The dissertation is a critical reflection on the relevance of Franciscan spirituality over eight centuries with special focus on the Third Order Regular. This spirituality is rooted in the life and writings of St Francis and St Clare of Assisi and their experience of the kenotic Christ. The Franciscan charism prevails in the world today as a living response to God’s transforming love which is expressed in a ministry of loving service and solidarity with the poor and marginalised – re-enacting Francis’ radical conversion when he embraced the leper. The Third Order Regular, inspired by Vatican II which called for a return to the charism of religious founders, returned to its roots with the revised Rule of 1982 based on the writings of Francis and Clare and grounded in Sacred Scripture. The Rule’s vision corresponds with the 1996 document Vita Consecrata on consecrated life and its mission to be prophetic witnesses to Christ today. / Christian Spirituality, Church History & Missiology / M. Th. (Christian Spirituality)

Thesis (DTh (Old and New Testament))--University of Stellenbosch, 2005. / In this study the very relevant theological-ethical question of social identity and intergroup conflict is looked at. This is done by reading the Book of Nahum multidimensionally as an “Oracles Concerning the Nations” text, and as part of the Book of the Twelve. The multidimensional methodology includes a combination of synchronic and diachronic reading strategies, the implementation of social identity theory and self-categorization theory, the focus on ideological-critical aspects and theological-ethical questioning. In the process of research the underlying dynamic of social identity construction of ancient Israel is uncovered and theological-ethically appropriated. In the first two chapters the problem of the global rise of extreme nationalism, racism and zenophobia is noted. The very diverse post-apartheid society of South Africa, as well as the post-nazi and post-unification German society is mentioned. The Book of Nahum, an Oracle “Concerning the Nations” text, is chosen as avenue for studying the dynamic underlying the construction of social identity in ancient Israel. It is suggested that while a one-dimensional reading strategy may lead to an exclusivist intepretation of Nahum that fosters a theological ethic of intolerance and hate, a multidimensional reading strategy leads to a theological ethic of liberation, responsibility and peace. Chapters 3 and 4 give a research overview of the study of ancient Israel’s identity as well as how the Book of Nahum is to be understood with regards to its dating, unity, stucture and historical situation. The research overview shows how incorporating social identity theory and self-categorization theory provides a better and more integrated perspective on social identity than what has been done up to now. The social psychology theories are summarized into five working premises. The background study of Nahum comes to the conclusion that Nahum should be read synchronically in its diachronical development from the pre-exilic Assyrian crisis with its polarized political inter-group conflicts to the exilic/post-exilic situation with its unique search for a new beginning, identity and hope. Chapters 5 and 6 contain the exegetical explication of the Book of Nahum. Nahum 1:9- 14;2:2-3:19 is interpreted as a pre-exilic construction of social identity. Nahum 1:2-8;2:1 is read as an exilic/post-exilic text. The inter-group dynamic between the Yahweh-Alone movement and the pro-Assyria party (pre-exilic) as well as the Deutero-Isaiah group with its theological opponents (exilic/post-exilic) are interpreted in terms of the five social identity premises. Although social identity construction in Nahum does follow the main premises of discrimination and prototypical ingroup favouring a surprising ambiguous undercurrent of self-criticism as apposed to ethnocentrism is discovered in both historical situations. Apart from the social identity, a strong movement towards liberation from oppression is present in the Book of Nahum. This underlying ambiguous dynamic of social identity construction and the liberatory rhetoric of Nahum is appropriated theolgical-ethically in Chapter 7. A theological-ethical model, which combines the role of identity in ethics, the concept of “natural law”, the responsibility ethics of Levinas and a focus on liberation, is suggested as a useful instrument for interpreting the theological-ethically uncomfortable Oracles Concerning the Nations texts. Chapter 8 summarizes the study and points out the research’s contribution towards Old Testament methodology (exegetical and ethical), Nahum studies as well as providing a possible theological-ethical solution to intergroup conflicts (religious, cultural, political etc.) from an Old Testament perspective.

