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No. of bitstreams: 1 esmeniafurtadoparreiraferreira.pdf: 4119418 bytes, checksum: 63f34dace03d3dd989f4dfd0a5669297 (MD5) Previous issue date: 2016-12-08 / Trata-se de uma pesquisa cuja temática relaciona-se ao uso de Tecnologias Digitais (TD) como instrumento para o ensino e aprendizagem de Geometria. Justifica-se pela relevância social na formação do indivíduo, devido à sua grande aplicabilidade, pela importância destacada nos PCN, pelas dificuldades apresentadas pelos discentes e ainda, pelos resultados das avaliações em larga escala que apontam o ensino da Geometria como um assunto relegado a um segundo plano. Teve como objetivo investigar a integração de TD ao ensino e aprendizagem da Geometria, com foco no estudo de perímetro e área de figuras geométricas planas no Ensino Fundamental – Anos Finais. Em específico, averiguou-se de que forma a utilização do software GeoGebra pode contribuir para o estudo do tema em questão. A investigação é caracterizada pela abordagem de pesquisa qualitativa e foi dividida em quatro etapas: 1) abordagem do embasamento teórico para a fundamentação da pesquisa; 2) refere-se ao diagnóstico e caracterização do cenário do uso das TD em escolas municipais de Juiz de Fora (MG), em que foram utilizados questionários para três grupos distintos, sendo eles diretores das escolas, professores de Matemática do Ensino Fundamental – Anos Finais e alunos do 9º ano; 3) trata-se da etapa de experimentação, em que foi utilizada uma sequência didática de atividades envolvendo o tema em estudo, com o auxílio do software GeoGebra; 4) última etapa da investigação, relata-se a análise das atividades desenvolvidas nos encontros e validação da pesquisa. Cada uma dessas etapas está respaldada nos pressupostos teóricos da Engenharia Didática e a análise dos resultados está alicerçada na Teoria Antropológica do Didático. Ao final da pesquisa foi observado que há muitos desafios a serem vencidos quanto à integração de TD ao ensino, contudo percebemos a eficácia do software GeoGebra, na potencialização do estudo de perímetro e área de figuras geométricas planas. Nesse sentido, foi oferecido como produto educacional um conjunto de atividades e orientações para os professores do Ensino Fundamental – Anos Finais relacionado às atividades desenvolvidas ao longo do estudo. / This is a research dedicated to the use of Digital Technologies (DT) as an educational tool for Geometry teaching and learning. It is justified by the social relevance for educating individuals, because of its comprehensive applicability, as well by its importance highlighted on PCN. In addition, it is substantiated by the difficulties presented by teachers, and due to the large scale results of evaluation that demonstrated that Geometry teaching issue has been left on the side lines. This researched aimed to investigate the integration of DT with the Geometry teaching and learning, focused on the study of flat geometric figures perimeter and area in the Elementary School - final years. In particular, it has been checked that the GeoGebra software usage form can contribute for studying this present subject. The investigation is featured by qualitative research approach divided into three stages 1) theoretical basis approach to substantiate the research; 2) it refers to the diagnosis and scenery characterization of DT usage in the municipal schools from Juiz de Fora (MG), in which questionnaires have been used for three different groups, namely school principals, Elementary School Mathematics teachers – (final years) and 9th grade students, 3) it is the experimentation stage, in which has been carried out a pedagogical sequence of activities embracing the studied theme, supported by the GeoGebra software, 4) last investigation stage, it is about the analysis of the undertaken activities and the research validation .Each one of these stages is backed on the theoretical suppositions of Pedagogical Engineering and the result analysis is founded on the Anthropological Pedagogical Theory. In the end of the research, it was perceived that there are many challenges to be overcome concerning the integration of DT with teaching; however we realized the effectiveness of Geogebra software to maximize the study of the perimeter and area of flat geometrical figures. In this regard, the software was offered as an educational product for activities and guidance for Elementary School teachers - final years related to the activities developed along the study.

