This diploma thesis deals with family memory of 1950s Czechoslovak political prisoners. Its two major questions are: Is there a well preserved story in an actual family memory of a family ancestor who was politically persecuted and imprisoned in the period after 1948 and is his story preserved without significant shifts from reality? Given topic is being analyzed throughout a story of three particular families - those of Bedřich Fučík, Ladislav Jehlička and Karel Procházka. These three political prisoners died already, therefore were the subject of examination records of three generations of their descendents. Primary sources for this thesis are thus personal interviews with these family members. Both archive sources and original texts written byl Bedřich Fučík and Ladislav Jehlička were also used. Individual interviews have shown that a story of their ancestor is well perserved in family memory, but every particular family or narrator have their own specificities. Some narrators have shown major shifts from reality, whereas others have not. Key words political prisoners, 1950s, family memory, communist regime, oral history

Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2017-05-31T20:32:01Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação Ívens Matozo Silva.pdf: 2559231 bytes, checksum: 4e31a08bf20af3254d8967b4ee3e82fa (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-05-31T20:36:36Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação Ívens Matozo Silva.pdf: 2559231 bytes, checksum: 4e31a08bf20af3254d8967b4ee3e82fa (MD5) / Made available in DSpace on 2017-05-31T20:39:18Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação Ívens Matozo Silva.pdf: 2559231 bytes, checksum: 4e31a08bf20af3254d8967b4ee3e82fa (MD5) Previous issue date: 2017-02-22 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / O meio literário tornou-se um ambiente fecundo para a representação e elaboração de narrativas que procuram refletir sobre as relações familiares. Entre os diversos assuntos explorados nessas obras, a temática da decadência tem sido um motivo recorrente. É sob esse aspecto que se insere a presente dissertação, a qual possui o objetivo de examinar como se configura o tema da decadência nos romances Absalão, Absalão! (1936), de William Faulkner, e Ópera dos mortos (1967), de Autran Dourado, levando em consideração a influência das transmissões transgeracionais e o peso simbólico do passado sobre os integrantes das dinastias Sutpen e Honório Cota. Para atingirmos esse objetivo, procuramos investigar o valor simbólico atribuído à figura paterna presente nos romances, enfatizando o seu papel na constituição da estrutura e na formação da identidade familiar; examinar as relações intersubjetivas e as transmissões comportamentais entre ascendentes e descendentes; analisar o papel da memória familiar e os efeitos causados pela compulsão dos descendentes em preservar as heranças ancestrais; e, por fim, verificar o modo como as memórias familiares se articulam na configuração espacial, mais precisamente na casa, como vestígios mnemônicos que asseguram a presença dos mortos e apontam para a apreensão do passado frente às transformações históricas e sociais. Para tanto, nossa pesquisa está ancorada nos pressupostos teóricos desenvolvidos por Assmann (2011), Benjamin (2012; 2013), Candau (2011), Freud (1996) e Penso, Costa e Ribeiro (2008). Os resultados deste trabalho evidenciam que as transmissões transgeracionais e o peso simbólico do passado exercem uma forte ação negativa sobre as personagens. Além disso, a decadência que acomete as duas famílias funciona como uma representação metafórica e metonímica que correlaciona a trajetória de ascensão e queda das duas dinastias com o esfacelamento das sociedades às quais aludem as narrativas. / The literary field has become a fruitful ground for the representation and elaboration of narratives which attempt to reflect upon family relations. Among the diversity of motifs presented in those productions, the theme of decay has been a recurrent topic. In light of this, the present research aims at analyzing how the theme of the declining family is portrayed in William Faulkner’s Absalom, Absalom! (1936) and Autran Dourado’s The voices of the dead (1967) taking into account the influence on transgeracional transmission and the symbolic burden of the past over the Sutpen’s and the Honório Cota’s dynasty members. In order to reach the objective above, we seek to investigate the symbolic value of the father figure within the novels, focusing on his role in the constitution of the structure and formation of the family; to examine the relation among the family members as well as the transmission of behavior between ancestors and descendants; to analyze the role played by the family memory and the effects caused by the descendants’ compulsion to preserve their inheritance; and, lastly, to verify in what way the family memories are embodied in the spatial configuration, more precisely the house, as a mnemonic trace that keeps the presence of the dead and reflects the view of the past towards historical and social transformations. To this end, we based our analysis on the studies developed by Assmann (2011), Benjamin (2012; 2013), Candau (2011), Freud (1996), Penso, Costa and Ribeiro (2008). The results show that the transgeracional transmission and the burden of the past hold a remarkable negative power over the characters. Furthermore, it may be concluded that the decay which tears the families apart function as a metaphorical and metonymic representation that associate the rise and fall of both dynasties to the process of destruction and transformation of the societies described in the novels.

