Made available in DSpace on 2016-04-29T14:27:18Z (GMT). No. of bitstreams: 1 Sergio Blain.pdf: 2160462 bytes, checksum: 7793d21b6c2f73815ab5df9ec53ce907 (MD5) Previous issue date: 2011-02-24 / The aim of this work is to explain, based on the art of painting, the contribution of distinct peoples and their cultures (the Brazilian culture, in the present case) in building the kingdom of God among us. The mankind was raised in order to live in fraternal communion. The solidarity doctrine, which is consummated within the incarnation of the son, extends the will and the path of salvation. According to Paul it should have unit within the diversity of the Christian community. Anyone and every culture such as, Jews, Greeks, slaves, freemen, men and, women, can find a place in the Church. (Cf Gl 3,28) shows the contribution of the Catholic Church in forming the Brazilian thoughts, mainly the ones expressed by the firsts painters, sculptors, architects and, educators of Brazil. The Catholic Church also contributed to the fight for a progressive mentality of assimilation of different cultures (inculturation), based on the respect for ethical values, moral and artistic values of each ethnic group. The Catholic Church also tries to indicate that when the moral values of any culture are oriented to the common good, we can find all the elements of humanity necessaries to the deployment of respect and universal brotherhood, or as it was said before, the kingdom of God in the men life / O estudo demonstra, pela relação que estabelece entre teologia e pintura, a contribuição dos povos e suas culturas específicas, no caso a brasileira, para a construção do Reino de Deus entre nós. O homem foi criado para viver em comunhão fraterna. Na encarnação do Filho se consuma a doutrina solidária, estendendo a todos o agir e o caminho da salvação. Segundo Paulo, deve haver unidade na diversidade que deve ser clara na comunidade cristã. Na Igreja encontram lugar todos os homens e todas as culturas, judeus e gregos, escravos ou livres, homens ou mulheres. (Cf Gl 3,28) Procura deixar claro o contributo da Igreja na formação do pensamento brasileiro, principalmente no que tange a seus primeiros pintores, escultores, arquitetos e educadores. Também a luta por uma progressiva mentalidade de inculturação, direcionada ao respeito pelos valores éticos, morais e artísticos de cada etnia. Deixando claro que na própria forma de ser de cada povo, quando norteada para o bem, podem-se encontrar todos os elementos humanitários, para a implantação do respeito e da fraternidade universal, ou seja, o Reino de Deus na vida dos homens

While fraternity and sorority life continues to make headlines and is called upon regularly to validate the purpose it holds to remain on college campuses today, many still believe that when fraternity and sorority are done right, it is one of the best opportunities on college campuses today outside of the classroom. Much of their success is due to the efforts and support of the fraternity and sorority life professionals. This dissertation will offer the first Scholarly Personal Narrative of a mid-level, seasoned, fraternity and sorority life professional working in higher education. Current research shows the average age of a fraternity and sorority life professional is twenty-seven and over half the professionals have been at their place of employment for two years or less. I will explore my own personal journey over the last twelve years with hopes of finding meaning in this uncommon career path and explore where resilience and passion resulted in professional longevity.

This thesis conducts a conceptual genealogy of love in sociological thought. It traces the passage of a positive logic of love: a disappearing logic conceived in Goethe's art, cultivated from the social science of Comte and Marx to classical non/Marxist sociology, and finally extinguished by late/modern reflexive sociology. Recovering the lineage of Comte, Durkheim and Parsons, it defends an economic politics of love in the positivist tradition against the political culture of classical sociology and the bio-politics of current sociology. After the demise of Marxist political economy, it examines a new order of love transversal to the socialist and capitalist organizations. The tripartite thesis argues that the sociological tradition has been tarrying with a social order of love evolved from Goethe's ethic of death and renunciation. This order expresses a disorganizing phenomenology of fate as the modern world traverses from the fated causes. to fatal consequences of love. In the causal loop, the fated-fatal order of love encounters the act, freedom and risk in a multiple unfolding of reality with minimal difference. Part I explores how a religious-political belief of fetishism practiced by Comte and Marx comes across its fate in the historical act. Part 11 explicates why a cultural-political calling for fraternity theorized by classical non/Marxist sociologists runs up against its fate in sexual freedom. Part Ill reveals that a bio-political interest in reflexivity methodized by late/modern sociologists tumbles upon its fate in social risk. In conclusion, however, the thesis suggests that an event of posthumous life after the liberation of humanity continues to occur in a state of emergency because the passion for fate escalating from social science to sociology is driven by an unrequited love of Humanity.

Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-04-25T13:46:46Z No. of bitstreams: 1 Isa Beatriz.pdf: 3718197 bytes, checksum: fcd2c999a8c369e40470c504570b199c (MD5) / Approved for entry into archive by Maria Auxiliadora Lopes(silopes@ufba.br) on 2013-05-16T19:27:07Z (GMT) No. of bitstreams: 1 Isa Beatriz.pdf: 3718197 bytes, checksum: fcd2c999a8c369e40470c504570b199c (MD5) / Made available in DSpace on 2013-05-16T19:27:07Z (GMT). No. of bitstreams: 1 Isa Beatriz.pdf: 3718197 bytes, checksum: fcd2c999a8c369e40470c504570b199c (MD5) Previous issue date: 2011 / Busquei analisar nessa dissertação os sentidos produzidos por graduandos e docentes de História e de áreas afins, a respeito do history game Tríade: Igualdade, Liberdade e Fraternidade, percebendo se eles após a interação conseguiam identificar potencialidades capazes de mediar o ensino de História. Tive a intenção de responder a questão-problema norteadora dessa pesquisa: Que sentidos são produzidos por graduandos e docentes (de História e de áreas afins) a respeito do jogo Tríade: Igualdade, Liberdade e Fraternidade? Desta forma, procurei também mapear o perfil dos graduandos e dos docentes enquanto jogadores ou não; identificar as concepções conferidas pelos graduandos e docentes a respeito dos jogos digitais; examinar de que maneira graduandos e docentes compreendem os history games: serious e non-serious; e por fim, elaborar uma proposta pedagógica para interação com history games, especialmente, o Tríade. O caminho metodológico adotado para subsidiar a pesquisa foi o Estudo de Caso, devido o recorte empírico e campo simbólico bem determinado, que me deu a oportunidade de realizar uma investigação detalhada do contexto e uma análise intensiva de uma situação particular. Utilizei a abordagem quali-quantitativa por considerá-las complementares, possibilitando tanto a descrição e o olhar analítico sobre dados como a sua mensuração. A pesquisa contou com a participação de dezessete pessoas ao todo, sendo quatorze graduandos (seis de História, sete de Pedagogia e um de Letras) e três docentes (dois de História e um de disciplinas relacionadas à tecnologia e educação no curso de Educação à distância - UNEB). As técnicas de coleta de dados utilizadas foram o questionário semi-estruturado com questões abertas e fechadas, a observação não-participante e o grupo focal. Sendo assim, dentre outras coisas, a pesquisa apontou: o crescente interesse do público feminino pela área de jogos digitais, já que houve uma participação maior de mulheres; a pouca procura por parte dos docentes e discentes de História pelo Curso no qual se desenvolveu a pesquisa, supostamente, porque a articulação dos jogos digitais e História ainda não é muito percebida por esse público; os participantes em sua maioria emitiram mais sentidos sobre as características internas (jogabilidade, gameplay, enredo, etc.) do jogo Tríade do que seu potencial pedagógico; o Tríade foi considerado um history game bom, mas que precisa de alguns ajustes para se tornar melhor. / Salvador

Orientador: Ivan Aparecido Manoel / Banca: Nainôra Maria Barbosa de Freitas / Banca: Patrícia Carla de Melo Martins / Resumo: O presente estudo tem por objetivo destacar a presença da Doutrina Social da Igreja nas ações ditas como assistencialistas realizadas pela CNBB, através das Campanhas da Fraternidade dos anos de 1986, 2002 e 2007, que tratam, especificamente da questão da terra. Escolhemos a temática a respeito da terra, pois, observamos que a questão da propriedade privada é início e fim da Doutrina em questão, que tem por projeto moldar a sociedade atual como aquela dita necessária para a realização do projeto divino na Terra, através de ações levariam à construção de uma sociedade que retomasse a preocupação com o bem comum. Os documentos que nos embasam nossa pesquisa são, além dos textos base e a documentação referente às Campanhas, as encíclicas papais e diversa bibliografia que transmite os pontos principais da Doutrina Social Católica, além de autores que, de alguma forma, já abordaram questões apontadas pela Doutrina / Abstract: The present study aims to contrast the Church Social Doctrine presence in assistance action, undertaken by CNBB, through the Fraternity Campaigns from the years 1986, 2002 and 2007, dealing specifically with the land‟s issue. We chose the land‟s theme because we observed that the private property issue is the beginning and the end of the doctrine question, whose design shape today's society such as that expressed need for the creation of the divine plan on Earth, through actions would lead to building a society that, would take the concern for the comfort. The documents that underlie our research are beyond the basic texts and documentation relating to Campaigns, the papal encyclicals and diverse bibliography that conveys the main Catholic Social Doctrine points, and authors who, somehow, have discussed issues raised by the doctrine / Mestre

