Este trabalho pretende analisar as crônicas de Caio Fernando Abreu, publicadas no volume Pequenas Epifanias, e o diálogo que elas suscitaram com os leitores na época de sua publicação. O primeiro passo é uma tentativa de entender a crônica como gênero textual e delimitar algumas bases teóricas para a sua compreensão. O movimento de análise se dá em duas etapas distintas: num primeiro momento, as crônicas são analisadas em conjunto, na seqüência de sua publicação em livro, cotejando o material utilizado nestes textos com o mesmo material utilizado como tema de suas cartas particulares, também organizadas em livro. Desta análise, constatamos que, lidas em conjunto, as crônicas de Caio possuem um alto caráter autobiográfico, fornecendo um panorama da época e da vida do autor. A segunda leitura leva em consideração as cartas escritas por seus leitores e que estão organizadas em seu acervo, localizado no Instituto de Letras da Universidade Federal do Rio Grande do Sul. Esta leitura nos leva a concluir que o caráter dialógico e intimista das crônicas de Caio as coloca no limiar entre crônica e epístola, criando um laço de identificação entre autor e leitor. Assim, o trabalho de Caio, em busca da palavra certa, cria um texto artisticamente bem trabalhado, com um alto grau de subjetividade e que quebra as fronteiras dos gêneros literários, se aproximando da epístola e também do diário íntimo. / This work aims at analyzing the chronicles written by Caio Fernando Abreu, now published as a book entitled Pequenas Epifanias, and the dialogue which was arisen with its readers at the time when they were first published. The first step is an attempt to understand the chronicle as a text genre and establish some theoretical basis for its comprehension. The analysis is held in tow distinct phases: at first, the chronicles are analyzed as a group, in the sequence they are in the book, contrasting the material used as a subject for the chronicles and the same material used as the theme for his private letters, which are also organized as a book. From this analysis we have reached the conclusion that, when read as a group, the chronicles by Caio present a highly autobiographical character, providing a panorama of the time in which they were written, as well as of the author's life. The second reading takes into account the letters written by his readers, which are organized in his files located at Instituto de Letras from the Federal University of Rio Grande do Sul. This reading led us to conclude that the dialogic character of Caio's chronicles places them on the limit between the chronicle and the letter, creating a bond with the reader. Thus, the work of Caio, searching for the right word, leads to an artistically well created text, highly subjective, which breaks the frontiers of the literary genres, close to the letter as well as to the intimate diary.

Temos aqui um estudo de caso onde se exercita, dentro do partido teórico-metodológico da história cultural do urbano, a aplicação do conceito ‘trajetória social’ aos estudos históricos, Visa estabelecer as condições que possibilitaram ao jornalista Beto Stodieck assumir a condição de porta-voz de uma parcela dos jovens da elite florianopolitana, cuja posição apoiava-se principalmente no capital cultural e social – acesso à educação, à cultura erudita e nas redes de relações sociais – herdados de família. Centrando a atenção num indivíduo e na formação do seu ‘ponto de vista’ - entendido como o universo das posições no interior do qual o agente estava situado e onde se definiu sua ação – o registro das transformações morfológicas e culturais, conforme foram registradas nas crônicas diárias, ajudou a buscar a cidade real através das representações formuladas por Beto Stodieck. A análise dos escritos e das práticas sociais ali retratadas apontou que o alcance da coluna social desse jornalista, tratada aqui como um conjunto de crônicas sociais ligeiras, foi resultado de três características fundamentais: o estilo do escritor; a capilaridade e importância social do veículo (principalmente o jornal O Estado); e a multiplicidade de temas ligados ao cotidiano de leitores das mais diversas posições sociais. / This work presents a study of case, within the party theoretical and methodological of the urban cultural history, in which applies of the concept ‘social trajectory’ to historical studies; seeking to identify the conditions that allowed the journalist Beto Stodieck become the spokesperson of a portion of the young elite of Florianópolis, whose position was supported mainly in the cultural and social capital – access to education, to erudite culture and networks of relationships social - inherited the family. Focusing on a individual and the making of their 'point of view' - understood as the universe of positions within which the agent was located and defined his action – the record of morphological and cultural transformations, as were registered in chronic daily, helped to understand the real city, through the representations made by Beto Stodieck. The analysis of the writings and social practices there portrayed, pointed out that the reach of the social columns of the journalist, treated here as a set of ‘slight social-chronicles’, was the result of three basic features: the style of the writer, the capillary and social importance of vehicle (mainly the newspaper O Estado), and the multiplicity of themes related to the daily lives of readers within different social positions.

