No / Specimens from human remains exhibiting unusual preservation excavated from a seventh century stone cist burial at Towyn y Capel in Anglesey, UK, have been analysed using Raman spectroscopy with near-infrared laser excitation at 1,064 and 785 nm. Specimens of hair and bone provided evidence for severe degradation and microbial colonisation. The deposits within the stone cist showed that some microbially mediated compounds had been formed. Analysis of crystals found at the interface between the hair and the skeletal neck vertebrae revealed a mixture of newberyite and haematite, associated with decomposition products of the hair and bone. An interesting differential degradation was noted in the specimens analysed which could be related to the air-void and the presence of plant root inclusions into the stone cist. This is the first time that Raman spectroscopy has been used in the forensic archaeological evaluation of burial remains in complex and dynamic environments.

No / This paper provides the results of re-evaluation of a young adult individual from the Romano-British cemetery of 76 Kingsholm, Gloucester with club foot defomity by (Roberts et al 2004). Our reanalysis revealed an extensive bilateral asymmetry involving the lower and upper limb, spine and cranium and a right scoliosis, indicating more than the lower limb was affected. Consideration of the position and shape of the articulated club foot indicated a positional rather than a developmental condition, probably due to unilateral paralysis. Differential diagnosis considered congenital and acquired neuromuscular conditions; we argue that poliomyelitis is the most likely cause. Poliomyelitis is secondary to the infection with poliovirus that can affect the motor neurons from the spinal cord, causing a flaccid paralysis without sensory affection. Because the virus affects individual nerves, the paralysis is muscle-specific causing muscle imbalances and poor posture which can result in deformities and muscle disuse atrophy. Shortening of the leg is the most characteristic sign, however other typical deformations are in the lower limbs are external rotation of the knee, knee hyperestension, ankle and foot deformities (all observed in K131). The evaluation of K131’s entheses and bone structure suggests that, in life, this individual showed physical deformities consisting of a possibly visible atrophy of the left arm and leg, asymmetric gait, clubfoot and slight scoliosis which would have affected not only his appearance but also his ability to move and perform certain tasks. K131’s burial treatment is entirely normative for the period and the wider cemetery context. This could suggest that despite their impairment, this individual was not necessarily marginalised within their social context. However, historical sources account for extensive marginalisation and cruel treatment of the disabled and deformed in this period. So, whilst K131 was buried in a normative manner, it is difficult to reach definitive conclusions regarding how this individual was treated by their contemporaries.

The use of jewelry is just one of many avenues for individual self-expression, but even in the most individualistic society it is also a reflection of certain cultural norms, values, and expectations. This thesis is an analysis of Nabataean jewelry in burial contexts from the three main regions of the ancient kingdom - Medina Selah, the Negev, and Petra – with the aim of reaching a better understanding of Nabataean culture through their jewelry. The types of jewelry, materials used in their construction, and many other variables are compared and reveal unique regional variations within an overall Hellenistic style.

The thesis explores burial practices across all three phases (early, middle and late) of the Anglo-Saxon period (c.450–1066 AD) in Norfolk and the relationship with the identity of the deceased. It is argued that despite the plethora of research that there are few studies that address all three phases and despite acknowledgement that regional variation existed, fewer do so within the context of a single locality. By looking across the whole Anglo-Saxon period, in one locality, this research identified that subtler changes in burial practices were visible. Previous research has tended to separate the cremation and inhumation rites. This research has shown that in Norfolk the use of the two rites may have been related and used to convey aspects of identity and / or social position, from a similar or opposing perspective, possibly relating to a pre-Christian belief system. This thesis stresses the importance of establishing biological identity through osteological analysis and in comparing biological identity with the funerary evidence. Burial practices were related to the biological identity of the deceased across the three periods and within the different site types, but the less common burial practices had the greatest associations with the biological identity of the deceased, presumably to convey social role or status. Whilst the inclusion of grave-goods created the early Anglo-Saxon burial tableau, a later burial tableau was created using the grave and / or the position of the body and an increasing connection between the biological and the social identity of the deceased, noted throughout the Anglo-Saxon period in Norfolk, corresponds with the timeline of the religious transition. / Arts and Humanities Research Council (AHRC) / Some images have been removed due to copyright restrictions.

The inclusion of animal remains in funerary contexts was a routine feature of Anglo-Saxon cremation ritual, and less frequently of inhumations, until the introduction of Christianity during the 7th century. Most interpretation has focused either on the animal as symbolic of identity or as an indication of pagan belief, with little consideration given to the interaction between these two aspects. Animals were a fundamental and ubiquitous part of early medieval society, and their contribution to mortuary practices is considered to be multifaceted, reflecting their multiple roles in everyday life. This project considers the roles of animals in mortuary practice between the 5th-7th centuries across five counties in eastern England – Norfolk, Suffolk, Lincolnshire, Cambridgeshire and Essex – in both cremation and inhumation rites. Animal remains have been recognised in 5th to 7th century burials in eastern England from an early date, and the quality of the existing archives (both material and written) is investigated and discussed as an integral part of designing a methodology to effectively summarise data across a wide area. From the eastern England dataset, four aspects of identity in mortuary practice are considered in terms of their influence on the role of animals: choice of rite (cremation/inhumation); human biological identity (age & gender); regionality; and changing expressions of belief and status in the 7th century. The funerary role of animals is argued to be based around broadly consistent cosmologies which are locally contingent in their expression and practice. / Arts & Humanities Research Council Studentship under the Collaborative Doctoral Award scheme, with Norwich Castle Museum as the partner organisation

