion remains however poorly represented in the Latin West until the middle of the 8th century. Actually, the Carolingian period is a decisive turning point when the Crucifixion displays gradually on all the supports and through different technics, at the same time as the iconography tends to be crystallized. Based on a documentation composed of thirteen decorations painted between the 9th and the beginning of the 11th century and distributed in the former limits of the Carolingian Empire and its margins, our study aims at analyzing this subject in the monumental art, poorly studied yet. Besides the obstinacy of forms beyond the fall of the Roman Empire and the political limits, the paintings listed highlight the appeal to a visual construction due to diverse traditions - first of all textual - allowing to exalt the Christ's divinity on the cross, but also to insist more on his suffering humanity. These iconographic choices comes from the theological shifting under the reign of Charlemagne and his successors. At this time, the Cross and the Crucified occupy a major place. However, this analysis exceeds the figurative meaning, in the way to consider the spatial and religious environment of the Crucifixion and clarify the readings of the decoration within its own space. Painted on the religious buildings’ walls, images are a part of the decorum. Moreover, based on exegetical and liturgical sources, we can argue that the paintings are sometimes used to the scenography of rites. Often associated with an altar (major or secondary), even in baptismal fonts, the Crucifixion seats in specific ritual times or devotional practices testifying of a transformation of the religious feeling towards the Passion and its representations.

Zhang Yanan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 93-95). / Abstracts in English and Chinese. / Acknowledgement / Chapter Chapter One --- Introduction --- p.1 / Chapter Chapter Two --- Literature Review --- p.6 / Chapter Chapter Three --- Methodology --- p.26 / Chapter Chapter Four --- Introduction of the Beijing Municipal Lawyers' Association (BMLA) and its Professional Supervisory Agency: the Beijing Municipal Beijing Municipal Bureau of Justice --- p.29 / Chapter Chapter Five --- Power BMLA enjoys in Professional Education and Training --- p.36 / Chapter Chapter Six --- Power BMLA enjoys in Community Code-making and Culture Building --- p.50 / Chapter Chapter Seven --- Power BMLA enjoys in Participating in Social Activities --- p.63 / Chapter Chapter Eight --- Power BMLA enjoys in Professional Autonomy --- p.77 / Chapter Chapter Nine --- Conclusion --- p.83 / References --- p.92 / Appendix