Purpose: This study explores both library users’ and librarians’ experiences, benefits, and challenges depending on the implementation of digital technologies in academic libraries. The research has been taken place in two Greek academic libraries; In the Panteion University Library and in the Central Library of T.E.I. of Athens.Approach: Two research questions were developed for this research to be conducted and a sample size of 55 respondents (39 library users and 16 librarians) of the Panteion University Library and Central Library of T.E.I. of Athens, was evaluated.Findings: From the findings of the study, it was concluded that the general perception of both library users and librarians towards digital material and E-resources and services of the Panteion University Library and Central Library of T.E.I. of Athens, is satisfactory. Library users were satisfied with the convenience of digital material, the availability of E-resources provided by both academic libraries such as World Wide Web, WIFI, and online databases. They were not satisfied with library technology (i.e., computers) and library staff. Besides, results showed that services such as e-mail and Open Public Access Catalogue were used more often. Librarians were less satisfied with the digital library system, the limited personnel, and the financial funds for academic libraries in general.Implication: The results of this research have implications in the stakeholders of an academic library including the institutional management, the library administration, the librarians, the library users, the researchers, the community at large, and others.Value: This paper identifies critical issues related to the utilization of digital technologies and digital material; their benefits and challenges faced by librarians and library users as well as their effective operation from academic libraries in this information age.

Durant cette thèse de doctorat, notre intérêt s’est porté sur les « Portefeuilles Numériques de Compétences » (PNC)et la façon dont ils incarnent la rationalisation des organisations universitaires, des politiques publiques et leurs apparents échecs. Nous avons pris appui pour cela sur une expérience d’ingénieur d’étude en charge du développement d’un de ces objets sociotechniques, puis sur une vingtaine d’entretiens avec des chargés de projets PNC, des vice-présidents d’universités, des personnels et des enseignants-chercheurs, plus un ensemble de documents. Ces données ont été regroupées dans le cadre d’une Approche Communicationnelle des Organisations (ACO), une méthode qui nous a amenée à travailler sur la dimension symbolique des évolutions, puis sur les reconfigurations organisationnelles des universités et enfin sur les transformations supposées des pratiques par la mise en usage de technologies comme les« portefeuilles numériques de compétences ». Nous avons ensuite analysé ces données dans leurs rapports auxformes universitaires. Ce travail nous a alors permis de pouvoir « situer les communications traversant notre corpus ». Les résultats montrent qu’il existe de vives tensions symboliques, que les conditions du travail se transforment et se dégradent, deux évolutions qui limitent fortement l’usage des « portefeuilles numériques de compétences ». / During this thesis, we are being interested on “eportfolios” and how they embody the organizational rationalization and the new public management policies in the higher education and research sector in France. We have been searching why they got thumbs down. To do that, we have been leaning on an e – portfolio project manager experience, nearly twenty interviews with other project managers, universities managers, staff and academics and a set of documents. This corpus has beencollected in the framework of a Communicational Approach to Organizations. This method leads us to deal with the symbolic dimension of developments, then with the universities reorganizations, and finally with the transformations of presumed practices by the use of technologies such as “e – portfolio”. To be sure to explore all the dimensions of the change, we have developed an approach switching on the running rationalization and the academic culture. This workenabled us to locate the communications going through our corpus. The analysis points out that some sharp symbolic tightness exist, that work conditions change and deteriorate, and that “e-portfolios” are the subject of an empirical and symbolic disconnection.

