Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

This diploma thesis is going to focus on a comparison of a traditional knight´s short story and an early modern folk reading of the Chronicles of "Štifríd" and "Bruncvík"; the focus will be primarily on differences of the two texts. Narratives in Czech literature were repeatedly used in different time periods and in texts of various genres: from the allegorical knight's short story in the end of the 14th century to the early modern funny book of folk reading or even e.g. a folclore fairytale in the 19th century. The starting point for the work will be, therefore, an introduction of the interpretation attempts aimed at the filliation of handwritten and printed editions of the two narratives (Jaroslav Kolár's study), then an actual composition of the work (Hana Mirvaldová - Šmahelová's study) and also an allegorical presentation (Jaroslav Kolár's story). The main part of the thesis is an analysis of the handwritten releases from the turn of the 14th and 15th century and the printed edition from the 18th century, and their mutual comparison.

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: This study is motivated by a call by some African theologians for an African theology of reconstruction, specifically Mugambi. Its intended contribution is to propose a biblical paradigm from the Old Testament for an African theology of reconstruction. The study is fully convinced that a successful reconstruction process in Africa is possible if the process of identity formation is recognised as a strongly influential force on the process. The identity formation process needs to be consciously driven into a particular direction. The study identifies two factors that influence the success or failure of a reconstruction process. The two factors, which are conversely related, are community solidarity and social conflict. Community solidarity facilitates reconstruction and social conflict retards it. As far as the study is concerned, both of these factors are products of identity formation. If an identity formation process is exclusive it results in social conflict and if it is inclusive it results in community solidarity. The unfortunate part, according to the study, in any newly liberated nation, is that identity formation is inevitable. Because the Judean community of the Second Temple was a newly liberated community, the study suggests an exploration of their identity formation process. Although the contexts might not be the same, the suggestion is based on the hope that some lessons which can be of value to the African identity formation process might be learnt. The different ideologies that endeavoured to direct the identity formation of that community can potentially inform us of important issues to take note of when engaging in an identity formation process. Amongst the diverse historiographies of the Second Temple period, the study will explore two historiographies, namely, Ezra-Nehemiah and Chronicles. There are two reasons why these particular historiographies are chosen. The first one is that Nehemiah has already been proposed by some scholars as a biblical paradigm for a theology of reconstruction. The second one is that Chronicles, in many respects is related to Nehemiah and therefore provides a suitable comparison for a research study of this nature. / AFRIKAANSE OPSOMMING: Hierdie studie word gemotiveer deur ‘n oproep deur sommige Afrika-teoloë tot ‘n Afrikateologie van rekonstruksie, veral deur Mugambi. Die bydrae wat die studie wil maak is om ‘n bybelse paradigma vanuit die Ou Testament vir ‘n Afrika-teologie van rekonstruksie voor te stel. Die studie is oortuig daarvan dat ‘n suksesvolle rekonstruksie in Afrika moontlik is as die proses van identiteitsvorming erken word as ‘n sterk-beïnvloedende krag in hierdie rekonstruksie. Die identiteitsvormingsproses moet doelbewus in ‘n bepaalde rigting gestuur word. Hierdie studie identifiseer twee faktore wat bepalend is vir die sukses al dan nie van die rekonstruksieproses. Die twee faktore wat oneweredig aan mekaar verwant is, is gemeenskapsolidariteit en sosiale konflik. Gemeenskapsolidariteit fasiliteer rekonstruksie, terwyl sosiale konflik dit vertraag. Hierdie studie aanvaar dat beide hierdie faktore produkte van ‘n identiteitsvormingsproses is. As ‘n identiteitsvormingsproses eksklusief funksioneer, lei dit tot sosiale konflik, maar as dit inklusief is, is die resultaat gemeenskapsolidariteit. Die ongelukkige deel hiervan, volgens hierdie studie, is dat identiteitsvorming in ‘n nuut-bevryde nasie onafwendbaar is. Aangesien die Judese gemeenskap van die Tweede Tempelperiode ‘n nuutbevryde gemeenskap was, stel hierdie study voor dat ‘n verkenning van hul identiteitsvormingsprosesse gemaak moet word. Hoewel die onderskeie kontekste nie dieselfde mag wees nie, word hierdie voorstel gemaak vanuit die hoop dat ‘n aantal lesse geleer kan word wat van waarde mag wees vir die Afrika identiteitsvormingsprosesse. Die verskillende ideologieë wat invloedryk was in die identeitsvormingsprosesse van daardie gemeenskap kan ons potensieel bewus maak van belangrike kwessies waaraan aandag gegee moet word in ‘n identiteitsvormingsproses. In die konteks van die diverse historiografieë van die Tweede Tempelpreiode sal twee historiografieë verken word, naamlik Esra-Nehemia en Kronieke. Daar is twee redes waarom hierdie spesifieke historiografieë gekies is. Die eerste is dat Nehemia alreeds voorheen voorgestel is as ‘n moontlike bybelse paradigma vir ‘n teologie van rekonstruksie. Die tweede is dat Kronieke in vele opsigte aan Nehemia verwant is en juis daarom ‘n gepaste vergelykingsbron is in ‘n navorsingstudie soos hierdie.