Estudo antropológico sobre memórias familiares reordenadas a partir da realização das Festas de Família, vistas como rituais familiares contemporâneos, ora denominando-se Festa ou Encontro da Família "Tal". A pesquisa etnográfica foi realizada com famílias "em e de" diferentes cidades do Rio Grande do Sul entre os anos de 2004 a 2009. Compreende-se Festa de Família como um acontecimento que tem se tornado freqüente na sociedade brasileira contemporânea. O evento apresenta o aspecto ambíguo da busca dos indivíduos por sua ancestralidade em meio ao mundo moderno, no qual a valorização da individualização parece tornar as pessoas menos vinculadas a formas locais e fixas de solidariedade. Vistas como rito - que busca revivificar ou engendrar novas formas identitárias sob novos comportamentos, com as recomposições familiares requeridas pelas situações contemporâneas -, as Festas de Família podem ser percebidas como instrumento de aprendizagem, implicando, desse modo, a continuidade das gerações, dos grupos etários ou dos grupos sociais dentro dos quais elas se produzem. / Anthropological study on family memories that are reorganized with Family Parties, seen as contemporary family rituals, being called Party or Gathering of a given family. The ethnographical research was done with families "in and from" different cities in Rio Grande do Sul between 2004 and 2009. A Family Party is understood as a happening that has become frequent in contemporary Brazilian society. The event presents the ambiguous aspect of the individual's search for their ancestors amidst a modern world, in which the valorization of individualization seems to make people less connected to local and fixed forms of solidarity. Seen as a rite - which aims to revive or engender new forms of identity, with new behaviors, with the family rearrangements required by contemporary situations - the Family Parties can be seen as a learning instrument, implying the continuity of the generations, of the age groups or social groups in which they are produced.

Estudo antropológico sobre memórias familiares reordenadas a partir da realização das Festas de Família, vistas como rituais familiares contemporâneos, ora denominando-se Festa ou Encontro da Família "Tal". A pesquisa etnográfica foi realizada com famílias "em e de" diferentes cidades do Rio Grande do Sul entre os anos de 2004 a 2009. Compreende-se Festa de Família como um acontecimento que tem se tornado freqüente na sociedade brasileira contemporânea. O evento apresenta o aspecto ambíguo da busca dos indivíduos por sua ancestralidade em meio ao mundo moderno, no qual a valorização da individualização parece tornar as pessoas menos vinculadas a formas locais e fixas de solidariedade. Vistas como rito - que busca revivificar ou engendrar novas formas identitárias sob novos comportamentos, com as recomposições familiares requeridas pelas situações contemporâneas -, as Festas de Família podem ser percebidas como instrumento de aprendizagem, implicando, desse modo, a continuidade das gerações, dos grupos etários ou dos grupos sociais dentro dos quais elas se produzem. / Anthropological study on family memories that are reorganized with Family Parties, seen as contemporary family rituals, being called Party or Gathering of a given family. The ethnographical research was done with families "in and from" different cities in Rio Grande do Sul between 2004 and 2009. A Family Party is understood as a happening that has become frequent in contemporary Brazilian society. The event presents the ambiguous aspect of the individual's search for their ancestors amidst a modern world, in which the valorization of individualization seems to make people less connected to local and fixed forms of solidarity. Seen as a rite - which aims to revive or engender new forms of identity, with new behaviors, with the family rearrangements required by contemporary situations - the Family Parties can be seen as a learning instrument, implying the continuity of the generations, of the age groups or social groups in which they are produced.