<p>The objective with this final thesis is to show how to work and help as an engineer by an ecological planning for building and landscape in an Asian and Muslim country like Indonesia.</p><p>The qualitative working method that was used highlights the importance of field trips and free structured interviews. Talking to the people involved and seeing the specific areas gives understanding you can not get by studying literature.  </p><p>The importance of all the work areas in the process of exploiting an area formulates the problem. This is later investigated and practiced in Yogyakarta, Indonesia and was encourage by the SIDA scholarship “MFS”.</p><p>Indonesia is a big country divided in 17500 islands but there are more that are different to Sweden. The author describes the unwritten rules, religions and the climate difference and also the working process for work and study on Java in Indonesia.</p><p>The main part shows and explains the result; a proposal on how an existing student accommodation in the city Yogyakarta in Indonesia could be renewed with an ecological plan for its building and landscape.</p><p>Conclusions and thoughts are made by the author about the possibilities for the future. Potential exchange of knowledge, labor and other services should be made between schools in Sweden and Indonesia and also help-organizations.</p> / <p> </p><p>Detta examensarbete syftar till att visa hur man kan arbeta och hjälpa till som byggingenjör genom ett ekologiskt plannerande för byggande och landskap i ett land som Indonesien.</p><p>Vikten av alla arbetsområden i processen för att exploatera ett område formulerade problemmet. Detta undersöktes och prövades sen i Yogyakarta, Indonesien och uppmuntrades av SIDA stipendiet "MFS".</p><p>Den kvalitativa arbetsmetoden som använts belyser vikten av studie resor och fristrukturerade intervjuer. Att prata med människorna som är involverade och se platserna ger en förståelse som inte är möjlig att få om det enbart görs literatur studie.</p><p>Indonesien är stort land och är uppdelat i 17500st öar men det är mer som är olikt från Sverige. Författaren beskriver de annorlunda oskrivna regler, religioner och klimat och även arbets processen för att jobba eller studera på Java i Indonesien.</p><p>Huvudelen visar och förklarar resultatet; ett förslag till hur ett befintligt student boende i staden Yogyakarta i Indonesien kan förnyas med en ekologisk plann för byggnad och landskap.</p><p>Slutsattser och tankar är slutnligen formulerade av författaren om möjligheter i framtiden. Utbytte av kunskap, arbete och andra tjänster bör utövas mellan skolor i Sverigeoch Indonesien men även hjälporganisationer.</p>

This doctoral presentation consists of the preparation of critical editions of eight orchestral works by J.B. McEwen: Symphony in A minor (1895-99), Viola Concerto (1901), Coronach (1903), The Demon Lover (1907-08), Grey Galloway (1908), Solway, A Symphony (1911), Hills 'o Heather (1918), and Where The Wild Thyme Blows (1936). In the absence of any monograph on McEwen there is a chapter which brings together for the first time the biographical information that can be culled from various sources; some, like the correspondence between Henry George Farmer and McEwen in the late 1940's, has never been discussed before. A separate chapter surveys the collection of McEwen manuscripts held at Glasgow University Library, its condition, the extent of it, and how it came to be housed there. There follows a discussion of each of the selected works from the point of view of the editorial issues relating to them and also some aspects of McEwen's stylistic development. It was important to McEwen that a composer spoke in his native voice through his music as is evident in a letter he wrote to H.G. Farmer in 1947(1). Discussion of this aspect of his expressive style is therefore helpful in understanding his development from the early Symphony in A minor of 1895-99 to his last orchestral work, Where The Wild Thyme Blows of 1936. Such a stylistic study is secondary to the main thrust of the thesis which is a critical edition, but it is necessary in order to fully understand the complex issues involved in making McEwen's last orchestral work performable. Where The Wild Thyme Blows was left incomplete and the present editor has made a performing version. There is a brief concluding section which consolidates evident features of the McEwen manuscripts which would be useful for further studies of these papers. Each of the selected works is presented as a separate volume in a scholarly edition with full critical commentary given at the end of each volume. (1) Glasgow University Library catalogue n.MS Farmer 217