This study examines how themes, conventions and concepts in Gothic discourses are remediated or developed in selected works of contemporary interactive fiction. These works, which are wholly text-based and proceed via command line input from a player, include Nevermore, by Nate Cull (2000), Anchorhead, by Michael S. Gentry (1998), Madam Spider’s Web, by Sara Dee (2006) and Slouching Towards Bedlam, by Star C. Foster and Daniel Ravipinto (2003). The interactive fictions are examined using a media-specific, in-depth analytical approach. Gothic fiction explores the threats which profoundly challenge narrative subjects, and so may be described as concerned with epistemological, ideological and ontological boundaries. In the interactive fictions these boundaries are explored dually through the player’s traversal (that is, progress through a work) and the narrative(s) produced as a result of that traversal. The first three works in this study explore the vulnerabilities related to conceptions of human subjectivity. As an adaptation of Edgar Allan Poe’s famous poem “The Raven,” Nevermore, examined in chapter one, is a work in which self-reflexivity extends to the remediated use of the Gothic conventions of ‘the unspeakable’ and ‘live burial’ which function in Poe’s poem. In chapter two, postmodern indeterminacy, especially with regard to the tensions between spaces and subjective boundaries, is apparent in the means through which the trope of the labyrinth is redesigned in Anchorhead, a work loosely based on H. P. Lovecraft’s terror fiction. In the fragmented narratives produced via traversal of Madam Spider’s Web, considered in chapter three, the player character’s self-fragmentation, indicated by the poetics of the uncanny as well as of the Gothic-grotesque, illustrates a destabilized conception of the human subject which reveals a hidden monster within, both for the player character and the player. Finally, traversal of Slouching Towards Bedlam, analyzed in chapter four, produces a series of narratives which function in a postmodern, recursive fashion to implicate the player in the viral infection which threatens the decidedly posthuman player character. This viral entity is metaphorically linked to Bram Stoker’s vampire, Dracula. As it is the only work in the study to present a conception of posthuman subjectivity, Slouching Towards Bedlam more specifically aligns with the subgenre ‘cybergothic,’ and provides an illuminating contrast to the other three interactive fictions. In the order in which I examine them, these works exemplify a postmodern development of the Gothic which increasingly marries fictional indeterminacy to explicit formal effects, both during interaction and in the narratives produced.

La place du mort est une étude topographique des sépultures païennes de l'âge de fer en Islande. Le but de ce travail est d'étudier la localisation des tombes et d'en déterminer le sens. Les résultats se fondent sur une révision critique de toutes les données disponibles en matière de site funéraire en Islande, et sur la fouille de chaque sépulture répertoriée. Les données obtenues permettent l'élaboration d'un modèle de localisation des tombes qui les situe a) loin des fermes, mais près des frontières et des routes, b) à proximité des fermes et à une courte distance de leur zone d'activité principale et c) au carrefour entre la route principale et l'allée menant au corps de ferme. Ces résultats ont été testés et confirmés par d'autres explorations de terrain et des fouilles récentes. La comparaison des tombes situées en a) et en b) met en évidence une différence intéressante : près des fermes, les tombes sont souvent orientées nord-sud, les sépultures sont en petit nombre et d'une variété limitée, et la population des défunts est majoritairement constituée d'hommes adultes ou âgés. Les tombes éloignées des fermes quant à elles sont le plus souvent orientées est-ouest, présentent une variété plus importante de biens funéraires, et contiennent des hommes et des femmes de tous âges. Les spécificités topographiques sont interprétées comme reflétant les différentes étapes du processus de la colonisation humaine de l'Islande, qui a eu lieu à la fin du IXe siècle : au stade initial, les sépultures sont placées près de l‘unique endroit important aux yeux des premiers colons : leur habitation. Puis la croissance de l'immigration entraîne de nouvelles règles, dont l'élaboration de frontières entre les propriétés agricoles, frontières signifiées entre autres par les cimetières qui y sont établis. Vers la fin de la colonisation, les démarcations sont nettes et convenues. Les frontières sont désinvesties et les lieux d'importance sont alors déplacés aux carrefours entre route principale et allée conduisant au nouveaux corps de ferme construits au sein d'établissements prééxistants. / The Place of the Dead. Viking Pagan Burial in Icelandic Cultural LandscapeLa place du mort is a topographical study of pagan burials from the late Iron Age in Iceland. The aim of this work is to investigate where burials are located, and explain the reason behind the choice of place. The results are based on a critical revision of all available data on known burial sites in Iceland, and a survey of each site in the field. The main results are presented as a model of burial location, which shows that graves were placed either a) away from farmhouses, on boundaries and by roads, or b) close to farms, and a short distance outside the main activity area of the farm, or c) at the crossroads between the main road and the home lane leading to the farm. These results were tested – and confirmed - by further field survey and excavation. When the details of each grave at the two extreme locations were compared, and interesting difference became apparent: At locations near farms, the graves are frequently orientated N-S, the grave-goods are in small numbers and of a limited variety, and the population are predominantly adult or old men. The graves far away from the farm, are most often oriented E-W, there is a greater number and a greater variety of gravegoods, and there are male and female graves of people of all ages.The differences between locations are explained as different stages of the process of the human colonisation of Iceland which occurred in the late 9th century : at the initial stage, burials were located near to the only significant place of the first settlers, the habitation. With growing immigration, people establish boundaries between farms by placing cemeteries there. Towards the end of the colonisation, where boundaries have been agreed upon, the most significant location shifts again, from boundaries, to the junction between the main road and the home track, leading to the farm which has been located between two already established settlements.