The subject of this thesis is the Synopsis Chronike (or Synopsis Sathas), a Byzantine chronicle of the thirteenth century that conveys the history of the world, starting from Adam and concluding with the recapture of Constantinople in 1261. The study focuses on the first part of the text (Adam – Nikephoros Botaneiates), and more specifically on the comprehensive presentation and analysis of the whole corpus of its sources, passage by passage, in order to reconstruct the background of the chronicle and to determine its place in the Byzantine chronicle tradition. Following the introductory first chapter, which sets out the aims of the thesis and establishes its methodology, chapter two offers an overview of the chronicle itself, and a first discussion of the main issues it presents: the key characteristics of its narrative structure, its manuscript tradition, and – mainly – the problem of its authorship, with special reference to the commonly supposed author, Theodore Skoutariotes, bishop of Kyzikos. Chapter three conveys a detailed presentation of the results of our research; following the discussion of the sources and influences of the proem, it attempts to place each passage of the Synopsis Chronike in the context of any related texts, which are then identified as 'main sources', 'other sources' and 'parallel passages', depending on their link to the Synopsis Chronike. Chapter four discusses individually each text that appears as a source of the Synopsis Chronike, and locates its place amongst the whole corpus of the sources. Furthermore, it examines the passages for which we were not able to identify a main source, and suggests possible sources that have not survived. Finally, the concluding chapter of the thesis summarises the earlier discussion, and attempts to combine the different pieces of information, and to provide an overall picture of the background of the Synopsis Chronike in order to establish – to the degree that it is possible – its position in the Byzantine chronicle tradition.

<p>Uppsatsen är en närläsning av Patricia C. Wredes bok <em>Dealing with Dragons </em>och undersöker huruvida boken i fråga är en parodi eller travesti på de klassiska sagorna, t.ex. Törnrosa och Askungen. Jag tar också reda på om det går att läsa boken på olika sätt beroende på hur stor förkunskap man har om de gamla sagorna. Gérard Genette har skrivit boken <em>Palimpsestes: La</em> <em>littérature au second degré</em>, och jag har med hjälp av en svensk översättning använt mig av hans teorier om hypotext - hypertext, parodi, travesti och transformation. Jag tar även hjälp av Jack Zipes och hans bok <em>The Brothers Grimm - From Enchanted Forests to the Modern</em> <em>World. </em>Dessutom används Barbara Walls bok <em>The Narrator's Voice - The Dilemma of</em> <em>Children's fiction </em>för att reda ut begreppet dubbelt tilltal.</p><p>Uppsatsen är indelad i tre delar med tillhörande underrubriker: Inledning, analys och slutdiskussion. Under analysdelen tar jag upp Wredes sätt att använda sig av direkt och indirekt transformation samt om hänvisningarna till bl.a. Grimms sagor är inslag av parodi eller travesti. Metoden jag använder mig av är att visa och analysera utdrag ur boken som är direkt eller indirekt transformerade från sedan länge befintliga sagor eller legender.</p><p>Resultatet av analysen når sitt syfte och svarar på frågeställningen. Slutsatsen är att boken <em>Dealing with Dragons </em>till största delen är en parodi på kända sagor, men att inslagen av travesti är nödvändiga och behövs för den roliga och lite snälla tonen som boken tillhandahåller.</p>