李鳳琼. / "2005年12月" / 論文(哲學碩士)--香港中文大學, 2005. / 參考文獻(leaves 147-155). / "2005 nian 12 yue" / Abstracts also in English. / Li Fengqiong. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (leaves 147-155). / Chapter 第一章 --- 緒論 --- p.4 / Chapter 第一節 --- 硏究範圍 --- p.4 / Chapter 第二節 --- 硏究目的及意義 --- p.6 / Chapter 第三節 --- 硏究方法 --- p.10 / Chapter 第二章 --- 「三調之正聲」與「韶夏之鄭曲」 一一劉勰論曹操與當時文體之革新 --- p.11 / Chapter 第一節 --- 「區別部類」´ؤ´ؤ《文心雕龍》上篇區分和序列文體的背景與實踐 --- p.12 / Chapter 2.1.1 --- 魏晉南北朝辨析文體的風氣 --- p.12 / Chapter 2.1.2 --- 《文心雕龍》的文、筆二分法 --- p.16 / Chapter 第二節 --- 「務先大體，鑒必窮源」´ؤ´ؤ《文心雕龍》處理文體的原則 --- p.20 / Chapter 第三節 --- 《文心雕龍´Ø樂府》篇與曹操樂府眾作 --- p.23 / Chapter 2.3.1 --- 《文心雕龍´Ø樂府》篇在書中之地位 --- p.23 / Chapter 2.3.2 --- 樂府之「大體」 --- p.25 / Chapter 2.3.3 --- 詩與樂府的「大體」比較 --- p.29 / Chapter 2.3.4 --- 《文心雕龍´Ø樂府》篇的評論對象 --- p.33 / Chapter 2.3.5 --- 曹操雅好音樂 --- p.36 / Chapter 2.3.5.1 --- 音樂類型 --- p.39 / Chapter 2.3.5.2 --- 集結音樂人才與推動鄴下制樂 --- p.44 / Chapter 2.3.6 --- 曹操「傷羈戍」之作 --- p.47 / Chapter 2.3.6.1 --- 〈苦寒行〉 --- p.48 / Chapter 2.3.6.2 --- 〈薤露〉 --- p.52 / Chapter 2.3.6.3 --- 〈蒿里行〉 --- p.55 / Chapter 2.3.7 --- 曹操「傷羈戍」之作與漢樂府同題之作比較 --- p.58 / Chapter 2.3.8 --- 曹操於樂府創作的革新 --- p.59 / Chapter 2.3.8.1 --- 音樂 --- p.60 / Chapter 2.3.8.2 --- 題材 --- p.60 / Chapter 2.3.8.3 --- 語言風格 --- p.62 / Chapter 2.3.8.4 --- 叙事角度 --- p.63 / Chapter 2.3.8.5 --- 主題與功能 --- p.66 / Chapter 2.3.8.6 --- 小結 --- p.67 / Chapter 第四節 --- 劉勰對曹操革新文體之功的評價 --- p.68 / Chapter 2.4. 1 --- 有關曹操樂府作品與鄴下樂府創作的論析 --- p.68 / Chapter 2.4.2 --- 有關曹操革新詔策與章表的論析 --- p.77 / Chapter 2.4.3 --- 小結 --- p.79 / Chapter 第三章 --- 「相王之尊，雅愛詩章」 一一劉勰論曹操與鄴下文風之振興 --- p.80 / Chapter 第一節 --- 劉勰論曹操在鄴下文風之振興中所擔當的角色與發揮的功能 --- p.81 / Chapter 3.1.1 --- 劉勰論「抑丕揚植」的舊談 --- p.82 / Chapter 3.1.2 --- 劉勰論曹丕 --- p.83 / Chapter 3.1.3 --- 劉勰論曹植 --- p.84 / Chapter 3.1.4 --- 曹氏父子的角色與功能 --- p.88 / Chapter 第二節 --- 劉勰論曹操雲集文士 --- p.92 / Chapter 3.2.1 --- 曹操創造安定的創作環境 --- p.92 / Chapter 3.2.2 --- 曹操雅愛文學與禮遇文士 --- p.93 / Chapter 3.2.3 --- 鄴下文士的自由選擇與歸附 --- p.95 / Chapter 3.2.3.1 --- 文士之歸附 --- p.96 / Chapter 3.2.3.2 --- 平等禮遇 --- p.104 / Chapter 3.2.4 --- 曹操對「文才」的賞識 --- p.105 / Chapter 3.2.4.1 --- 鄴下諸子立功的理想 --- p.106 / Chapter 3.2.4.2 --- 鄴下諸子的實際才能 --- p.108 / Chapter 3.2.4.3 --- 文學自覺時代與曹操對文學價値的認知 --- p.110 / Chapter 3.2.5 --- 本節小結 --- p.114 / Chapter 第三節 --- 劉勰論曹操與鄴下創作 --- p.115 / Chapter 3.3.1 --- 劉勰論鄴下作家的創作情態 --- p.117 / Chapter 3.3.1.1 --- 孤獨無偶之苦 --- p.118 / Chapter 3.3.1.2 --- 見知的欣喜 --- p.119 / Chapter 3.3.1.3 --- 六朝擬建安詩的題材 --- p.123 / Chapter 3.3.2 --- 鄴下作品的特色 --- p.128 / Chapter 3.3.3 --- 鄴下作品的風格 --- p.129 / Chapter 3.3.4 --- 本節小結 --- p.133 / Chapter 第四章 --- 劉勰處理文體的方向和他的文學發展觀 --- p.134 / Chapter 第一節 --- 歷史角度：傳統與新變 --- p.135 / Chapter 第二節 --- 強調君主態度與文學發展的關係 --- p.139 / Chapter 第三節 --- 兩相比照的定位方式 --- p.142 / Chapter 第五章 --- 總結 --- p.144 / 【參考書目舉要】 --- p.147

凡一冊，約二十萬字，分上下編。上編分二章，不分節，下編分三章十一節。主要內 容包括：上編，一為弟子述略，計百餘人。一為大事繫年，起北宋天聖九年，迄南宋 紹興二十三年，凡一二二年。下編思想研究，包括二主題：涵養與察識、窮理說、心 性論。資料來源除各家文集語錄外，復廣蒐散佚，稍為補亡。人物則以呂大臨、楊時 、謝良佐、胡安國為主，而兼及其餘。論述方式著重發展及比較，於各家思想必考明 其源流，參校其異同，以凸顯各家思想之特質，及思想史演進之過程，庶幾明瞭宋室 南渡前後，洛學發展之軌轍及概況。

