Thesis (doctoral)--Humboldt-Universität, Berlin, 2005. / Includes bibliographical references (p. 340-361) and indexes.

Thesis (doctoral)--Humboldt-Universität, Berlin, 2005. / Includes bibliographical references (p. 340-361) and indexes.

Taking co-production as a dominant development of Hong Kong's film industry, this study examines the transnationality of different trends of co-production: Hong Kong China co-production, Hong Kong - Asia co-production, and individuals working for overseas productions, and the production cultures in these varied contexts are analyzed. By crossing production culture, policy, film business and the work of individual practitioners with the concept and practices of transnationality, this study outlines the possibilities and limitations of developing transnational co-production in Hong Kong cinema. Focusing on its varied manifestations, this thesis emphasizes the plurality of transnationality and suggests that "transnationalities" are a result of the development of Hong Kong cinema. The influences and infiltration of Hong Kong cinema into the other cinemas of the world reflects its ways of survival, and the simple claiming of "the death of Hong Kong" should be questioned. Although there are many constraints in co-production, and some practitioners of valuable skills, like action choreography, are privileged to others, the thesis reveals that Hong Kong cinema is transforming in a direction that provides a foundation for sustainable development. The different co-production projects in which Hong Kong cinema is now engaging demonstrate how this cinema will be able to incorporate itself into the production process in China, Asia and the overseas contexts. / Chan, Ka Ming. / Adviser: Lai-Kwan Pang. / Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 317-338). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese.

Ce travail de recherche porte sur l’étude de la tension entre le discours institutionnel sur la professionnalisation de la sécurité privée en France et le processus d’exercice et d’apprentissage du métier par les agents de sécurité. Différents facteurs indiquent les enjeux du projet institutionnel de professionnalisation et des dispositifs de formation. Le chercheur met en évidence, à partir d’une approche qualitative et multidimensionnelle, les intentions institutionnelles et l’écart existant entre le discours et la réalité. Sur le terrain, les agents de sécurité vivent mal leur entrée dans la profession et la réalisation de leur métier. Pour remplir les objectifs du contrat, ils construisent une norme informelle d’acceptation des risques, inductrice du processus d’apprentissage. L’action ainsi développée permet aux agents de sécurité d’apprendre au fil de l’activité. L’évolution rapide des attentes institutionnelles en matière de sécurité transforme les opérationnels et les interroge dans un nouveau rapport à l’action. Les réponses apportées exigent une approche globale de prévention et de gestion des risques sur les sites et les territoires (pour la plupart en présence du public). Un nouveau concept de coproduction de sécurité publique et privée apparaît et le discours institutionnel change alors d’aspect, mais la réalité opérationnelle reste décalée. / This academic research task focuses on the tension between the institutional discourse on the professionalization of private security in France and on the learning and practice process of the profession by security agents. Different factors point to the issue of the institutional project of the professionalization and of the training systems. The researcher brings to light, with a qualitative and multidimentional approach, the institutional intentions and the gap between the displayed speech and reality. In the field, the security agents feel uncomfortable at the beginning of their profession, when they understand what their profession truly is. To fulfill the objectives of the contract, they build an informal standard risk of acceptance, the key-driver of the training process. The action thus developed allows the security agents to learn in the course of their activity. The swift evolution of institutional expectancies in security matters transforms the operators and calls them in a new relation to action. The answers given require a global approach to risk prevention and management on sites and territories (mostly with the public attending). A new concept of coproduction of private and public security is born and the institutional discourse then changes in appearance, but the operational reality remains ill-adjusted.