This master’s thesis considers the differences between the minority literature from Friesland, a province in the northwest of the Netherlands, and that of the Swedish-speaking part of Finland. The author of this paper tries to draw attention to the literatures of those minorities, which often are not well-known outside their own regions. The main issue discussed in this paper is: How is minority culture problematized in the novels de fûke (1966) by the Frisian author Rink van der Velde and Där vi en gång gått (2006) by the Finland-Swedish author Kjell Westö? The Frisian population in the Netherlands is considered by many as a very old people, because famous writers of the Roman Empire, such as Pliny the Elder, wrote specifically about their region and its people. Despite this, the Frisian language has been in a peripheral situation for many centuries. The Swedish minority in Finland, on the contrary, is much younger. Finland gained autonomy in 1809 and before that time the region currently known as Finland, was the eastern part of the Kingdom of Sweden. This meant that Swedish was the predominant language until that year. Later on Finnish became the main language in Finland. However, both the Frisian and the Finland-Swedish literature were not established before the nineteenth century. This changed partially as a result of ideas of the Romanticism, but also because of historical reasons. By analyzing the previously mentioned novels, Oetze Deelstra shows how the minorities in both countries fare in opposite situations. The Swedish-speaking population has often been, and continues to be, examined as upper-class. On the other hand, in Frisia should a very old countryside culture has been preserved. Those ideas have been important in forming the images of both minorities. A noticeable distinction is that the Frisian literature is defined by language, while the Finland-Swedish literature is characterized by political and ideological arguments. / Dizze masterskripsje rjochtet him op de ferskillen tusken de literatuer fan Fryslân en dy fan de Sweedsktalige minderheid yn Finlân. De skriuwer fan dit wurk besiket op dy wize mear omtinken te freegjen foar de literatuer fan dizze minderheden, dy’t faak net sa bekend is bûten de eigen regio. De fraach dy’t sintraal stiet is: Op hokker wize wurdt stal jûn oan minderhedeproblematyk yn de romans de fûke (1966) fan de Fryske skriuwer Rink van der Velde en Där vi en gång gått (2006) fan de Finlânsweedske skriuwer Kjell Westö? Faak wurde de Friezen beskôge as in âld folk. Mooglik komt dat trochdat se al neamd wurde soene troch ferneamde skriuwers fan it Romeinske Ryk, lyk as Plinius de Aldere. Dochs hat it Frysk iuwenlang in net al te wichtige rol spile yn Fryslân en dêrbûten. De Sweedske minderheid yn Finlân is lykwols folle jonger. Finlân is pas sûnt 1809 autonoom en foar dy tiid wie dat wat wy hjoed-de-dei Finlân neame, it eastlike diel fan it Sweedske Ryk. Dat betsjut ek dat it Sweedsk oant doe ta de oerhearskjende taal wie. Letter waard it Finsk de wichtichste taal yn Finlân. Sawol de Fryske as de Finlânsweedske literatuer wiene lykwols net fêstige foar de njoggentjinde iuw. Dat feroaret pas yn de Romantyk, foar in diel fanwege de idealen út dy tiid, mar ek om politike redenen. Troch de earderneamde romans te analysearjen, lit Oetze Deelstra sjen hoe’t de minderheden fan beide lannen eins yn tsjinstelde situaasjes operearje. De Sweedsktalige befolking fan Finlân is faak, en wurdt no noch hieltyd, besjoen as de boppeklasse. Yn Fryslân soe oan ’e oare kant in iuwenâlde lanboutradysje bewarre bleaun wêze. Dizze opfettings hawwe wichtich west foar de byldfoarming fan beide minderheden. In opfallend ferskil is dat de Fryske literatuer fan de eigen taal út definiearre wurdt, wylst de Finlânsweedske literatuer karakterisearre wurdt troch politike en ideologyske útgongspunten.