The present research is part of the line of Research Education and Arts of the Pos Graduation Program in Education. The objective of this study is to reflect Art theory practice, and the Continued Formation of teachers of Secondary School, having present the educative processuality in the teaching of Visual Arts face to Digital Technologies. The interest for the subject appeared through the perception of the inexistence of a work in Art and the Digital Technologies, explicit requirement of the contemporary education. In the search of a better agreement and understanding of the questions that involve the subject, the theoretical basis was marked out with the thought of Pierre Lévy (1993 and 1996), Diana Domingues (2003), Edmond Couchot (1998 and 2003), Luiz Paulo Leopoldo Mercado (1999), Suzete Venturelli (2004), Maria Beatriz de Medeiros (2005), Tânia Esperon Maria Porto (2003), Ana Luiza Ruschel Nunes (2004), Ana Mae Barbosa (2002), Lucimar Bello Frange (2002), Lucia Santaella (2002), and others mentioned in the body of the dissertation. The approach of the research is qualitative through a study of case. The instruments of data collection consisted of questionnaire and half-structuralized intervenes of the participant observation of the daily field, the documentary analysis, the portfolio and the practice of the digital technologies, forming a data set of which significant and rewarding information had emerged. The research was developed at the State School of Basic Education Margarida Lopes , at Gonçalves Ledo street number 565 Camobi Santa Maria/RS . They had been part of the same research, two teachers of Visual Arts, attend in this Light School. The importance of the update of a continuous formation was the object of the investigation with the citizens, therefore as a mediating agent of the contemporary educational process involved in a permanent process of participative investigation, reflexive and contextualized in Art Education. Through the reflection of the teaching of Art and the continued formation, specified in this case by means of digital technologies, it is possible to (re)concept, contextualizing subjects, methods and methodology face educative practices. Being in possession of the collected data we made the analysis with crossing information that made possible beyond some interpretations, mainly the motivation of a reflexive practice and the incorporation of the continued formation process to the Visual Arts teachers. Though out the research we perceived that the Visual Arts knowledge, in the contemporary context in the researched School has been worked by descontextualized form, stagnated in Modern Art. In this way we can infer that the reflections process inexisted by the misinformation of the knout edges of the Art and its history, therefore by the lack of the process of continued formation. The lack of this process and the search of actualization were tenuous occurring in the frequency in no specific courses and some readings. We conclude that the use of digital technology in the teaching of Art didn t happen. We infer that the way for new and possible changes of the teacher s look to their professional performance in the Visual Arts teaching is without doubt the search for continued formation realignmenting to new perspectives face Visual Arts and digital technology. We also infer that Educative Visual Arts practice were permanently developed in the shared process, having present the reflection in the action on the action and on the reflection from the teachers and the School s context giving the visibility to formative process in the perspective of the teaching of contemporary Art plugging to Digital Art and claiming others possibilities of presupposed and a process of creation in the continued formation of teachers. / A presente pesquisa faz parte da Linha de Pesquisa Educação e Artes, do programa de Pós-Graduação em Educação.O objetivo deste estudo é refletir teorias e práticas da Arte e a Formação Continuada de Professores do Ensino Médio, tendo presente a processualidade educativa no Ensino de Artes Visuais frente às Tecnologias Digitais. O interesse pelo tema surgiu através da percepção da inexistência de um trabalho em Arte e as Tecnologias Digitais, exigência explícita da educação contemporânea. Na busca de um melhor entendimento e compreensão das questões que envolvem o tema, o fundamento teórico foi balizado no pensamento de Pierre Lévy (1993 e 1996), Diana Domingues (2003), Edmond Couchot (1998 e 2003), Luiz Paulo Leopoldo Mercado (1999), Suzete Venturelli (2004), Maria Beatriz de Medeiros (2005), Tânia Maria Esperon Porto (2003), Ana Luiza Ruschel Nunes (2004), Ana Mae Barbosa (2002), Lucimar Bello Frange (2002), Lucia Santaella (2002), e outros mencionados no corpo da dissertação. A abordagem da pesquisa é qualitativa, através de um Estudo de Caso. Os instrumentos de coleta de dados constituíram-se do questionário e entrevistas semi-estruturadas, da observação participante, do diário de campo, da análise documental, do portfólio e da prática com as tecnologias digitais, formando um conjunto de dados emergindo informações pertinentes a pesquisa. O espaço da pesquisa foi a Escola Estadual de Educação Básica Professora Margarida Lopes, localizada à Rua Gonçalves Ledo, 565, bairro Camobi, na cidade de Santa Maria/RS. Fizeram parte da mesma, duas professoras de Artes Visuais, atuantes no Ensino Médio da Escola. A importância da atualização, de uma formação contínua foi o objeto da investigação com os sujeitos, pois como profissionais mediadores do processo