Made available in DSpace on 2014-06-12T23:15:01Z (GMT). No. of bitstreams: 2 arquivo5710_1.pdf: 14565279 bytes, checksum: 70e1c2feb1b884dff48e961fb43dbdc0 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2011 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Esta pesquisa analisa as histórias em quadrinhos da revista Ragú para entender a forma como se dá o percurso gerativo de sentido, ou as escolhas na construção do discurso, e a partir das estratégias discursivas empregadas, compreender as questões sociais que podem transparecer a partir das entrelinhas. Este estudo de caso se deu na revista Ragú por ser uma revista pernambucana com baixa inserção comercial, pois esta pesquisa visa compreender como o discurso das histórias em quadrinhos brasileiras recentes é construído. Para tanto, foi empregada primeiramente a semiótica como ferramenta metodológica, a partir dos conceitos de Greimas e José Luiz Fiorin, e o semisimbolismo, como proposto por Vicente Pietroforte. Ao desvendar como o sentido foi construído no recorte de oito estórias, empregamos fundamentalmente a teoria de Pierre Bourdieu e seus conceitos chaves de capital, campo e habitus para compreender quais embates sociais apareciam de forma sutil ou direta, e como esses embates eram representados. Elementos dos estudos culturais foram empregados para preencher lacunas na teoria de Bourdieu, e compreender a produção cultural nos tempos modernos não apenas como espaços de luta, mas como manifestação cultural espontânea das diferentes classes. O discurso das estórias foi observado como representando, por vezes, aspectos modernos de embates sociais históricos. Em outros momentos, temas e configurações discursivas que não aparentam representar lutas por capital. As histórias em quadrinhos aqui analisadas não são, em sua totalidade, um espaço onde ocorrem disputas ideológicas ou ao menos estas sejam representadas. Por vezes, ocorre uma manifestação cultural despreocupada de questões políticas, de embates ideológicos

The present study is an interrogation of theories of culture and nation in the context of spectacular sports. It proposes a view of nationalism as discourses that articulate and produce nations through narrative acts. A wide array of concepts and tools are drawn from the work of Pierre Bourdieu and contrasted with methods and notions from discursive and semiotic analysis to interrogate a national-sports nexus in which sports are vehicles to embody nations, their matrices of thought and perception, and their dominant order of masculinity and heteronormativity in the national subject, so that this order appears natural and commonsensical. Particular attention is given to the case of South Africa’s participation in the 1998 World Cup, and the way the epic genre was employed to frame the event and produce a particular kind of national body. Spectacular sports events provide nations with opportunities to disseminate narratives that regulate desire and conjure a particular kind of national fantasy – what Bourdieu referred to as illusio – in subjects. This work makes a distinction between an epic body of nationalism, a body enmeshed in "the natural and authentic," and an excessive body. However, mediations of sports are never merely reflections of social events but themselves participate in producing these events as meaningful and anchor them as national. Furthermore, an actively interpreting subject is required for the production of meaning, and in this regard the thesis offers a critique of Bourdieu’s limited view on what it entails for a recipient of nationalist discourse to be active. The questions addressed by this study is twofold: how and what kind of national order of the body and desire is manufactured through spectacular sports events, and how are mediations of such events made meaningful in subjects? The open-ended character of signification means that beneath the level of nationalist anchorage of spectacular sports events other articulations are possible. Drawing on Bourdieu’s view of sports as forms of silent dressage, the thesis suggests that there is a potential excess of meaning that enables such events to become potential sites of subjective truth: as viewers realise the fantasmatic character of such mediations they may come to question the notion that spectacular sports are something more than just a game.

Em um mercado em constante crescimento, o tradutor de histórias em quadrinhos deve aplicar as mais variadas formas de conhecimento em seu trabalho. Conhecimento do par linguístico não é a única ferramenta de que ele necessita, mas de um vasto conhecimento nas mais variadas instâncias do saber e, acima de tudo, um domínio sobre o material com o qual está trabalhando. Na presente dissertação, analisamos a teoria do habitus de Pierre Bourdieu e sua influência direta nos tradutores de histórias em quadrinhos da Marvel Comics e DC Comics no Brasil através da análise de entrevistas realizadas e sua influência na escolha do uso de gírias na tradução. Tratamos das questões relativas à tradução contextualizada e não somente da transferência automática e impensada de palavras soltas de uma língua para outra (Milton, 2010). Analisamos o potencial da Tradução Descritiva (DTS), mais especificamente a Function Oriented DTS, como maneira de enfatizar elementos essenciais à tradução e às funções que elas representam em seus receptores analisando a influência sociocultural e o contexto em que o texto foi produzido (Holmes, 2000). / In a constantly growing market in, the translator of comics should apply the most varied forms of knowledge to his or her work. Knowledge of a language pair is not the only tool that he or she needs, but a vast knowledge in the most varied areas, and above all a familiarity with the material with which he or she is working. In the present thesis we analyze the theory of habitus of Pierre Bourdieu and its direct influence on comic book translators of Marvel Comics and DC Comics in Brazil through interviews analysis, and its influence on the choice of slang used in translation. Also the ability to handle all issues related to contextual translation and not only the automatic transfer of loose and thoughtless words from one language to another is examined (Milton, 2010). Furthermore, we analyze the potential of Descriptive Translation Studies (DTS), specifically the \"Function Oriented DTS\" as a way to emphasize key elements in translation and the roles they represent in their receivers analyzing the sociocultural influence and the context in which the text was produced (Holmes, 2000).

