SILVA , Daniela Adonai Lima e. Cultura digital e sua influência na sociabilização dos jovens, segundo a percepção docente . 2009. 168 f. Dissertação (Mestrado em Psicologia) – Universidade Federal do Ceará, Departamento de Psicologia, Programa de Pós-Graduação em Psicologia, Fortaleza-CE, 2009. / Submitted by moises gomes (celtinha_malvado@hotmail.com) on 2012-01-05T13:24:56Z No. of bitstreams: 1 2009_dis_DALESilva.PDF: 740568 bytes, checksum: 605d9a0f046680e9c01b484d1086c11d (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-03-08T13:34:12Z (GMT) No. of bitstreams: 1 2009_dis_DALESilva.PDF: 740568 bytes, checksum: 605d9a0f046680e9c01b484d1086c11d (MD5) / Made available in DSpace on 2012-03-08T13:34:12Z (GMT). No. of bitstreams: 1 2009_dis_DALESilva.PDF: 740568 bytes, checksum: 605d9a0f046680e9c01b484d1086c11d (MD5) Previous issue date: 2009-08-31 / The aim of this paper is to approach the influence of the Wide World Web - Internet in the sociabilization of youth within a digital culture context according to the teachers’ perception. For that purpose, an investigation on several leading scholars on the subject was performed, encompassing the many fields of Human Sciences – Philosophy, Sociology, Education and Psychology – with a highlight for Francisco Rüdiger, Pierre Lévy, Manuel Castells, Erick Felinto, Mário Marques and Vani Kenski. The current work was further improved on through interviews conducted with private school teachers, secondary school teachers of young students, Internet users. After the application of the technique, it was made possible to articulate theoretical learning built upon knowledge gleaned from teachers’ experiences, something that allowed the researcher a better understanding and critical assessment of the students’ sociabilization process, in the web connected society, and its implication on the students’ lives. Such appraisal was undertaken taking in consideration those values proclaimed in the current social historic context, turned towards both democratic ideals as well as those more remarkable, conservative and reproducers of the capitalist system in force, such as individualism, consumption, hedonism, exaltation of the present day and immediatism. It is important to underline the stark trend which gains strength in the informational global society, comprised of Internet’s centrality, in a general manner, made clear enough in the subject’s behavior, under the authors’ view, and so emblematic in the “net generation” life, or in other words, those young people born in the 90’s, from what we can assume from the theoreticians and of the speeches of those who follow the day-to-day and dedicate themselves to human formation. Changes such as these are affecting the manner and condition of teaching-learning, personal living experiences and inter-subjective relationship, both inside and outside the school environment. Approaches and meetings, that is, solidarity ties, partnership, friendship, inclusion, as in opposition to disagreement, indifference, quarrels and social exclusion, provided in a higher dimension and intensity, profile the life of high-mid-class youths, under the teacher’s lenses. This transformation in the sociability of young people, under the influence of the deep dive in the cyberspace, is not restrained to their inter-personal relationships though, but it reshapes the quantity and the quality of relationships held also with parents, teachers, as well as with persons whom they contact inside or outside cyberspace, in or out of school. It is still not known for sure the ethical implications of these and other existential conditions, but the present paper points out to the need for attention, reflection and to enforce educational measures around them, so that this revolutionary social movement, mobilized by young people, especially society’s elite on-line, shall not corroborate to an aggravation of personal and collective unrest leading to social exclusion worsening. / Esta dissertação tem por objetivo abordar a influência da Rede Mundial de Computadores na sociabilização dos jovens, no contexto da cultura digital, segundo a percepção docente. Para tanto, foi realizada uma investigação de diversos estudiosos sobre o assunto, de vários campos relacionados às Ciências Humanas – Filosofia, Sociologia, Educação e Psicologia – destacando-se Francisco Rüdiger, Pierre Lévy, Manuel Castells, Erick