Estudo antropológico sobre memórias familiares reordenadas a partir da realização das Festas de Família, vistas como rituais familiares contemporâneos, ora denominando-se Festa ou Encontro da Família "Tal". A pesquisa etnográfica foi realizada com famílias "em e de" diferentes cidades do Rio Grande do Sul entre os anos de 2004 a 2009. Compreende-se Festa de Família como um acontecimento que tem se tornado freqüente na sociedade brasileira contemporânea. O evento apresenta o aspecto ambíguo da busca dos indivíduos por sua ancestralidade em meio ao mundo moderno, no qual a valorização da individualização parece tornar as pessoas menos vinculadas a formas locais e fixas de solidariedade. Vistas como rito - que busca revivificar ou engendrar novas formas identitárias sob novos comportamentos, com as recomposições familiares requeridas pelas situações contemporâneas -, as Festas de Família podem ser percebidas como instrumento de aprendizagem, implicando, desse modo, a continuidade das gerações, dos grupos etários ou dos grupos sociais dentro dos quais elas se produzem. / Anthropological study on family memories that are reorganized with Family Parties, seen as contemporary family rituals, being called Party or Gathering of a given family. The ethnographical research was done with families "in and from" different cities in Rio Grande do Sul between 2004 and 2009. A Family Party is understood as a happening that has become frequent in contemporary Brazilian society. The event presents the ambiguous aspect of the individual's search for their ancestors amidst a modern world, in which the valorization of individualization seems to make people less connected to local and fixed forms of solidarity. Seen as a rite - which aims to revive or engender new forms of identity, with new behaviors, with the family rearrangements required by contemporary situations - the Family Parties can be seen as a learning instrument, implying the continuity of the generations, of the age groups or social groups in which they are produced.

Depuis au moins trente ans, les descendants de l’immigration maghrébine sont, en France, l’objet d’interrogations scientifiques et politiques. De la mesure des degrés et rythmes d’intégration à l’identification de pratiques discriminatoires, la sociologie des descendants d’immigrés s’est concentrée sur l’étude des modes de vie et des trajectoires des membres de cette population vue depuis le pays de résidence, également pays de naissance. Pour compléter ces perspectives, ce travail propose d’étudier les liens matériels entretenus avec le pays d’origine des parents à travers une pratique apparemment mineure : les séjours de vacances passées au « bled », dans le pays de naissance de leurs parents – en l’occurrence l’Algérie. Ce travail interroge les enjeux d’appartenances qu’impliquent ces séjours vacanciers en les rapportant aux trajectoires et aux caractéristiques sociales des personnes rencontrées (classe sociale, sexe, âge et génération, situation familiale). Les appartenances ne sont pas appréhendées ici uniquement à travers des pratiques symboliques (comme la pratique de la langue du pays d’origine ou la religion des parents) ou par le biais de déclarations, mais à travers la description et l’analyse de pratiques matérielles mises en œuvre à l’occasion de ces séjours de vacances. Il apparaît alors que ces pratiques sont révélatrices de modes variés de relation aux « origines », entre pratiques mémorielles d’inscription dans une lignée familiale et/ou une histoire nationale, et entretien au présent de sociabilités familiales ou amicales à travers des pratiques de loisir partagées.La recherche s’appuie principalement sur une enquête qualitative menée à la fois en France (dans la région lyonnaise) et en Algérie (particulièrement dans la région de Sétif, première région d’émigration représentée à Lyon), réunissant des entretiens ethnographiques et des observations in situ des pratiques et des relations de vacances. Elle propose de combiner une ethnographie des pratiques présentes avec une perspective longitudinale sur l’évolution de ces pratiques, appréhendée du point de vue des individus et de leur famille, et du point de vue de l’Etat algérien. / For at least thirty years now, descendants of North African immigration in France have been at the centre of scientific and political debates. Defining degrees and rhythms of integration or identifying forms of discrimination, sociological analysis of the descendants of migrants has generally analysed life practices and social trajectories from the perspective of the country of birth and residence. This work proposes an alternative perspective by describing and analysing the material links that are maintained with the country of parental origin through an apparently minor phenomenon: holidays trips to the country of birth of their parents – in this case, Algeria.This thesis explores questions of affiliation and feelings of belonging that are raised in these trips, taking into account the various social backgrounds and trajectories (social class, sex, age and generation, family status) of the descendants who participated. Affiliations are not merely questioned through declarations or symbolical links to the country of origins (such as language or religion), but also through the description and analysis of material practices around holidays trips in Algeria. This analysis of practices reveals different ways of maintaining relations with the country of origin, between roots tourism, consisting of finding one’s place in family or national history, and leisure tourism, in which affiliations are based on current social relationships with family and/or friends.This research is based mainly on qualitative methods (interviews and observations) implemented both in France (around the city of Lyon) and Algeria (specifically in the area of Setif, the main region of origin for Algerian families in Lyon). The description and analysis of present-day practices is completed by a longitudinal perspective on the evolutions of these holidays practices. These evolutions are analysed both from the point of view of the descendants and their families, and the point of view of the source state of emigration, Algeria.

