Esta pesquisa tem o intuito de abordar um movimento literário e cultural que se expressa pela performance de poesias autorais, chamado de batalha de poesia ou slam de poesia com influência no Poetry Slam e Spoken Words, e que recentemente cresce no Brasil, particularmente na cidade de São Paulo. O objetivo desta pesquisa visa apreender como este movimento relativamente novo no Brasil, se insere no conceito de Literatura Marginal e da ideia de Cultura de Periferia, tanto pelas questões internas ao discursos, das poesias faladas e publicadas, como por questões externas ligadas a ações sociais e conjuntas. Foi utilizada a metodologia de etnografia em campo com visitas ao Slam da Guilhermina, ZAP!Slam e Slam das Minas SP; levantamento das publicações de livros lançados nos slams e mapeamento cartográfico a partir dos locais de realização dos mesmos na cidade e região metropolitana de São Paulo. Como resultado de pesquisa foi possível definir os temas mais recorrentes entre os poemas que concorreram às batalhas e o ano e região de maior concentração dos slams em São Paulo. Podemos concluir com esta pesquisa que todos os livros são do gênero de poemas e foram publicados de forma independente ou a partir de editoras que se definem como independentes; que a maioria dos coletivos de slam nasceram entre 2016 e 2017 com maior concentração na Zona Leste de São Paulo / This research aims to address a literary and cultural movement that is expressed by the performance of poetry authored, called the \"battle of poetry\" or poetry slam with influence in Poetry Slam and Spoken Words, and which has recently grown in Brazil, particularly in Brazil. Sao Paulo City. The objective of this research is to understand how this relatively new movement in Brazil is inserted in the concept of Marginal Literature and the idea of Culture of Periphery, as much for the internal questions to the speeches, of the spoken and published poetry, as for external questions related to social actions and joint. The ethnography methodology was used in the field with visits to Guilhermina Slam, ZAP! Slam and Slam from SP mines; survey of the publications of books published in slam\'s and cartographic mapping from the places of accomplishment of the same ones in the city and metropolitan region of São Paulo. As a result of research it was possible to define the most recurrent themes among the poems that competed for the battles and the year and region of greater concentration of slam\'s in São Paulo. We can conclude from this research that all books are of the genre of poems and have been published independently or from publishers who define themselves as independent; that most of the slam collectives were born between 2016 and 2017 with greater concentration in the East Zone of São Paulo

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-11T12:30:20Z No. of bitstreams: 1 Liliane Pereira Braga.pdf: 5200100 bytes, checksum: e5976fe34dacd65fc0778b11370b86d2 (MD5) / Made available in DSpace on 2018-07-11T12:30:20Z (GMT). No. of bitstreams: 1 Liliane Pereira Braga.pdf: 5200100 bytes, checksum: e5976fe34dacd65fc0778b11370b86d2 (MD5) Previous issue date: 2018-04-06 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The use of cinematographic sources from Haiti, Cuba, Jamaica and Brazil in this research intends to escape the “archival power”, accompanying Michel-Rolph Trouillot (1995) and his questioning, in ways of deconstructing universal metanarratives and de-silencing of History. Challenging images and sounds of the 21st century aims to approach the traditions and ways of life of Afro-Latin American groups. Tracks opened by dimensions of postcolonial studies and cultural studies served as a starting point against the power of discourse, analyzing practices of representation that impose a “regime of truth” and mark cultural difference by signifying "the racialized 'Other' in Western popular culture" (HALL, 2016). While searching for what emerges when the „Other‟ represents his/herself from their own positionality and epistemic perspectives of the South, this work intentionally draws on references that produce knowledge and theories „otherwise‟, decentering Global North‟s instrumental rationalism. Approaching socialized cultures ruled by "regimes of orality" (ANTONACCI, 2016) requires getting close to multifaceted ways of being, living and knowing manifested in cognitive and communicational practices. It requires apprehending distinctions, and considering that the unforeseen of encounters / confrontations in the so-called New World have resulted in a plurality of Afrodiasporic cultures. As paradigms are being redefined, "musicosmoving afroepistemes" are being surveyed, confronting the concept of literacy and its lack of consideration for the senses. The term coined in this research pluralizes epistemes from a sensory-corporeal-reason standpoint, where the rhythm allows for alignment with the time of the Cosmos, updating and actualizing ideas that do not constitute themselves individually, but as a whole, as performances – “vital acts of transfers" (TAYLOR, 2013) – as seen in cinematographies I have used in this work / Nesta pesquisa, que interpela imagens e narrativas afrodiaspóricas do século XXI, em abordagens relacionadas a tradições e formas de vida de grupos populares de Afro-Latino-Américas, utilizam-se como fontes cinematografias de Haiti, Cuba, Jamaica e Brasil. Intencionando escapar ao “poder do arquivo”, o recurso a imagens, sons, montagens fílmicas acompanha questionamentos de Michel-Rolph Trouillot (1995), em caminhos de desconstrução de metanarrativas universais e de des-silenciamentos da História. Trilhas abertas por vertentes de estudos pós-coloniais e Estudos Culturais serviram de ponto de partida na contramão ao poder do discurso, analisando práticas de representação que impõem “regime de verdade” e marcam diferença cultural ao significar “o „Outro‟ racializado na cultura popular ocidental” (HALL, 2016). Em busca do que emerge quando “o „Outro‟” se autorrepresenta desde suas local-idades ao Sul, tornaram-se necessários referenciais outros, além teorias produzidas em racionalismo instrumental do Norte global. Lidar com culturas sociabilizadas sob “regimes de oralidade” requer acercar-se a modos de ser, viver e saber de práticas cognitivas e comunicacionais, apreendendo suas distinções, uma vez que o imprevisível de encontros/confrontos em terras do chamado Novo Mundo resultou em pluralidade de culturas afrodiaspóricas. Em percepção de paradigmas que se atualizam, na contramão de anulação dos sentidos própria de letramento, sondam-se “afroepistemes musicosmodançantes”. Com expressão cunhada nesta pesquisa, pluralizam-se epistemes desde razão corpóreo-sensorial, onde o ritmo permite alinhamento ao tempo cósmico, atualizando e presentificando pensares que não se constituem individualmente, mas em grupo, a partir de performances – “atos vitais de transferências” (TAYLOR, 2013) – como acompanhado em cinematografias trabalhadas