Orientador: Ricardo Monteagudo / Banca: Lígia Fraga Silveira / Banca: Ivonil Parraz / Resumo: O presente trabalho pretende situar a amizade e sua descrição em Montaigne, que evoca a figura de seu amigo La Boétie. A partir dessa célebre amizade que foi rompida com a morte de La Boétie, segue-se uma análise do conceito de amizade nos Essais de Montaigne e de suas principais fontes. Resta ao autor apenas escrever incessantemente para garantir a presença de si mesmo e do amigo. A interpretação do texto permitirá reflexões sobre o sentido maior da amizade à luz da imagem da escrita, da pintura, do amor e da fraternidade / Abstract: This research has a target to show the friendship and her description in Montaigne, inspired by his friend La Boetie. From this famous friendship, which was disrupted by the death of La Boetie, follows a study of the concept of friendship on Montaigne's Essais and his main sources. Remain for actor only to write incessantly for to guarantee the present myself and of friend. The interpretation of the text allows reflections about friendship according to the image of the writing, painting, love and fraternity / Mestre

Submitted by Irene Nascimento (irene.kessia@ufpe.br) on 2016-06-27T17:33:44Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTACAO_CJEland_DEFINITIVA.pdf: 1117645 bytes, checksum: 72bd32d2e20b55b08b4f94191834359b (MD5) / Made available in DSpace on 2016-06-27T17:33:44Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTACAO_CJEland_DEFINITIVA.pdf: 1117645 bytes, checksum: 72bd32d2e20b55b08b4f94191834359b (MD5) Previous issue date: 2016-02-02 / CAPES / A presente dissertação tem como objetivo examinar a relação entre o conceito de fraternidade nos primeiros escritos de Emmanuel Levinas, especialmente em Totalidade e Infinito, e suas obras posteriores sobre Direitos Humanos a fim de investigar uma possível fundamentação não liberal para os Direitos Humanos na contemporaneidade. Para tanto, será necessário explicitar como a obra de Levinas sobre a relação ética para com o Outro que fundamenta sua ideia de Direitos Humanos se ancora na relação política para com o terceiro. O conceito de fraternidade, como a não-indiferença universal para com o Outro, implica o conteúdo dessa relação ética que vai além da ética e permeia as categorias tradicionalmente políticas do pensamento filosófico. Assim, através da leitura relacional entre o conceito de Direitos Humanos e o conceito de fraternidade, que toma forma política na figura do terceiro, torna-se claro que a perspectiva de Levinas sobre os direitos como direitos dos outros se opõe a uma leitura liberal do seu trabalho, podendo, portanto, apontar para uma leitura não liberal dos direitos humanos na atualidade. / This dissertation seeks to examine the relationship between Emmanuel Levinas’s early work on fraternity, especially Totality and Infinity, and his later work on Human Rights in order to investigate the possibility of a non-liberal foundation for Human Rights in the contemporary world. In order to achieve this, it is necessary to develop the way in which Levinas’s work on the ethical relation to the Other serves as the foundation of his concept of Human Rights and anchors the political relation to the third party. The concept of fraternity, as a universal non-indifference to the Other, implies the content of the ethical relation which goes beyond ethics and reaches into traditionally political categories of philosophical thought. As such, by reading Levinas’s concept of Human Rights in relation to this early concept of fraternity, which takes its political form through the third party, his account of rights as the rights of the other stands in clear opposition to a liberal understanding of his work and describes a non-liberal account of human rights in the contemporary world.