This project has as the main purpose thinking about, from Olavo Bilac and Lima Barreto, the conception of city created around Rio de Janeiro which goes around daily in the press, through chronicles during the first two decades of the twentieth century. From this perspective, matching the readings and interpretations to notice the complexity of positions and projects in Federal Capital, from chronicles literature, the changes in action of the chroniclers, the symbolic construction of urban space civilized and modern, and the role held by the press in this debate, in line with the daily life and issues in vogue. Olavo Bilac and Lima Barreto left in the chronicles, their vision about a period of life effervescent in Rio, changed into written text a complex story of tensions and social relations. Lima Barreto and Olavo Bilac s chronicles show fight, conflicting projects, winning projects and unsuccessful projects, dreams realized and dreams postpones, what was planned, but didn t left the paper, what was and what could have been; desires, beliefs and social relations from which the chroniclers built their experiences. Lima Barreto and Olavo Bilac dealt with the city and its changes to each their own way, creating, in the press, from the physical city, desired cities: a capital-city referred to Bilac and Barreto what they want to Brazil. / Este trabalho tem como objetivo principal pensar, a partir dos cronistas Olavo Bilac e Lima Barreto, as concepções de cidade criadas em torno do Rio de Janeiro, que circulavam nas folhas cotidianas da imprensa, através das crônicas, durante as duas primeiras décadas do século XX. Nessa perspectiva, cruzando as leituras e interpretações para perceber a complexidade das posições e os projetos na Capital Federal, intentamos perscrutar pela literatura de crônica, as transformações no campo de atuação dos cronistas, a construção simbólica do espaço urbano como civilizado e moderno, e o papel ativo exercido pela imprensa nesse debate, em sintonia com o cotidiano e as questões em voga. Olavo Bilac e Lima Barreto deixaram, nas crônicas, suas visões sobre um período efervescente da vida carioca, transformaram em texto escrito uma complexa trama de tensões e relações sociais. As crônicas de Lima Barreto e Olavo Bilac revelam forças em luta, projetos conflitantes, projetos vencedores e projetos vencidos, sonhos concretizados e sonhos adiados; aquilo que foi planejado, mas não saiu do papel, o que foi e o que poderia ter sido; desejos, crenças e as relações sociais a partir das quais os cronistas construíram suas experiências vividas. Lima Barreto e Olavo Bilac trataram a cidade e suas transformações cada uma a seu modo, criando, nas folhas da imprensa, a partir da cidade física, cidades desejadas: cidadecapital desejada que remetia também ao que Bilac e Barreto vislumbravam para o Brasil. / Mestre em História

The thesis is focused on finding the philosophical dimension of a story, with respect to stories for children. It is also concerned with the variable possibilities how to use stories in the Philosophy for Children dialogue. Using the knowledge of literally science and using the articles about the role of story in Philosophy for Children, the thesis elaborates the definition of the philosophical dimension of story. Its further attempt is to suggest general method how to seize the philosophical dimension of every possible story for the purpose of philosophical dialogue with children. The suggested method is applied on the stories The Little prince by A. Saint-Exupery and The Lion, the Witch and the Wardrobe by C.S. Lewis in the last part of the thesis.