Made available in DSpace on 2015-04-22T22:18:28Z (GMT). No. of bitstreams: 1 Frederico Alexandre de Oliveira Lima.pdf: 1662576 bytes, checksum: 1b8d94af48801d3970da4b2e027f595c (MD5) Previous issue date: 2013-08-19 / Fundação de Amparo à Pesquisa do Estado do Amazonas / In this study, we sought to achieve, without claiming to be exhaustive, the personal experiences of workers for a segment called the Rubber Soldiers, who during the Second World War, had rallied in the wake of the agreements signed between the Brazilian Government and the U.S., aiming to increase the production of rubber, at the time the maintenance of essential military operations implemented in that context. Bring to light their perceptions and understandings about who lived and who live either on their displacements to Amazon in your life the plantation or in their urban experiences when establishing residence in Amazonian cities, associated with their struggles for recognition as subjects of a battle still unfinished. / Neste trabalho, buscou-se a alcançar, sem a pretensão de esgotar o tema, as experiências pessoais vividas por um segmento de trabalhadores chamados Soldados da Borracha, que no período da Segunda Guerra Mundial foram arregimentados no bojo dos acordos firmados entre o Governo Brasileiro e Norte- Americano, objetivando a majoração da produção de borracha, naquele momento essencial a manutenção das operações militares implementadas naquele contexto. Foi nossa intenção trazer a lume suas percepções e compreensões acerca do que viveram e do que vivem, seja nos seus deslocamentos para Amazônia, na sua vida no seringal, em suas experiências urbanas quando do estabelecimento de residência nas cidades amazônicas , seja ainda de suas lutas por reconhecimento como sujeitos de uma batalha não terminada.

Made available in DSpace on 2015-04-22T22:18:31Z (GMT). No. of bitstreams: 1 capa sidney aguiar.pdf: 54747 bytes, checksum: 5063def87e9a9d7730e5aaf1220b1006 (MD5) Previous issue date: 2012-10-11 / This project presented here aims to work with the popular urban experiences in Manaus during the 1940s. City suffered major impacts in the economic, social and cultural development during the course of World War II. This period also permeates the New State of Getúlio Vargas and also called the Battle of Rubber . This work focuses on new perspectives to narrate these important historical facts about investigating various angles the city, its contradictions and conflicts in the capital of Amazonas during and after the World War / Este projeto aqui apresentado visa trabalhar com as vivências populares urbanas na cidade de Manaus durante a década de 1940. Cidade que sofreu grandes impactos nos campos econômico, social e cultural durante o desenrolar da II Guerra Mundial. Este período também perpassa pelo Estado Novo de Getúlio Vargas e também pela chamada Batalha da Borracha . Este trabalho privilegia novas perspectivas para narrar estes importantes fatos históricos, investigando sobre diversos ângulos a cidade, suas contradições e conflitos na capital do Estado do Amazonas durante e pós o conflito mundial.