Les figures féminines dans l’oeuvre fictionnelle de Jean-Paul Sartre nous semblent se situer au croisement de toutes les ambivalences sartriennes, et pouvoir éclairer ses prises de position dans le contexte socio-historique. Ses figures féminines lui permettent fréquemment de condamner l’inauthenticité des marginaux, en illustrant les formes de l’aliénation ‘féminine’, dont les constituants représentatifs sont 'se séquestrer', 'se faire l’objet du regard', et 'jouer la comédie maniérée'. Mais ce mode d’exister de la ‘féminité’ est mobilisé moins pour la différence sexuelle que pour la hiérarchie sociale. En dépit de la transgression provocatrice de la limite entre les deux sexes, l’idée liée à la féminité et à la masculinité demeure intacte : il s’agirait d’une stratégie, d'une collusion avec ses lecteurs. Néanmoins, sur un plan symbolique, des expressions métaphoriques liées au ‘visqueux’ unissent le féminin à la nature proliférante, rejoignant ainsi le dualisme traditionnel. Face à ce ‘féminin’ qui offre l’occasion de se confronter à l’altérité, l’horreur et la fascination sont toujours liées : la tentation de fuir l'altérité cache d’autre part le rêve d’une symbiose avec elle. Cette symbiose prend la forme de la ‘fraternité incestueuse’ ; face à son échec, naît une intense exigence portée aux femmes, comme celle à l’égard de la mère ; enfin, l’auteur en vient à édifier la femme en tant que 'ni l’un ni l’autre'. Face à l’Autre-femme, l’homme sartrien fuit, mais se refuse à l'exclure tout à fait de son chemin : ce glissement incessant caractérise la représentation des figures féminines sartriennes. / The female figures in Jean-Paul Sartre’s fictional work can be seen as standing at a crossroads where all the forms of ambivalence in his work intersect, and thus illuminate his viewpoints in the context of social history. Sartre often uses his female figures to condemn the inauthenticity of marginal persons by showing the forms of ‘feminine’ alienation, represented by such expressions as ‘be sequestered,’ ‘become the object of the gaze’ and ‘play affected comedy.’ However, this mode of existence of femininity is summoned for social hierarchy rather than sexual difference. In spite of the provocative transgression of the border between the two sexes, the idea related to femininity and masculinity remains intact: it seems to be a strategy in collusion with his readers. Nevertheless, at a symbolic level, the metaphorical expressions related to ‘viscosity’ link the feminine to proliferating nature, thus connecting with traditional dualism. In front of the ‘feminine’ that offers an opportunity to confront otherness, fear and fascination always intertwine: in the desire to escape otherness is hidden a dream of symbiosis with it. This symbiosis takes the form of ‘incestuous fraternity’; its failure gives birth to an intense craving for women - like that for a mother. In the end, for the author, the woman becomes ‘neither one nor the other.’ Faced with ‘the Other-woman,’ the Sartrian man runs away, but also refuse to completely rule her out of his life: this constant shift is characteristic of the representation of female figures in Sartre’s work.

Il est indéniable que la notion de la famille dans l’œuvre camusienne est centrale ; cet axe fondamental est soutenu par d’autres thèmes majeurs, tels que la fraternité, la solidarité, et surtout l’humanité. Nous avons opté pour quatre axes pour les analyser :Dans la première partie, la filiation naturelle, il s’agit moins de montrer la part autobiographique que de démontrer l’impact des figures familiales sur l’œuvre camusienne. La progression du personnage du fils vers le cycle de la révolte participe à l’émergence d’un désir de fraternité ; celui-ci fait l’objet de la deuxième partie.L’étude de cette tendance vers la fraternité nous permet de déceler une mesure nécessaire dans les relations. Cette mesure, rappelée dans « le silence éloquent » d’une mère, met en évidence l’importance de la « pensée solaire », inhérente à la Méditerranée ancestrale, étudiée dans la troisième partie. Les paradigmes rattachés à cette mer ancestrale ne sont pas exclusifs à une communauté sans une autre ; leur adoption dans l’œuvre camusienne permet à celle-ci d’aspirer vers une parenté plus large : la parenté dans l’humanité, analysée dans la dernière partie. Nous avons conclu à la nécessité d’imaginer « le premier homme » heureux ; l’inachèvement du Premier homme ne devrait pas, en effet, estomper l’évolution de la conception de la famille vers une parenté humaine, mise en évidence dans mythe de l’autochtonie. / The notion of family is highly central to Camus’s work. The axial nature of this concept is an impetus to begin this thesis which aims at examining the expanse of this concept on Camus’s thinking. This major theme is supported by other ones as brotherhood, solidarity and above all humanity. We have chosen to divide it on four parts of analysis:The first part deals with natural descent. It is more about the impact of family characters on Camus’s work than on the autobiographical side; dealt throughout the three adopted cycles Absurdism, revolt, and at last love and reconciliation. The evolution of the son character towards the cycle of revolt in the mid of inevitable ups and downs took part in the emergence of fraternity desire, and this is the major theme in the second part. The study of this trend towards brotherhood has allowed us to uncover a necessary measure in the relationships. This measure recalled in “the eloquent silence” enhance the importance of “la pensée solaire” inherent in the ancestral Mediterranean Sea, and this makes it an object of study in the third part. The paradigms linked to this ancestral Sea are not exclusively specific to one community without another. Their adoption in Camus’s work allowed it to strive towards a larger parenthood; the parenthood of humanity dealt with in the last part. We have concluded by asserting the necessity of imagining the “first man” happy. The incompletion of Le Premier homme should not blur the evolution of the family conception to a human relationship, highlighted in the myth of autochthony.

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