Felinto, Mário Marques e Vani Kenski. Este trabalho foi enriquecido com a realização de entrevistas com professores de escolas particulares, educadores de jovens do Ensino Médio, usuários da Internet. A partir da aplicação desta técnica, tornou-se possível a articulação do conhecimento teórico construído com o saber advindo das experiências dos professores, que possibilitou à pesquisadora uma melhor compreensão e avaliação crítica dos processos de sociabilização discente, na sociedade em rede, e suas implicações na vida dos alunos. Tal avaliação empreendeu-se considerando os valores apregoados no contexto sócio-histórico atual, voltados a ideais democráticos, bem como àqueles mais marcantes, conservadores e reprodutores do sistema capitalista vigente, tais como: individualismo, consumismo, hedonismo, exaltação do presente e imediatismo. Bom frisar, a tendência contundente que ganha força na sociedade informacional globalizada, que consiste na centralidade da Internet, evidenciada no comportamento dos sujeitos, de um modo geral, na visão dos autores, e tão emblemática na vida da “geração net”, em outras palavras, dos jovens nascidos na década de 90, pelo que se pode depreender de teóricos e dos discursos dos que acompanham dia-a-dia e dedicam-se à formação humana. Tais mudanças vêm afetando os modos e condições de ensino-aprendizagem, vivências pessoais e relações intersubjetivas, dentro e fora do meio escolar. Aproximações e encontros, ou seja, laços de solidariedade, parceria, amizade, inclusão, como em oposição, desencontros, indiferenças, querelas e exclusão social, dados em maior dimensão e intensidade, caracterizam a vida dos jovens de classe média alta, nos prismas docentes. Esta transformação na sociabilidade dos jovens, por influência do mergulho no ciberespaço, não se limita aos seus relacionamentos interpessoais, portanto, mas reconfiguram quantitativa e qualitativamente as interações mantidas também com pais, professores e com pessoas com quem estabelecem contato no ou fora do ciberespaço, no interior ou exterior da escola. Não se sabe ao certo as implicações éticas destas e outras condições existenciais, mas essa dissertação aponta a necessidade da reflexão e tomada de medidas educativas em torno delas, para que este movimento social revolucionário, mobilizado pelos jovens, sobretudo da elite da sociedade em rede, não venha a corroborar para um recrudescimento do mal-estar pessoal e coletivo e para o agravamento da exclusão social.

SANTANA, Ana Carmen de Souza. Cultura digital e educação: o caso das educadoras do campo no Centro Rural de Inclusão Digital (CRID) Santana. 2008. 85 f. Dissertação (Mestrado em Educação) – Universidade Federal do Ceará. Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2008. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-07-03T14:37:47Z No. of bitstreams: 1 2008_Dis_ACSSantana .pdf: 1962222 bytes, checksum: 67f1246af389171e9d44751ebc14a9af (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-05T13:54:09Z (GMT) No. of bitstreams: 1 2008_Dis_ACSSantana .pdf: 1962222 bytes, checksum: 67f1246af389171e9d44751ebc14a9af (MD5) / Made available in DSpace on 2012-07-05T13:54:09Z (GMT). No. of bitstreams: 1 2008_Dis_ACSSantana .pdf: 1962222 bytes, checksum: 67f1246af389171e9d44751ebc14a9af (MD5) Previous issue date: 2008 / This study attempts to express the systematization of experience in research developed in the Rural Community Santana with its educators in a project Centros Rurais de Inclusão Digital (CRID). The basic assumption was that these people had a digital culture in construction and that it could deepen this issue from a methodology where the object of study is configured with the experiences, thoughts and perceptions that educators draw from their own realities. For this reason, a general theoretical study has been realized about information society in education and after that depth in data analysis with talk of people. The roadmap has been a qualitative research, with an ethnographic approach that used a daily camp as tool for organizing events would contemplate the digital culture of educators in the rural Community Santana in a presence and virtual enviroment. The categories to be considered in aspects of digital culture of the educators to go toward: building practices contextualized to the reality in which they live; planning for CRID educational use and the need