Ce mémoire veut démontrer que le film de famille ainsi que ses conditions de réception empruntent, et ce de façon instinctive, au fonctionnement communicatif et rassembleur de la tradition orale. La parole, l’oralité, devrait être considérée comme le catalyseur de la mise en commun du souvenir que le film de famille suscite. Elle est le véhicule de l’interprétation du message du film de famille en tant que discours familial. D’ailleurs, si l’on compare l’influence des deux registres sensoriels présents dans le médium cinématographique (le visuel et l’oralité), le film de famille reprend davantage les modalités de l’oralité. Conséquemment, son contenu, sa forme et sa finalité correspondent à la définition d’un cinéma de l’oralité, un cinéma de la parole défini par Germain Lacasse. En raison d’une absence de travaux portant spécifiquement sur le sujet, l’objectif de cette recherche est de rapprocher et de définir davantage ces liens qui se sont tissés entre la tradition orale et le film de famille. Dans ce dessein, l’approche théorique développée est basée sur les théories de la tradition orale, sur la théorie de la mémoire collective de Maurice Halbwach et sur les rapports entre le cinéma et l’oralité. Ainsi, les aspects suivants sont abordés : Le rôle de l’oralité dans la constitution de la mémoire familiale, l’apport de l’oralité dans les médias stimulateurs de mémoire familiale et finalement, la forme et le contenu du film de famille en tant qu’aspects distinctifs du cinéma oral. Quatre extraits de films de famille québécois des années 20 à aujourd’hui y sont également analysés. / This research wants to demonstrate that the home movie and his reception context seem to be deeply marked by oral tradition and it’s communicative and social system. Orality should be considered as the family remembrance catalyst in home movies. This spoken word is the main transporter of the interpretation of home movie message as the family discourse. In fact, if we try to evaluate which one of the sensory mediums is more important for family communication (visual or oral medium), we would find out that orality plays a bigger part. Consequently, its form, content and finality correspond to the “oral cinema” definition of Germain Lacasse. Because of an actual lack of literature on this specific subject, the purpose of this study is to connect and define theories of oral tradition and home movie. The theoretical approach developed is based on oral tradition theory, Halbwach’s collective memory theory and on the relations between cinema and orality. Therefore, several aspects will be discussed : the contribution of orality in domestic memory constitution, the orality involvement in family memory stimulators or medias, and finally, the analysis of home movie’s form and content as an oral cinema. In addition, four sequences of Quebec made home movies since the twenties until our days are studied.

Ce mémoire veut démontrer que le film de famille ainsi que ses conditions de réception empruntent, et ce de façon instinctive, au fonctionnement communicatif et rassembleur de la tradition orale. La parole, l’oralité, devrait être considérée comme le catalyseur de la mise en commun du souvenir que le film de famille suscite. Elle est le véhicule de l’interprétation du message du film de famille en tant que discours familial. D’ailleurs, si l’on compare l’influence des deux registres sensoriels présents dans le médium cinématographique (le visuel et l’oralité), le film de famille reprend davantage les modalités de l’oralité. Conséquemment, son contenu, sa forme et sa finalité correspondent à la définition d’un cinéma de l’oralité, un cinéma de la parole défini par Germain Lacasse. En raison d’une absence de travaux portant spécifiquement sur le sujet, l’objectif de cette recherche est de rapprocher et de définir davantage ces liens qui se sont tissés entre la tradition orale et le film de famille. Dans ce dessein, l’approche théorique développée est basée sur les théories de la tradition orale, sur la théorie de la mémoire collective de Maurice Halbwach et sur les rapports entre le cinéma et l’oralité. Ainsi, les aspects suivants sont abordés : Le rôle de l’oralité dans la constitution de la mémoire familiale, l’apport de l’oralité dans les médias stimulateurs de mémoire familiale et finalement, la forme et le contenu du film de famille en tant qu’aspects distinctifs du cinéma oral. Quatre extraits de films de famille québécois des années 20 à aujourd’hui y sont également analysés. / This research wants to demonstrate that the home movie and his reception context seem to be deeply marked by oral tradition and it’s communicative and social system. Orality should be considered as the family remembrance catalyst in home movies. This spoken word is the main transporter of the interpretation of home movie message as the family discourse. In fact, if we try to evaluate which one of the sensory mediums is more important for family communication (visual or oral medium), we would find out that orality plays a bigger part. Consequently, its form, content and finality correspond to the “oral cinema” definition of Germain Lacasse. Because of an actual lack of literature on this specific subject, the purpose of this study is to connect and define theories of oral tradition and home movie. The theoretical approach developed is based on oral tradition theory, Halbwach’s collective memory theory and on the relations between cinema and orality. Therefore, several aspects will be discussed : the contribution of orality in domestic memory constitution, the orality involvement in family memory stimulators or medias, and finally, the analysis of home movie’s form and content as an oral cinema. In addition, four sequences of Quebec made home movies since the twenties until our days are studied.