Pentecostalism has, in recent times, undeniably contributed towards the growth of the church as a whole. Public worship services inherently submit and contribute towards the meeting between man and God as well as fellowship between the people who form part of said service. Public services in honor of God speak to the purposes of God and man’s fundamental desire to meet with our Creator. Consequently, research into this phenomenon proves vital in determining and even extending the role of the Pentecostal ideology in correlation to the longevity of honorary public services. Chapters 2 through 4 shed light on some of the key concepts that clarifies the dynamic nature of these events, throughout the service wherein the radiant power of God touches the human heart in some astounding ways. Exegetic studies have been undertaken into 2 Chronicles 5-7 which examines these instances of divine meeting in the Old Testament while the second chapter of Acts deals with the event from a New Testament perspective. In addition to this, 1 Corinthians 11-14 was utilized to highlight the role of the Holy Ghost as the instigator for divine meeting. Specific issues addressed by the research include service preparation and the role of music and its contribution to ambience preceding a meeting between man and God. Moreover, a keen focus on the sermon and the delivery thereof as well as its progression leading up to the conclusion and summary in closing and prayer, are all dealt with as part of this study. This dynamic, in essence, becomes visible through the statement issued by the life of each disciple as a living testament to this consuming and changing event. Honorary public services fit the bill as an event to promote divine meeting. Chapter 5 delves into some of the auxiliary sciences i.e. sociology, communication science, psychology and the field of antropology. The principles in chapters 2 through 4 are affirmed by these aspects of science and provide perspective on the practical applications thereof. All these factors in relation to practice have also been scrutinized through empirical research. This research clearly places divine meeting as a central to and inseparable from perceiver experience. Chapter 7 provides practical guidelines to alternative approaches in practicum. The study proposes a model whereby certain aspects can be examined from a Pentecostal point of view in order to tailor services as a dais for divine meeting. Most importantly it should be evident in the life of the participant that they have truly encounter God. This meeting is the prime objective and at the heart of public service. It serves and should always serve as a doorway to Christian life. / PhD (Liturgics), North-West University, Potchefstroom Campus, 2014

Jean Froissart’s Chroniques, composed of four Books, relate the first stages of the Anglo-French conflict later known as the Hundred Years’ War (1337–1453). This thesis explores Froissart’s textual journey(s) to Gascon lands (south-west of modern-day France) and history/stories. Relying on Gérard Genette’s and Mikhail Bakhtin’s narrative theories, it uses literary and narratological tools to analyse three passages from Book I and III concerned with Gascony: the Earl of Derby’s Gascon campaigns (Chapter 1); the Black Prince’s Gascon campaigns and the principality of Aquitaine (Chapter 2); Froissart’s personal journey to and stay at the court of Gaston Fébus, count of Foix-Béarn (Chapter 3). One aim of the study is to investigate the representation of the region but it also argues that the Gascon passages have wider implications for the Chroniques, Froissart’s work as a whole, and the writing of history in the fourteenth century. At the turn of the twentieth century, Froissart’s ‘history’ was often disparagingly discussed by scholars due to factual inaccuracy and literary embellishments: such a ‘historical narrative’, it was felt, fell short of history and was nothing more than an entertaining story presenting outdated chivalric ideals. Although this approach has been partly revised, some critics still view the Chroniques’ earlier Books as being a narratively straightforward reflection of such a chivalric ideology, lacking critical hindsight on fourteenth-century events and society, and thus presenting paradoxical and irreconcilable tensions with later Books to the extent that they are occasionally deemed to be an entirely different kind of work than their later counterparts. The narrative thread of Froissart’s Gascon (hi)story explored here allows the revision of such views and shows that Froissart’s narrative is far from narratively and ideologically straightforward. This complexity is present as early as the first versions of the Book I, which should be envisaged in parallel, not in opposition, with the ‘later’ Chroniques. Similarly, the various tensions (e.g. fiction/history; ideal/real) underpinning the whole work, manifested in the portrayal of Gascony/the Gascons, are best approached in terms of co-existence, not antagonism. Such a multi-faceted work (a mirror and/or product of the fourteenth century?), à mi-chemin between history and fiction, between conflicting yet co-existing perspectives, is precisely what makes Froissart’s Chroniques valuable to literary critics, philologists, and historians alike.