Este trabalho pretende analisar as crônicas de Caio Fernando Abreu, publicadas no volume Pequenas Epifanias, e o diálogo que elas suscitaram com os leitores na época de sua publicação. O primeiro passo é uma tentativa de entender a crônica como gênero textual e delimitar algumas bases teóricas para a sua compreensão. O movimento de análise se dá em duas etapas distintas: num primeiro momento, as crônicas são analisadas em conjunto, na seqüência de sua publicação em livro, cotejando o material utilizado nestes textos com o mesmo material utilizado como tema de suas cartas particulares, também organizadas em livro. Desta análise, constatamos que, lidas em conjunto, as crônicas de Caio possuem um alto caráter autobiográfico, fornecendo um panorama da época e da vida do autor. A segunda leitura leva em consideração as cartas escritas por seus leitores e que estão organizadas em seu acervo, localizado no Instituto de Letras da Universidade Federal do Rio Grande do Sul. Esta leitura nos leva a concluir que o caráter dialógico e intimista das crônicas de Caio as coloca no limiar entre crônica e epístola, criando um laço de identificação entre autor e leitor. Assim, o trabalho de Caio, em busca da palavra certa, cria um texto artisticamente bem trabalhado, com um alto grau de subjetividade e que quebra as fronteiras dos gêneros literários, se aproximando da epístola e também do diário íntimo. / This work aims at analyzing the chronicles written by Caio Fernando Abreu, now published as a book entitled Pequenas Epifanias, and the dialogue which was arisen with its readers at the time when they were first published. The first step is an attempt to understand the chronicle as a text genre and establish some theoretical basis for its comprehension. The analysis is held in tow distinct phases: at first, the chronicles are analyzed as a group, in the sequence they are in the book, contrasting the material used as a subject for the chronicles and the same material used as the theme for his private letters, which are also organized as a book. From this analysis we have reached the conclusion that, when read as a group, the chronicles by Caio present a highly autobiographical character, providing a panorama of the time in which they were written, as well as of the author's life. The second reading takes into account the letters written by his readers, which are organized in his files located at Instituto de Letras from the Federal University of Rio Grande do Sul. This reading led us to conclude that the dialogic character of Caio's chronicles places them on the limit between the chronicle and the letter, creating a bond with the reader. Thus, the work of Caio, searching for the right word, leads to an artistically well created text, highly subjective, which breaks the frontiers of the literary genres, close to the letter as well as to the intimate diary.

Este trabalho tem como objetivo estudar a escrita autoficcional de Caio Fernando Abreu (1948-1996) segundo as concepções, respectivamente, dos teóricos franceses Serge Doubrovsky e Vincent Colonna, destacando-a e diferenciando-a de uma escrita pretensamente autobiográfica, segundo a concepção do também francês Philippe Lejeune. Se para Doubrovsky a escrita autoficcional é identificável pela condição do homonimato entre autor-narrador-personagem, para Colonna tal condição não se faz necessária para a identificação dessa escrita. Desse modo, no caso da autoficção segundo Colonna, para identificação da autoficção de Caio F., propõe-se o critério da sobreposição de textos com base nos paratextos genettianos. Procura-se, assim, estabelecer as bases diferenciais de uma escrita autoficcional que congrega em sua estrutura fatos reais e ficcionais elaborados pela linguagem, em contraposição a uma escrita dita autobiográfica baseada num pretenso pacto de verdade, entendendo ser a autoficção a forma de escrita amplamente praticada por Caio F. Para demonstração dessa escrita autoficcional, promove-se a análise e interpretação de textos significativos de Caio F., neles identificando as estruturas que os tornam autênticas autoficções. / This work aims to study the autofictional writings of Caio Fernando Abreu (1948-1996) according to the French scholars Serge Doubrovsky and Vincent Colonna, emphasizing and differentiating it from a supposedly autobiographic writing and also according to Philippe Lejeune. If, according to Doubrovsky, autofictional writing is recognizable by the requisite of homonimity author-narrator-character, to Colonna such requirement is not necessary. According to the latter, to identify Caio F.s autofiction, one must adopt the criteria of superposition of texts, based on Genets concept of paratext. Therefore, our goal is to establish the differential basis of an autofictional writing which creates in its structures of real and fictional facts elaborated by the language, as opposed to a writing considered autobiographic based on a intended pact of truth. Consequently, autofiction is the way of writing widely practiced by Caio F. In order to demonstrate this autofictional writing, we analyse and interprete Caios most important texts, identifying in them the structures that make them genuine autofictions.