Följande rapport behandlar intervjuer av åtta svensklärares idéer om vad de känner sig måste ta hänsyn till i sina val av skönlitterära inslag i svenskämnet på gymnasieskolor i Stockholms norra kranskommuner. Undersökningen anlägger ett sociologiskt perspektiv på de praktiserade urvalstekniker som framförs och diskuterar intervjupersonernas upplevelser med utgångspunkt i Pierre Bourdieus teorier om kapital, habitus och fält. Resultatet av intervjuerna visar att pedagogernas litterära kanon genomgående utgår ifrån vem eleven är, vilket syfte undervisningen har, lärarens tidigare erfarenheter liksom dennes förväntningar på elevens tillgodogöranden av undervisningen. I efterord diskuteras eventuella konsekvenser av sådana strukturer och studien avslutas med förslag på vidare forskning. / The following report deals with eight Swedish teachers' ideas about what they feel they must take into account in their choice of literary fiction in the subject of Swedish in upper secondary schools in the northern municipalities surrounding Stockholm. The study applies a sociological perspective on the practiced techniques of selection that are raised and discussed by interviewees' and their experiences, based on Pierre Bourdieu's terminology of capital, habitus and field. The result of the interviews shows that teachers' literary repertoire is frequently related to who the student is, what purpose the education has, the teacher's past experiences as well as their expectations for what the student might benefit out of their teaching. In the afterword possible consequences of such structures are discussed and suggestions for further research conclude the report.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-10-19T11:21:08Z No. of bitstreams: 1 pablodemelopeixoto.pdf: 1940198 bytes, checksum: 0ac497aef7b8c60d1bd9e9c66dc0b5ca (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-25T12:16:15Z (GMT) No. of bitstreams: 1 pablodemelopeixoto.pdf: 1940198 bytes, checksum: 0ac497aef7b8c60d1bd9e9c66dc0b5ca (MD5) / Made available in DSpace on 2016-10-25T12:16:15Z (GMT). No. of bitstreams: 1 pablodemelopeixoto.pdf: 1940198 bytes, checksum: 0ac497aef7b8c60d1bd9e9c66dc0b5ca (MD5) Previous issue date: 2007-09-28 / O presente trabalho investiga as relações de forças entre os diversos agentes do campo musical brasileiro durante a década de sessenta, analisada a partir de observações históricas e relatos da época, em confluência com as teorias dos campos e do mercado de bens simbólicos de Pierre Bourdieu, trazendo essas teorias para o estudo de música popular no Brasil. Abordam-se as mudanças do habitus no campo da MPB e de que forma essas mudanças, a partir do advento da Bossa Nova, permitiram o surgimento e a ascensão de novos estilos musicais, por vezes contrastantes como a Canção de Protesto, o Iê, iê, iê e, finalmente e principalmente, o Tropicalismo, apontando aspectos como luta pela hegemonia, estratégias de tomada de poder, relações entre dominantes e dominados, dinâmica do campo e capitalização de bens simbólicos. A pesquisa foi desenvolvida através de uma extensa pesquisa bibliográfica em material original e historiográfico, além de grande parte da bibliografia sociológica de Bourdieu. O trabalho busca entender de que forma essas mudanças na teia musical brasileira permitiram o surgimento de um estilo único e mutante como o Tropicalismo, capaz de agregar todos os outros surgidos antes e os posteriores a ele, mantendo praticamente intacta a estrutura de supremacia e acumulação de capital simbólico de seus principais fundadores, Caetano Veloso e Gilberto Gil. A pesquisa procura uma nova abordagem sobre a História da Música Popular Brasileira, sob um ponto de vista alternativo, o que pode se configurar como uma forma para se entender o desenvolvimento da cultura de massas no Brasil. / This work aims to investigate the power struggle between the various agents in the Brazilian musical scene in the sixties, analyzing it from historical observations and accounts from the period studied in conjunction with Pierre Bourdieu’s market and field theories on symbolic goods and bringing these theories together to study the Brazilian Popular Music (MPB). The changes in the habitus in the MPB scene, as well as how those changes took place since Bossa Nova entered the music world, made the arrival and ascent of new - and sometimes opposing - musical genres possible, such as the Canção de Protesto (Protest Song), the Iê, Iê, Iê and, finally and especially, Tropicalism, pointing out aspects like struggle for predominance, strategies to take over control, relationships between oppressors and the oppressed, field dynamics, and capitalization of symbolic goods. The research was carried out by means of an extensive bibliographical survey of original and historical material, as well as a great deal of Bourdieu’s sociological work. The intent of this dissertation is to understand how those changes in the Brazilian musical “web” enabled the emergence of a unique and continuously changing style like the Tropicalism, a style capable of absorbing all others, which came before and after it, but keeping the structure of its supremacy and the accumulation of symbolic goods of its main founders - Caetano Veloso and Gilberto Gil - unchanged. The research seeks a new approach to the History of Popular Brazilian Music, in an alternate light, which may become a way of understanding the development of mass culture in Brazil.