educacional contemporâneo envolvidos em um processo permanente de investigação participativa, reflexiva e contextualizada da arte-educação. Através da reflexão sobre o ensino da arte e da formação continuada, especificada nesse caso, por meio das tecnologias digitais, é possível (re)conceituar, contextualizando conteúdos, métodos e metodologia, frente às práticas educativas. De posse dos dados coletados, realizou-se a análise com o cruzamento das informações que possibilitaram, além de algumas interpretações, principalmente a motivação a uma prática reflexiva e a incorporação no processo de formação continuada para os professores de Artes Visuais. Ao longo da pesquisa percebeu-se que os conhecimentos de Arte Visuais, no contexto contemporâneo da escola pesquisada, vêm sendo trabalhados de forma descontextualizada, estagnados na Arte Moderna. Neste sentido, pode-se inferir que o processo de reflexão inexistia pelo desconhecimento dos saberes da Arte e sua História, portanto, pela falta de processos de formação continuada. A falta destes processos e a busca de atualização eram tênues, ocorrendo na freqüência em cursos, não específicos, e algumas leituras. Conclui-se que a utilização de tecnologia digital no ensino da arte não acontecia. Infere-se que o caminho para novos e possíveis mudanças do olhar do professor para sua atuação profissional no Ensino de Artes Visuais é sem dúvida a busca da Formação Continuada, realimentando para novas perspectivas frente às Artes Visuais e a Tecnologias Digitais. Infere-se também que as práticas educativas em Artes Visuais foi permanentemente desenvolvidas no processo compartilhado, tendo presente a reflexão na ação, sobre a ação e sobre a reflexão na ação, a partir do contexto dos professores e da escola, dando visibilidade a processos formativos na perspectiva do Ensino da Arte contemporânea conectando a arte digital, e exigindo outras possibilidades de pressupostos e processos de criação na Formação Continuada de professores.

In this dissertation the complex, dynamic, contextual and multi-dimensional practice of teachers’ use of digital technologies in their everyday work has been illustrated and presented. The research draws upon the experience of teachers and school leaders from two compulsory schools as well as representatives from the municipal Department of Education and IT-unit within a municipality in the south of Sweden. A focused ethnographic approach has been undertaken and applied observations and interviews. Systems Thinking, specifically Soft Systems Methodology in combination with Cognitive Mapping have been applied to analyze the empirical material. The theoretical foundation builds upon teachers’ worldview towards digital technologies, because it is noted that teachers more easily adopt and use innovations that are in accordance with their personal thoughts and beliefs about teaching and learning. Further, teachers’ attitude and perception towards use of digital technologies are addressed as well as the role of school leadership. Additionally, importance of context, teachers’ knowledge and pedagogics have been discussed referring to various frameworks. The dissertation aims to illuminate the complex nature of teachers’ everyday practice. To gain understanding of the situation as a whole, there is also need to shed light on various aspects and underlying perspectives. Thus, this research aims to illuminate and advance the understanding of the complexity of compulsory school teachers’ everyday work practices using digital technologies. The outcome of this dissertation illustrates the complexity of teachers’ everyday practices as well as additional issues adding to the complexity, and shows that these complex issues are worthy of further study. Among the issues emerged from this dissertation are differences in regard to how the complex situation is understood because different actors have multiple and sometimes conflicting worldviews. Ambiguities in core objectives and relevant concepts were found. Additionally, a pervasive lack of understanding about the realities of daily education and teaching practices, including variances in worldviews and mindsets was found adding to the complexity of teachers’ everyday practice using digital technologies.

In his thesis, the author presents several computer programs, which can be used in music education. Ways of use are also suggested. The first part focuses on the development of digital technologies up to now. Author names current trends in education, such as Bring Your Own Device, Massive Open Online Courses and online education in general. Special attention is given to the near future of education according to the latest Horizon Report study. This is followed by the overview of the virtual reality technologies as they enter into mainstream adoption next year. A little attention is also given to the beginning era of cognitive computational systems, which will have essential impact on forming education in the future. In the second part, the author deals with available software for Windows, as it is still the most widespread operation system on desktop and laptop computers. Only the software, which can be used in school environment, is included with special focus on music education. In the same way, applications for mobile devices on Android platform are examined, due to the predominant global market share of this operation system. Google announced that there are currently 1.4 billion active Android devices worldwide last year. This number has been growing at the pace of 1.5 million new activations...