Sob a máscara de Tereza Quadros, Clarice Lispector jornalista produziu a coluna Entre mulheres no jornal Comício, em 1952. Ao lado de receitas e conselhos, comuns na imprensa feminina, a colunista publicou textos em que há um discurso pouco convencional sobre o que se consideravam os modelos femininos. Essa postura, em certa medida transgressora para a época, pode ser comprovada também pelo fato de a colunista citar trechos em que a emancipação da mulher está tematizada. Nesta pesquisa, identificamos que a principal fonte de inspiração para Clarice Lispector foi o livro O segundo sexo, de Simone de Beauvoir, publicado em 1949 na França e, à época, não traduzido no Brasil. Além de citar um trecho da própria escritora francesa, a colunista retirou da obra outras referências e trechos de terceiros. Isso revela que, ao mesmo tempo em que ratificava o estereótipo da mulher burguesa da década de 1950, com conselhos sobre tarefas domésticas, Clarice Lispector contestava esse mesmo estereótipo, por meio da apresentação de leituras avançadas para a época. Além disso, a colunista escreveu crônicas com incontestável valor literário, sendo que algumas delas deram origem a contos publicados posteriormente com assinatura da escritora. Dessa forma, a produção de Tereza Quadros é bastante diferenciada daquelas desenvolvidas por Helen Palmer e Ilka Soares, outras máscaras da escritora na imprensa feminina. / Under the mask of Tereza Quadros, Clarice Lispector wrote the column \"Among Women\" for the newspaper Comício, in 1952. Alongside recipes and advice, common in women\'s press, the writer published texts in which there is a somewhat unconventional discourse in regards to what were considered female role models. This posture, transgressive to a point for its time, can be confirmed by the fact the columnist quoted passages on the emancipation of women. In this research, we have identified the primary source of inspiration for Clarice Lipector as the book The Second Sex, by Simone de Beauvoir, published in 1949, France, and not translated in Brazil back then. Apart from quoting directly from the french writer, the columnist also took from her work other references and excerpts from other authors. That reveals that, at the same time she ratified female role models for the middle-class woman in the years of 1950, with advice on domestic chores, Clarice Lispector contested that same stereotype through introducing new, advanced reads for her time. In addition, the columnist wrote chronicles with undeniable literary value, some of which gave origin to short stories later published with the writer\'s signature. Therefore, the writing production of Tereza Quadros is quite different from the ones of Helen Palmer and Ilka Soares, other masks the writer has used in women\'s press.

Orientador: Jefferson Cano / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-26T16:57:18Z (GMT). No. of bitstreams: 1 CardozodeSouza_AnaPaula_M.pdf: 1873419 bytes, checksum: 70ca46cb40404012f5ced087c43c2195 (MD5) Previous issue date: 2015 / Resumo: As crônicas de Machado de Assis revelam vários aspectos da sociedade brasileira do século XIX. Esta dissertação tem por objetivo analisar "A Semana", a última e mais longa série do literato, publicada entre os anos de 1892 e 1897, que pode dizer muito sobre os primeiros anos da República vistos pelos olhos do cronista. Em decorrência da extensão da série, priorizo aqui a visão do cronista sobre a criminalização e a repressão das práticas populares no período. Analiso também a recorrência desses assuntos nas demais colunas de seu veículo original de publicação, a Gazeta de Notícias, visando contribuir para a ampliação do conhecimento acerca do período inicial do regime republicano e da obra machadiana. Procurei traçar ainda o perfil do narrador ficcional dessa série e de sua importância para a compreensão destes textos / Abstract: Machado de Assis' "crônicas" reveal several aspects of the Brazilian society in the 19th century. Published between 1892 and 1897, "A Semana" is the author's last and longest series and tells us a lot about the first years of the Brazilian republic as seen by Machado de Assis. This dissertation prioritizes and analyzes his view of the criminalization and repression of popular practices in the period, as well as the recurrence of these topics in the other columns of "Gazeta the Notícias", the newspaper where the "crônicas" were originally published. By doing so, we intend to expand the knowledge of the initial period of the republican regime and Machado¿s work, as well as draw the profile of the fictional narrator of the series and its importance in the comprehension of these texts / Mestrado / Historia Social / Mestre em História