The key topics of this project are intergenerational relationships, in the means of creating a positive approach towards ageing in elementary school kids. Regarding the fact of demographic ageing of the population, active engagement of seniors into public life and profitable usage of their experience are both a current matter. The theoretical part of this thesis discusses intergenerational relationships, defines old age as equal to other stages of life and questions various stances and values. The practical part offers guidance to the developing process of collaboration between elementary school kids and seniors, in the area of social studies. The aim of intergenerational cooperation is going to be, through conversations, shared memories and further work with them, the increase of kids' concern about modern history and enhancement of respect towards ageing, therefore prevention of ageism. KEY WORDS population ageing, ageism, intergeneration relationships, positive approach to ageing, family memory, memories, teaching, project - based learning, inspiration for schools, modern history

Cette thèse propose une exploration du lien entre le capital social familial et les dimensionscognitive et relationnelle du capital social organisationnel de l'entreprise familiale (EF). La rechercheconduite allie fondamentaux théoriques de l'EF et théories de la sociologie, psychosociologie etpsychanalyse. En considérant que la famille, via sa culture, fournit un socle de lectures partagées dela réalité et influence les schèmes d'action et de pensée de ses membres, la question se pose del'impact sur le construit socio-culturel de l'EF, de l’entrechoquement ou de la superposition de cesschèmes (entre générations, membres d’une fratrie, ou membres de la famille et salariés exogènes).Pour aborder les ambivalences animant ces synergies famille-individu-entreprise, nous adaptons leconcept de PIH (Patrimoines Individuels d'Habitudes) développé par Kaufmann (2001) aux dirigeantsfamiliaux (DF), dans le cadre d'un cas unique (EF sous contrôle familial depuis le 19e siècle) précédéd'un cas exploratoire, et en enrichissant ce concept des dimensions émotions-psyché-affects. Unmodèle de cube dialectique est exploité pour une analyse et une mise en perspective inter ettransgénérationnelle conduisant à l'identification d'un "processus de gestion des PIH" des DF.L'analyse des risques attachés à ce processus offre un double axe de réflexion et d'action aux DF,l'un relatif au capital social interne de l'organisation, l'autre à la gouvernance. Le design de larecherche, abductif, de nature qualitative et interprétative, combine techniques de récits de vie,cartes cognitives, questionnaires, matrices processuelles, génogrammes, analyses des risques etélaboration de plans d'action. / The objective of this thesis is to explore the link between family social capital and the cognitive andrelational dimensions of the family firm (FF) social capital. At the crossroads of managementsciences, sociology and psychoanalysis, this work contributes to a better knowledge of the FF, whichintermingles, because of its very nature, emotions and affects in a very specific and ambivalent way.We consider that the family, through its culture, provides a shared framework to tackle reality andinfluences therefore the patterns of action and thought of its members. Thus, the question arises ofthe impact of the confrontation or superposition of these patterns (between generations, betweenbrothers and sisters, or family members and non-family employees) on the organizational culture ofthe FF. To address the ambivalences animating these family-individual-business synergies, we adaptthe concept of ICH (Individual Capitals of Habits) developed by Kaufmann (2001) to family-membermanagers (FMM), throughout a single case (preceded by an exploratory case), and we enriched itwith emotion-psyche-affect dimensions. Thus we use a dialectical cube model as a framework ofanalysis to shed light, from the inter and transgenerational angle, on a ICH management process.The analysis of the risks induced by this transversal process provides FMM with means to improveinternal organizational social capital and FF governance. The design of the research is abductive,based on a qualitative and interpretative approach. It combines FMM life stories, cognitive maps,semi directive interviews (non-family-member managers), matrices of process analysis, genograms,and risk analysis.