As a result of a growing demand of fast produced fashion and new trends, it seems as if the consumers' needs are changing continuously. Furthermore, the product development of clothes often take place on expected demand and desires, several months in advance and not on request. The fashion industry faces further issues, for instance the difficulty of producing items with perfect fit and how to optimise inventory. Customisation, and more specifcally mass customisation could be a solution to these issues. It would be a way for companies to offer customised products for the individual consumer, but with a price similar to that of massproduction. Earlier research have claimed that digital technologies can be implemented by companies in combination with mass customisation to make their business more effective. How companies work with acitivites and resources to optimise the business process in-house is called operations management and can be crucial for the survival of a company. The aim of this essay is to understand how companies in the fashion industry can work with customisation and mass customisation with the support of digital technologies in order to be competative. Through working with this concept companies may meet the consumers' need and desires. We have, in the theoretical framework, used a model founded in the five dimensions: quality, speed, dependability, flexibility and cost. With these in mind we have studied three companies working with customisation. By doing that we have come to results showing that the concept of mass mustomisation affects all dimensions, but mostly quality. The concept can be used by companies to offer consumers what they demand when they demand it and thus create competitiveness. / Till följd av en växande efterfrågan på snabbt producerat mode och nya trender, verkar konsumenters behov i ständigt förändring. Vidare sker produktutveckling av kläder ofta på prognotiserade behov och önskemål, flera månader i förväg och inte på aktuell efterfrågan. Modebranschen besitter ytterligare problem, som bland annat berör svårigheter att ta fram plagg med en bra passform, samt att optimera lagerhållning. För att frånkomma dessa problemen kan kundanpassning och mer specifikt - konceptet mass customisation ses som en lösning. Det blir ett sätt för företag att erbjuda kundanpassade produkter för den individuella konsumenten, men med ett pris liknande massproduktion. Tidigare forskning har lyft fram digitala teknologier som kan implementeras av företag i kombination med mass customasition, för effektiviserade aktiviteter i verksamheten. Hur företag vidare arbetar med aktiviteter och resurser internt för att optimera affärsprocessen kan benämnas som operations management och kan vara avgörande för ett företags överlevnad. Denna uppsats syftar till att förstå hur modeföretag kan arbeta med kundanpassning och mass customisation, med stöd av digitala teknologier, för att skapa konkurrenskraftighet. Genom att arbeta med detta koncept kan företag i större utsträckning tillmötesgå konsumenters behov och önskemål. Vi har i den teoretiska referensramen utgått från en modell som grundar sig i de fem dimensionerna: kvalitet, hastighet, pålitlighet, flexibilitet och kostnader. Utifrån dessa har vi studerat tre fallföretag som arbetar med kundanpassning på något sätt. Således har vi fått fram ett resultat som pekar på att konceptet mass customisation påverkar samtliga dimensioner, men att det främst karaktäriseras av dimensionen kvalitet. Konceptet kan användas av företag för att erbjuda konsumenter vad de efterfrågar när de efterfrågar det och på så sätt skapa konkurrenskraft.