This analysis seeks to understand the power of social media to create sustainable social movements. The 1999 World Trade Organization protests in Seattle were one of the first internet-supported acts of protest and illustrate the power of the Internet and social media to bring together diverse coalitions of actors and maintain decentralized power structures. Next, the analysis studies the non-profit advocacy organization Invisible Children and the recent media explosion of their Kony 2012 campaign to make sense of how uses of the Internet have expanded since 1999. The Kony 2012 case illustrates the power of committed networks in disseminating information but also alludes to some of the new challenges social media presents. Ultimately, this analysis concludes that social media has simultaneously empowered and crippled social media, calling for an intentioned use of the Internet applications, strong leadership, and cultural framing to sustain mobilization.

− Mitt syfte med denna uppsats är att pröva förhärskande luftmaktsteori på ett verkligtskeende. I uppsatsen prövas därför giltigheten av John Boyds och John A. Warden III teorier påSlaget om Storbritannien. Min avsikt med detta är inte att ställa Warden mot Boyd för attdärigenom pröva vilken av teorierna som framstår som bättre än den andra, utan metoden attpröva dessa på ett verkligt skeende syftar endast till att pröva dem var för sig. Min frågeställningblir därför;Fråga: Håller dessa teorier för en prövning på en verklig händelse?− För att svara på min frågeställning har jag gått till väga på följande sätt. Uppsatsens förstadel handlar om vad luftmakt är, dess grundläggande egenskaper, fördelar samt begränsningar.Detta för att skapa förståelse för uttrycket som sådant. Därefter följer en genomgång och analysav vad förhärskande luftmakts teori är och tankarna bakom denna. De teorier som behandlasunder detta epitet är de av John Boyd och John A. Warden III. Därefter knyts denna och förstadelen ihop för att därigenom skapa förståelse och en helhetssyn av begreppet luftmakt ochförhärskande luftmaktsteori. Som tredje del i uppsatsen kommer själva prövningen av teoriernamot Slaget om Storbritannien. Denna del är uppdelad i fyra olika faser som avgränsas viadatum. Detta för att skapa en lättöverskådlig struktur. Faserna är i sig indelade i beskrivning avfasen, genomförande och slutresultat. Teorin prövas genom att jag jämför teori med verkligtskeende i varje fas, slutsatser rörande teorins giltighet dras därav och sammanfattas i varje del.Slutligen avslutas uppsatsen med en sammanfattning där svar ges på frågeställningen.− Avgränsningar och motiv till dessa görs under uppsatsens gång varför jag endast redovisardessa i punktform här.Jag behandlar enbart Slaget om Storbritannien, tidsperiod 10 juli 1940-31 oktober samma år.Jag behandlar enbart luftkrigetJag behandlar Warden på det tyska agerandet och Boyd på det brittiska. / My purpose with this Essay is to examine if the theories of John Boyd andJohn A. Warden III will stand a test of reality. I therefore look at theplanning, execution and result of The Battle of Britain in order to do this.The essay is divided into four different parts. The first part deals with theexpression Air Power, its basic characteristics, advantages and limitations.This part is meant to lead a non air force officer into the essay and make itunderstandable. The next part is an analysis of the theories and the thoughtsbehind them. After this the two parts is amalgamated in order to createknowledge and a comprehensive view of Air Power and its theories. Thethird part is the test of the theories. In this part The Battle of Britain isdivided into four different phases in order to create a good structure and apossibility for the reader to follow me in my discussions. The theories aretested by looking at preparation, carrying through and results in bothGerman and British behaviour. By saying this I want to stress that thepurpose with the essay is not to examine why the German campaign endedas it did or why RAF took the victory, nor is it a test of which one of thetheories is the better one. It is a test where I look at Boyd by examineRAF/FC planning, carrying through and results and Warden by doing thesame on Luftwaffe. The fourth part is a summing up, where the question ofthe essay is answered.In my answer I level criticism against the “five ring model” of JohnWarden. The remark I do concerns the idea of separating the political willfrom the people. I find this separation valid only when looking on adictatorship not a democracy. In this discussion I find that the targetingmodel affects the theory in the way that it only suits physical destructionbased on parallel attacks and not psychic breakdown.The theory of John Boyd passes without remarks.Having said this I discuss what these results tells us. I find that the essayproves the possibility to falsify a theory but that the result is valid in thiscase only. The main issue I want to point out with my result though is thatit can work as a springboard for further examinations of these theories. Ifother authors come to the same result as I, with their examinations made onother real events, the conclusion must be that the answers all togetherproofs that the theory limps. How many answers that must point in thesame direction I don’t know, the important thing is that the theories aretested, otherwise the risk is that they can be looked at as truths, which theyare not. / Avdelning: ALB - Slutet Mag 3 C-upps.Hylla: Upps. ChP 01-03