La prolifération des versions multiples dans le cinéma en Espagne de 1955 à 1967 résulted’une situation complexe, qui trouve son origine dans les conditions de production et dedistribution, dans une législation qui ne cesse d’évoluer pour mieux contrôler le domaine, et aussidans l’émergence de voix discordantes au sein de la création.Le premier facteur déterminant est la mise en place de structures administratives decontrôle, dont la censure se révèle l’instrument le plus direct, mais qui ne doit pas faire oublier laportée des autres mécanismes d’autorisation et de protection économique : il s’agit d’imposer aucinéma les cadres de l’idéologie du régime franquiste et de l’Église. Il ne faut cependant pas sousestimerl’importance de l’industrie dans cette pratique systématique : les formes de production,de distribution, de diffusion, l’émergence de nouveaux courants et les difficultés techniques jouentelles aussi un rôle essentiel.Après une analyse générale de ces facteurs étroitement liés entre eux, un éventail de neufétudes de cas dresse un portrait de la pluralité filmique dans une Espagne qui traverse unepériode d’espoir et de velléités d’ouverture. À travers l’approfondissement de la genèsecompliquée de films représentatifs des principaux genres et courants ainsi que des différentesétapes qui jalonnent l’histoire du cinéma espagnol de 1955 à 1967, il apparaît quel’interdépendance de l’État et de l’industrie constitue le terrain propice à l’existence systématiquede variantes voulues ou imposées. / The proliferation of multiple versions in cinema in Spain from 1955 to 1967 is due to a complexsituation originating from the conditions of production and distribution, a legislation that constantlyevolved in order to control the sector more efficiently and the emergence of dissenting voices amongcreators themselves.The first decisive factor is the setting up of administrative organs of control, among whichcensorship proves to be the most straightforward instrument, although other significant mechanismssuch as licensing or protectionism are equally important: their aim is to impose upon cinema theideology of the Franco regime and Catholic Church. However, the role of the industry in this systematicpractice should not be underestimated: a significant part is played by the forms of production,distribution and diffusion, the emergence of new trends and also technical difficulties.After a general analysis of these closely interconnected factors, a sample of nine case studiesprovides a portrait of film plurality in Spain as it is undergoing a period of hope and timid opening.Through an in‐depth study of the complicated creation of films representative of the main genres andcurrents as well as the different stages in the history of Spanish cinema from 1955 to 1967, it appearsthat the interdependency of the State and the industry is the breeding ground for a systematic use ofmultiple versions, whether deliberate or imposed.

Submitted by Karen Britto (karenbritto@unipampa.edu.br) on 2018-06-05T15:06:23Z No. of bitstreams: 1 Walter Marçal Paim Leães Junior - 2018.pdf: 1336171 bytes, checksum: 789c9ba76662fa1acb0dbd3961126b0d (MD5) / Made available in DSpace on 2018-06-05T15:06:23Z (GMT). No. of bitstreams: 1 Walter Marçal Paim Leães Junior - 2018.pdf: 1336171 bytes, checksum: 789c9ba76662fa1acb0dbd3961126b0d (MD5) Previous issue date: 2018-04-27 / O presente estudo teve como objetivo identificar possibilidades de inovação aberta nas iniciativas que visam promover a abertura de dados públicos, em formato aberto. Para atender ao objetivo, identificaram-se os possíveis benefícios e as possíveis barreiras inerentes às iniciativas de Dados Governamentais Abertos no contexto brasileiro; verificaram-se quais fatores podem incentivar as práticas de coprodução para viabilizar a inovação aberta; verificaram-se quais resultados obtiveram-se oriundos das possíveis práticas de coprodução; recomendaram-se ações que pudessem promover maior coprodução e possivelmente inovação aberta em processos advindos da abertura de dados governamentais. Este trabalho apresentou a seguinte questão de pesquisa: Como as iniciativas de Dados Governamentais Abertos, no contexto brasileiro, podem contribuir para o processo de inovação aberta do setor público? Como suporte teórico, abordaram-se os temas: dados governamentais abertos, inovação, inovação aberta, coprodução e inovação no Setor Público, que ocorreu por intermédio de um estudo de caso. E, para a coleta de dados, realizaram-se entrevistas com atores ligados ao tema e análise de artefatos tecnológicos. Os resultados revelam, como possíveis benefícios da abertura dos dados governamentais, o aumento da participação dos cidadãos, a melhora no desenvolvimento de políticas públicas e a possibilidade de desenvolvimento de serviços inovadores. Identificou-se a promoção de Hackathons pelo governo como estratégia para promover a coprodução. Com relação aos incentivos para o cidadão coproduzir com o governo, os resultados apontam para a predominância de incentivos intangíveis, como a satisfação em contribuir com o governo. Verificaram-se, como principais objetivos para o governo, promover à coprodução a possibilidade de aproveitar a inteligência coletiva da sociedade para desenvolvimento de soluções para problemas e inovações. Nesse sentido, verificou-se a capacidade dos DGA em promover a coprodução entre governo e sociedade viabilizando a inovação aberta. Entretanto, identificaram-se barreiras a serem superadas para que esse processo se desenvolva. / The present study aims to identify possibilities for open innovation in initiatives that aim to promote and standardize the openness of public data, in an open format. In order to meet the objective: the possible benefits and possible barriers inherent to Open Data government initiatives in the Brazilian context were identified; and can be encouraged as coproduction practices to enable open innovation; it was verified what results were obtained from the coproduction practices; It is recommended actions that contribute to the accomplishment of coproduction and possibly innovation in processes arising from the opening of government data. This paper presents the following research question: How can Open Government Data initiatives, in the Brazilian context, contribute to the open innovation process of the public sector? As a theoretical contribution, the following themes were addressed: open government data, innovation, open innovation, coproduction and innovation in the Public Sector. Through a case study, for purpose of data collection, interviews were conducted with actors related to the topic and analysis of technological artifacts (softwares and / or applications). The results are welcome from the opening of the data, an improvement in the development of public policies and a possibility of development of innovative services. A promotion of Hackathons by the government was identified as a strategy to promote coproduction. With regard to incentives for the citizen to co-produce with the government, the results point to the predominance of intangible incentives, such as a satisfaction in contributing to the government. The main objectives for the government for coproduction were the possibility of taking advantage of the collective intelligence of society for the development of solutions to problems and innovations. In this sense, check the ability of the DGA to promote a coproduction between government and society, enabling an open innovation. However, barriers have been identified to be overcome in order for this process to develop.