Depuis quelques années, les usages numériques se sont significativement développés au sein des pratiques sociales. Leur maitrise s’inscrit comme un objectif de formation dans le parcours des collégiens français. Cette recherche propose un support de réflexion sur l’engagement des enseignants de collège dans le projet de formation au numérique responsable ainsi que sur la dimension collective qui en découle et participe à leur développement professionnel. La double analyse proposée permet de disposer d’éléments déclaratifs significatifs en ce qui concerne les actions menées, les caractéristiques disciplinaires et les diversités de fonctionnement en établissement. Ces éléments sont complétés par une observation des collectifs d’enseignants dans le cadre d’échange de pratiques. Notre travail tente de mettre en évidence l’apport du travail collectif dans le développement professionnel des enseignants, constate la diversité de ressources en établissement et fait ressortir la nécessité de pilotage de ces types de projets par des cadres formés et sensibilisés au sujet. / For several years, the uses of the new digital technologies have grown up in the social practice. Their command appears as an aim to train the French students’ career. This search proposes both an aid to think of the secondary school teachers’ commitment in the project to attend a session course on the digital technology and also on the public dimension which follows on from and which participates in their professional development. The double analysis that is proposed allows to get declarative and meaningful elements in relation to the actions which are carried out, some specific features linked to the subjects and the variety of ways to run schools. These elements are completed by an observation of groups of teachers communicating about their practice. Our report tries to focus the advantages of the work in groups in the teachers’ professional development and it shows the diversity of resources in schools. It emphasizes that these types of projects have to be guided by well-trained managers who are conscious of the different issues.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-11T13:01:41Z No. of bitstreams: 1 anapaulamarquessampaiopereira.pdf: 5024341 bytes, checksum: f9581d572f58a2083ff5687a329455fa (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-11T15:05:11Z (GMT) No. of bitstreams: 1 anapaulamarquessampaiopereira.pdf: 5024341 bytes, checksum: f9581d572f58a2083ff5687a329455fa (MD5) / Made available in DSpace on 2015-12-11T15:05:11Z (GMT). No. of bitstreams: 1 anapaulamarquessampaiopereira.pdf: 5024341 bytes, checksum: f9581d572f58a2083ff5687a329455fa (MD5) Previous issue date: 2015-04-10 / A pesquisa “Impressões Digitais: sentidos construídos por docentes no processo de ensino-aprendizagem com e sobre as tecnologias digitais” foi desenvolvida em três escolas públicas municipais de Juiz de Fora, Minas Gerais, buscando compreender a formação continuada de professores para a utilização das tecnologias digitais em suas salas de aula. Nesse trabalho, ao estudar professores em formação, buscou-se conhecer outros sujeitos, outras consciências e outros mundos, dialogando com eles. A partir do enfoque teórico-metodológico da perspectiva histórico-cultural, essa pesquisa se organizou a partir da seguinte questão: “como se desenvolve em professores participantes do curso Tecnologia da Informação e Comunicação, ministrado em três escolas da rede municipal de Juiz de Fora, o processo ensino-aprendizagem das/com as tecnologias digitais?”. No processo de análise empreendido, foram trabalhados três Eixos de Significação. No primeiro deles, “As tecnologias digitais: reflexões sobre seu uso em sala de aula” foram analisados os aspectos mais voltados para a organização e funcionamento do curso, observando os recursos para a aprendizagem com/sobre as tecnologias digitais e a exploração do software livre. No segundo, “Sentidos construídos pelos docentes sobre o processo de ensino-aprendizagem”, desenvolveu-se uma reflexão mais intensa sobre o processo de ensino-aprendizagem no curso “Tecnologias da Informação e Comunicação na Educação”. Observou-se a utilização pedagógica e os usos pessoais das tecnologias digitais pelos professores e cursistas. No terceiro Eixo de Significação “Alteridade e Subjetividade no coletivo: a transformação dos cursos em grupos de estudo/trabalho” discutiu-se as peculiaridades do curso “Tecnologias de Informação e Comunicação na Educação” em relação aos grupos de cursistas constituídos nas três escolas pesquisadas. O movimento dialógico, a cumplicidade, a solidariedade e o compartilhamento mútuo de experiências, levantaram indagações sobre os diferenciais desse curso em relação aos que costumeiramente são encontrados na literatura, em pesquisas sobre o tema, e em nosso cotidiano. Ao final, foram retomados os fundamentos teórico-metodológicos, discutindo-se sobre o trabalho investigativo junto a professores em formação continuada com as tecnologias digitais e os sentidos construídos durante o percurso dessa pesquisa. A formação de professores entre pares, articulada ao potencial das tecnologias digitais, foi a grande contribuição dessa Tese à pesquisa em Ciências Humanas. / The research named "Fingerprints: meanings built by instructors in the process of teaching and learning with digital technologies" was developed in three public city schools from Juiz de