for continuing education, which can be made between the same and counting on management group support of CRID and collective perspective to live the CRID as a pedagogical tool for "beyond good will." The experience of CRID is good and we suggest the creation of new socialization spaces for educational practices in CRID by your educator is to give continuity to studies in this area that relation with digital culture and education. The final considerations point to Santanas’s educators that in CRID have a chance to express their autonomy so desired still at school. Another evident aspect was the community, living in the settlement, very expressive in the "struggle to grow and transform" from the CRID. / Este trabalho busca expressar a sistematização da experiência de pesquisa desenvolvida no Assentamento Santana com seus educador@s do campo através do projeto Centros Rurais de Inclusão Digital (CRID). O pressuposto fundamental era de que essas pessoas tinham uma cultura digital em construção e que se podia aprofundar essa questão a partir de uma metodologia onde o objeto de estudo se configurou com as vivências, percepções e reflexões que ess@s educadores tecem a partir de suas próprias realidades. Para tanto, foi realizado um estudo teórico geral sobre sociedade da informação educação e depois aprofundada na análise de dados com as falas dos sujeitos. O percurso de pesquisa foi qualitativo, numa abordagem etnográfica que fez uso de diário de campo como instrumento de organização dos eventos que contemplassem a cultura digital d@s educador@s do Assentamento Santana num campo presencial e virtual. As categorias consideradas nos aspectos de cultura digital d@s educadores caminham na direção para: construção de práticas contextualizadas à realidade em que vivem; planejamento para a utilização pedagógica do CRID e necessidade de formação continuada, que pode ser feita entre el@s mesm@s e contando com apoio do grupo de gestão do CRID e a perspectiva coletiva de se viver o CRID como instrumento pedagógico para “além da boa vontade”. É salutar a experiência do CRID e sugerimos a criação de novos espaços para a socialização das práticas educativas nos CRID por parte d@s educador@s e que seja dada continuidade nos estudos nessa área que entrelaça cultura digital e educação. As considerações finais apontam para @s educador@s de Santana têm no CRID uma possibilidade de expressar sua autonomia tão desejada ainda no espaço escolar. Outro aspecto evidente foi a coletividade, vivida no assentamento, bastante expressiva na “luta de crescer e transformar” através do CRID.

Esta dissertação discute o fenômeno da autoria – compreendido como procedimento que organiza e controla o discurso, conceito extraído da obra de Foucault – e suas possíveis relações com a natureza material do discurso. Analisa os meios através dos quais os discursos ganham corpo, as modificações culturais que eles introduziram na cultura ocidental e os procedimentos de autoria que esses mesmos meios justificam. Descreve a autoria sob as culturas oral, manuscrita, impressa e digital e investiga a relação entre a materialidade de que se reveste o discurso e alguns procedimentos de autoria observados. Conclui que, dentre os procedimentos gerados por fatores sociais, históricos e ideológicos que compõem o contexto de produção mais amplo do discurso, há procedimentos de autoria que só podem ser compreendidos no âmbito da cultura midiática em que o discurso se produz. / This dissertation discusses the authorship phenomenon - understood as a procedure that organizes and controls the discourse, a concept extracted from Foucault's work - and its possible relations with the material nature of the discourse. It analyses the media through which discourses reach consistency, the cultural modifications they have introduced in the ocidental culture and the procedures of authorship these very media justify. It describes authorship under oral, handwritten, printed and digital cultures and investigates the relationship between the materiality that overlays the discourse and some procedures of authorship observed. It concludes that, among the procedures generated by social, historical and ideological factors that compose the wider context of discourse production, there are authorship procedures that can only be understood in the ambit of the mediatic culture in which the discourse is produced.