本論文旨在探討南宋古文評點之批評方法及其價值，全文共一冊，約十四萬字。分七 章： 第一章：緒論。分三節，依次為：何謂評點、評點源流概述、研究旨趣與方法。 第二章：呂祖謙與《古文關鍵》、分五節，第一節：呂祖謙生平及《古文關鍵》庂作 成年代。第二、三、四節，依次論述《古文關鍵》之版本、選文特色、評點內容及其 標準。第五節：小結。 第三章：樓昉與《崇古文訣》。第四章：真德秀與《文章正宗》、第五章：謝枋得與 《文章軌範》。亦各分五節，體例與第二章同。 第六章：呂、樓、真、謝四家評點之比較、分三節，依次就編篡目的、選文特色、評 點標準加以比較研究。 第七章：結論。綜述南宋古文評點之特笆與價值。

Chik Pun-shing. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 120-127). / Abstracts in English and Chinese. / Chapter 1 --- INTRODUCTION --- p.4 / Chapter 2 --- HISTORICAL BACKGROUND --- p.10 / Chapter 2.1 --- The provision of mass education --- p.10 / Chapter 2.2 --- Llewellyn Report --- p.13 / Chapter 2.3 --- The pursuit of quality --- p.17 / Chapter 2.4 --- Chapter summary --- p.20 / Chapter 3 --- THEORETICAL BACKGROUND --- p.22 / Chapter 3.1 --- Policy discourse --- p.22 / Chapter 3.2 --- Conceptualization of accountability --- p.26 / Chapter 3.3 --- Teacher unionism --- p.30 / Chapter 3.4 --- Chapter summary --- p.34 / Chapter 4 --- RESEARCH DESIGN --- p.36 / Chapter 4.1 --- Research aim --- p.36 / Chapter 4.2 --- Research method --- p.38 / Chapter 4.3 --- Limitations of the study --- p.44 / Chapter 4.4 --- Chapter summary --- p.46 / Chapter 5 --- CAPITALISTIC BACKLASH AGAINST EQUALITY --- p.47 / Chapter 5.1 --- no local demand for equality --- p.47 / Chapter 5.2 --- Equality policy imported --- p.48 / Chapter 5.3 --- Policy makers' disbelief in equality --- p.49 / Chapter 5.4 --- Equality for prosperity --- p.51 / Chapter 5.5 --- Unionists' quest for equality --- p.55 / Chapter 5.6 --- Redefining the rule of the game --- p.61 / Chapter 5.7 --- Chapter summary --- p.66 / Chapter 6 --- ACCOUNTABLE FOR MANAGEMENT INSTEAD OF QUALITY --- p.67 / Chapter 6.1 --- In the name of public fund --- p.67 / Chapter 6.2 --- Managerial accountability preserved --- p.70 / Chapter 6.3 --- Quid pro quo accountability --- p.71 / Chapter 6.4 --- Cultivating quality values --- p.71 / Chapter 6.5 --- Cultural re-engineering --- p.73 / Chapter 6.6 --- Quality indicators --- p.74 / Chapter 6.7 --- Negligible measures for the Unionists --- p.76 / Chapter 6.8 --- Necessary check and balance --- p.77 / Chapter 6.9 --- Grassroots quest for reform --- p.79 / Chapter 6.10 --- "Materialistic ""Pegging Salary on Effectiveness""" --- p.82 / Chapter 6.11 --- Chapter Summary --- p.85 / Chapter 7 --- DISCURSIVE AND DISCIPLINARY PROFESSIONALISM --- p.86 / Chapter 7.1 --- The state disciplines without counter-action --- p.86 / Chapter 7.2 --- Professionalism： Normalize or empower --- p.91 / Chapter 7.3 --- Professionalism for control --- p.95 / Chapter 7.4 --- """Plain"" professionalism" --- p.99 / Chapter 7.5 --- The Union road to professionalism --- p.102 / Chapter 7.6 --- The mass line --- p.103 / Chapter 7.7 --- Political struggle --- p.106 / Chapter 7.8 --- Chapter summary --- p.108 / Chapter 8 --- CONCLUSION --- p.110 / Chapter 8.1 --- Capitalistic imperative versus value addition --- p.110 / Chapter 8.2 --- State control versus the quest for autonomy --- p.112 / Chapter 8.3 --- Professional discourse versus empowerment --- p.114 / Chapter 8.4 --- Implications of this research --- p.116 / Chapter 9 --- APPENDIX --- p.119 / Chapter 9.1 --- List of abbreviations --- p.119 / Chapter 10 --- REFERENCES --- p.120