1 and 2 Chronicles is a book that solicits many questions and on which neither research nor debate is complete. The reason for this is the discrepancies between the book compared to other books with similar content. The purpose of this dissertation is to: - -- identify the differences between Chronicles and source writings; -- determine which selections were made from the source material, what has been nuanced, omitted, added and emphasized; -- study these selections contextually and determine what its function or purpose would have been; -- determine the Chronicler’s ideology and against this background determine whether the text functioned as discourse of power. The book 1 and 2 Chronicles forms the study field of this dissertation. This book is mainly a narrative that pretends to be a narration of history and covers the period from Adam until after the Babylonian exile. The temple and cult in Jerusalem form the focal point of this narrative. A comparison of the book 1 and 2 Chronicles with the source documents the author(s) used (namely Genesis, Joshua, 1 and 2 Samuel and 1 and 2 Kings) clearly shows that the Chronicler worked extremely selectively when using the source documents and that he retells the history of Israel and Juda through omissions and additions with his own particular emphasis. The narrative offers a negative judgment of the Northern Kingdom (Israel) and all the tribes that lived in that area. On the other hand the Southern Kingdom and the tribes Juda, Levi and Benjamin are described extensively and are judged positively. David is presented as the ideal king. Bar one, all his wayward deeds that are comprehensively reported in the source documents are concealed. The purpose is evidently to create an extremely positive image of him. He is inter alia depicted as the founder of the cult in Jerusalem. In this manner the cult is also legitimized and given the stamp as the only true place of worship of the living God. To have a close connection with the cult in Jerusalem or not thus becomes the criterion to judge all kings after David. The study clearly reveals that 1 and 2 Chronicles functioned as a discourse of power that was aimed at promoting the interests of the post-exilic temple personnel in Jerusalem and legitimizing their control over the cult. As a discourse of power it sets boundaries and excludes different groups that were traditionally part of the people of YHWH. The destruction of the temple in 70 AD and the ending of the cult also meant the end of the purpose of this text as a discourse of power and created the possibility that it could become part of the collection of sacred writings known as the Old Testament. / Thesis (PhD (Old Testament Studies))--University of Pretoria, 2007. / Old Testament Studies / unrestricted

PhDr. Jaroslav Mrňa Církevní a obecné dějiny 19. a 20. století Název disertační práce v anglickém jazyce: Parish chronicles as a source of religious and social history using the example of commemorative books of parishes in the deanery of Velke Mezirici. Anotace v anglickém jazyce: The parish chronicles in themself conceal an indelible link of parish administrators and they are often the only surviving trace of their thoughts and actions. Individual records in themself preserve not only the mentality of their writers, but also the valuable data from the life story of parishes. The dissertation thesis Parish chronicles as a source of religious and social history using the example of commemorative books of parishes in the deanery of Velke Mezirici brings the first complete view of the issue of the existence of parish chronicles and their use of the modern historical work in the field of religious and social history. It tries to highlight the important role of ego-documents to reconstruct the history of the life in the parish. In addition to the evaluation of the positive effects of the chronicle as a work of art, commemorative or official books, the thesis includes closer look at different types of documents and the structure of their scripts. For the analysis and the comparison there was made a...