Protesterna i samband med WTO mötet i Seattle, USA, 1999 är allmänt betraktade som startskottet för våld i samband med stora demonstrationer rörande globalisering. I juni 2001 stod Göteborg, Sverige, som värd för EU:s ministermöte samt George W Bush besök. I dessa samt ett flertal andra stora demonstrationer rörande globalisering kom våld att överskugga mötets såväl som demonstranternas sakfrågor. Våldet utövades både av aktivister samt av polisen som statens ordningsmakt. Denna uppsats fokuserar på våldsproblematiken från statens sida; hur polisen kan upprätthålla statens säkerhet och samtidigt fungera som medborgarnas garanti för att skydda deras rättigheter. Sverige har haft socialdemokratiskt styre under nästan hela 1900-talet och att säga att det har påverkat samhällsutvecklingen torde knappast vara en överdrift. USA å andra sidan benämns ofta som Frihetens land och liberalismens principer kan sägas vara inbäddade i det amerikanska samhället. Med anledning av detta syftar denna uppsats att undersöka om det är möjligt att i Seattle och i Göteborg förstå staternas agerande i våldsproblematiken från ett liberalt respektive socialdemokratiskt perspektiv. Uppsatsen har formen av en kvalitativ idéanalys med fallstudie som metod. Fallstudien har passat mycket bra i denna uppsats då den fokuserar på relationer och processer samt präglas av ett holistiskt synsätt. Syftet kan sägas vara besvarat då flera exempel tas upp för att visa hur man kan förstå statens agerande med hjälp av ideologierna. Exempelvis försvarades användningen av våld i Göteborg med att säkerheten ansågs bli bättre. Detta hänvisas i uppsatsen till den socialdemokratiska idén om statens funktion att se till det gemensamma goda. Även i Seattle försvarades användningen av våld, genom de undantagstillstånd som inrättades, av att säkerheten höjdes. Denna gång hänvisades istället till den liberala idén om staten som främjare av den individuella friheten. Slutsatsen är därmed att denna uppsats ej kanförklara USA:s eller Sveriges ageranden med hjälp av liberalismen eller socialdemokratin, man kan däremot förstå dem. Ideologier är idéer som man med rätt medel kan urskilja där man letar efter dem.

Abstract not available. / Thesis (M.A.) - University of Natal, Durban, 1994.

Militärmarsch auf die Melodie "Prinz Eugen, der edle Ritter" zur Schlacht bei Belgrad 1717, die erhalten ist in "Musikalische Rüstkammer auf die Harffe", Leipzig, begonnen 1719, aber dort ein NACHTRAG blind geschätzt 1800, und einer nicht total identischen Doublette davon als Einzelblatt unbekannter Herkunft des Heeresgeschichtlichen Museums, Wien. Die musikalische Verarbeitung folgt NICHT der preussisch-deutschen Tradition, sondern steht in der k.u.k. österreichisch-ungarischen Tradition der sogenannten "(Musik-) Militärbanda" und besitzt eine gewisse "Italienita". Das Werk wurde von der Abteilung Militärmusik beim Österreichischen Bundesheer angenommen. Weitere Papierausgaben mit Einzelstimmen befinden sich in der National Szechenyi Library, Budapest und in der Deutschen Nationalbibliothek. Wegen des Content-Schutzes fehlt das Einzelstimmenpaket. / On the melody of "Prince Eugene, the wright honourable knight" in the Battle of Belgrad 1717 as preserved in "Musikalische Rüstkammer auf die Harffe", Lipsiae, started in 1719, but there an APPENDIX from estimated only around 1800, a doublette of which as single sheet of unknown origin is in Museum for Army History, Vienna. Musical treatment is NOT following Prussian-German traditions - but "k.u.k. Austrian-Hungarian" traditions of socalled "(Military) Banda" with some "Italienita" in it. This work has been accepted by today Austrian Army, Military Music Branch and complete paper-editions are additionally avaiable in National Szechenyi Library, Budapest and in German National Library. For the reason of content-protection, single voices pack is missing here.

Thesis (M.L. Arch.)--Virginia Polytechnic Institute and State University, 1993. / Vita. Abstract. Includes bibliographical references (leaves 231-235). Also available via the Internet.