Cette thèse a pour but de comprendre comment le « numérique » interroge à la fois les processus de légitimation et de délégitimation des pratiques info-documentaires et la manière dont ces processus s'inscrivent dans des objets, des lieux et des dispositifs. Ce travail prend place au sein de l'institution scolaire qui, implicitement ou explicitement, transmet et constitue des normes communes de ce que sont les « bonnes pratiques » de production, de circulation et de réception des textes, des documents et des savoirs. Il s'agit de faire une étude ethno-sémiotique, au sein des espaces de la classe et du CDI, dans deux collèges, des manières de rechercher, de lire, d'exploiter, de faire circuler et de produire des documents. Les dévoilements du numérique font réapparaître la nécessité de comprendre les pratiques et les compétences qui permettent de qualifier l'information, au-delà de méthodes canoniques forgées par les médiateurs (citer ses sources, respecter le droit d'auteur, ne pas copier-coller etc.), et au-delà des signes de la valeur, hérités du modèle de la bibliographie et de leur fétichisation dans la référence (éditeur, auteur, notice de catalogage etc.). Cette thèse repose sur une approche de la culture info-documentaire comme un composite, et sur la compréhension du numérique comme un phénomène social qui redéfinit les géographies et les temporalités de la production, circulation et réception des textes, des savoirs et de leurs documents. Cette approche permet alors de renouveler les questionnements sur la notion de valeur info-documentaire. Entreprise de dévoilement des normes de la culture écrite, ce travail de recherche montre l’enchâssement des pratiques, des objets et des valeurs à l’œuvre dans les processus info-communicationnels du partage des savoirs. Comprendre aujourd’hui les résistances des élèves aux discours du « bien se documenter » passe par une théorie de l’économie politique du document à l’ère numérique, et une approche anthropologique des pratiques ordinaires des textes et des documents, l’une se nourrissant de l’autre. / This thesis aims to understand how the "digital" interrogates both the processes of legitimization and delegitimization of informationnal practices and how these processes are embedded in objects, places and devices. This work takes place within the school institution which transmits implicitly or explicitly, common standards for "good practices" of production, circulation and reception of texts, documents and knowledge. This is an ethno-semiotic study within the class and the library school’s spaces in two medium schools to observe and analyze the ways to search, read, operate, circulate and produce documents. The digital unveils the need to understand the practices and skills to qualify the information beyond canonical methods forged by mediators (citing sources, respect copyright, do not copy and paste etc.), and beyond signs of value inherited from the model of the bibliography and their fetishization in reference (publisher, author, cataloging record etc.). This thesis is based on an anthropological approach of information literacy and of digital as a social phenomenon that redefines geographies and temporalities of texts, knowledge and their documents. This approach allows to renew questions about the concept of document value. This research demonstrates the entrenchment of practices, objects and values at work in the communicational processes of knowledge sharing. Understanding today resistances of pupils to follow the rules of a « good research » requires a political theory of the economy of the document to the digital age and an anthropological approach of the common practices of texts and documents, one is feeding the other.

In 1987, computer programmer and linguist Larry Wall authored the general-purpose, high-level, interpreted, dynamic Unix scripting language, Perl. Borrowing features from C and awk, Perl was originally intended as a scripting language for text-processing. However, with the rising popularity of the Internet and the advent of Tim Berners-Lee’s World Wide Web (Web), in the 1990s, Perl soon became the glue-language for the Internet, due in large part to its relationship to the Hypertext Transfer Protocol (HTTP) and the Common Gateway Interface (CGI). Perl was the go-to language for on the fly program writing and coding, gaining accolades from the likes of publisher Tim O’Reilly and hackers alike. Perl became a favorite language of amateur Web users, whom net artist Olia Lialina calls barbarians, or the indigenous. These users authored everything from database scripts to social spaces like chatrooms and bulletin boards. Perl, while largely ignored today, played a fundamental role in facilitating those social spaces and interactions of Web 1.0, or what I refer to as a Perl-net. Thus, Perl informed today’s more ubiquitous digital culture, referred to as Web 2.0, and the social web. This project examines Perl’s origin which is predicated on postmodern theories, such as deconstructionism and multiculturalism. Perl’s formal features are differentiated from those of others, like Java. In order to defend Perl’s status as an inherently cultural online tool, this project also analyzes many instances of cultural artifacts: script programs, chatrooms, code poetry, webpages, and net art. This cultural analysis is guided by the work of contemporary media archaeologists: Lialina and Dragan Espenschied, Erkki Huhtamo and Jussi Parikka. Lastly, the present state of digital culture is analyzed in an effort to re-consider the Perl scripting language as a relevant, critical computer language, capable of aiding in deprogramming the contemporary user.