Cette recherche porte sur l’analyse des problématiques des langues et des identités dans le roman composé en hébreu par des membres de la minorité palestinienne d’Israël – (Texte hybride selon Yassir Suleiman, 2013). Elle combine deux volets, l’un diachronique et l’autre analytique. D’une part, elle examine l’histoire du roman palestinien en hébreu, et les différents lieux dans lesquels l’hébreu et l’arabe, le Palestinien et le Juif israélien, minorité et majorité se rencontrent. D’autre part, l’approche comparative des œuvres d’Atallah Mansour (1935), d’Anton Shammas (1950) et de Sayed Kashua (1975) est proposée à partir de leur double appartenance, hébraïque et palestinienne. Elle envisage ces œuvres dans le cadre de la littérature mineure, de l’identité hybride postcoloniale et de l’espace tiers formulé par Mahmoud Darwich. L’enjeu est d’étudier les contours d’une narration palestinienne minoritaire engagée par des écrivains dans un processus de déconstruction, de reconfiguration et de correction de la représentation du personnage Palestinien dans la littérature hébraïque. / This research focuses on the analysis of the issues of language and identity in novels written in Hebrew by members of the Palestinian minority in Israel ("hybrid texts" according to Yassir Suleiman). It combines two components, one diachronic and one analytical. First, it examines the history of the Palestinian novel in Hebrew and the different fields where Hebrew and Arabic, Palestinian and Israeli Jew as well as minority and majority meet. Second, the analytical, comparative approach of the works of Atallah Mansour (1935), Anton Shammas (1950) and Sayed Kashua (1975) is examined from their dual, Israeli and Palestinian, affiliation. It sets these works in the context of Minor Literature, post-colonial hybrid identity and Mahmoud Darwich’s third space. The aim is to outline the Palestinian narrative initiated by minority writers as a process of deconstruction, reconfiguration and correction of the representation of the Palestinian character in Hebrew literature.

La transmission intergénérationnelle de la violence envers les enfants et les perceptions reliées aux expériences personnelles de violence dans l’enfance ont été peu étudiées auprès de la population générale et encore moins auprès des pères. L’objectif de la présente étude est de déterminer le lien entre, d’une part, la fréquence rapportée de la violence physique sévère vécue dans l’enfance et la légitimité perçue de cette violence et d’autre part, la violence physique mineure et psychologique envers les enfants au sein de la famille actuelle de 204 pères québécois. Les données sont issues de l’enquête sur la violence familiale dans la vie des enfants du Québec réalisée en 2004 par l’Institut de la Statistique du Québec. Il y a un lien significatif entre la fréquence rapportée de la violence physique sévère vécue dans l’enfance et sa légitimité perçue, ainsi qu’avec la violence envers les enfants dans la famille actuelle des pères. Les pères rapportant avoir souvent ou très souvent vécu de la violence physique sévère dans l’enfance ont actuellement des enfants qui vivent plus de violence psychologique que ceux qui en ont parfois vécu. Plus les pères considèrent la violence physique sévère vécue dans l’enfance comme méritée, plus leurs enfants vivent de la violence psychologique. Enfin, les enfants des pères qui considèrent la violence subie comme parfois méritée vivent moins de violence physique mineure que ceux des pères qui la considèrent comme souvent ou très souvent méritée. Les implications pour la recherche et la pratique sont discutées. / Intergenerational patterns of violence against children and perceptions of childhood abuse have not been studied a lot among general population or fathers. The objective of the present study is to determine the link between frequencies of childhood severe physical violence and its perceived legitimacy (first), and minor physical and psychological violence against children in actual family (second) in a sample of 204 fathers from Quebec. Results indicate a significant link between frequencies of childhood severe physical violence and its perceived legitimacy, and violence against children in actual family. Fathers who have often or very often lived childhood severe physical violence have children who suffer more psychological violence than fathers who have lived it sometimes. The more fathers think that childhood violence was deserved, the more their children suffer psychological violence. Finally, children of fathers who think that childhood severe physical violence was sometimes deserved suffer less minor physical violence than those of fathers who think that it was often or very often deserved. Implications for research and practice are discussed.