Fora, state of Minas Gerais, as trying to understand the continuing formation of teachers towards the use of digital technologies in their classrooms. In this work, when studying training teachers, an attempt was made to know and understand other subjects, other consciences and other worlds, by dialoguing with them. From the theoretical and methodological approach to the cultural-historical perspective, the research was organized from the following question: "how does the teaching-learning process of digital technologies develop in teachers belonging to the Information Technology course in three public city schools in Juiz de Fora?" In the undertaking analysis process, three meaning core were addressed. In the first one, "The digital toolkit: reflections on its use in the classroom", the aspects regarding the organization and workings of the course were analysed, noting the resources for learning with and about the digital technologies and the utilization of open-source/free software. In the second, "Meanings created by the instructors about the teaching-learning process", a more intense reflection was done about the teching-learning process on the course "Information Technology (IT) and Communication in Education". The pedagogic and personal uses for digital technologies by teachers and students alike was observed. In the third meaning core, "Otherness and Individuality in the Collective: the transformation of courses in study and work groups" the peculiarities of the course "Information Technology (IT) and Communication in Education" in regard to the groups of students formed in the three schools of the study was observed. The dialoguing movement, the cumplicity, the solidarity and the mutual sharing of experiences raised questions about the differentials from this course to the ones which are usually found in the literature, in researches about this subject, and in our daily lives. In the end, the research's theorical and methodological fundamentals were resumed by discussing up on the investigative work with teachers in training and the meanings constructed during the course of this research. Teacher training peer, articulated the potential of digital technologies, was the great contribution of this thesis to research in Humanities.

Orientador: Regilene A. Sarzi Ribeiro / Resumo: Essa pesquisa apresenta um estudo sobre o ensino da arte através da imagem e suas proposições reflexivas referentes à sua produção e repercussão no contexto educacional e cultural. A partir de um estudo sobre a fotografia, como meio provocador crítico-sensível, ressalta-se a importância da compreensão de abordagens metodológicas que são propulsoras de reflexões, no processo ensino-aprendizagem das artes visuais. Também problematiza a questão de como o ensino, mediado pela imagem, pode gerar processos e produtos capazes de provocar a transformação do pensamento sobre a realidade tecnológica em que vivemos. Tem como objetivo evidenciar a relevância de um ensino de arte mediado pela imagem tecnológica tornando consciente os processos de acesso e produção midiática na sociedade contemporânea, promovendo a mediação tecnológica crítica a partir de um aprofundamento do conhecimento sobre as relações de produção artística mediado pela tecnologia. A metodologia desenvolvida foi o levantamento bibliográfico sobre os temas interdisciplinares, além da pesquisa participante e pesquisa-ação. Também foram utilizadas as abordagens metodológicas do Project Zero de Harvard, como o Teaching for Understanding e o Artful Thinking. A análise da coleta de dados foi realizada a partir do desenvolvimento do projeto educacional fotográfico, contendo aulas e práticas reflexivas e fotográficas, além de um questionário final, que resultou em um relato de experiência. Os principais resultados apresentados... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This research is a study about Arts teaching through image and its reflective propositions regarding its production and broadcast inside cultural and educational contexts. Analysis of photography as a provocative and critical sensitive medium highlights the importance of understanding methodological approaches that might trigger reflections in visual arts teaching and learning processes. It also problematizes the issue of how teaching through image might generate processes and products able to provoke transformation of thoughts about the technological reality we live in. It aims to put into evidence the relevance of art teaching process through technological images, bringing to consciousness the processes of access to media and its production in today’s society, promoting critical technological mediation triggered by deepening knowledge about the relations between artistic production and technology. The chosen methodology was bibliographic research about interdisciplinary themes, besides participative research and action research. Harvard’s Project Zero’s methodological approaches have also been used, such as Teaching for Understanding and Artful Thinking. Data analysis was collected from the educational project based on photography development, with lessons and reflective practices and also photography, besides a final survey, which resulted in a case report. The main results achieved show the relevance of art teaching through image and improved by reflective practices about... (Complete abstract click electronic access below) / Mestre