Furthermore, the present research is going to indicate that many historians and theologians have failed to take serious the diasporic context when articulating their concepts of traditional Chinese culture and of the Chinese identity. In fact, Xie Fuya, as a diasporic Chinese after 1949, did not define his Chinese identity and the Chinese culture in territorial or political terms. Instead, he shared the viewpoints of those overseas Chinese who were struggling to survive in diasporic contexts. And his diasporic experience and horizon generated a critical understanding of Chinese culture and indigenous theology as well as their relationship. Even now, some scholars in Mainland China continue to emphasize that indigenous theology should be understood, discussed and applied within the social, political and cultural contexts of Mainland China only. However, their understandings of Chinese culture and Chinese identity, as well as the related methodology of indigenous theology they have employed, need to be examined critically. / In addition, the thesis will argue that this diasporic identity constitutes a significant ingredient of Xie Fuya's indigenous theology and contributes to Xie's new understanding of his own indigenous theology of Christianity in a post-1949 diasporic environment. Xie's indigenous theology, especially his theological method, aroused furious discussion among Chinese Christian intellectuals in and after the 1960s. Such discourse was identified as a significant break of historical continuity between the past generation and the next of Chinese Christian intellectuals in Hong Kong. / The present research aims at pointing out that the relevant historical materials do not support the above conclusions-that Xie Fuya did not concern the social and political situation of his homeland and indwelling place(s). In fact, historical evidences show that Xie as an indigenous theologian, not only spent time on bridging the relation between Christian message and Chinese culture, but also paid much effort in social construction and political participation. All these were done both before and after 1949. / The present thesis aims at investigating how the Chinese Christian intellectual Xie Fuya, responded to a diasporic movement resulting from the drastic political change of China in and after 1949. He tried to construct a unique and new identity that he had never had before-an