Chapter One introduces the problem that existed in music and logic-psychology at the end of the 19th century. Both music and logic-psychology were in the cul-de-sac of relativism, which had led to obscurity of method and language. Asthetics-criticism is seen to be in the same relativistic position. It is postulated that phenomenological method could aid in music criticism and aesthetic awareness. The second chapter presents a motivic, or Idea, analysis of Schoenberg's second and third string quartets, showing how the twelve-tone method was developed as a way of curing musical composition of the tonal obscurity of late Romanticism. The third chapter is a short exposition of Husserl's development of phenomenological method from his initial work in logic and mathematics to transcendental phenomenology. Chapter Four discusses some of the methodological parallels between Schoenberg and Husserl. Parallels are drawn from all creative periods of their respective work. Chapter Five focuses on similar problems raised in contemporary aesthetic-criticism and their relationship to the methods of Husserl and Schoenberg. Showing how both men solved their problems, a solution is projected for aesthetics-criticism.

Sauf par des regards fugitifs et distraits sur son travail d’illustrateur et son théâtre de marionnettes, l’histoire culturelle et littéraire n’a en général retenu de Maurice Sand que son état de fils bien-aimé de la plus célèbre écrivaine du 19e siècle. Étudiée pour elle-même, son œuvre multidisciplinaire - qui allie peinture, dessin, illustration, théâtre, histoire de l’art, sciences naturelles - se propose pourtant avec cohérence, marque d’une création soutenue plutôt que du dilettantisme où son souvenir s’est incrusté. Maurice Sand apparaît alors comme un de ces individus situés aux interstices des récits majeurs de la littérature et des arts qui, bien qu’ayant figure de minores, amènent à des réflexions nuancées sur la constitution de ces récits. Explorer son cas permet ainsi de scruter de plus près les mécanismes de la méconnaissance qui a pu et peut encore affecter un créateur et une œuvre soumis aux arbitrages mémoriels. Discrets angles morts de l’histoire, certains de ces mécanismes jalonnent clairement son parcours et les aléas de sa trace posthume. D’une part le vaste corpus des études sur George Sand, notamment des écrits biographiques et autobiographiques, fait voir à l’œuvre le mode déformant de la constitution de la mémoire d’un être saisi à partir des positions d’autrui : son existence devient cliché, elle se réduit peu à peu au rôle d’adjuvant dans des débats, passés ou actuels, qui font l’impasse sur le cours autonome de sa carrière, voire de sa vie. D’autre part la mise au jour de son œuvre, enfin vue comme un ensemble, dévoile une cause encore plus déterminante de sa méconnaissance. Presque tous les travaux de Maurice Sand sont traversés par une ligne de fantastique, au surplus connotée par son intérêt pour les sciences liées à la métamorphose, de l’ethnogénie à l’entomologie. Réinvention constante du passé, sa démarche cognitive et créatrice ignore les frontières disciplinaires, son objet est hybride et composé. L’œuvre se constitue ainsi par transversalité, trait et trame irrecevables en un siècle qui n’y perçut que dispersion, mais paradoxalement marque supérieure de qualité dans le champ éclaté où se déploient les arts de notre temps. / Aside from fleeting, inattentive glances at his illustration work and his puppet theatre, cultural and literary history has generally taken little notice of Maurice Sand except as the beloved son of the most famous woman writer of the 19th century. Yet considered on its own merits, his multidisciplinary work—in painting, drawing, illustration, theatre, art history, natural science—forms a very coherent whole, indicative of sustained creativity, rather than the dilettantism of which he is often accused. From this perspective, Maurice Sand appears to be one of those individuals whose work lies in the interstitial space between major literary and artistic narratives and who, though seemingly minor figures, prompt nuanced reflection on how those narratives are constructed. An exploration of his case is an opportunity for a closer