Esta pesquisa lança mão do conceito de Capacidades de Governo Relacionadas a Utilização de TICs em Processos de Participação Social (CGTPS) e investiga o caso de produção do aplicativo digital da 3a. Conferencia Nacional de Juventude para compreender quais capacidades estatais foram demandadas pelo Estado e como foram mobilizadas da Sociedade, contribuindo para o debate sobre capacidades estatais e governança digital para a coprodução de tecnologias governamentais digitais / This research makes use of the concept of Government Capabilities Related to the Use of ICTs in Social Participation Processes (CGTPS) and investigates the case of production of the 3rd National Youth Conference\'s digital application to understand what state capacities were demanded by the state and how they were mobilized from the Society, contributing to the debate on state capabilities and digital governance for the co-production of digital government technologies

現代社會所產生的新問題不斷困擾著政府與社會，人民對服務的需求也隨之不斷提昇，1880年開始由德國提出的福利國家就是為因應這種情形而產生的，政府的職能與權力也就日益的擴充，甚至取代了許多原屬於民間性質的功能。在另一方面，屬於民間性質的各種社會團體，早已存在於西方社會之中，並且一直承擔起大部分的社會服務功能，不過其角色卻一直被忽視，尤其在福利國家興起之後，這些團體似乎有被取代的危險，但事實上其實質重要性卻仍未消減。在1970至1980年代，這些團體隨著政經社會環境的波動，其功能也有了轉變，一方面因為人類事務的日趨多元紛，社會團體亦逐漸發展出許多的功能種類，並漸漸受到各方（尤其學界）的重視，並開始稱之為非營利組織。 　　另一方面，二次大戰之後所建立的福利國家在財政壓力之下，也面臨強烈的批評，事實上，福利國家也的確在1980年代開始顯現疲態，資源有限，加上社會需求的持續增加，政府已經呈現過度負荷的情況了。在這種情形之下，政府只有開始向外尋求援助了，而非營利組織也因此開始承接越來越多原本為政府所生產的服務。合產模式的運用也就在此情況下越益受到重視，他不但為政府吃緊的財政壓力帶來新契機，也為國家與社會資源的整合提供一個有效的途徑。當然，合產興起更重要的意義乃在於公民參與的精神，藉著合產的推行，一般公民以及社會上的非營利組織可以有機會進入政策的決定與執行過程，參與公共服務的生產，與政府行政人員共同合作，這對於公民資格的提昇與公民參與的實踐有很重要的意義。

Dans ce présent mémoire, il sera question de la place qu'occupent respectivement l'économie et la culture lors du développement d'une coproduction cinématographique, selon les discours des producteurs. Afin de mieux saisir la portée de la problématique, nous avons élaboré un cadre théorique qui traite des dimensions économique et culturelle de l'industrie. Pour donner suite à cette recherche théorique, nous avons interviewé des producteurs québécois et français en plus de participer aux 8s Rencontres de la coproduction à Paris. La technique d'analyse à l'aide des catégories conceptualisantes nous a permis de mieux comprendre le phénomène de la coproduction qui repose à la fois sur des raisons économiques et culturelles. Nous avons élaboré trois catégories de coproduction. La place qu'occupent l'économie et la culture à travers de cette forme d'échange diffère en effet selon le type de coproduction. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Coproduction cinématographique, économie culturelle, industrie cinématographique, cinéma et société, Téléfilm Canda, Société de développement des entreprises culturelles, Observatoire de la culture et des communications du Québec.