identity that helped him to face the diasporic environment and generated a new horizon of his understanding of his faith. Showing the contents of this identity; the thesis illustrates how unique Xie's diasporic identity was expressed in the community of Chinese intellectuals and Chinese Christians during the 1950s and 1960s. That identity could not have been created, experienced and articulated by any Chinese and Christians inside Mainland China at that time. / The significance of this research does not only rest in its showing that a significant and important figure like Xie Fuya has been neglected in the historical and theological studies of Chinese Christianity in the past; it is significant also because it discloses how the thought behind the identities of a diasporic Chinese and Chinese Christian bears significance in a historical context and contributes to a new understanding of the Chinese identity, the Chinese culture and indigenous theology from a different perspective---which is different from the past and is closely related to cultural, anthropological and theological studies of our times. / The thesis will argue that it is Xie Fuya's experience of being forced to leave his homeland and the reflection of his Christian thought and experience that helped formulate his diasporic identity. Furthermore, both the fate of Chinese overseas in different areas because of the change of international politics, and the understanding of his own ethnicity and culture through the discourse among the Chinese intellectuals in Hong Kong, helped reinforce the articulation of that dislocating identity. / Xie Fuya (1892-1991), one of the most prolific Chinese theologians of the 20th century, has so far been largely ignored in the historical or theological studies of Chinese Christianity. Even worse, Xie Fuya has been seriously misunderstood by some historians of Chinese Christianity. Some of them labeled him as a representative of the indigenous theologians who focused exclusively on the relation between Christianity and Chinese culture without any concern for the relevance of the Christian message to the contemporary social change. Some stereotyped him as one of the Chinese Christians who made a far-fetched comparison between Chinese culture and Christianity. However, these prevailing paradigmatic "conclusions" on Xie Fuya are not properly based on in-depth historical investigation and the derived theological criticisms were merely built on some a-historical assumptions. / 何慶昌. / 論文(哲學博士)--香港中文大學, 2006. / 參考文獻(p. 282-307). / Adviser: Pan-Chiu Lai. / Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0607. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2006. / Can kao wen xian (p. 282-307). / He Qingchang.