The subject of this thesis is processing archeological locality Hoštice-Sečné louky 4 and Mořice-Pololány 1. Take up with archeological findings, their analysis, determination, primary interpretation and contextualization to the chronological period. The work includes an assessment of correlate settlement and burial ground of uneticer culture, and interpretation settlement burials.

Abstract Gravfält och byar - En komparativ undersökning av sex gravfält från Värend. Gravefields and villages - A comparative analysis of sex gravefields from Värend. Abstract   The basis that this study stands on, is that iron age-gravfields represents nearby village communities. The purpose of this study was to investigate if six gravefields within the old folkland Värend represent different villages, or does the six representative gravefield-villages only show dissimilarity in social differences that occurred within the villages?   A comparative method analysis was used in this study, to help examine comparisons of the different grave types within the gravefields and the social phenomena that they reflect. To help the method further, old maps of the gravefields were used and field observations were made, to get a better picture in how the different grave types were placed and arranged within the gravefields and landscape.   The results show that these six gravefields probably represents their own nearby villages, and many of the graves that occur within the different gravefields, are alike to each other, which show that these supposed representative gravefield-villages had similar grave traditions. / Sammanfattning Uppsatsens syfte är att undersöka sex gravfält från det gamla folklandet Värend, varav de sex gravfälten ligger idag inom Växjö kommun. Gravfälten som undersöktes var Lilla Fjäll-gravfältet (Växjö RAÄ 111:1), Ingelstad-gravfältet (Östra Torsås RAÄ 1:1), Telestad-gravfältet (Växjö RAÄ 12:1), Skir-gravfältet (Växjö RAÄ 19–20:1), Orraryd-gravfältet (Nöbbele RAÄ 3:1) och Västenhaga-gravfältet (Bergunda RAÄ 25:1). Denna studie fokuserade sig på att undersöka de olika gravtyper som förekommer inom de sex gravfälten. Detta gjordes för att kunna hitta spår av hur de olika gravfältens representativa by-samhällena kan ha återspeglats. Detta gjordes genom att identifiera skillnader mellan respektive gravfält och därefter diskutera vad skillnaderna kan representera. Jag ville veta om det handlar om olikheter mellan sex skilda byar som begravt sina döda eller beror olikheten på sociala skillnader inom byarna? Resultatet visade på att det förekommer ett varierande och komplext gravstruktur där vissa av gravarna kan ha representerat olika gårdar inom byarna, medan vissa av gravarna representerades som högstatusgravar och religiösa/rituella gravar. De olika gravfälten visade även på att de representerade egna närbelägna byar.

Por meio da análise das máscaras funerárias do Egito Romano procuramos discutir algumas questões relevantes sobre a sociedade egípcia de então. A principal delas é a criação de uma elite local de origem “grega" pelo governo romano e seu papel na propagação de elementos de origem grega e romana no meio cultural egípcio, os quais podem ser observados nas características faciais e no tipo de vestimenta retratados nas máscaras funerárias. Estas formas artísticas variavam cronológica e geograficamente, conforme as particularidades regionais e o interesse da elite dominante aliada ao Império Romano. Nesta complexa rede de relações sociais, as crenças funerárias do Egito Romano mantêm a tradição que remonta ao período faraônico. A máscara pode ser considerada tanto como uma salvaguarda da memória social do morto, o qual preserva assim seu status social, como seu duplo e substituto mágico no Além. / Through the analysis of burial masks of Roman Egypt we discuss some relevant issues bearing on the Egyptian society of those times. Prominent among them is the creation of a local elite of “Greek"origin by the Roman government, and its role in the propagation of elements of Greek and Roman origin in the Egyptian cultural milieu, which can be observed in the facial characteristics and in the garments portrayed in the burial masks. These artistic forms varied chronologically and geographically, according to the regional particularities and the interest of the dominant elite, allied to the Roman Empire. In this complex network of social relationships the funerary beliefs of the Roman Egypt mantain the tradition which reaches back to the pharaonic period. The mask may be considered as much as a safeguard of the social memory of the dead, which, in this way, preserves his social status, as well as his double one and magic substitute in the Beyond.