Dans notre étude, nous cherchons à démontrer qu'Arthur Buies se présente comme le témoin d'une forme de modernité dans ses chroniques sur les régions qui sont publiées dans les années 1870 dans divers journaux puis rassemblées en trois recueils. En effet, nous nous appuyons sur l'idée qu'il observerait sensiblement les mêmes traits dans ses chroniques rurales que dans ses chroniques urbaines. Nous pensons aussi que les postures littéraires (Jérôme Meizoz) qu'il adopte permettent à Buies de transmettre - de manière formelle - sa vision de la modernité. Au terme de la recherche, il ressort que Buies, conscient de ce qu'est la modernité, juge qu'elle ne se trouve pas inéluctablement dans les villes. Pour lui, Paris et San Francisco sont modernes, alors que Québec ne l'est pas. De plus, pour lui, il existe bel et bien une forme de modernité dans les chroniques rurales, puisqu'il y observe sensiblement les mêmes traits que ceux qu'il relevait dans ses chroniques sur Paris et San Francisco. Aussi, Buies est-il convaincu que la colonisation au Québec stagne. Il en vient à ce constat lorsqu'il la compare à celle se produisant simultanément aux États-Unis. Toutefois, il remarque un certain progrès au cours de la décennie, insuffisant, selon lui, pour compenser l'absence de chemin de fer sur la rive nord du Saint-Laurent. Nous concluons, à partir de nos analyses, que les postures littéraires que Buies choisit - particulièrement celle du flâneur et celle du géographe - lui permettent de véhiculer les traits de la modernité dans l'écriture même de ses chroniques. / In our study, we focus on demonstrating that Arthur Buies presents himself as a witness of a form of modernity in his chronicles on the country published in the 1870's in three collections. We lean on the idea that he would observe approximately the same characteristics in his rural chronicles as in his urban chronicles. We also think that the 'literary postures' (Jérôme Meizoz) adopted by Buies allow him to pass on - in a formal way - his vision of modernity. By the research's end, it stands out that Buies, aware of the concept of modernity, judges that it doesn't inevitably appear in the cities. For Buies, Paris and San Francisco are modern whereas Quebec City is not. Furthermore, for him, there really is a form of modernity in his rural chronicles because he notices in them more or less the same characteristics as the ones he found in the chronicles about Paris and San Francisco. Also, Buies is convinced that the colonization in Quebec stagnates. He comes to this observation when he compares it to the American colonization happening simultaneously. However, he notices some progress regarding Quebec colonization over the decade, but insufficient, according to him, to make up for the absence of a railroad on the northern bank of the St. Lawrence River. Based on our analysis, we conclude that the 'literary postures' chosen by Buies - especially the 'flâneur' and the geographer ones - are figures through which the characteristics of modernity are conveyed within the writing of the chronicles itself.

THESIS ABSTRACT This MA thesis examines the portrayal of King Richard III (1452-1485) in texts preceding William Shakespeare's canonical play on this subject. By analyzing a wide range of sources written between the 1480s and the 1590s, it traces how the reputation of Richard III as an epitome of a tyrant, a usurper and a royal murderer was created and consolidated. At the same time, special attention is paid to innovations and deviations from this interpretation that contributed to the diversification of the King's image. The first chapter covers some of the most significant historiographic works of the Tudor era: The Second Continuation of The Crowland Chronicle, chronicles by Polydore Vergil, Edward Hall, and Raphael Holinshed, Thomas More's historical narrative, as well as a less-known manuscript by Dominic Mancini who described the early months of the reign of Richard III. The second chapter examines the transformation of the historical topic into poetry. The image of Richard III is analyzed in as diverse sources as, on the one hand, a popular ballad and, on the other hand, a prominent poetically-didactic work A Mirror for Magistrates. The representation of Richard III on the English stage is discussed in the third chapter in connection with Thomas Legge's university drama Richardus Tertius and the...