譚秉源. / 論文(哲學碩士) -- 香港中文大學硏究院敎育學部, 1996. / 參考文献 : leaves iii-xvi (3rd group). / Tan Bingyuan [Tam Ping Yuen]. / Chapter 第一章 --- 問題闡述 / Chapter 第一節 --- 前言 --- p.1 / Chapter 第二節 --- 槪念的界定 --- p.3 / Chapter 第三節 --- 硏究背景 --- p.4 / Chapter 第四節 --- 硏究問題綜述 --- p.12 / Chapter 第二章 --- 文獻評述 / Chapter 第一節 --- 政策分析及政策釐訂過程 --- p.14 / Chapter 第二節 --- 現代資本主義國家內的政策釐訂過程 --- p.15 / Chapter 第三節 --- 協同主義 --- p.21 / Chapter 第四節 --- 敎育政策的釐訂架構 --- p.25 / Chapter 第五節 --- 敎育團體與教育政策釐訂 --- p.32 / Chapter 第六節 --- 理論總結與香港現實的剖析 --- p.34 / Chapter 第三章 --- 硏究設計 / Chapter 第一節 --- 硏究意義 --- p.41 / Chapter 第二節 --- 研究目的 --- p.42 / Chapter 第三節 --- 硏究問題 --- p.43 / Chapter 第四節 --- 硏究範圍 --- p.44 / Chapter 第五節 --- 硏究方法 --- p.45 / Chapter 第六節 --- 硏究架構 --- p.47 / Chapter 第七節 --- 硏究設計 --- p.4 9 / Chapter 第四章 --- 香港敎育政策個案分析一 中學敎學語文政策（1974一一19 8 5) / Chapter 第一節 --- 簡述 --- p.50 / Chapter 第二節 --- 政策的背景和內容 --- p.51 / Chapter 第三節 --- 政府對中學敎學語文政策的立場 --- p.60 / Chapter 第四節 --- 敎協對中學敎學語文政策的立場 --- p.63 / Chapter 第五節 --- 敎協與政府就中學敎學語文政策爭論的焦點 --- p.66 / Chapter 第六節 --- 節敎協與政府就中學敎學語文政策問題的爭持行動 --- p.72 / Chapter 第七節 --- 敎協和政府就本政策釐訂所作的敎育互動 --- p.77 / Chapter 第八節 --- 對本個案的理論分析 --- p.81 / Chapter 第五章 --- 香港敎育政策個案分析二 中學敎學語文政策(19 8 ´6´ؤؤ1996) / Chapter 第一節 --- 簡述 --- p.88 / Chapter 第二節 --- 政策的背景和內容 --- p.89 / Chapter 第三節 --- 政府對中學敎學語文政策的立場 --- p.9 7 / Chapter 第四節 --- 敎協對中學敎學語文政策的立場 --- p.101 / Chapter 第五節 --- 敎協與政府就中學敎學語文政策爭論的焦點 --- p.104 / Chapter 第六節 --- 敎協與政府就中學敎學語文政策問題的爭持行動 --- p.107 / Chapter 第七節 --- 敎協和政府就本政策釐訂所作的敎育互動 --- p.115 / Chapter 第八節 --- 對本個案的理論分析 --- p.119 / Chapter 第六章 --- 香港敎育政策個案分析三 初中會考及初中成績評核政策 / Chapter 第一節 --- 簡述 --- p.123 / Chapter 第二節 --- 政策的背景和內容 --- p.124 / Chapter 第三節 --- 政府對初中會考及初中成績評核政策的立場 --- p.129 / Chapter 第四節 --- 敎協對初中會考及初中成績評核政策的立場 --- p.131 / Chapter 第五節 --- 敎協與政府就初中會考及初中成績評核政策爭論 的焦點 --- p.134 / Chapter 第六節 --- 敎協與政府就初中會考及初中成績評核政策問題 的爭持行動 --- p.1 9 / Chapter 第七節 --- 敎協和政府就本政策釐訂所作的敎育互動 --- p.144 / Chapter 第八節 --- 對本個案的理論分析 --- p.147 / Chapter 第七章 --- 香港敎育政策個案分析四 學習目標及目標爲本評估政策（英文簡稱TTRA ) / Chapter 第一節 --- 簡述 --- p.151 / Chapter 第二節 --- 政策的背景和內容 --- p.152 / Chapter 第三節 --- 政府對學習目標及目標爲本評估政策的立場 --- p.161 / Chapter 第四節 --- 敎協對學習目標及目標爲本評估政策的立場 --- p.163 / Chapter 第五節 --- 敎協與政府就學習目標及目標爲本評估政策爭論的焦點頁 --- p.170 / Chapter 第六節 --- 敎協與政府就學習目標及目標爲本評估政策問題的爭持 行動 --- p.183 / Chapter 第七節 --- 敎協和政府就本政策釐訂所作的敎育互動 --- p.190 / Chapter 第八節 --- 對本個案的理論分析 --- p.197 / Chapter 第八章 --- 總結 / Chapter 第一節 --- 簡述 --- p.203 / Chapter 第二節 --- 關於敎協爲影響敎育政策釐訂所作敎育互動的分析 --- p.204 / Chapter 第三節 --- 關於政府對敎協或整體社會所作敎育互動的分析 --- p.208 / Chapter 第四節 --- 關於政府釐訂及推行敎育政策所採策略的分析 --- p.210 / Chapter 第五節 --- 關於協同主義在香港的敎育政策釐訂過程中的體現分析頁 --- p.212 / Chapter 第六節 --- 關於派系互動理性取向在香港敎育政策釐訂過程中的體 現分析 --- p.215 / Chapter 第七節 --- 關於敎育團體影響敎育政策釐訂的效能分析 --- p.215 / Chapter 第八節 --- 關於敎育團體在本港敎育政策釐訂過程中的角色 --- p.217 / Chapter 第九節 --- 本硏究的意義 --- p.219 / Chapter 第十節 --- 本硏究的限制 --- p.220 / Chapter 第十一節 --- 結語 --- p.221 / 註釋 --- p.i / 參考文件 --- p.iii / 中文參考書目 --- p.x / 英文參考書目 --- p.xii