Submitted by Tatiana Lima (tatianasl@ufba.br) on 2015-11-26T19:38:18Z No. of bitstreams: 1 Silva, Maria Helena.pdf: 2832765 bytes, checksum: 9d422d44e2791d3d1508444062044b30 (MD5) / Approved for entry into archive by Tatiana Lima (tatianasl@ufba.br) on 2015-12-01T21:13:25Z (GMT) No. of bitstreams: 1 Silva, Maria Helena.pdf: 2832765 bytes, checksum: 9d422d44e2791d3d1508444062044b30 (MD5) / Made available in DSpace on 2015-12-01T21:13:25Z (GMT). No. of bitstreams: 1 Silva, Maria Helena.pdf: 2832765 bytes, checksum: 9d422d44e2791d3d1508444062044b30 (MD5) / A pesquisa levada a efeito nesta tese verifica se as ações de inserção social dos Programas de pós-graduação stricto sensu em Administração, sob a supervisão da CAPES, no período de 2007 a 2009, se norteiam pelos modelos de coprodução do bem público. Na construção do referencial teórico, faz-se uma breve discussão sobre democracia, cidadania, participação, controle social e accountability e administração pública, categorias que sustentam a coprodução do bem público e permitem a definição dos modelos de coprodução. Trata-se de uma pesquisa descritiva, realizada por meio de um estudo exploratório, com abordagem qualitativa. A coleta de dados foi realizada por meio de dados secundários, a partir dos relatórios e dos dados do aplicativo Coleta da CAPES, referentes à avaliação dos Programas de Pós-graduação em Administração das Universidades Públicas brasileiras. O modelo de análise molda-se pelos cinco modelos de coprodução: nominal, simbólica, funcional, representativa com sustentabilidade e para a mobilização comunitária. As evidências obtidas na pesquisa indicam que as ações de inserção social realizadas pelos Programas de Pós-Graduação stricto sensu em administração das Universidades Públicas, registradas no Coleta da CAPES, relativas ao período pesquisado, identificam-se como coprodução funcional e coprodução simbólica. Na coprodução funcional, a participação do indivíduo, do grupo ou da coletividade ocorre a partir da preocupação dos programas com a eficiência e a eficácia. As ações ocorrem por meio da solicitação dos serviços ou por um ajuste mútuo entre usuário e programa. Na coprodução simbólica, as ações de visibilidade dos Programas têm um cunho de informação e de transparência parcial das ações, porém não têm o alcance do conceito de accountability, nos seus aspectos amplos de responsabilização e de responsividade. A pesquisa permite concluir que os programas de pós-graduação têm inserção social, mas os dados do Coleta, do período pesquisado, não contêm informações suficientes para se afirmar que essa inserção social promove, diretamente, a transformação social. Fica evidente, também, que as ações de inserção social identificam atividades de coprodução dos serviços públicos, mas ela ocorre sob a forma de solicitação de serviços, de assistência dos programas para com a sociedade ou ainda sob a forma de ajuste mútuo entre os programas e a sociedade. Não há, portanto, uma participação efetiva do cidadão ou da comunidade, enquanto agentes políticos, nos programas de pós-graduação. A discussão dos resultados da pesquisa permitiu que se fizessem algumas recomendações e observações que se encontram no final da tese. Também trouxe a assertiva de que a inserção social, cada vez mais, deve merecer a atenção da CAPES e dos programas frente à democratização da sociedade brasileira. / The research undertaken in this thesis verifies the actions of social inclusion of strict sensu graduate programs in administration, under the supervision of the CAPES, in the period from 2007 to 2009, if guide by coproduction of the public good.. In the construction of the theoretical framework, a brief discussion on democracy, citizenship, participation, social control and accountability and public administration, categories that support the coproduction of the public good and allow the definition of models of coproduction. It is a descriptive research, carried out by means of an exploratory study with a qualitative approach. Data were collected by means of secondary data from reports and Data Collection of CAPES, relating to the evaluation of graduate programs in the Administration of Brazilian Public Universities. The analysis model shapes by five models of coproduction: nominal, symbolic, functional, representative with sustainability and for community mobilization. The evidence obtained indicate that social insertion actions carried out by the graduate programs in administration of the public universities, recorded in the collection of CAPES, relating to the period researched, identify themselves as functional coproduction and symbolic coproduction. In the functional coproduction, the participation of the individual, the group or the collectivity occurs from the concern of programmes with efficiency and effectiveness. The actions occur through request services or by a mutual adjustment between user and program. In symbolic coproduction, the actions of visibility of the programs have a partial information and transparency of actions, but does not have the scope of the concept of accountability, in large aspects of responsibility and responsiveness. The search leads to the conclusion that the graduate programs have social insertion, but the data collection do not contain enough information to say that this social inclusion promotes, directly, the social transformation. It is clear, too, that the actions of social insertion identify activities of coproduction of public services, but it occurs in the form of request services, assistance programs to society or even in the form of mutual adjustment among programs and society. There is not, therefore, an effective participation of the citizen or community, while political agents in graduate programs. The discussion of search results allowed if they did some recommendations and observations that are at the end of the thesis. Also brought the assertion that social inclusion, increasingly, should deserve the attention of CAPES and the programmes in face of the democratization of Brazilian society.