examination of the mechanisms of misappreciation that affected, and can still affect, a creator and oeuvre that have fallen victim to the arbiters of memory. Some of those mechanisms have clearly turned various points in his career and posthumous traces into discrete blind spots of history. First, the extensive corpus of studies on George Sand, especially biographical and autobiographical writings, demonstrates how the recollection of someone constructed from the positions of others can be distorted: his existence becomes a cliché, gradually reduced to a mere adjunct to past or current discussions of his mother, which overlook his independent career and life. Second, bringing his oeuvre to light, so it can at last be seen as a whole, reveals an even more significant cause of history’s misappreciation of him. Virtually all Maurice Sand’s works are not only shot through with the fantastic, but also marked by his interest in the sciences of metamorphosis, from ethnogeny to entomology. Constantly reinventing the past, his cognitive and creative processes ignored boundaries between disciplines, embracing hybrid, composite subjects. The inherently transversal nature of his work, which made it totally unacceptable in a century that saw it as indicative of a lack of focus, is now paradoxically viewed as a mark of superior quality in the fragmented field of the arts today.

La présente thèse vise à apporter des éclaircissements sur la réapparition du souci défensif, sa matérialisation et son évolution en Anatolie occidentale et centrale au début du premier millénaire av. J.-C. (Xe-VIe s.). Le territoire soumis à l’examen comprend la Phrygie, la boucle de l’Halys, la Carie, la Lydie, l’Ionie, l’Eolide et la Troade. Cette étude s’intéresse en premier lieu aux différentes méthodes de fortification utilisées au cours de cette période. Par l’examen des principales caractéristiques architecturales des murs de défense (techniques de construction, dispositifs défensifs), cette étude cherche à déterminer de quelle manière ces nouvelles constructions s’inscrivent dans la tradition architecturale anatolienne et dans quelle mesure leurs concepteurs contribuèrent à l’évolution de celle-ci en adoptant et en transformant les méthodes de fortification qui en sont issues. La construction d’un rempart, parce qu’elle impliquait de nombreux acteurs, était un fait de société majeur. Par leur conception, les techniques utilisées pour leur construction, leur emprise dans le paysage, les murailles sont des monuments chargés de symboles et des témoins privilégiés de l’histoire des sociétés qui les ont construites et perfectionnées. Au-delà des considérations archéologiques, cette étude s’attache donc aussi à replacer la construction de fortifications dans le contexte militaire mouvementé de l’Anatolie préclassique et tente également d’évaluer l’impact d’un tel projet de construction dans l’histoire politique et sociale des populations anatoliennes de l’âge du fer. / This thesis aims to shed light on the reappearance of defensive concern, its materialization and its evolution in Western and Central Anatolia in the Early First Millennium BC. (10th-6th c.). The area under consideration includes Phrygia, the Halys bend, Caria, Lydia, Ionia, Aeolis and the Troad. This study focuses primarily on the various fortification methods used during this period. By examining the main architectural features of defensive walls (building techniques, defensive components), this study seeks to determine how these new constructions inherited from the Anatolian architectural tradition and how their designers contributed to make it evolve by adopting and transforming some of its principles. The construction of a wall, because it involved many actors, was also major social phenomenon. Iron Age fortifications sometimes bear witness to the history of the various populations who built and perfected them. Hence, beyond archaeological considerations, this study also aims to place the construction of fortifications in the military context of the tumultuous pre-classical Anatolia. It also attempts to evaluate the impact of such a construction project on the sociopolitical history of Anatolian Iron Age populations: Greeks, Lydians, Phrygians and Carians.