Em um mercado em constante crescimento, o tradutor de histórias em quadrinhos deve aplicar as mais variadas formas de conhecimento em seu trabalho. Conhecimento do par linguístico não é a única ferramenta de que ele necessita, mas de um vasto conhecimento nas mais variadas instâncias do saber e, acima de tudo, um domínio sobre o material com o qual está trabalhando. Na presente dissertação, analisamos a teoria do habitus de Pierre Bourdieu e sua influência direta nos tradutores de histórias em quadrinhos da Marvel Comics e DC Comics no Brasil através da análise de entrevistas realizadas e sua influência na escolha do uso de gírias na tradução. Tratamos das questões relativas à tradução contextualizada e não somente da transferência automática e impensada de palavras soltas de uma língua para outra (Milton, 2010). Analisamos o potencial da Tradução Descritiva (DTS), mais especificamente a Function Oriented DTS, como maneira de enfatizar elementos essenciais à tradução e às funções que elas representam em seus receptores analisando a influência sociocultural e o contexto em que o texto foi produzido (Holmes, 2000). / In a constantly growing market in, the translator of comics should apply the most varied forms of knowledge to his or her work. Knowledge of a language pair is not the only tool that he or she needs, but a vast knowledge in the most varied areas, and above all a familiarity with the material with which he or she is working. In the present thesis we analyze the theory of habitus of Pierre Bourdieu and its direct influence on comic book translators of Marvel Comics and DC Comics in Brazil through interviews analysis, and its influence on the choice of slang used in translation. Also the ability to handle all issues related to contextual translation and not only the automatic transfer of loose and thoughtless words from one language to another is examined (Milton, 2010). Furthermore, we analyze the potential of Descriptive Translation Studies (DTS), specifically the \"Function Oriented DTS\" as a way to emphasize key elements in translation and the roles they represent in their receivers analyzing the sociocultural influence and the context in which the text was produced (Holmes, 2000).

No description available.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Tesis para optar al grado de Magister en Comunicación Social / Esta investigación tiene como objetivo describir las dimensiones significativas de asociatividad en una agrupación gremial de micro y pequeñas empresarias de la Región Metropolitana de Chile, en una práctica de análisis social basada en los postulados de Pierre Bourdieu. Las conceptualizaciones de la Teoría de los Campos configuran una caja de herramientas para producir un análisis de la dinámica asociativa inscrita en este espacio social. El análisis social del espacio que se recorta como escenario relacional de un grupo de agentes productores de prácticas sociales es alcanzado a través de metodología cualitativa en una propuesta de análisis de discurso. La elección de la perspectiva de análisis crítico y práctico de Pierre Bourdieu para abordar asociatividad, en comparación con otros modos, y la propuesta metodológica de análisis de discurso, obedece a la posibilidad de observar las complejidades del juego en este espacio.

The central aim of this dissertation is to provide a conceptual framework for people wishing to consider how their desires are shaped by forces often unnoticed by them and how they can regain some degree of control over those desires. To this end, it offers a model for desire that acknowledges the importance of social forces in shaping a person's desire, and consequently moral character. It examines the specific social context of American capitalism, and American consumption, in order to understand how it is that many Americans seem to desire and act in ways that appear contrary to their well-being. This dissertation is a work of descriptive Christian virtue ethics, meaning that it considers the desire for and consumption of material goods in light of a person's commitment to a greater system of beliefs and values. Taking the approach of virtue ethics, it considers how a person's desires are shaped by what she takes to be constitutive of her well-being, or her telos. It argues that many Americans participate in practices that dispose them to acquire habits of desiring, consuming, and enjoying material goods in ways that tend over time to distort participants' abilities to judge and reason well about the ends that are really worth pursuing, both on the part of individuals and on the part of societies. When a person participates in a practice she acquires habits of thinking, feeling, and acting that enable her to engage in such practices effortlessly. A practice is often oriented by certain rules and standards of excellence that orient the practitioners to certain ways of thinking, feeling, and acting over others. Taking advertising as a key example, participants often acquire habits that lead them to accept a conception of well-being that is based on the ideas that growth is always to be pursued and more of a good thing is always better. Such an orientation, in turn, can direct a person's desires so that she becomes disposed to satisfy her immediate desires without seriously considering whether those desires will contribute to her well-being and, more broadly, whether the vision of the good life she has in mind is truly worth pursuing. This dissertation offers a way of engaging in critical reflection that can enable a person to bring to awareness many of these unseen social forces, and consider the ways in which participation in her many practices does or does not contribute to her well-being. It suggests that, for Christians in particular, a vision of the good life might focus on the cultivation of virtue--especially the virtues of temperance and justice. Considering a person's practices in light of virtue can be helpful for articulating clearly and strategizing effectively about how to engage in consumer activity in ways that contribute to her well-being.